SDITE Is Part Spoiler-driven Anthology, Part Reverse Murder Mystery, And Part Full Cast Horror AD! Were

SDITE is part spoiler-driven anthology, part reverse murder mystery, and part full cast horror AD! We’re crowdfunding season two, and we need your help to pay our cast and crew!  http://igg.me/at/sdite-s2

as a bisexual, jonathan sims is the stereotype defying representation I really need. he spent years pining after one guy and then immediately eloped. his only non work friend was his ex gf from college. most of his other friends tried to kill him. two of them succeeded. he canonically had noodle arms. his only constant visual descriptor was looking like shit. he regularly fainted from thinking too hard. he was a serial killer. he became god. it was unclear whether he knew any straight people. he's perfect.

With three housemates left, someone had to be the third wheel.

Henry's new companion

Hey Henry. Henners. We know it can't feel great to be up for eviction so close to the end. And we know Malcolm and Jake have been thick as thieves and leaving you all lonesome. But we need to ask. U ok hun?

What I think the Obi-Wan series did right for me, which a lot of similar fill-in-the-gaps stories don't, is it filled in an emotional gap and not a plot one. This wasn't "how did Boba Fett survive the sarlacc pit" or "how did Anakin's/Luke's lightsaber get from Bespin to Takodana" or even (the simplest form of fill-in-the-gap) "what was he doing between x event and y event" (even though the series does answer that question, it's not the question it's answering). It didn't set out to "fix" or "explain" a plot "hole". It just looked at Obi-Wan at the end of Revenge of the Sith (betrayed, confused, guilty) and the next time we see him, in Rebels: Twin Suns or A New Hope (centred, calm, decisive, able to face Vader with equanimity and a hint of a smirk), and asked: how does this person become this other version of himself? What must he go through to get there? What must he realise and/or decide, and what would push him to get there? I'd love this to become the key question that determines whether it's worthwhile to revisit a character and tell an untold part of their story: are we just looking to answer a plot question, or are we bridging an emotional gap?

as a bisexual, jonathan sims is the stereotype defying representation I really need. he spent years pining after one guy and then immediately eloped. his only non work friend was his ex gf from college. most of his other friends tried to kill him. two of them succeeded. he canonically had noodle arms. his only constant visual descriptor was looking like shit. he regularly fainted from thinking too hard. he was a serial killer. he became god. it was unclear whether he knew any straight people. he's perfect.

Is this how it happens?

Just started Harrow the Ninth (for the first time) and current feelings:

yesssss let's get weeeeeird with it

oh no this is going to slowly grind me through the emotional mangle