One Thing That I Love/hate About Creating An Audio Drama Is The Process That Takes You From Recording

One thing that I love/hate about creating an audio drama is the process that takes you from recording lines to holy shit I made a world. Record lines - "God, I hate this" Editing vocals - "Is this really what I sound like?" Arranging vocals - "The most boring shit I've ever heard" Adding a little audio panning - "Sounds more real-ish, still boring" Adding sound effects - "This might actually maybe sound kinda cool a little" Adding music - "Are we actually gettin' somewhere? Is this really happening?" Finally sitting down in the backyard and sipping whiskey and listening to Desert Skies - "holy shit I made a world"

hey writers, did you know,

when you get other people involved and start properly taking your audio drama from page to airwaves,

that you get to talk to those other people about your world and your characters and your ideas all the time?

that all the cool people you got involved because you think their work is brilliant will ask you to tell them about those things?

and that you don't have to worry "am I being tedious/dominating the conversation by talking about my writing", because all these cool people whose work you admire literally need you to talk about your writing so they can do their jobs?

I'm on the hunt for OC's to draw! I want to hear about your campaign or the one shot that won't leave your brain or the blorbo you rotate on a regular basis (or even a blorbo you have all but forgotten about!)--whoever is living in your head rent-free.

Message me here on tumblr or hit me up on fiverr!

At the end of this episode, in response to a missed Act Under Pressure move, I asked the players to describe "an extremely short, extremely stupid car chase" that wouldn't be out of a place in a British black comedy – and what they came up with cracked me up

Anyway here's the stupid car chase from Knives Out, which isn't British but is one of the best:

Now playing in the Main House

Act Two of Four: The owner of the severed arm is in town hoping to witness something earth-shattering.

Coming next on 28 May – Mick, the Mundane Chosen (Vigil Backstage)

Programme notes

This production includes a natural disaster, fantasy violence, blood, and dismemberment (the dismemberment is not bloody).

Nominations are open for the CRIT Awards 2024!

In case you’d like to nominate us but you’re not sure what we’ve done that’s eligible, here’s a post that lists it all, along with any links you’ll need for your nominations.

Dramatis personae and other definitions

Mick Mason: Sherrydown’s favourite builder and bricklayer. His life has been getting weirder since he dug too deep and hit a leyline.

Melody Bantham: The owner of Melodies, the cosy cafe and vinyl shop on Market Street. Melody is an ageless patchwork person animated by music, who fled her creator ages ago and has owned a music shop on this spot ever since.

Brier: A mischievous shapeshifting púca, the fae guardian of Sherrydown’s Rosebrier Forest.

Department of Omissions (DO, DoOm): The UK government department tasked with preventing harm to citizens from supernatural phenomena. Severely defunded under Tory austerity policies and currently prioritising major urban population centres.

Sherrydown, Brackshire: A historic English market town. One of the first towns to lose its DoOm office.

Omission effect: The rejection of certain beings and phenomena by long-term memory. Can be suppressed by concentration, mnemonic techniques, hypnosis, trauma, or the light of the full moon.

Credits

COMPERE: Matt Boothman

STARRING:

Dave as Mick Mason, the Mundane

Helen Stratton as Melody Bantham, the Constructed

Strat as Brier, the Monstrous

ROLEPLAYING GAME SYSTEM: Monster of the Week, designed by Michael Sands

MUSIC BY: Alexander Pankhurst

SOUND DESIGN BY: Matt Boothman

SFX AND INCIDENTAL MUSIC INCLUDES: Ritual by Kevin MacLeod; and may include others made available to use without attribution.

EDITED AND PRODUCED BY: Matt Boothman

Bring back etiquette manuals. What's expected of me as a writer at a dialogue recording session? Should I speak only when spoken to? Bring biscuits for the cast and crew? Consult Debrett's!

straight british kristen applebees... save me...