Take The Character With Endless Optimism And Put Them In A Scenario That Their Optimism Cant Withstand.

Take the character with endless optimism and put them in a scenario that their optimism can’t withstand.

Take the character who is strong enough for anything and put them in a scenario that they aren’t strong enough for.

Take the character whose pride never falters and give them no choice but to beg.

Take the character who can think of a solution to any problem and make their intelligence useless to them.

Take the character who can talk their way out of anything and give them an enemy who well and truly does not care what they say.

Break the most fundamental parts of your characters and see if they can still be put back together again.

this website is full of some of the greatest writers ever to use their talents for evil and chaos with no payoff whatsoever

Spot the difference: Impossible edition

Ten Songs Tag

I was tagged by the incredibly cool @memento-morri-writes for this one! Thank you so much for the tag, I love making playlists and listening to songs, especially ones that inspire me to write!

So here are ten of my favorite songs that have been I've been utterly obsessed with lately!

More than Anything - Hazbin Hotel

Slipping Through My Fingers - Abba, (Ethan Hodgers cover)

Insane - Black Gryph0n (1920s version)

Leave Luanne - 35MM Musical

Once Upon a Dream (Maleficent Version) - MilkyyMelodies

Just a Man - Epic the Musical

Birth to My Creation - Frankenstein

Russian Roullete - Tungevaag, Charlie Who?, Raaban

My Family - from The Adams Family

Goodbye - Ramsey

Tagging - @lassiesandiego, @little-peril-stories, @oh-no-another-idea @gummybugg, @your-absent-father @clairelsonao3, @doublegoblin @steh-lar-uh-nuhs and @rickie-the-storyteller + OPEN TAG

“Notice Me, Reader!” Tag Game

Thank you very much for the tag, @mysticstarlightduck!

Rules: Share 3 (or more!) small details from your WIP that you feel have gone/will go unnoticed. (You can choose whether or not to share why the detail is significant!)

Here's some for the Steph adventures:

I’ve actually been meaning to write a detailed post about this, but Stephanie and Bret mirror each other in a lot of ways. They’re both pretty traumatised and flawed, they both crave attention and connection to a certain degree, hating the feeling of loneliness, and they both have a capacity for being quite selfish, impulsive and hedonistic (as well as being major fans of instant gratification). This is partially why their affair storyline is so significant and impactful the more you think about it (and to think, it almost wasn’t going to happen…). An example of their connection that often goes unnoticed is that their dialogue has a bit of a parallel… in the beginning of book one, Bret says something along the lines of “Grades don’t actually mean anything in the real world when you think about it.” This was back when he hated school, before his whole self growth arc and wanting to change his life for the better. And towards the end, Stephanie basically says that same exact thing, almost word for word (despite disagreeing with Bret at the start of the story). It was in the context of her and Ben contemplating leaving the country together right before sitting her final exams. There are other small examples of parallels between their two arcs and thought processes in the story, too… many of which actually existed before I even wrote their affair storyline. Perhaps it was always meant to be lol.

I tried to write my characters in a way where you can kind of tell which parent they take after more. This is one of the reasons why I have the parents and family members be such a prominent part of the story - big part of who you are stems from your environment, and this includes the people you are surrounded by. It also adds a bit of mystery to our main protagonist… Stephanie doesn’t know her parents, so we don’t know why she is the way she is (like, we even know why Bret is the way he is, despite the fact that his parents are no longer around. He remembers his parents and we get a strong sense of what they were like, and this is something we don't get with Steph). A big example of this is Elise and Adam. Elise takes after both Maggie and Paul (maybe Paul a little more than Maggie) - she shares her mother’s drive and determination (comes in handy when you’re a lawyer), and her father’s empathy and intuition (comes in handy when you’re a therapist). Adam takes after Maggie, as well as his grandmother to an extent, in terms of his natural creativity (he has a heart of gold, but he is also very stubborn and prefers to do things his way. Whenever he gets pushback, he fights harder in the opposite direction. Very much like his mother… not that Maggie would ever admit that. Good thing both of them grew out of it somewhat after becoming parents! And by that, I mean she was much worse when she was Adam’s age lol). There are other examples of this in the story, but this one’s my favourite.

I got a fair amount of inspiration from the shows I mentioned in my intro post lol (plus Gossip Girl, which wasn’t included in the post. That's where I got the secret blogger idea from. Speaking of... I was meant to reveal that to you guys ages ago. Sorry about the delay lol. Saving that for a proper future post alongside the Bretanie analysis). Especially Bojack Horseman. I don’t know if I want to elaborate on this point… I think it’s more effective if you check out the shows for yourself, and see what I mean that way. But to give a vague little example of what I mean… Stephanie is sort of in and out of the crew’s lives, and whenever she’s not around, the others tend to thrive and live relatively peaceful, normal lives. In many ways, she’s the root of a lot of their drama. She does a lot of crazy things that cause damage to a lot of people, and she wrecks a lot of her relationships beyond repair. And throughout the course of the trilogy, the main crew members often find themselves wondering whether they should stay loyal to their friend, set some boundaries with her, or cut ties and separate themselves from her completely. Kind of like in a certain show (Bojack). They all take different approaches to this, each saying a lot about them as characters (Elise, for example, decides to cut Stephanie off. May seem out of character at first, but then you remember that this is after ages and ages of being patient and understanding with Steph… as well as everyone else who has hurt her immensely in her life. That makes her choice to end her friendship with Stephanie a little more understandable… she reached her last straw in book two), but they’re all better off once they reevaluate their relationships with one another.

I didn't mean to write so much... but what can you do.

Hopefully this was interesting! This tag game is such a good idea. Inspires you to look deeper into the stories and pay attention to small but significant details.

Tagging these folks next: @gummybugg, @winterandwords, @jessicagailwrites, @dyrewrites, @harleyacoincidence, @exquisitecrow, @leisoree, @wmlittlemore-is-writing, @mjparkerwriting and @janec23.

Incorrectly Described OCs

Tagged by @mysticstarlightduck here!

Gently tagging: @kaatiba @ahungeringknife @sarahlizziewrites and an open tag

Rules: Describe your OCs (personality-wise) as badly and weirdly as you possibly can

Tomb of Light

Adrin: Just the saddest boy. Like a golden retriever if you stepped on his tail—he’ll bite you, but he’ll feel really bad. Will love anyone who is nice to him.

Mara: Feral cat. If you try to be nice to her, she will likely return it with hostility or a sarcastic comment.

Hettie: 🎵Every rose has its thoooooorn🎵

Oliver: King Emo himself. Scared of children and intimacy. Will trade hugs for food.