nugget-creates-things - OCs For Days
OCs For Days

All my art stuff goes here! Enjoy fanart of whatever is giving me brainrot atm and me trying to figure out my ocs stories!

1320 posts

Time To Rewrite Two Whole Scenes A Few Hours Before They Need To Be Finished Just Cause The Pacing Is

time to rewrite two whole scenes a few hours before they need to be finished just cause the pacing is weird. fuck me

  • nugget-creates-things
    nugget-creates-things reblogged this · 5 months ago
  • privilegedjester
    privilegedjester liked this · 9 months ago
  • bisexual-nugget
    bisexual-nugget liked this · 9 months ago
  • lightningzombie
    lightningzombie liked this · 9 months ago

More Posts from Nugget-creates-things

5 months ago

In the classic ‘just read the same sentence about 100 times over while editing and now I don’t know what words are’ predicament 😭


Tags :
5 months ago

i’m researching light symbolism while editing my book and it’s so weird that the healing one is the green light when it’s so often used in movies to depict something evil


Tags :
5 months ago

My self-appointed rules for drawing comics:

No pages with only talking. If all the characters are doing is talk, they should be doing something while having this conversation. If that is not possible, there should be something happening in the background - even if it's just a faceless background character spilling a glass of water and cleaning it up.

The illustrations should be clear enough that even a person who can't read the text would have some kind of a grasp of what's going on, and how the characters feel about it.

Every character who is speaking in this panel should be in this panel, unless it's explicitly funny that they are not.

Each character's design must be distinct enough from each other that they can't be confused with any other one from any angle or distance.

Make the characters' body language clear enough that a reader could tell how they are feeling even if their face isn't visible.

Fit the characters around the dialogue, never the other way around. They should be positioned in order of who speaks first, no matter how strange of an angle that must take. A character whose speech bubble is on the left should be on the left of a character who says something on the right.

In both setting and characters, quality is measured by consistency, distinction and clarity. As long as a reader can tell who the characters are, where they are and what they are doing, it's a good panel. A comic consisting of extremely well-drawn individual panels, but where locations and characters aren't recognisable on sight, or are hard to tell apart from each other, is worse than one drawn with stick figures.

In the end, it mostly boils down to consistency, clarity, motion and emotion. As long as each individual panel meets those standards, it's good enough. Anything above and beyond that is a bonus, not a requirement.


Tags :
5 months ago

WORLD BUILDING CHECKLIST

WORLD BUILDING CHECKLIST

If you are writing a book/story that takes place in another world, I have provided for you the complete world building checklist to ensure that you know your world inside out.

Economy A. Currency B. Poverty rate/line

Government A. Crime & Legal System B. Foreign Relations C. Politics D. War

The Land A. Physical & Historical Features B. Climate C. Geography D. Natural Resources E. Population

Society & Culture A. Arts, Entertainment, & Recreation B. Architecture C. Calendar D. Daily Life. E. Diet F. Ethics & Values G. fashion & Dress H. History I. Dining Customs J. Education K. Language L. Gestures M. Manners N. Meeting & Greeting O. Religion & Philosophy P. Social organization

Magic A. Magicians B. Magic and science C. Magic & Technology D. Rules of Magic

Technology C. Technology D. Medicine D. Transportation & Communication you're welcome <3

Fell free to reblog and fill it out if you want. I am curious to see the worlds in my fellow writers heads.

Follow me @leisureflame for more posts like this!


Tags :
5 months ago

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.


Tags :