Writing Help - Tumblr Posts
guys how do I make a tag list. send help. I’m making fanfics on Thursday and I need a tag list. somebody pls. I’ll send you Olive Garden breadsticks. or wet hotdogs.
WEBSITES FOR WRITERS {masterpost}
E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
(Also, check my gumroad store if you want to!)
Sicktember Fanfic Suggestions!
Hiii so I’m participating in Sicktember this year (unfortunately its final year 😔) and I’m having a bit of trouble with the brainstorming process on some of the prompts. If you have any that you’d like to see, feel free to request! Either on this post, or in an ask :)
***Please note I have crossed out prompts that I don’t feel comfortable with writing.***
Please check my pinned post to see fandoms I am in/will write for! I currently write FFXV and Genshin Impact, but I’m looking to expand on that :)
Prompts I already have ideas for:
• 1: “I’m not hungover, I’m just sick” (Likely Kavehtham)
• 2: Too much of a good thing/overindulgance (Probably Noctis lol that poor guy)
• 12: “You’re not fine, you’re throwing up/coughing up a lung” (Likely Promptis)
• 29: Sick on a roadtrip (VenXiao)
I’m also happy to take ideas for those four prompts as well! I am always open to ideas, so they are something I could certainly write in the future as well :)
Thank you!!!! Happy almost Sicktember 😷
***NOTE: I am fully entitled to reject a prompt if I am not comfortable with the suggestion/do not know the source material well enough to write a fic (see pinned post for fandoms I’m in). Please be kind and respectful, and do not send suggestions for the ones crossed off the list. Ty <3)
story outlining methods, pt. 1:
take off your pants!! (“take off your pants!: outline your books for faster, better writing” by libbie hawker)
this outline starts with a character — specifically their biggest flaw — and leads to five points that will make up the core of your story. it’s best for plots and subplots that focus on overcoming the flaw!
this outline doesn’t just have to be used for coming of age novels. it is just as important in your dystopian, fantasy, or thriller novels that the main character learns something or has changed by the end.
STEP ONE: think about your character
your main character — what is their name, and what are their important features?
what are your character’s flaws? what about their FATAL flaw? ex: hubris, overconfidence, stubbornness, etc.
STEP TWO: think about the end of the story
the story (whether the main plot, a subplot, or a facet of the main plot) is the journey lead to overcome the flaw. now that you know the character’s flaw, you know what lesson they need to learn.
the end of the story = the flaw mastered, the lesson learned.
STEP THREE: think about the external goal
the external goal is the plot, the outer motivation to push the character to the end of the story where the goal is mastered. if you remember my post on quests, you know that a quest has two reasons to be there: the external factor (shrek saving fiona for his swamp), and the real reason (the lesson learned)
the external goal should provide a chance for the character to recognize their flaw and begin to change. how does your plot tie into their character development?
STEP FOUR: think about the antagonist
thinking about the external goal should reveal who the antagonist is. the antagonist should want to achieve the same goal or a goal that impedes with the protagonist’s goal. the antagonist should be the biggest obstacle to the character.
STEP FIVE: think about the ally/allies
the character(s) that is capable of forcing the protagonist down the correct path. where your protagonist most likely will resist changing and confronting their flaw, the ally will help force them to do so anyway.
STEP SIX: think about the theme
so what’s the point of your book? if you are struggling to boil it down to one sentence, you might want to think about it a little longer. this is what keeps the story feeling coherent. what are you trying to tell us?
STEP SEVEN: think about the plot
each main plot element should somehow relate to the core of the book, aka the character’s development in overcoming their flaw
OPENING SCENE - set the stage. address the flaw or the theme
INCITING EVENT - what forces the character out of their everyday life and into the story?
REALIZING EXTERNAL GOAL - what makes the character begin seeking their goal?
DISPLAY OF FLAW - if the character’s flaw hasn’t been made blatantly clear, now is the time. make it known to the reader.
DRIVE FOR GOAL - what is your character’s first attempt to reach their goal?
ANTAGONIST REVEAL - how do you first show your antagonist’s opposition to your character?
FIRST THWART - what happens to your character that keeps them from reaching their goal?
REVISIT FLAW - show the character’s flaw again, even if they themselves aren’t aware of it yet.
ANTAGONIST ATTACKS - what does the antagonist do that makes things worse?
SECOND THWART - where your character fails most likely due to the attack
CHANGED GOAL - the character finds a new goal or focuses on the external goal in a different way
ALLY ATTACKS - what does the ally do to force the character to see the flaw?
AWAKENING - the character knows what they must do to reach the external goal. how will you show that the character has also awakened to their flaw? how will you show them changing?
BATTLE - the final showdown with the antagonist!
DEATH - the character’s flaw dies here. how will you show that the character truly is different now?
OUTCOME - show whether the character won or lost the external goal, reveal the theme of the story.
naturally, you don’t have to follow that outline exactly, but it can be a good place to start ;)
❣️❣️❣️
I am going to take a deep breath and just remind you:
Writing is messy, even for the best authors. It's supposed to feel a little uncomfortable, exhilarating, freeing, natural, and terrifying.
It's supposed to inspire you and feel like a too-heavy backpack.
Sometimes, you're going to love being a writer and sometimes, you'll feel so disconnected, you'll wonder if you were ever a writer to begin with.
Give yourself room to make mistakes and hate your work and return to it with renewed confidence that yes, you will get 1% better next time.
It's what we're all going through. Let's speed up the growing process a little by accepting the entirety of it.
Hello Writers Community out there!
How do you know that you’re story is good enough?
The best stories aren’t perfect. They’re raw, messy, and real. Don’t hold back, write what feels true, even if it scares you.
60 Awesome Search Engines for Serious Writers
8 useful websites & apps for writers
Notion
Desktop app for organizing your notes with tons of views and functions - works like a mini personal website.
Ommwriter
A peaceful writing program with focus options and ambience settings - complete with typing sound effects!
Reedsy
A massive website for writers with tools, generators, prompts, programs, tips and services.
Figma
A free-form editable and collaborative mind-map interface, for laying all your notes out visually.
Novlr
Free online writing software with goal setting and thorough tracking options, now with in-app courses as well.
Freedom
Distraction-muting app that blocks attention-sucking websites for a set period of time.
Milanote
Another visual board organizer for your notes and plans.
Wordtune
Editing app to rephrase your sentences depending on length or tone.
Do you need help getting your WIP organized?
Pick up my 3 extensive workbooks for writers, with dozens of fully-customisable templates. These are my first ever original E-books and templates available outside of my coaching programs!
The Writer’s ToolBoox contains: The Character Bible, The Plotter’s Almanac, and The World-Builder’s Chronicle
Grab it through the [link here] or below!
FREEBIES
Hello hello, it's me!
Before listing all my freebies so far, I want to announce the new image of Souls Collide! After over two years, I've decided to give it a makeover and changed the color palette, the fonts, the logo, and the banner! I hope you like it. Also, I am organizing my posts and trying to make them as easy as possible to be found if you're searching for a specific item or master post. (That's one of the reasons I'm making this post, to list all my freebies so far.)
Pro tip: search for #2scfreebies to find out more about my freebies!
THE WRITER'S WORKBOOK
Grab it here
PLOTDECK - CARD GAME FOR WRITERS
Grab it here
AUTHOR'S CORNER - NOTION TEMPLATE
Grab it here
WRITING GAME - 7 DAYS
Grab it here
MY LIBRARY - READING JOURNAL
Grab it here
Disclaimer: all of these items are digital products! As soon as you grab them, you'll have access to them.
That's everything for now! Feel free to reblog or recommend this post to a friend who'd love to grab one of these freebies (or all of them!).
Ps. Some of the links don't work anymore due to the account being deleted or deactivated
the suffering never ends
how to write a likeable grumpy character
consistency : this is applicable to all your characters but becomes specifically important while writing one that might not appeal to the audience because of certain traits. you should know when to balance out their grumpiness to other behaviours– being a grinch cannot make up their entire personality!
body language : their irritability can be expressed not just through dialogues and expressions, body language plays an important role as well. a descriptive narration of acts such as crossed arms, huffs, a perpetual scowl or the good old eye-roll could create a similar effect without annoying and the reader as much.
internal thoughts and beliefs : it is very often noticed how a grumpy character's inner ideals are on a comparatively 'softer' and vulnerable side, which allows room for the reader to sympathize with them. maybe this side could be shown to a particular character while it remains hidden to others. if you're thinking about luke and lorelai, congratulations because so am i.
humor : their grumpy behaviour can always be used to provide hilarity in otherwise tense scenarios. give them some witty comebacks, a fair amount of sarcasm or some self-deprecating humor and watch the audience fall in love with them.
contrast : establish scenes that provide a contrast between their gruff nature and hidden benevolent traits. interactions with characters that they feel safe around, acts of kindness and a demonstration of their protective instincts shows a caring side behind the grumpy facade.
reasons : although this isn't necessary, it can be used according to your will and pleasure. find a (realistic) reason behind your character's irritable behaviour– maybe certain events trigger it more often, a backstory, out of spite from certain other characters, personal struggles etc.
self-awareness : allow them to be conscious of their actions and behaviour, maybe even learn from them. their willingness to do better (or at least attempting to) creates a sense of liking for the audience. this awareness along with their internal struggles as mentioned earlier would add layers to their personality and thus help in character growth.
This is a damn blessing and I need to share for any of those who also be struggling to develop their villains. (I can't be alone in this, c'mon)
A list of moral questions to developing a villainous character
Is mercy a sign of weakness in your eyes?
What is your primary motivation or value that drives your actions?
Are there any principles you refuse to compromise on, even in your pursuit of power?
Do you believe lying is justified if it serves your goals?
How do you manipulate others to achieve your ends?
Would you betray an ally to further your plans?
Do you believe in justice, or do you see it as a tool to manipulate others?
Would you sacrifice yourself for a cause or ambition?
Would you destroy something beautiful or innocent to achieve your goals?
If you had to choose between your ambition and the life of someone you care about, what would you do?
Do you feel any responsibility towards society, or do you act solely for your gain?
How do you justify your actions to yourself and others?
Can you forgive someone who has wronged you, or do you seek revenge?
How long do you hold grudges, and what actions might provoke them?
Do you respect any form of authority, or do you see yourself as the ultimate power?
These questions can help you delve into the psyche of your villain.
Some helpful character building tips courtesy of my dear friend, Arielle! Please give her a follow because her content is top tier!
Arielle W.M. Presents: Crafting Characters
This is a new thing I'm trying out not only on Instagram but also on here. To give fellow upcoming writers, aspiring writers or those curious to wonder the tools, the science, ways that writers construct their stories. From its characters, dialogue, worldbuilding, to the actual structure of the story.
Let me know if there is a subject you wish to learn more about in the comments. It'll give me more time to make posts and have this be a Friday posting.
So...here is the first in the series! Enjoy!
Curious about "Coils of the Naga"? Link to the audio is down below here!
Writing tips for long fics that helped me that no one asked for.
1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.
2.) Stuck with wording the action? Just write the dialog then revisit it later.
3.) Stuck on the whole scene? Skip it and write the next one.
4.) Write on literally any other color than a white background. It just works. (I use black)
5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.
6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.
7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.
8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.
9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.
10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.
Some tips for using a few words to describe voices:
1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.
2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.
3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."
4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."
5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.
6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."
7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.
8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."
9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."
10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."
11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."
12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."
Thank you! Your fics have been inspiring me to keep up my own writing, and this is good advice for someone who struggles a lot with sentence and paragraph flow
some tips for writing flow
i've had a lot of comments complimenting my writing style, most of which don't know how to explain or describe what they like about it. i never really knew either, but i've been paying more attention to the way i write things lately, in the hope of being able to understand and explain it.
a lot of this is "based on feel" with no hard and fast rules, but there's also very tangible techniques you can hopefully work into your own writing, if that makes sense? idk is this anything—
1 - sentence beats, and alternating them.
this is probably the biggest thing in my writing. i've realised my sentences can be measured in beats, based on their length and how many sections they can be broken into. the pattern changes often, and i don't have a concrete rule in how i fill a paragraph (again, i've only just put words to any of this), but it's probably the most important part of my flow. let's have a look:
1 beat: • this is probably the biggest thing in my writing.
2 beats: • i've realised my sentences can be measured in beats • based on their length and how many sections they can be broken into.
3 beats: • the pattern changes often • and i don't have a concrete rule in how i fill a paragraph • but it's probably the most important part of my flow.
it looks like a favour certain patterns, the only real "rule" i use is to construct a paragraph with various beats, and never put two side by side. whenever i'm struggling with my flow, it's usually because i've put two of the same beats next to each other and everything feels either stiff or crowded. i rarely put two side by side, unless it's for specific emphasis.
the other exception are paragraph breaks: these are a pause for breath, and allow us to reset the pattern. i often start and end my paragraphs with single beat sentences, and it doesn't feel like they're running on because there's that lovely breath between them.
2 - short paragraphs
the rule we learn in school is that new paragraphs are for new ideas. convert this to prose, and we can consider "ideas" to include the character's thoughts, new narrative tangents, and physical movement around a scene.
one of my biggest struggles reading "bad" fanfic is when paragraphs are too lumped together. crowley will walk into the bookshop, see aziraphale across the way, wander over to a shelf, select a book, then pour himself a drink all in one big chunk. i can't parse that. there doesn't have to be a new line break for every new action, but grouping the relevant ones together and breaking in between broad motions (i.e. walking across a room, acknowledging a character) can help ease readers through the scene.
paragraphs are a breath, not only for sentence flow, but for processing the action within a story. similarly, purposefully keeping multiple actions confined to a single paragraph can make them feel quicker, while breaking them up into multiple paragraphs will slow down the pacing (even if the amount of detail describing each action is the same). included some examples because i'm struggling to explain this one
3 - mixing metaphors
this might sound less flow related, but i used to struggle with it a lot as a young writer, and paying more attention to it has definitely helped clean up my flow and writing overall.
i love a good analogy, but it can be easy to get carried away, and this can bog down the prose. my personal rule is that i can get silly with my metaphors (see: the mon chéri magnet), but i can only use one at a time. no talking about the magnet in aziraphale's chest and the angel and demon on his shoulder within the same scene.
if i'm getting silly and long winded with a metaphor, i also try to limit the length of it to one or two paragraphs. paragraph 1: set up the metaphor, establish the analogy. paragraph 2: come back to the reality of the scene, then mention the metaphor once more to link it all together. if i'm feeling cheeky, then i mention the metaphor again ONCE in passing, a couple of paragraphs or even chapters later
the magnet was a fun one, because i kind of flipped how i would usually present a metaphor, with the long winded tangent coming last instead of being the set up. and even though i used the metaphor 3 times, it felt like 2 because the set up was really just a planted seed for what i'd be mentioning later in the theatre. referencing the "whispered curse in the dark" also helped tie the scenes together and keep the analogies neat and tidy in our heads
meanwhile i got a little more carried away with the space metaphor in postcards (i feel like there's probably a 4th and maybe even 5th mention during the bookshop scene), but each one was blink-and-you'll-miss-it brief that didn't slog down the prose.
4 - avoiding repetitive pronouns
we're all going to struggle with this, and i don't have a secret hack for avoiding a wall of "he this, he that, he then," and i honestly try not to beat myself up over it too much. but there are two things i check to make sure it's not getting too repetitive:
1. looking within a paragraph
apparently everything revolves around paragraphs and the breath between them lmao. i don't have a strict rule like "use the character's name once per paragraph, then 'he' for the rest" or anything like that, but it's in that kind of vein. i simply pay attention to one paragraph at a time to watch for too much repetition, and if i notice it's been one or two whole blocks without switching from 'he' to a name, i'll chuck one in to break it up.
2. paragraph starters
this is so picky. and i don't know if it does ANYTHING, but it bugs me when i'm writing and i notice every paragraph starts the same way. maybe it has no effect on the flow at all. but i like to make sure my paragraphs aren't starting with the same "he" "he" "he", and that forces me to go back and switch around the pronouns in recent sentences, so the next paragraph can flow on more smoothly.
5 - use interruptions appropriately
edit: sneaking this one in here as a final thought! i just want to mention the use of em-dashes, semicolons, footnotes, and parenthesis mid-sentence. it's common to favour one in particular, but each have spectacular uses and can add miles to the pacing and flow of your prose.
em-dash (—) interruptions, cutting off dialogue— pausing to make a point — like this — in the middle of a sentence.
semicolon (;) helps with making lists and continuing a compound sentence that doesn't really link with 'and' or 'but'; when you want to pause, but a new sentence would break the flow of things.
footnotes (¹) these should be optional additions to the text imo. you should be able to keep reading without looking at the footnotes and not lose an ounce of story. they're additive, not necessary.
parenthesis ( () ) a great way to interrupt yourself (less sharply) than with em-dashes, include longer pieces of information (like what you might put in a footnote, except more crucial to the narrative that you don't want people to miss!) and adding sass (lol) and tone to your prose.
Some tips for using a few words to describe voices:
1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.
2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.
3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."
4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."
5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.
6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."
7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.
8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."
9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."
10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."
11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."
12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."
I was getting pretty fed up with links and generators with very general and overused weapons and superpowers and what have you for characters so:
Here is a page for premodern weapons, broken down into a ton of subcategories, with the weapon’s region of origin.
Here is a page of medieval weapons.
Here is a page of just about every conceived superpower.
Here is a page for legendary creatures and their regions of origin.
Here are some gemstones.
Here is a bunch of Greek legends, including monsters, gods, nymphs, heroes, and so on.
Here is a website with a ton of (legally attained, don’t worry) information about the black market.
Here is a website with information about forensic science and cases of death. Discretion advised.
Here is every religion in the world.
Here is every language in the world.
Here are methods of torture. Discretion advised.
Here are descriptions of the various methods used for the death penalty. Discretion advised.
Here are poisonous plants.
Here are plants in general.
Feel free to add more to this!
Writing Characters: Getting from a ✨vibe✨ to something concrete.
Writing characters is my favorite part of writing, so I figured I’d chat about one of my methods. As far as I know, I came up with it on my own, but I don't doubt a lot of other people use a similar or even the same method.
If you have a vibe you probably know their sense of humor. Their voice. Bits and pieces of their personality, etc. I start from here a lot when I’m writing fanfic especially, since the character is preexisting. Problems I tend to run into from here can be struggling to make them a driving force in the plot, developing a clear and executable character arc, and other… tangibles.
Word Bank. Write down every descriptive word for their personality/who they are. Brave. Reckless. Sarcastic. Loyal. Whatever you’d use to describe them. Then cull the words, think critically about them. Eliminate unnecessary synonyms, or replace with better/more exact words.
Sorting. Draw connections between these traits based on your understanding of the character. There isn’t right or wrong answers, as long as you can explain or justify your reasoning. Are they brave because they’re reckless? Reckless because they’re brave? My primary goal with this step is to be able to isolate a few core tenets of their character by seeing which ones I keep circling back to as influencing or causing others. Usually I end up with 2-5 tenets, 3 tends to be the sweet spot. You want these traits to be distinct from each other. For example you probably wouldn’t want both ‘brave’ and ‘reckless’ to be two of your tenets, or ‘kind’ and ‘encouraging’.
(Note that actually drawing this out isn’t necessarily necessary, and if you do you can do it to whatever level of detail helps. Here I added behaviors resulting from/affirming the personality traits as an example of how you can evolve from this/do whatever you want to with it. It’s a tool, not a template)
So, you got a flowchart, now what? Well, it can be a handy rubric to refer to when writing your character. In its most extreme usage, every decision your character makes should be derived from one of your primary tenets. I generally use it to a less rigid degree than that, but you do you.
In my opinion, it gets fun when you think about the dynamic between your primary tenets. Can the tenets be in conflict with each other? IE, what type of situation could you put the character in where the individual tenets indicate different actions? (In my example sheet: Is he distrustful about a job offer, or is he not taking it seriously enough to even be distrustful? Maybe different tenets predominate different parts of his life?) How do these tenets reinforce or contradict each other? Maybe use internal contradiction to show character complexity, or use internal conflict to drive character growth. Maybe a behavior that is reinforced by 2+ tenets (ex: recklessness) can be a dominating character trait or flaw due to how ingrained it is. What different belief system or coping skill is the scaffolding for each tenet? Could two different tenets erupt from the same belief system and/or coping mechanism? What happens to their traits and behaviors if one of these belief systems is challenged or reinforced? Sometimes just having a new lens to look at characterization through brings up new questions and ideas.
Finally, use whatever method or lack thereof works best for you personally, and have fun writing :)