Save Me Annie Cresta Save Me
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save me annie cresta save me
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More Posts from Rosaaeles
ultimately tbosas is an inversion of thg, and our main three characters in each are inversions of the main three counterparts. snow is an inverted katniss; lucy gray is an inverted peeta; sejanus is an inverted gale.
snow and katniss are both constantly aware of their self as it relates to how they are being perceived. they’re both hyper aware of the unspoken rules of society that dictate how they must live their lives. but while snow uses his knowledge to manipulate others for personal political gain within the rules of that society, katniss uses her knowledge to highlight the injustice of the rules themselves. snow would see a friend killed before he would allow himself to be implicated in a crime; katniss would rather kill herself than lose the boy she’s grown to care for in the arena. snow would kill the girl he loves to avoid the potential for political backlash; katniss cannot even perform the most simple of her political duties until she is reunited the boy she loves. they are mirrors — they show us that we all have the potential for greatness in us, the decision we make is whether we use our awareness of the roles we play in society for self-serving gain or for selfless love and compassion.
lucy gray is the inverted peeta. first, they’re both artists who use their art as a strategy: lucy grays songs and peetas camouflage. but more importantly, they both use their ability to perform and manipulate a crowd in order to help another person succeed — to help another person survive the games. peeta confesses his love for katniss in order to draw the audiences attention as a way to help her win; lucy gray performs her songs to the crowd as a way to help snow win. for both of them, it’s a fairly selfless act — they do it because they believe in the inherent goodness in humanity, because they love another person. only where lucy gray believes snow is compassionate and good, he lets her down. peeta believes the same about katniss, and she proves him right.
and sejanus is an inverted gale. they both believe in the injustice of the regime, and neither one of them can mask their disgust for the society that forces them to live this way. sejanus cannot mask his feelings about the capitol students; gale cannot hide his frustration with madge. but where sejanus cannot let himself lose sight of the human cost of it all, and that is ultimately what leads to his undoing, it is the exact opposite that undoes gale. the minute gale loses sight of the fact that he is capable of perpetuating the same horrors he claims to speak out against, he loses himself. and thus he ends the trilogy where sejanus begins: in district 2.
all six characters prove the series’ argument. tbosas shows us the other side of everything we’re shown in thg and comes to the exact same conclusion: we all have our own histories, our own baggage, our own traumas, and they all inform how we engage with our society and how we identify and interact with the injustices that are built into our systems. but we all have a choice: and that choice comes down to whether or not we use the skills we learn from our unique histories for self interest, for violence and revenge and war, or whether we use them for compassion, for love, for understanding.
it’s all the same argument; it’s all the same story.
literally no one asked, but here's The Returning Song from the Ficnick to music! i wrote it as a song and it's meant to be heard as that, but i couldn't exactly put an mp3 file in the middle of the fic so this will do!
thinking about the fact that they made a point to tell us that there are no cameras in the vents. like- lucy gray is a performer, she is always performing, it is her calling and her survival mechanism and when we meet her she literally cannot stop performing because she is always on camera or being perceived- by coriolanus, by the capital, by her fellow tributes and the folks back at 12. but for that one, awful moment, in the vents, watching dill drink the poisoned water she laid as a trap- for that one moment in the whole entire movie, lucy gray isn’t being observed. that is the only moment in the entire movie she isn’t performing for someone else, and she uses it to grieve