Day Nine - Blog Post #11

Day Nine - Blog Post #11

Project 2 Creative Brief: Granola Package Design for Good Life Juice

Objectives 

My goal is to create a sustainable series of packages for Good Life Juice’s new Granola line that stays true to the brand while being economically responsible for the producer (production costs and impact) and the environment. It should reflect Good Life Juice’s brand while being design smart. By that I mean that the design should be lasting and not follow trends, it should be something that my client can use for many years. I want to make something that will appeal to both men and women because my client said that 80% of her current clientele is female. Interestingly, 75% of her workforce is also female and that is something I want to showcase with the packaging as well. 

The goal isn’t to scare men away from it though. So we’re looking for something more in the middle. My client also specified that she would like the packaging to be ‘classy, beautiful and femme’. 

I already know that I want to make something super environmentally friendly that will match the way Good Life presents itself and strives to be. I found a Canadian Website that prints on seed paper and that’s a route I would really like to go down.

I also want to focus on the life cycle of the granola and the juice pulp involved in it. From start to finish, this granola is environmentally involved and I think this story is important. My client also mentioned that if my package contains plastic, she would like instructions for the user on how to recycle the plastic so that it is eco-responsible as a package and I think that’s really something I’d like to include if I go that route.

Audience

My client is expecting a wider range audience than she usually gets for her juices so I’m going to say that my audience ranges from the late twenties to people in their mid-sixties who are focused on their health and do not mind spending a little bit more on their granola! I have my parents as the perfect test audience as they are both on a health kick right now and have started to take an interest in good design because of my field of study.

In my head, I have three basic users I want to design for. Here is a quick set of notes on each:

Karen Whitmarsh - 28

Interests include maintaining mental and physical health through juice cleanses, yoga and daily exercise. She shops at Whole Foods because she likes buying locally and organic. She’s on the market for a new granola and already drink Good Life Juice. She’s considered GLJ’s granola before but has yet to buy it because the package underwhelms her in comparison to some of the other more sustainable packaging found at Whole Foods.

Jordan Bickeridge - 35

Jordan spent most of his twenties binge drinking at parties, smoking cigarettes and not really worrying about his health and now regrets it. He is brand new to the world of health foods and just wants to buy a granola that will be healthy for him and is worth his money. He wants to go into the granola/cereal aisle at Whole Foods and just grab a package probably based on what it says. 

Elia Yang - 62

Elia has been eating raw and organic for the last five years and has finally gotten her wife on board with her. The two of them love drinking smoothies in the morning and are now looking for a filling snack that also satisfies their sweet tooth. They read online that granola was a great thing to just toss in their purse. Both of them love pretty packaging but hate waste and will likely buy packaging that appeals to them environmentally as well as aesthetically. 

As you can see, this is a pretty wide range but that was the vibe I got from our client meeting today. I think it will be a fun challenge to meet these audience expectations.

Desired Response

I feel happy buying this granola because I know that it is eco-friendly and has the ingredients I want from it to make me feel healthy and whole. 

Creative Considerations

This is NOT Mom n’ Pop’s granola. The packaging must be beautiful, high-end and gorgeous. 

My client wants to be transparent with her customers, she hates it when packages say things like ‘all-natural’ and hates pushy packages.

HAS TO BE CLASSY.

No trends, no geometry, chevrons or primary colours as per my client’s taste.

Must be careful of food packaging regulations to Canada standards.

The packaging must have the essence of the Good Life Juice brand.

I can’t go overboard with materials, it needs to be affordable for my client. 

The package should be sustainable but not look ‘hokey’. 

DAY THIRTEEN - BLOG POST #15

So there we have it, the last day of class and our final submission was due. I’ve pasted in a photo to give you guys a little look-see of how it turned out. As you can see, it really evolved from the initial concept to the final design. I know I say it constantly, but you need to ‘Kill Your Darlings’.

I don’t think I could have gotten to my final design if I wasn’t willing to flex on what I was doing and I’m really happy with how it turned out. I’ve learned to let go of my initial vibrant idea during my time in this class and I think I’ve learned that just because my initial concept works, it doesn’t mean it’s the only concept that does. 

Due to printing, my design shifted a little on the page and cutting it became an issue. I didn’t get as clean a prototype as I would have liked as a result, but I’m happy enough with the results! We went from a complicated little box with a pour spout to as little paper as I could manage and I think that I accomplished the goals of this project in that sense.  

I loved working with a real-life client and while my design was not chosen, she told me that she really liked it, so I feel happy about that. 

PROJECT ONE RATIONALE - BLOG POST #9

Project 1 - Environmental Redesign Rationale

ARTG371 - Sara Holmes

Product: Tsubazo Pairing Knife

Project Description: For this project, the goal was to find an overly packaged item and redesign it to create something more environmentally friendly. We were allowed to choose anything we deemed to be overpackaged, even if the packaging seemed alright. My goal was to create a package that could be used again, either as individual components or as one piece. I wanted to make sure that any waste from the project was one hundred percent recyclable. I also wanted to create a package that turned a simple pairing knife into a beautiful gift to be opened.

Environmental Considerations: When walking down the aisle of any store, it is unlikely that you will see more than a couple of packages with no plastic involved. Since the invention of plastic, it has been involved in packaging whether that has been as a plastic sleeve, bubble wrap, slips of plastic, etc. Even if it is made reusable (hard plastic), most of it ends up at the dump where it will take hundreds of years to break down completely. 

I wanted to create a simple enough package that could be completely reused, and if the person has no interest in reusing it, it could decompose naturally. For this project, I used the following:

Scrap Wood - 13 years to decompose.

Wood Glue - 1-3 years. Breaks down over a period of time when exposed to moisture. 

Cloth - 1-5 months to decompose.

Thread - 3-4 months to decompose.

Tracing paper - 1-4 weeks to decompose, could also be reused to wrap a gift, jot down notes, or even as tracing paper!

Recycled paper - 2-6 weeks to decompose. 

While a bit more effort is put into the packaging because of this, my audience could comfortably buy this product without worry of what to do with the package upon opening. The box could be reused to hold paint brushes, pencils, another gift, or even the knife. 

Design Concept and Solutions: 

My goal was to create a package for the product that could do a better job of representing the product inside. I wanted to completely eradicate the use of plastic, make a package that created less of an impact on the environment and was beautiful for the user to look at as well as. The original package that was cardboard and plastic and I did not think that it matched the quality of the product inside, a Japanese pairing knife.

The purpose of the item inside is to be used as an everyday knife for cutting up vegetables and fruit. My goal was to create a package that reflected the rich culture and heritage of the country that it was made in. I wanted to wow the user and make something that they would be inclined to reuse and if not, know with certainty that they could recycle it.

I began by looking at Japanese knives, the beautiful simplicity to the hilt matched with the rich texture of the blade. So much beauty deserved something more. I remembered reading about Japanese joinery a while ago and after reading up about it again, the idea came to me that I should make a box for the blade and use no nails. It would be better for the environment and would reflect Japan. 

I decided that I wanted my audience to be a culinary student or a professional in the industry. I wanted to create something that would give that person absolute joy to open. The idea was that I wanted the person opening it to have the same emotion a design student down when opening their MacBook packaging up for the first time. That feeling of excitement while opening up the layers of the box to reveal the item inside is what I wanted to promote.

Considerations:

Heritage - Japan has a very rich heritage and I wanted to make sure that the design was to that standard.

Environmental - The package should be simple but elegant, easily recycled.

Colour - Japan’s flag is a beautiful shade of red and the initial packaging makes attempts at that.

Typography - Japanese design loves geometrical sans-serifs.

Experience - This should be an exceptional experience for a culinary student.

Using these considerations, I applied myself to this redesign and my goal, which never changed during the entirety of this redesign.

I was planning to seal the box closed with a wax seal to give a sense of elegance. However, someone pointed out to me that this would leave a stain on the box. I also realized as I stood there with it in my hands, that a wax seal was too much, which is why I decided to wrap it in tracing paper instead. A great thing about the tracing paper is the auditory sensation of unwrapping it and the relation it has to actually receive a gift from someone. Suddenly, without me having to nudge anyone into thinking so, the package actually did look like a gift while keeping the box below visible. 

I also considered placing a seal anyway on the paper wrap but decided I loved the simple elegance of the wrap alone. Sometimes, even if you think you have a concrete plan, when it comes to the creation side they fall to the wayside. That is why creating a prototype is so important.  

Initially, I also had lofty plans for painting a beautiful scene on the lid of the box. However, during our feedback week, I had a lot of the students tell me that they loved how simple the box was, that the concept even reminded them of home. One of the girls told me that she was studying in Canada because she wanted to buy and sell products and she would definitely want to sell my product in Japan!

I was pretty attached to the idea of painting, but you learn a lot in design as you go through and build products, that sometimes it’s best to kill your darlings. Getting attached to one concept is a bad idea.

I found instead that I could create a colour pop by taking the wine red from the Japanese flag on the paper wrap and matching it to a fabric, which I then sewed into a handkerchief with the help of my mother and sister. I proudly did the inside seam and ironed it, but when the time came to sew the top, my sister, with her costuming diploma, stepped in for me. 

The end result is a beautiful, simple yet elegant gift. When opening, the user has to first slide off the paper wrap, open the tracing paper, slide back the lid and then finally unfold the handkerchief to reveal the blade inside, safely nestled within the fabric to keep it from moving while in transit.

Client Survey

General Company Info 

What is the name of your company?  Place

What is your business/what do you do?  Place provides a single location for a range of events in Nanaimo’s downtown core. It can be a pop-up market, a venue for a reception, an intimate concert, a wedding, a dance, an art class, the possibilities are endless.

How old is your company?  The company has yet to exist.

What is the size of your company? A small core of people involved in bettering downtown Nanaimo. two people leading a small team of 5-6.

Are there specific dates the project needs to be completed?  No.

Your budget dictates how much time can be spent on your project. What is the budget?  Open

Describe your business in one sentence.  No matter what event you are hosting, this is the place for it.

Describe your business in two words? Convenient, Reliable

Describe your business in one word? Perfect

What doesn’t your business do, or do well? Does not host large concerts, or sporting events.

What differentiates your business from competitors? Ease of access, Place’s main interest isn’t how much money can be made but in creating a place for the community to use without burning a hole in people’s wallets.

Is there a story that is unique to your company? When searching for a location for a grad show, Sara realized that there really wasn't’ anywhere in the downtown core that was appropriately sized or available for a small reception.

Or perhaps a unique story to the company name?  Every city should have a place, somewhere that you can go that would be good for a range of events, but also a safe please for youth to hang out and host community events.

What are your business objectives?  To create a beautiful place to host events that can host a range of things from shows, events, receptions, to tourist attractions in the summer months like a large market or informational sessions.

What do you want the design/redesign to do for your company?  I want it to give the company a modern look and feel that is also welcoming to the community.

General Image of Company 

If you company/brand was a person who would it be? Why? I don’t know if it would be a person so much as a representation or even an animal. Place should be able to represent Nanaimo and the future of Nanaimo and its community. If anything, I’d say that I’d want it to be represented by the Orca because of its sense of community and ties to the Salish sea.

Is there an important object, building or person for your business? The building for this business is what makes the business and it would be located right downtown, on the water.

How do you want the public to perceive your image?  A meeting hall, a place that represents Nanaimo, a sense of place for Nanaimo. It should feel like home but also fresh.

What do you want to be famous for?  Being the place that people go to when they need a place.

What words should the general public associate your business with? Name at least 3. Modern, Inviting, Perfect

How do you want your image to be seen in 2 years? 10 years?  Comfortable, familiar, renowned

Competitors 

Who are your competitors?  Vancouver Island Conference Center, Port Theatre

How are they better/worse than your product/service?  Vancouver Island Conference Center has a larger space to host larger events, Port theatre has better space for theatrical events.

Who might you compete with in the future? More developments. 

The Target Audience 

Who is your customer? Describe in detail. My customer is anyone who is looking to use a space but is having trouble finding a good venue for it. A lot of people in Nanaimo have to settle for a venue that isn’t necessarily ideal and we are lacking a community spot. 

What do they do?  Live in Nanaimo and actively work towards bettering the downtown community via productions or events.

What do they watch? Community productions, local musicians, short plays, open mics.

Who is the ideal customer? Someone who perhaps wants to bring more culture to the city but lacks the funding/space.

How old is your ideal customer? 20-60

How do they find out about you? Through advertisements downtown, facebook, Nanaimo’s website

What do they want from you?  A place to host an event.

What customers do you not want to attract?  People who want to host an extremely large event or have the money to do so elsewhere. (Large corporate events that exceed capacity)  

What do you offer your customers that your competition does not? A place that can be molded easily to fit their needs. The place isn’t designed a certain way to format one specific thing so it means its a space that can be used for a variety of things without many spacial issues.

Current identity 

Do you have an identity?  No

What are two identities or logos that you like? Dislike? I like the CBC logo and the CNR logo. I don’t like the Nanaimo Chamber logo   

What colours do you like? Dislike?  I like sunset colours and when you just use multiple shades. I don’t like intense greens or dull colours.

Anything else? 

What did we not ask that you want us to understand? The Place isn’t like anything that’s already in Nanaimo because it isn’t held back by a small size or a regular business, it isn’t meant to make money from events, just enough to cover expenses. It’s meant to be somewhere rentable that people can use to host a variety of events and promote community within Nanaimo.

Day Eight - Blog Post #10

Coombs Country Market Field Trip

We went on a field trip to Coombs today to visit their grocery store. Coombs has a lot of really neat packages in their store because they sell items that come from all over the world! There were beautiful Balsamic bottles, chocolate bars, yoghurt packages and so much more! However, we were there with a simple enough goal and I wasn’t to get distracted, although in the end, it happened. We can blame the edible glitter and handmade paper for that!

Anyway, the goal was to find two sets of a package series that we could draw inspiration from and use as an example for our next project. We’re supposed to design a box for Granola for this delicious, local-based fresh juice company.

Series #1: Fee Brothers Bitters

How is the branding consistent across all of the packages?

While the brand’s colour changes, the layout of the packages remains consistent. The type, logo, paper and sticker along the top are all the same. The only thing that changes in fact, is the colour. Even then, the colours are in the same tones. Even with just a quick glance at the shelf, someone could register that they’re a series.

How does the design differentiate amongst “flavours”?  

The design does not differ much, the only thing I did find is that on some of the bottles, the lid had a different colour to denote flavour as well. However, this wasn’t completely consistent so it was hard to say what it meant completely, which was a small issue in the concept overall.

What is the brand concept?  

The concept for this brand seems to be higher end and meant to make the audience feel like it is an old-fashioned product. It is wrapped in paper to give it this illusion of being vintage and the sticker that runs around the top displays the portraits of what one must assume are the Fee Brothers. What’s fun about is that you can’t see the liquid inside until you open and unwrap the bottle, giving it the feeling of something you might be able to present as a gift.

Other thoughts?

I’m kind of curious to see what the bottle looks like underneath the paper and was seriously considering buying a bottle just to check. It’d be cool if this product was so easily recycled by just removing the label and bringing the glass in! While I want to create something consistent, I also want to make sure that I focus on the environment. I’m already thinking about what I might do to make the package sustainable and within my client’s budget. I like the idea of glass.

Series #2: Whittaker’s Chocolate.

How is the branding consistent across all of the packages?

Whittakers is a really neat brand because while there are a lot of flavours, the Whittakers chocolate brand is unmistakable. I first came across it in New Zealand, where it is manufactured and proudly second only after Cadbury chocolate. Every single package is a beautiful shade of gold in a paper wrap and when opened, another foil wrap of gold protects the chocolate inside. The branding remains consistent by keeping the logo at the top of the package, followed by the chocolate information and name.

How does the design differentiate amongst “flavours”?  

There is always a block of chocolate at the bottom but it is always illustrated with the correct flavour profile per package. Each flavour also has a unique font colour. Otherwise, the rest of the package remains the same.

What is the brand concept?  

The concept for the brand is definitely meant to be luxurious, denoted by the gold wrap colour. The font tells us that it is also meant to be old-fashioned. Knowing New Zealand, I know how proud they are of their heritage and this chocolate is meant to draw on that. The user should feel that when they are picking up this block at the grocery store, they feel like they’re in a lovely old candy shop.

Other thoughts?

I was wondering if I was drawn to this series because of the nostalgia I felt when looking at it, you can’t count on one hand the amount of these bars I got through when I lived there! However, you can tell just by the image that this is a really strong series. There is no question that they are linked and I think the key to that is only changing a small part of the package to reflect the different flavours. The goal is definitely to have the user know without question that the two separate items that they are holding are linked.