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Hi, I'm Ola! she/her Obsessing/hyper fixating on Good Omens for the time being đŞ˝đ
115 posts
Squeaking
Squeaking
JACKPOT
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More Posts from Sassysparklymenace
That big damn kiss.
(aka how to give the audience what they want in the way they do not want)
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If youâre looking for the definition of âthe big damn kissâ trope, youâll find this: âin all probability it's a first kiss that finally puts an end to unresolved sexual tension and/or other typical obstacles that get in the way of true love. The scenery will be epic, the camera will go wild, the music will swell, maybe there'll be some fireworksâ.
The GO script is well aware of the trope and plays with it, as well as with our feelings.
So, what happened here?
Let's go back to the definition of the trope and letâs compare it with the kiss scene in episode 6.
Yes, we have the scenario - the beloved bookshop - the camera that goes wild, the music in crescendo. We may not have fireworks, but the music is very reminiscent of the one heard in the beginning, when Crowley created the stars. And this is a first kiss, we can be almost sure of it, very anticipated from a big part of the audience. However this isnât the âone fabulous kissâ that we wanted. How so?
Let's see how it differs from the trope. Well, itâs supposed to end an unresolved sexual tension (it doesnât) and/or other obstacles (it doesnât - the Metronome bitch is still out there, lurking in, as well as the whole emotional baggage that Crowley and Aziraphale are carrying with them). And, above all, it's sad. Not just for them, but for us. It may seem a silly thing to point out, but I donât think so. Watching the scene, you - the audience - are overwhelmed by the emotional vibe of it, especially if you have an empathetic personality. I surely was overwhelmed. Because, let's be honest, I knew that there was no way that kiss was leading to a happy ending (at least for season 2). I wanted a happy ending so bad, instead I was thinking wait, is my comfort show breaking my heart? How did we get to this?
Letâs dive more into the pain.
Iâve read some posts about the kiss when the show first aired. They were mostly about what the kiss isnât. It isnât sexual, it isnât the proof of their love, it isnât even romantic in the context of the narrative. (However, letâs face the elephant in the room. If you put a male and a female lead in a show, most of the audience just assume theyâll become romantically involved at some point. Itâs not the same for queer characters. So I think that, beyond the narrative, the kiss is important to show even to the most stubborn viewer that theyâre not just bros being bros, best buddies or whatever).
Back to the narrative. Let's examine Crowley and Aziraphale's POVs separately to fully immerse ourselves into the tragedy. Itâs all fun and games here.
Starting with Crowley. I've already written here and here about how the sense of unworthiness is a big part of Crowleyâs personality. He spent centuries building emotional defenses around himself, using the sunglasses as a physical barrier to hide his eyes as well as his feelings. He doesn't allow himself to be vulnerable, because it would lead to reopening old wounds. He shows difficulty to welcome praises or help, even from Aziraphale.
But heâs finally ready to let go of his barriers, as much as possible. Heâs scared and maybe he had prepared a little speech in his mind. But he doesnât get the chance to speak.
âHold that thought⌠and Crowleyâs face breaks. âTell me you said noâ, tell me youâre not asking me to return to heaven, that only place worst than hell, the place where the whole trauma began. Tell me youâre not asking me the one thing that I canât give you.
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When Crowley says "No nightingales" is already defeated: he knows that itâs too late, it is always too late. He knows that he lost Aziraphale, just as he has lost his stars.
He hasnât planned the kiss. But, since this is the end, he instinctively searches for something, stronger than words, to prove his feelings, his love. Crowleyâs idea of âvavoomâ is the fabulous kiss in the rain, remember? A big, angsty, passionate, cinematic moment. So kissing Aziraphale is Crowleyâs last effort, since words have failed him, to show what they could be, what they already are. And maybe thereâs also a part of him that is thinking I want you to want me, consequences be damned.
But Crowley is the one who breaks the kiss. He feels rejected already. The intrusive thought to be unloved and unlovable - because heâs a demon after all - is always there. And that âI forgive youâ only confirms it.
And now Aziraphale. Aziraphale's romantic ideal can be found in Jane Austen's books. Books full of yearning and pining, where to touch each other's bare hands without gloves is an overwhelming sensual experience. But Jane Austenâs books arenât only formal dances and petticoats. Societyâs commentary is a central theme of her works. If you think about âPride and Prejudiceâ, Lizzie and Darcy struggle between their feelings and societal expectations. The gap between their social status influences their choices, but their love for each other ultimately becomes a catalyst for personal growth and to overcome the social norms.
And, of course, the misunderstanding trope. I would say that the core of Darcy's character is how easily he can be misunderstood by the people around him. He seems rude and indifferent, he has a lot of emotional barriers that hide a kind heart. And his love language is acts of service. Rings any bell? Can you see why Aziraphale loves this book?
When Aziraphale organizes the ball, when he succeeds in grabbing Crowleyâs hand and bringing him to dance floor, everything in his mind is screaming peak romance. Who knows what would have happened if the demons and the Metabitch hadn't gotten in the way?
Iâve already written here how we must not forget Aziraphaleâs background: for 6000+ he had to deal with an oppressive structure, heaven, that had indoctrinated him into the black and white mentality, the dichotomy between good and evil. Immortal beings donât have free will, they are divided into the angel/demon binary system.
âLook, I am good. You - to Crowley - I'm afraid, are evil. But people get a choice.â
âWell, obviously you said no to Hell, you're the bad guys. But Heaven... Well, it's the side of truth, of light, of good.â
Are you sure that youâre sure, Azi? Aziraphaleâs learning and heâs strong (perhaps more than he believes to be), but heâs not quite healed yet. An abusive environment isnât easy to escape. Sometimes Aziraphale still clings to those old concepts he was indoctrinated into. Thatâs why I donât buy the coffee theory and I think he makes a choice in the final 15 minutes. Of course that choice is heavily manipulated by the Metronomeâs tactics (more about that bitchâs master plan here.)
The Metatron, in order to achieve what I think itâs his evil goal, must separate Crowley and Azi, because they have proven, with the 25 lazari miracle, to be an unexpected force to deal with. He needs to create a schism between them that can not be mended. So he puts on a compassionate facade, while playing with Aziraphaleâs beliefs and insecurities.
Aziraphale believes that, every time Crowley has done a good deed, it was because he really shouldn't have fallen. He also believes to be able to change heaven and make it a safer place. And, most of all, he believes to have found a way for him and Crowley to be together.
He wants desperately Crowley to go with him. He begs. He has tears in his eyes while he screams âI need youâ.
Then, Crowley grabs him abruptly and the kiss happens. It isnât tender. Itâs raw, human and real. So real it may change everything. It isnât chaste and safe as a Jane Austen-esque ball.
Aziraphale is shocked. But, despite all his fear, confusion, anger, desire, guilt and repressed emotions, just for a moment he abandons himself to the kiss. Just for a moment. He places BOTH hands on Crowleyâs back.
I have evidence.
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See? Both hands on Crowleyâs back. Canât you see it? Don't worry, I zoomed on Aziâs hands, because I have lost all my dignity as well as my sanity.
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At the bottom of the picture, in the center: a glimpse of Aziraphaleâs left hand.
For a brief moment, heâs hugging him, heâs holding on to him. He allows himself to feel. Just like with the ox ribs. He was starving and he didnât know.
But what he does know is that those feelings - this desire, this desperate, repressed and human love - are forbidden for an angel.
So, what happens when feelings of unworthiness and self-loathing meet repressed, forbidden feelings?
This.
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And this.
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They misunderstood each other. They both feel rejected. They're both thinking: don't you want to be with me? I thought that's what you wanted too.
They are two celestial beings that love each other deeply, in a human and in a more than an human way, in a way that makes them an us.
Theyâre fated, theyâre star crossed.
Uhhhh mama đđ
Good Omentober Day 17 - Apples
Prompt by @disaster-dog
The angel and the demon journey to discover what's so tempting about apples anyway.
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âWhy do you think God chose an apple tree for Eden?â Aziraphale asked as he worked on filling out his diary for the day.
Crowley was laid out on the lounge, eyes shut and probably trying to sleep but the angel had questions and Crowley would be damned if he wasnât going to be the one to answer them.
âI like to imagine she had a list of all her fruits and picked the first one,â Crowley murmured, shifting over to look at the angel.
âBut surely thereâs another fruit that comes before apple?â He cautioned.
âI mean, maybe now. Humans have made all kinds of fruits.â
Aziraphale hummed and signed off his diary entry before snapping the book closed and standing up proudly, âI think we should investigate. Thereâs plenty of lovely desserts the humans make with apples. Surely a taste test would find the answers weâre looking for.â
âYouâre looking for, angel,â Crowley corrected before dragging himself up from his position with a sigh, âWhat are you thinking? Apple pie? Crumble? Candy Apples?â
âYouâre the original tempter, arenât you? Surely you would have the best idea~â He replied in a callously sing-song voice.
âWell, Iâm going to start with a strong cider. From there it's a mystery.â
The demon grabbed his sunglasses from Aziraphaleâs desk and headed out to the Bentley. There were a few places he could take Aziraphale but he wanted to go somewhere special. They hadnât been on a date as such for a while and this was possibly the best opportunity.
âWhat if, my angel, we go to an orchard, get the freshest apples we can and then we can come back here and cook all the apple treats your heart can desire? We can even give some of the extras to Maggie and Nina?â Crowley suggested, opening up the door of the Bentley for his angel.
He wasnât as close to the humans as Aziraphale was but Crowley knew he cared about them a lot and regardless of whatever âsideâ they were on, Aziraphale was still entirely angelic in his desire to bring joy and gifts to all.
âOh Crowley, I think that sounds wonderful,â Aziraphale breathed, a smile resting comfortably on his face as he sat down and got comfortable.
Crowley slunk into the driverâs side and gently stroked the dashboard, âHey gorgeous, you know what to do.â
For a moment, Aziraphale felt a pang of jealousy. He knew Crowley loved the car but he wanted to be the centre of the demonâs attention. Crowley was quick to notice and reached over, his hand teasing Aziraphale as it brushed against his inner thigh.
The angel let out a tiny gasp at the unexpected touch and his face flushed red, âCrowley, what if someone looks through the window?â
The demon made a quick snap of his fingers and the Bentley began driving off, the windows became so tinted they were near black and some smooth music began to play.
âWhat do you say, angel?â Crowley asked, his other hand reaching over to cup Aziraphaleâs cheek.
Aziraphale led a quick prayer for their safe travels before he pulled Crowley closer to him and smashed their lips together. A refreshing kind of heat was flowing through his body as his arm snaked around Crowleyâs waist to hold him close to him.
He broke apart for a moment, flashing a grin to the demon who looked at him, dumbfounded with those big golden eyes, âItâs so cute when you pretend to be in charge.â
His hand ran through the demonâs hair, desperate to explore every inch of his body that the demon would allow. Their lips once again collected, with both the angel and the demon feeling relief at the returning connection.
While no one could have seen through the windows, a few nearby drivers may have noticed the strange rocking moments of the car on the way to the orchard.
After a minor miracle, the angel and the demon exited the car with the grace of a swan, though the expression on the demonâs face may have told an entirely different story. His hair was slightly tousled but his clothes had returned to their usual âcomfortably unkemptâ state. Aziraphale, of course, looked flawless.
âRight, the apples-â Crowley stammered, reaching for Aziraphaleâs hand to lead him into the orchard. They approached a small building where a bored-looking employee offered them a basket to take with them which was graciously accepted by Crowley.
âThis is lovely, my dear. We ought to get out more often,â The angel smiled, gently rubbing circles into the back of the demonâs hand.
They walked through the orchard, slowly picking the best-looking apples and enjoying the breeze. Despite having spent 6000 years together, they didnât have all that much to talk about beyond a small âThatâs a nice oneâ or a simple âI love youâ.
But thatâs what being together meant. Enjoying the company with no expectation of conversation. Especially when so much had already been said in the car.
They returned to the tired vendor who weighed their haul, âTwo and a half pounds of Golden Delicious, thatâs ÂŁ5.10.â
âBit pricy for apples, donât you think?â Crowley groaned before dumping some cash on the counter. He took the bagged apples into his arms and began to head to the Bentley, the sun setting in the orchard behind him.
Aziraphale had the sinister grin back on his face. âI donât think these apples are the only things we can call Golden Delicious,â He teased, his hand resting on the demonâs back, suspiciously close to his ass.
Crowley suddenly had a pep in his step as he made haste to the car.
All of the options.. Truly
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Many years ago
Metatron: Asmodeus is walking around Earth spreading lust all over the place! Everyone is falling for him! We need a volunteer to st⌠Yes Aziraphale?
Aziraphale *waving his hand*: I WILL DO IT. I MEAN STOP IT. YES.
Metatron: Oh. Okay. Off you go.
1 day later
Aziraphale: Crowley, seriously, using your looks to spread the sin⌠Wait, youâre not Crowley.
Asmodeus: Oh, I can be Crowley for you, dear Angel.
Aziraphale: Ew. Ew. No.
Asmodeus: What do you mean ew?! Iâm Asmodeus! GOD OF LUST!
Aziraphale: Really?
Asmodeus: WOW.
Aziraphale: So, where is he?
Asmodeus: Who?
Aziraphale: Crowley. You know. Bright red luscious hair. Beautiful yellow snake eyes. Long legs. Very slim. High cheekbones.
Asmodeus: If you stop talking, I will take you to him.
Aziraphale: Brilliant, thank you.
*snaps fingers*
Aziraphale: CROWLEY!!! *grabs his hand and pulls him away towards the closest restaurant*
Asmodeus *shouts after them*: Just so you know, Crowley, I am telling everyone in Hell that you two are an item!
(And thatâs how Hell found out)
And Aziraphale đ
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Crowleyâs crushâŚ
Incorrect Good Omens Quotes Masterpost : here