scrapbox-in-the-attic - Assorted References
Assorted References

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Scrapbox-in-the-attic - Assorted References

scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
scrapbox-in-the-attic - Assorted References
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More Posts from Scrapbox-in-the-attic

Have A Great Big Ol Sheet Of Kissing References!

Have a great big ol’ sheet of kissing references!

Support me by reblogging and checking out my commission info here!


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Creative Writing Tarot Spread

Creative Writing Tarot Spread

Writers block bogging you down? Use this 7-card spread to help jumpstart your creativity! This prompt can help you generate a very basic storyline.

First, pull a character card! Decide for yourself what this means: will your character carry the traits of the positive meanings of this card? Will your character’s conflicts be brought about by the card’s negative meanings? Will your character look like the figure depicted on the card? Will they wield the item depicted on the card? (Note: if your story has multiple main characters, you may wish to pull a card for each)

Next, pull the plot cards! Pull a card for the beginning of your story, a card for the middle, and a card for the end. Again, let yourself decide what this means. Do these cards describe your character’s emotional state(s) as the story progresses? Do these cards describe internal or external conflicts? Do these cards represent other characters your MC will meet along the way?

Finally, pull your meat cards! These cards are the “meat” of your story. Pull one card for the main or most important setting of your story, one card for the main conflict, and one card for the resolution of that conflict.

Have fun with it! Remember that these cards are just tools, and this spread is simply to kickstart your brain. If you get halfway through the spread and come up with something on your own, or if you start writing and realize your plot is deviating from what the cards gave you, don’t stress about it! You write for yourself, not for the cards. Thank them for their help and continue on with your own imagination.

Deck pictured here: The Essential Tarot by Chloé Zarka Grinsnir


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This Was Gonna Be A Tutorial And I Guess It Still Is But If Anything Its Just A Really Long And Drawn
This Was Gonna Be A Tutorial And I Guess It Still Is But If Anything Its Just A Really Long And Drawn
This Was Gonna Be A Tutorial And I Guess It Still Is But If Anything Its Just A Really Long And Drawn
This Was Gonna Be A Tutorial And I Guess It Still Is But If Anything Its Just A Really Long And Drawn
This Was Gonna Be A Tutorial And I Guess It Still Is But If Anything Its Just A Really Long And Drawn
This Was Gonna Be A Tutorial And I Guess It Still Is But If Anything Its Just A Really Long And Drawn

this was gonna be a tutorial and i guess it still is but if anything it’s just a really long and drawn out “essay” on drawing people with epicanthic folds. one of my biggest pet peeves is people drawing asian people exclusively with the same type of eye they’d give white people or anyone else who typically doesn’t have the fold! however i know that most people are taught with the standard white person eye (google image search for “eye” and it’ll all be pictures of white people’s eyes) so learning to draw epicanthic folds is a consciously learned thing. 

therefore i bring you this, which attempts to break the mechanics of epicanthic folds down into something that’s a bit easier to digest and implement in your own art! 

style can be argued i guess but it’s not that hard to stylize eyes with folds if you do proper observation and research. eyes with epicanthic folds are as diverse as eyes without so it’s not like you have to adhere to a strict model for them (although many people think that you have to) and all it takes to distinguish the two in stylized art (and even in semi/realism once you think about it) is a few lines! like i said this is a learned process but it’ll make your asian characters (and characters of other races even) a bit more interesting and believable.


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I've Done This Before But Let's Go!!

I've done this before but let's go!!


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Flower Crowns In Paintings
Flower Crowns In Paintings
Flower Crowns In Paintings
Flower Crowns In Paintings
Flower Crowns In Paintings
Flower Crowns In Paintings
Flower Crowns In Paintings
Flower Crowns In Paintings

Flower crowns in paintings ❀


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