
Aspiring author with no time to write. "Head full of fantasies"
21 posts
NO BECAUSE IVE DWELLING ON THIS
NO BECAUSE IVE DWELLING ON THIS
The panel right before this one, he is off in the back ground and he looks so dark and gloomy. Everyone else is staring ahead but he is looking down.
Everyone is frozen, no one knows what to do and they are in danger. Ashlyn feels responsible for all of this and (I believe) she wants to try to help Ryan, she wants revenge against Jasmine but they need to escape. Everyone is so caught up in the moment, in panic, anger, frustration, so no one moves. Aiden is the crazy one, the lunitic, he doesnt think before he does things (prime example, jumping off the fucking WALL) but when no one was thinking, he stepped up, he made a decision everyone else was unable to make because they had to move. But if he had gone by himself, if he had just walked away, everyone would be concerned "what is this idiot doing" "where is he going, hes going to get himself hurt" but he took Ashlyn with him. He didnt hesitant to pull her along. She trusts him to do so, although she may see him as a moron, she trusts him because yes he is impulsive and reckless but one thing he is not, inconsiderate. She knows this because the pure panic he had when she got taken on the roof, the fear he had when he fought to get her back. He would never put her or the group in danger. She was, in a brief moment, unable to lead them, so he did it for her. The safest thing to do was to run, the only way they all 100% could get out is to run. The infected were coming, the staff had guns and was hunting them, there was no option but running. He was not going to let anyone get hurt again.
Chapter 86 spoilers

He always does the most
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More Posts from Smittenmeraki
I cannot express how accurate this edit it, I adore this
I made an Aidlyn edit
are we getting closer to this in canon ?
(yk since they want to escape and also what they said in ep 86)

Things I want to happen school bus graveyard
• Aiden to lose it and go apeshit one someone (phantom or a person)
• for Ashlyn to be genuinely happy for more than one panel 🥲
• Ben to say something (whispering or yelling, maybe sometime happens and he no longer cares what he sounds like/ how bad it hurts)
• ( specifically in the facility ) one of them to get fatally hurt and the others all desperatly trying to break out of their rooms/break the lock ( I dont really want anyone to die but I think it would make for a great scene for them to use like the dresser drawers or something to bust out)
• For Taylor to save the day via mechanical skills (escape car?)
• For the parents (specifically Jessica 😠) to finally understand the extent of what their kids have gone through
Ive been on a drawing binge of sbg fanart 😅


The first one is just a silly pic if them flexing at Ashlyns ballet practice. Got inspired by Full Metal alchemist for the second one.
The thing about writing is we’re taught to write in a very specific way as children that is deemed as the “correct” way. And it’s so important to have those fundamentals — to know how sentences are constructed and what is proper paragraph structure and to become familiar with grammar. Those are essential building blocks.
But because schools have to focus on essay writing and technicalities and whatever is needed for the latest standardized test, it’s often the only way we learn how to write when there’s so many ways to write. There’s technical writing, journalistic writing but also editorial writing, copywriting, letter writing, free writing … to infinity and beyond.
We often don’t explore creative writing in an academic setting until later in life when we seek it out (or never at all in most cases). And while there’s guides for these looser types of writing, as well, it’s important to know you can just say FUCK ALL and bastardize the rules that were beat into your brain by red pens all your life.
Make up words. A paragraph can be one sentence, one word, or a whole damn monologue. Run-on sentences can be a style choice. Make a chapter one line. Use capitalization however you see fit. Start sentences with conjunctions. Be abstract in imagery. Forget commas exist and keep using ‘and’ instead (<- my favorite). Fragments can be fire. Create your own voice in the remnants of a burned language.
Learning the rules also means knowing how and when to break them. So break them to tell your story the way you want.