somehelpfulart-tutorials - some helpful art tutorials
some helpful art tutorials

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Tuesday Tips - Structure/Gesture: Why Not Both!

Tuesday Tips - Structure/Gesture: Why Not Both!

Tuesday Tips - Structure/Gesture: Why Not Both!

Probably one the most compelling issue to deal with when drawing characters. There’s clear pros and cons to both approach. The key, IMO, is to straddle the line between both. Give appeal and energy through the use of gesture, but always give hints of structure, weight and solidity to make the character feel like it lives in an environment. I do a quick, dynamic gesture first, then I go back in and add some structure on a second pass. In a rush, I’ll focus the structure pass on faces, hands and feet (feet: their position on the ground to give weight and/or balance to the pose.) -Norm @grizandnorm #tuesdaytips #100tuesdaytips #100tuesdaytipsbook #structuregesture #whynotboth

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Hi Tuesday! Heres More On Skirts, Yeah, I Love Geeking Out Over Outfits. . Anyhow, Is There A Specific

Hi Tuesday! Here’s more on skirts, yeah, I love geeking out over outfits. 😊. Anyhow, is there a specific costume cheat sheet you’d like to see? XO, Griz

#griz #grizandnorm #grizandnormtuesdaytips #characterdesign #costumedesign #skirts


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I forgot I have to be active here so here’s my Twitter tutorial on how to draw folds I made a while back to help a friend!

A piece of cloth teaching you how to draw cloth folds of different material. Each picture depicts two arms in the same material - one thin arm and one fat arm.
THICK clothes only have a few folds! Sometimes a bump is all it takes to suggest a fold for THICK stuff. Examples are sweaters, hoodies, wool, fleece, and denim
THIN clothes have a lot of folds and bumps! Thin stuff usually has more lines that wrap around what's underneath. Examples are rayon, cotton, and crepe
SMOOTH stuff have "squiggly" folds. Smooth cloth folds tend to "loop" back to where they start. Examples are silk, velvet, Satin, Bamboo cotton, and most luxurious stuff
SOFT clothes have round folds. Unlike smooth stuff, soft stuff doesn't have many "squiggles" or solid lines in between. Examples are down jackets, fur, fleece, washed linen, and polyester
STIFF clothes have angular folds! Most folds tend to look triangular - assuming they even fold at all! Examples are raincoats, New denim, canvas, and suits
PS I have avoided talking about loose vs tight clothing since whatever is loose on one person (A shows a thin arm in a baggy yellow sleeve) might not be as loose on a different person (B depicts the same sleeve which comfortably fits around the fat arm). However it's still important to learn about these type of things.
Person asks, "So uh... what happens if the clothes are Smooth and Thin, or Thick and Soft?" The answer is DO BOTH! Top right shows a full woman in a dress that has a Smooth skirt and a Stiff top half. Even though it's one dress, one part is more Smooth while the other part is more Stiff. There are more examples but don't forget to study hard and have fun!

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Tuesday Tips Its An Eyebrow Thing A Recurring Note A Story Artist May Get In The Production Of An Animated

Tuesday Tips — “It’s An Eyebrow Thing” — A recurring note a story artist may get in the production of an animated feature is to tone down the angry eyes. We all try to draw fast and loose but, in the middle of it all, nuance may escape us for a brief moment. Arched eyebrows and a furrowed brow usually tend to read “angry”, even if we’re trying to express focus or determination. I would even say that, overall, it’s easy to overdo an expression. I’m not saying a pushed expression isn’t exactly what’s needed at the right moment. I’m just saying that the audience literally looks for the character’s expression first when looking at a sketch or panel. Keep that in mind and lure you audience in with slightly more nuanced expressions, until the right extreme expression calls for it. -Norm @grizandnorm #tuesdaytips #100tuesdaytipsbook #arttutorial #arttips #itsaneyebrowthing


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Tuesday Tips Head Space As An Audience, Our Eyes Are Mostly Tracking The Head (and Eyes) Of The Main

Tuesday Tips — Head Space — As an audience, our eyes are mostly tracking the head (and eyes) of the main characters on screen. As filmmakers, it would be a great disservice to not take that info into consideration. For clarity, try to make space around the head of characters on-screens. Too much visual noise around the face interferes with the message, unless that’s the point you’re trying to make make. Also, try your best to maintain the same head screen position when cutting to a new shot with the same characters, whatever type of shot it is. I know how simple this sounds but it’s very easy to forget if you’re not paying attention. -Norm @grizandnorm.com #tuesdaytips #100tuesdaytips #100tuesdaytipsbook #arttips #arttutorial #storyboard #grizandnorm


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