Made A Fantastic Collaboration With A Great Beautiful Artist @ciarafarrellart

Made a fantastic collaboration with a great beautiful artist @ciarafarrellart 💖💖💖

They have unique art that you will definitely fall in love with 🌸

doodles of them

One thing I don't see talked about enough is the amazing cast of women who make up Dead Boy Detectives.

And I don't mean throw-away, there-for-the-sake-of-having-a-girl women. I mean actual, three-dimensional characters, with their own wants, goals, and emotional character arcs that exist independent of the titular ghost boys.

This is a show that runs laps around the Bechdel test in episode one and never looks back.

This is a show that's full of women who are allowed to be messy, complicated, brave, funny, scared, angry, and lash out in their pain. This is a show that's full of women who are allowed to learn from their mistakes, and grow, and change.

This is a show that's full of women who talk to each other, and support each other, and give each other advice about life.

And this is a low bar, but given the state of media today it's a big deal: there is never a single scene in this show that sexualizes a female character. A lot of action movies and supernatural shows frame the women on their cast to show off an ass, or the curve of a breast. Not here. The women are fully covered. They're framed to show their faces and their emotions, because what they're feeling is the important part. It's focused on who these women are as people and not what they can show to entice an audience.

Women in Dead Boy Detectives are heroes and catalysts who are learning to be better people.

They're earnest and clever and processing their own grief and sense of mortality.

They're complicated antagonists who have journeys of their own to walk.

They're cynical, distrustful father figures learning to reluctantly look out for others.

They're cruel and funny and vengeful and have been torn down by a world that did them wrong.

And those are only the main ladies in this cast. There are an absolute pile of supporting women who run the gamut from hilarious to heartbreaking.

I could go on for literal paragraphs about how refreshing it was to see wrongs against women treated as wrongs in the script, or how I have literally never before seen a woman turn down a protagonist romantically and not be villified for it, or how much of a breath of fresh air it was to see a woman's primary emotional arc be an arc about learning to become a better person, but my goodness, there's all that and more.

Nobody is doing it like Dead Boy Detectives, and by god, I love to see it.

IT'S HERE!!!

The final part for The House of Glass! Everyone has a lot to figure out, but progress takes time. Follows from this. This was my first ever complete comic from start to finish, I hope you guys enjoyed the journey!

If you've enjoyed this comic, please consider donating to Aya Yasser, a 19 year old university student from the University of Palestine. She had to pause her studies due to attacks on Gaza. Her 55 year old father is ill and she is trying to evacuate him and her brothers.

You can find her blog @samaagaza

It's like two in the morning right now so I might be a bit incoherent, cw for discussions of racism, homophobia, biphobia, sinophobia and classism

I've really wanted to write Chang as someone who's made to be a perpetual outsider. As a Chinese person born in the UK I've always been made to feel like a foreigner no matter where I go - obviously I am a foreigner abroad but I'm also treated as such in the very country I was born and raised in. I think a lot of east Asian people can relate to being treated as a strange exotic foreigner first and a person second.

As a working class orphan he would probably have been treated as disposable by society at large too. As soon as he's rescued by Tintin in the Blue Lotus he immediately asks why Tintin bothered saving him, and in his letter to Tintin in Tintin in Tibet he writes that he's unworthy of his uncle's hopsitality. We don't get much from Chang as he doesn't make many appearances but it seems he's internalised strong feelings of a lack of self worth. Tintin may have been the first person to recognise his humanity since Chang's birth family passed.

Being queer is also very isolating at first. You're not born into a culture you can reference or make sense of your experiences initially, it's something you have to seek out. I wanted to explore learning to love yourself through others. We're all weird to some degree, we're all in this together!

I genuinely have no clue how I'd follow this up, I have ideas for future stories but I'm not sure what would follow directly from here!