Context For This: I Swear To God, Ive Seen Espio Being Shown To Sit On Vectors Desk In -some- Kind Of

Context for this: I swear to god, I’ve seen Espio being shown to sit on Vector’s desk in -some- kind of official capacity, so this was always how I pictured Espio having ‘claimed’ that spot…but I can’t find the OG image/scene for the life of me! If anyone can help me out and make sure I’m not losing my grip on reality, I’d really appreciate it 😂

I’m calling this one “waiting for work.” I still subscribe to the idea of the Classic Designs = Younger everyone, especially Vector! I mean look at ‘im, dude’s a walking time capsule!

This might be a set up for a semi-related thing…? Still mulling it over.

Haven’t been having the best couple of weeks with my mental health, but I’m fighting through it. So here’s Sonya Blade beating my issues into a bloody pulp! (What dya mean that’s not how self care works??)

Back with the second part of “Things I would have liked to see in the metal virus arc.”

Pretty much the biggest thing: Vector acknowledging how freaking traumatic seeing him get zombified must have been for Espio…

But then, he -is- a great detective…so I figure that he probably already knows damn well what it must be like: the trick is that Espio would probably have to be the one to broach the subject.

And, of course, Espio being Espio…just wouldn’t.

It was actually a lot of fun to play around with -how- to portray Espio here; there’s a fine line one can dance between stoicism and just shutting down on yourself completely, and it was intriguing trying to capture what Espio is clearly feeling despite his best efforts to hide it.

Oddworld: The Promised Neverland Homages (pt. 5)

Aka: my excuse to finally abuse the light pens in the name of art!!

I still can’t get over how well The Promised Neverland’s imagery lends itself to Oddworld…quite possibly because they’re pretty much the same concept, but still. I mean, fundamentally, Abe is absolutely a different character to Emma: he’s more reluctant in some respects and clearly doesn’t relish any of the danger he has to face…but he still loves his family. That moment where he hears gunshots and worriedly murmurs “The others…” is proof enough of that and it’s still as effective and powerful as Emma declaring that she never wants to lose another sibling to shipping.

That’s what I was hoping to convey most in this image—what the portal represents. Freedom, relief, safety; not necessarily for Abe, but for all the Mudokons we’ve helped him ferry to safety…or lost in one misstep.

Things I would have liked to seen explored in the metal virus arc: Espio dealing with not wanting to be “lead detective.” Not because he’s incapable, not because he wouldn’t be amazing at it; but because of the finality of the loss that would come with it.

Had this conversation in another post: when Vector said that line, it really had a vibe of a father passing on a position to his eldest son…a son who doesn’t feel ready for it despite being plenty capable.

What I would have loved to see in the comic; Espio grappling with the weight of that and maybe just having a moment where he feels his age. Just a little moment, at least.

I mean, the comics do a great service in letting the younger characters have moments of being young…but sometimes it feels a little disproportionate because, well…Sonic and everyone but Vector and Vanilla aren’t exactly all grown up either. Sometimes it can just come off a bit patronising/infantilising…but that’s a whole different conversation.

Can you believe Sonya and Nightwolf invented that cat meme!

(Redraw/reimagining from ep 6 “Familiar red.” AKA the BEST ep…because it’s mostly all about Nightwolf. And tbf, he gets some good, heartfelt moments!)