I Have To Ask What The Fuck Happened To Emily Plus The Random Rushed Trevek Arc For The Sake Of The Fujoshis

I have to ask what the fuck happened to Emily 💀 plus the random rushed trevek arc for the sake of the fujoshis who give ONC their money, ofc. so I'm gonna try to fix it!

honestly if you WANT to give Emily a rogue arc, have it with a longer build. after she gets fired, she begins planning revenge, maybe by sabotaging challenges so they don't work right and stress Krystal out. because she sees Trevor getting hurt and considers him a friend, her revenge plan shifts from just messing with the challenges in small ways to making them dangerous, like cutting important ropes for a climbing challenge or something.

eventually as she sees how much control she has now, her arc drives her to greater plans to shut down DSVC, causing her to unleash the scorpions in episode 20 like in canon. however she is also trying to slap some damn sense into Trevor regarding Derek, and although he is slowly disliking her methods more and more and not wanting to go with her plans, he sees her points and is able to get over Derek better. maybe he could talk her down from doing something that could simply kill the final two contestants. I think tremily would probably have a smaller part of the plotline, with Emily's urges for revenge taking the forefront, but I still think you could have some of the same character dynamics and whatnot at first.

idk I just can't with whatever the hell is going on with the staff plots now 😭 it's such a WASTE of so many good opportunities

- 🎃

THANK YOU FOR THIS. they ruined emily because they couldn’t stand knowing tremily had more chemistry than trevek, romantic or otherwise. if they really wanted to make her a bad guy from the beginning they should’ve built it up more. this is a very good way of fixing that

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source

Good job making this! ❤️🔥✊🌸

I am Starting to like King rather lore due to the Sonic game… “Sonic and the black knight!” (Its a good game btw! I highly recommend it!)

merlin textposts (part 3)

This better happen! Oh snap I will scream dudes!!!

YEAHHHHHHHHHHHHHHH!!!

Minecraft movie post credit scene leak

I don’t have a design for this OC only a Concept. (( Ghost girl Boss fight ))

Ghost girl Boss fight OC Concept.

The OC is a young girl wearing a Hospital gown plus a Sleeping mask with the long tube still attached to it. Her eyes are covered by her long messy hair.

Her powers/Abilities would be her being able to Fly and Teleport while having Psychic abilities and stuff like that.

Her role in the Boss fight is that she Picks up large objects that the player character has to dodge and attack her at the Right moment.

After she is defeated she will say that she is sorry before teleporting away.

((I might add on to her later, But these are most of my ideas so far for this character.))

I loved you Minecraft story mode…I loved you from the beginning…❤️💙🔥✊

THE MOVIE IS BAD!!! I WISHED WE GOT A MOVIE VERSION OF S1 with the first 4 episodes mixed into 1 Film!!!

BUT NOOOOOOOO!!! THEY MADE IT BAD!!!

What we need to fix this mess is a Balan wonderworld movie or Some Shit?!