K, L Q, R K Is Dutch Knot, L Is French Knot, Q Is Sorbello Stitch, R Is French Cross Stitch. I Really

K, L Q, R K is Dutch knot, L is French knot, Q is sorbello stitch, R is French cross stitch. I really like puzzling out how I'm going to group the different types of stitches within the whole sampler. Sorbello stitch is very similar to Dutch knot (the difference is 45 degrees), and French knot and French cross stitch are also similar. All four are types of knot stitch.

Bristol-based art-academia-community group MakingLearning are producing a series of patchwork poems - each patch contains a word, and is made by a different person. I just did the piecing and the quilting. MakingLearning may be Bristol (uk) based, but for the patchwork poem project we've received patches from lots of different places - not just other places in the UK, but also from other countries in Europe, and other continents. So if you think this is something you'd like to participate in, please don't think distance is a barrier! Get in touch, and we'll post a patch out to you. MakingLearning has a Facebook page, which you should totally check out: https://m.facebook.com/makinglearning

Okay, I'm very curious: what makes you determine how you are doing a translation into stitching?

Essentially: just reading the poem. I read to see if there's an obvious colour palette suggested by the poem. Reds and oranges, for instance, seem a fairly obvious choice for Blake's poem 'The Tiger' - the tiger  'burning bright' and the imagery of the forge, etc. 

Then I do a pretty basic frequency analysis of the text and sort the letters according to frequency, which helps me refine the colour palette - if I want more reds than oranges, then I need to assign reds to the more frequently occurring letters, etc. 

I also might assign colours based on a specific detail I want to pick out - to carry on with the Blake example, I might want to draw attention to how many questions there are in the poem, so I'd assign a really stand-out colour to the question marks. 

I'm currently working on a translation of Wordsworth's 'I wandered Lonely as a Cloud' I picked a blue colour palette because so much of the imagery refers to the cloudy sky, the night sky, the reflection of the daffodils in the lake, etc. but I'm picking all the punctuation out in yellows to represent the daffodils and to try and catch on some level the images evoked in the poem. 

Wonderful photo of the work, but please ignore my blurry face in the background.  I didn't realise I was going to be in some of the photos, and it was a very hot day and I'd been running around like crazy helping with the graduand leaving party. Hot and sweaty is not a flattering look.

This one's P. mountmellick stitch. Te big stitches are Rhodes stitch. In execution, mountmellick stitch is sort of half way between Dutch knot or Sorbello stitch, and an inverted feather stitch (guess which stitch is next?). And a shot of what the whole thing currently looks like, too.

Small relaxation project from last night. Lots of detached chain stitch, buttonhole variant, a whipped woven wheel (or double whipped, I wrapped around the two strands of the chain stitch spokes separately) and Ceylon stitch in the middle. It was more an experiment in shape and design than stitch techniques. As you may be able to tell, I'm rediscovering my love for geometry.