Planceshippers Dont Say I Love You"they Say "dont You Touch Her And I Think Thats Beautiful.

Plance shippers don’t say “I love you" they say "don’t you touch her” and I think that’s beautiful.

now that atlas is a thing

does that mean there’s going to be x2 the ‘form voltron’ sequences??

funny story

Way back in 7th grade english class, we got an old substitute teacher who did his very best to impress us students. He wasn’t successful, but he cracked jokes and made puns that would make everyone sigh in disappointment. That day we were working on poems, but since there was a substitute not much work was being done. I was slacking off by talking to the boy next to me. After a little bit he started jabbing me in the side as a joke and I started slapping his arm whenever he threatened to jab me again. So, the substitute sees this as a great chance to give us some fun “advice”. He says, “You know, when a boy messes with a girl like that, it means he has a crush on her.”

Everyone in the class went wild with laughter and the boy and I started gagging. Because we are twins.

The teacher was mortified when we told him and he turned really red in the face. He didn’t try to impress any of the students anymore, that’s for sure!

“When you’re about to sneeze, but don’t want to sneeze like a kitten in front of your crush”

INTRODUCING: DIPPER THE CUTE PATOOT

Reblogging for future reference

Word Tracking Spreadsheets - These sheets also have sections for character and plot information.

I think I just spent like 2? Maybe more hours reading this. If you don't like essays or A series of unfortunate events, I would recommend not reading this. However if you do like both, and would like to read an essay about A Series of Unfortunate Events, then continue

What, Then, Does Beatrice Mean? Hermaphroditic Gender, Predatory Sexuality, and Promiscuous Allusion in Daniel Handler/Lemony Snicket’s "A Series of Unfortunate Events"

by Tison Pugh

In many ways, Daniel Handler/Lemony Snicket depicts a setting amenable to female agency and empowerment throughout his A Series of Unfortunate Events.1 The chief protagonist, Violet Baudelaire, moves freely in traditionally masculine fields, and other characters—both male and female—appear remarkably unhampered by stereotypical gender roles and expectations. Roberta Seelinger Trites defines a feminist children’s novel as one “in which the main character is empowered regardless of gender. A key concept here is ‘regardless’: in a feminist children’s novel, the child’s sex does not provide a permanent obstacle to her development” (4).2 From Trites’s perspective, Violet’s freedom from traditional gender roles enables the entire series to take on a feminist cast because such a paradigm of gendered equality is taken as the normative structure of the society depicted in the thirteen novels of the series.

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