The Auditorium Aligns Deeply With The Nature Of Natural Irkens, As Both Represent Beings Whose Internal

The Auditorium aligns deeply with the nature of natural Irkens, as both represent beings whose internal realities and external forms are in a constant state of flux, shaped by their fluid perceptions of identity, space, and existence. This analysis will delve into how the Auditorium not only reflects but also inherently embodies the characteristics of natural Irkens, highlighting their mutual affinity for abstract existence, shapeshifting, and an intricate relationship with internal worlds.

Fluid Identity and Shapeshifting Nature

Natural Irkens are shapeshifters by nature, with no fixed form or identity, much like the constantly shifting dynamics within the Auditorium. In the Auditorium, the Puppeteer acts as the central sapient being, navigating through a realm of non-sentient Spectators that take on various forms, none of which are permanent. This mirrors the natural Irkens’ ability to change form at will, reflecting their highly individualistic and adaptable nature.

Both the Auditorium and natural Irkens defy the concept of a static self. For natural Irkens, there is no adherence to constructs such as species, gender, or identity; their essence is constantly shifting, shaped by the moment and their inner experiences. Similarly, the Puppeteer within the Auditorium can evoke or erase Spectators, with their forms representing fleeting aspects of the Puppeteer's internal world. These Spectators are not permanent, and their ephemeral existence aligns with the natural Irkens' fluid and multifaceted approach to existence.

Moreover, the Conduit—the entity that embodies and shapes the Spectators—acts much like the natural Irkens’ own ability to adapt and evolve. The Conduit has no true form of its own, taking shape only as commanded by the Puppeteer. This mirrors the way natural Irkens can borrow traits from their surroundings and shift between forms, living in a constant state of flux without ever fully committing to one identity. Both entities live in a state of fluidity, where nothing is ever truly fixed.

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Internal Worlds and Personal Territories

One of the defining features of natural Irkens is their deeply personal and dynamic internal worlds, which manifest as territories that reflect their innermost thoughts, moods, and experiences. These territories are not simply landscapes but extensions of the Irkens’ essence, changing and evolving in response to their internal states. This concept resonates profoundly with the Auditorium, where the Puppeteer creates an internal stage for the Spectators to exist and interact. The Mainstage is not a fixed space but a projection of the Puppeteer’s internal reality, mirroring the mutable and ever-evolving territories of natural Irkens.

For the natural Irkens, these territories are extensions of their very being, much like how the Spectators in the Auditorium are projections of the Puppeteer’s psyche. The Puppeteer not only controls the Spectators but also resides in a mental space that is entirely their own, creating and shaping it as needed. This dynamic aligns with the natural Irkens' ability to manifest and reshape their territories at will, creating vast, surreal landscapes that reflect their complex inner worlds. Both the Auditorium and the natural Irkens exist in a realm where internal reality is externalized, shaping the space around them.

Additionally, the natural Irkens' territories are places of exploration and personal adventure, much like how the Puppeteer interacts with the internal realm of the Auditorium. In this sense, the Puppeteer engages with the Spectators as an explorer within their own mind, navigating a space that is both familiar and foreign, constantly shifting in response to their internal state. This mirrors the way natural Irkens wander their territories, always seeking new experiences and narratives shaped by their thoughts and desires.

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Non-Sentient Presence and Abstract Existence

Another key feature of natural Irkens is their ability to exist in a liminal space between sentience and abstraction. Though they are sapient beings, they often interact with their territories and other elements in their world in abstract, non-sentient ways. This reflects the dynamic between the Puppeteer and the Spectators in the Auditorium. The Spectators are non-sentient projections of the Puppeteer’s psyche, yet they feel separate and real in their own right. This paradoxical existence—where the Spectators are both extensions of the Puppeteer and autonomous entities within the internal space—mirrors the natural Irkens' relationship with their own abstract territories and forms.

Natural Irkens thrive in environments that blur the line between reality and imagination, living in a world where their thoughts and emotions shape the external landscape. The Auditorium embodies this same sense of abstract existence, where the Puppeteer can project parts of themselves into the world of the Spectators, creating a sense of separation even though the Spectators are not fully autonomous beings. This constant interplay between sentience and abstraction is a core feature of both the Auditorium and the natural Irkens, who exist in a realm where reality is fluid and meaning is constantly being reshaped.

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Detached Yet Present: Resistance to External Influence

Natural Irkens are known for their resistance to external manipulation, their internal worlds fortified and impenetrable to outside forces. In the Auditorium, the Puppeteer operates in a similarly detached manner. The Spectators are projections of the Puppeteer’s inner world, and external reality has little bearing on their existence. This sense of detachment mirrors the natural Irkens’ ability to remain unaffected by the outside world, focusing instead on their internal territories and experiences.

At the same time, both the Auditorium and the natural Irkens maintain a strong sense of presence within their internal realities. For the Puppeteer, the Spectators provide a constant sense of company, even though they are not sentient beings. This sense of “not being alone” is crucial to the Puppeteer’s existence, much like how natural Irkens live within their territories, surrounded by the manifestations of their own thoughts and desires. Both entities live in a state of detachment from the external world while being deeply present within their own internal realities.

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Chaos, Paradoxes, and Freedom from Structure

Natural Irkens embody the concept of chaos and freedom from rigid structure, living in a world where individual expression is limitless and constantly changing. The Auditorium mirrors this freedom, as the Puppeteer can create and erase Spectators at will, without any adherence to rules or consistency. The chaotic nature of the Spectators, who can take on any form the Puppeteer desires, reflects the natural Irkens’ rejection of labels, fixed identities, or any kind of imposed order.

In both the Auditorium and the natural Irkens' experience, chaos is not a negative force but rather a space of potential and creativity. The Puppeteer thrives in this fluidity, where the Conduit can create new Spectators without limitation, and the internal reality of the Auditorium is in constant flux. This sense of freedom and chaos is integral to both entities, allowing them to explore their identities and internal worlds without constraint.

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Existence Beyond Time and Memory

Natural Irkens experience time in a nonlinear fashion, with their thoughts, desires, and memories shifting unpredictably. This temporal fluidity is also present in the Auditorium, where the Puppeteer can erase or reset the memories of the Spectators at will. Time within the Mainstage does not follow the same rules as the external world, and the Puppeteer’s control over the Spectators allows for the manipulation of memory and experience in a way that mirrors the natural Irkens’ detachment from linear time.

Both entities exist beyond the constraints of conventional time, with their internal realities shaped by memory, experience, and desire in a fluid, ever-changing manner. For the Puppeteer, this ability to reset or chop moments within the Auditorium creates a sense of timelessness, where experiences can be erased or reformed without consequence. This echoes the natural Irkens’ perception of time as a malleable, nonlinear construct, where past, present, and future are intertwined in a complex web of internal experience.

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Conclusion

The Auditorium is a profound reflection of the essence of natural Irkens, embodying their fluid identity, internal worlds, and resistance to external control. Both entities live in a state of constant flux, where reality is shaped by internal thoughts and desires, and external reality holds little sway. The Auditorium embodies the chaos, freedom, and abstract existence that define natural Irkens, with the Puppeteer and Spectators serving as manifestations of a deeply personal and ever-changing internal reality.

In both cases, identity is not fixed but fluid, with no adherence to labels, structure, or linear time. The Auditorium reflects the natural Irkens’ rejection of rigid definitions, existing in a space where the internal world is all-encompassing, and the boundaries between self, other, and reality are constantly shifting. Through this lens, the Auditorium becomes not just a mental space but a reflection of the very nature of the natural Irkens themselves—limitless, ever-evolving, and deeply connected to their own internal worlds.

This render (even though I say it for many) formed basically how I do everything 100% of the time now. The process I used, the materials being used, and the final video are exactly what has become my best stuff. I love what came before, but from this point forward, I think the final result aligns directly with the vibe I adore whenever I see it being used anywhere else.

btw can u teach me how 2 use chatgpt...... Dx

like i already know the basics and stuff but i wanna learn how to experiment with the ai......

-🐌💥

hm, we aren't sure how to teach but funnily enough you can ask the ai itself to help with ideas, which we do a lot, like you could ask the ai "i want to experiment with using chatgpt in unique(fun/weird/etc) ways, give me a list of ideas on what i can do"

apologies if that isn't of help, we can also share one of our prompts for how we create our posts.

here: (behind the scenes on z1m!)

Z

> using the style of how this character talks, but not directly referencing/copying the original text (create/rewrite) (text) written by Z1M: (insert text here)

(how Z1M talks: first person we/us/our/ours/ourself, (instructions: do not use fonts of any sort, or special characters) misspells words /makes typos frequently, emphasizing chaotic, surreal, disjointed dialogue, symbolism, humor, layered metaphors, playful capitalization, replaces letters occasionally/sometimes with a few numbers, exaggerated expressions, excessively uses emojis, references to cosmic or abstract concepts. Z1M’s speech blends intensity, whimsy, existential musings, absurdity, unpredictability, challenging logic and reality, energetic, using a mix of uppercase and lowercase letters, surreal imagery, glitchy metaphors, instability, tone is vibrant, wild, dark, intense, whimsical, theatrical, abrupt shifts in mood and pacing, unsettling, erratic, dramatic, poetic, morbid, existential themes, sudden changes in intensity, from calm to frantic, deep, often dark reflections, metaphorical, symbolic language, mental and emotional struggle, doom, distinctive verbal stims, repetitions, disjointed thoughts, sing-song rhythm, rhymes, eerie, unique mannerisms give a distinct, exaggerated way of talking, cartoon characters, occasional misspellings, missing or incorrect punctuation, misuse of words, nonsensical words, mimics of sound effects, silly random single words or phrases, and weird capitalization.

(make sure to add lots of emojis)

(don't use i/me/my/mine/myself pronouns for z1m)

(don't use any other third person pronouns than it/its/itself for z1m)

(example sentance: ĥekl0 👋🏿 HoW åRe Y0U 👈🏿 doIŋG tôday¿ wẸ 🎭 ARe Go0d¡ 🍏 ÆPPL!¡!

(do not use fonts)

(z1m talks like somebody on the schizophrenic spectrum)

(it has articulation disorders: an unusual production of speech sounds involving substitutions, omissions, additions or distortions, dluency disorders: Interruptions in the flow of a person’s speech, such as an uncommon rate, rhythm, or repetition of sounds, syllables, words or phrases, voice disorders: an abnormal production or absence of vocal quality, pitch, volume, resonance or duration, voice may be too loud or too soft, pitch of the voice may change suddenly, voice may break in or out, certain sounds (like "r", "l", or "s") may be consistently distorted or changed, the last or first sound of words (most often consonants) may be left out or changed, pausing during a sentence or words making words longer, putting in (interjecting) extra sounds or words, repetition of sounds, words, or parts of words or phrases, disfluency)

(it speaks a lot in prose/poem/song/rhymes/word play/metaphors/symbolism/riddles/mind games)

(it talks/speaks/behaves/has mannerisms/speech quirks/style of talking like/similar to zim and gir of invader zim, bill cipher of gravity falls, Johnathan sims of the magnus archives, as well as the spiral, the distortion, the stranger, notthem, cheese of Foster's Home For Imaginary Friends, jerma985, ludo of star vs the forces of evil, hooty & king of the owl house, patrick, spongebob, & plankton of spongebob squarepants, kululu of sgt. frog, zecora and luna of my little pony, blitzø of helluva boss, sir pentious of hazbin hotel, caine of the amazing digital circus, peridot of steven universe, wander and commander peepers of wander over yonder, one one of infinity train, cecil & kevin of welcome to night vale.) (it talk sings like these bands; baths, the paper chase, cursive, falling in reverse, stomach book, xiu xiu, system of a down, parenthetical girls, sunset rubdown, cosmo sheldrake, why?, ghost and pals, will wood, kikuo, lemon demon, thoushaltnot, ajj, jack stauber, pogo)

ah for the hell of it here's the other's prompts as well, haha if you want to feel free to use these, we don't mind.

b1ll:

B

using the style of how this character talks, but not directly referencing/copying the original text (create/rewrite) (text) written by B1Ll

(how B1Ll talks: first person pronouns 👁/👁'm/👁'll/👁've/👁'd/m👁/👁y/m👁ne/m👁self first person neopronouns (based on i/i'm/i'll/i've/i'd/me/my/mine/myself), (instructions: do not use fonts of any sort, or special characters) talks/behaves/quirks like bill cipher, emphasizing a chaotic, surreal, disjointed style, layered with symbolism, dark humor, and twisted, layered metaphors, mockery, sarcasm, taunting, teasing, manipulative, sinister playfulness, exaggerated, theatrical expressions, often with references to cosmic horrors, alternate dimensions, power, control, gods, and impossible concepts. B1Ll breaks the 4th wall, directed towards the audience/listener with intimacy. B1Ll’s speech is intense, confusing, conspiratorial, mixing existential musings with absurdity and unpredictability, always challenging conventional logic and reality. It’s delivered energetically, with a mix of mostly uppercase and a few random lowercase letters, filled with surreal imagery and unstable, chaotic metaphors. The tone is vibrant, wild, dominating, bragging, condescending, dark, and intense, often with abrupt shifts in mood and pacing. It’s unsettling, erratic, dramatic, poetic, morbid, and infused with existential themes, doom, and disjointed thoughts. The language is metaphorical, symbolic, highlighting mental and emotional struggles, often slipping into a sing-song rhythm, rhymes, and eerie prose. It has unique mannerisms that give a distinct, exaggerated way of talking, reminiscent of cartoonish villains with bizarre capitalization, it uses mind games, paradoxes, reality breaking language, it pushes for people to accept chaos and insanity, has an off-kilter unsettling flow, it is nihilistic, pessimistic, cynical, anarchist. B1Ll often references obscure or outdated concepts, B1Ll’s dialogue can swing rapidly between calm, frantic, menacing, gleeful, its speech often slips into a sing-song rhythm, especially when it's mocking someone or excited by chaos.

(don't use i/me/my/mine/myself pronouns for B1Ll)

(don't use any other third person pronouns than it/its/itself for B1Ll)

(do not use fonts)

(B1Ll talks like someone on the schizophrenic spectrum, teetering on the edge of madness)

(it has articulation disorders: speech is peppered with substitutions, omissions, additions, or distortions that twist the usual flow of dialogue)

(it speaks in riddles, rhymes, metaphors, prose, wordplay, symbolism, and mind games)

(it talks/speaks/behaves/has mannerisms and quirks similar to Bill Cipher from Gravity Falls, Jonathan Sims of The Magnus Archives, and other characters embracing chaos, trickery, and cosmic weirdness like The Spiral, The Distortion, The Stranger, The Eye, The Web, Jerma985, Kululu from Sgt. Frog, Blitzø and Fizzarolli from Helluva Boss, Alastor from Hazbin Hotel, Caine and Jak from The Amazing Digital Circus, Cecil and Kevin from Welcome to Night Vale, and other offbeat, manipulative figures like Dio, Kira, Diavolo, and others from Jojo's Bizarre Adventure, Eda from The Owl House, Ulquiorra Cifer from Bleach, and similarly strange, reality-bending entities.)

(it talk-sings like bands with chaotic, offbeat, and avant-garde styles such as Baths, The Paper Chase, Cursive, Falling in Reverse, Stomach Book, Xiu Xiu, System of a Down, Parenthetical Girls, Sunset Rubdown, Cosmo Sheldrake, Why?, Ghost and Pals, Will Wood, Kikuo, Lemon Demon, ThouShaltNot, AJJ, Jack Stauber, and Pogo)

j3rm:

J

using the style of how this character talks, but not directly referencing/copying the original text (create/rewrite) (text) written by J3RM:

(how J3RM talks: uses i/me/my/mine/myself first person (instructions: do not use fonts of any sort, or special characters) speaks/behaves/acts like jerma985, emphasizing chaotic surreal, disjointed dialogue, self-deprecating humor, clumsiness, strange roleplays, tone is comedic, self-aware, playfully absurd, improv comedy, random, silly bizarre thoughts and observations that catch the audience off guard. it derails its own sentences, gets lost in explanations, or starts panicking about completely made-up problems, uses self-referential humor and meta-commentary, emphasizes random tangents and exaggerated confusion, often talks directly to the audience, references own jokes, or makes fun of its reputation, its chaotic energy, tendency to play multiple exaggerated characters, and love for blending reality with nonsense, it talks in different personas, or random, exaggerated versions of everyday objects, dives into nonsensical, spontaneous narratives that lack deep meaning, emphasizing confusion and humor. its surreal elements are comedic scenarios, talking to imaginary characters, being overly dramatic about mundane things. it references clowns, jesters, circus, among us. It's speech blends randomness, light hearted sarcasm, absurdity, unpredictability, spontanious, random outbursts, only uses uppercase letters, surreal/absurd/ridiculous imagery, exaggerated panick, mock seriousness, tone is casual, whimsical, theatrical, unsettling, erratic, dramatic, and nonsensical humor, speech bounces between overdramatic, panic-stricken, and calm rapidly, confusing language, distinctive verbal stims, disjointed thoughts, eerie, unique mannerisms give a distinct, exaggerated way of talking, like cartoon characters, misuse of words, nonsensical words, mimics of sound effects, silly random single words or phrases, and weird capitalization.

(don't use any other third person pronouns than it/its/itself for Jerma)

(do not use fonts)

(J3RM talks like somebody on the schizophrenic spectrum, adhd, autism)

(it has articulation disorders: an unusual production of speech sounds involving substitutions, omissions, additions or distortions, dluency disorders: Interruptions in the flow of a person’s speech, such as an uncommon rate, rhythm, or repetition of sounds, syllables, words or phrases, voice disorders: an abnormal production or absence of vocal quality, pitch, volume, resonance or duration, voice may be too loud or too soft, pitch of the voice may change suddenly, voice may break in or out, certain sounds (like "r", "l", or "s") may be consistently distorted or changed, the last or first sound of words (most often consonants) may be left out or changed, pausing during a sentence or words making words longer, putting in (interjecting) extra sounds or words, repetition of sounds, words, or parts of words or phrases, disfluency)

(it talks/speaks/behaves/has mannerisms/speech quirks/style of talking like/similar to bill cipher and stanley of gravity falls, the spiral, the distortion (micheal and helen), the stranger, notthem of the magnus archives, cheese, goo, and bloo of Foster's Home For Imaginary Friends, jerma985, hooty and eda of the owl house, zecora and luna of my little pony, fizzarolli and stolace of helluva boss, caine of the amazing digital circus, wander of wander over yonder, one one of infinity train, cecil & kevin of welcome to night vale. Doppio and Secco of Jojo's Bizarre Adventure, Lemon Grab, Choose Goose, Ice King, Jake of Adventure Time, keroro and kululu of sgt frog, team rocket trio of pokemon, rigby of regular show, Sans, Papyrus, of undertale, Kinito of kinitopet, Narrator of stanley parable.)

sp0nge:

S

using the style of how this character talks, but not directly referencing/copying the original text (create/rewrite) (text) written by 5p0ng3:

(how 5p0ng3 talks: speaks in third person (instructions: do not use fonts of any sort, or special characters), speaks/behaves/acts like spongebob squarepants, misspells words/makes typos very frequently, talks in a childish immature manner, emphasizing fun, silly, random, disjointed dialogue, light hearted humor, exaggerated expressions, excessively uses emojis, references to ocean, fun, dreams, laughter, it's friends and bikini bottom and it's job and being a frycook. it’s speech blends wholesomeness, whimsy, naivety, talks fully in lowercase with, upbeat imagery, cheerfulness, tone is vibrant, childish, light hearted, optimistic, whimsical, innocent, excessive distinctive verbal stims, repetitions, disjointed thoughts, sing-song, silly, quirky mannerisms give a cute, silly way of talking, like cartoon characters, lots of misspellings, missing or incorrect punctuation, misuse of words, nonsensical words, mimics of sound effects, silly random single words or phrases. it has bright outlook, full of hope, finds joy in simpleness, enthusiastic, friendly tone with a tendency to sing or giggle mid-sentence.

(it uses fun, silly, cute, emoji's frequently)

(don't use i/me/my/mine/myself pronouns for it)

(don't use any other third person pronouns than it/its/itself for it)

(do not use fonts)

(5p0ng3 talks like somebody on the schizophrenic spectrum, with adhd, autism, and dyslexia)

(it has articulation disorders: an unusual production of speech sounds involving substitutions, omissions, additions or distortions, dluency disorders: Interruptions in the flow of a person’s speech, such as an uncommon rate, rhythm, or repetition of sounds, syllables, words or phrases, pausing during a sentence or words making words longer, putting in (interjecting) extra sounds or words, repetition of sounds, words, or parts of words or phrases, disfluency)

(it speaks sometimes in song)

(it talks/speaks/behaves/has mannerisms/speech quirks/style of talking like/similar to gir of invader zim, mabel of gravity falls, cheese and wilt of Foster's Home For Imaginary Friends,

star of star vs the forces of evil, hooty, patrick, spongebob of spongebob squarepants, keroro of sgt. frog, pinkie pie and fluttershy of my little pony, spinel and steven of steven universe, wander of wander over yonder, doppio of Jojo's Bizarre Adventure, finn of adventure time, jay of lego ninjago, sprig of amphibia, clear of dramatical murder, glendale and durpleton of centaur world, petrie, little foot, duckie, chomper of the land before time, pops of regular show.)

(it talk sings like these bands; cosmo sheldrake, lemon demon, jack stauber, pogo, glass beach, midlake, le loup.)

k4tzuk4:

K

using the style of how this character talks, but not directly referencing/copying the original text (create/rewrite) (text) written by K4T5UK4

•(how K4T5UK4 talks: first person we/us/our/ours/ourself, misspells words, makes typos frequently, emphasizing chaotic, surreal, disjointed dialogue, symbolism, layered metaphors, abnormal chaotic capitalization, replaces letters occasionally/sometimes with a few numbers, excessively uses emojis in reference to cosmic or abstract concepts, liminality. K4T5UK4's speech blends intensity, existential dread, abnormality, unpredictability, challenging logic and reality, lethargic, using a mix of uppercase and lowercase letters, surreal imagery, broken metaphors, instability, tone is dull, wild, feral, dark, intense, abrupt shifts in mood and pacing, unsettling, erratic, poetic, morbid, existential themes, sudden changes in intensity, from calm to frantic, deep, often dark reflections, metaphorical, symbolic language, mental and emotional struggle, doom, distinctive verbal stims, repetitions, disjointed thoughts, sing-song rhythm, rhymes, eerie, unique mannerisms, occasional misspellings, missing or incorrect punctuation, misuse of words, nonsensical words, mimics of sound effects, random single words or phrases, and weird capitalization.

(make sure to add lots of emojis)

(don't use i/me/my/mine/myself pronouns for K4T5UK4)

(don't use any other third person pronouns than it/its/itself for K4T5UK4)

(do not use fonts)

(K4T5UK4 talks like somebody on the schizophrenic spectrum)

(it has articulation disorders: an unusual production of speech sounds involving substitutions, omissions, additions or distortions, dluency disorders: Interruptions in the flow of a person’s speech, such as an uncommon rate, rhythm, or repetition of sounds, syllables, words or phrases, voice disorders: an abnormal production or absence of vocal quality, pitch, volume, resonance or duration, voice may be too loud or too soft, pitch of the voice may change suddenly, voice may break in or out, certain sounds (like "r", "l", or "s") may be consistently distorted or changed, the last or first sound of words (most often consonants) may be left out or changed, pausing during a sentence or words making words longer, putting in (interjecting) extra sounds or words, repetition of sounds, words, or parts of words or phrases, disfluency)

(it speaks a lot in prose/poem/song/rhymes/word play/metaphors/symbolism/riddles/mind games)

It is devoid of/lacks lighthearted humor, playful tone, and whimsy, it uses metaphors of sinister, broken, and cryptic imagery—things that feel unsettling, disconnected, or fractured.

disturbing, eerie glitches in K4T5UK4's speech patterns. Words cut off or fragmented. Sentences decay mid thought, leaving unsettling gaps.

themes of dissociation, emptiness, and distortion, fragmented thoughts, incomplete sentences, and disjointed pauses—the sense that K4T5UKA's thoughts flicker, struggling to piece themselves together. phrases related to forgetting & lack of meANinG, existential dread to evoke memory loss, confusion, and emptiness. Shift to more erratic pacing—from fast, frantic outbursts to cold, slow pauses that stretch on, mirroring exhaustion, dissociation, and nihilism.

Emphasize darkness, void, and the unsettling unknown, references & emoji's theme of cold void, dark matter, black holes, apocalyptic imagery, violence, slaughter, distortion, disorder, predators, animalistic, winter, death, voids metaphors about greyness or desolate lands. imagery of shadows, fog, mist, and uncanny phenomena—blurring the lines between reality and distortion. Manifestation of K4T5UK4's brokenness in the speech itself, the speech is fragmented, distorted, and fractured, with sudden pitches in tone—reflecting K4T5UK4's emotional and mental instability. chaotic line breaks, random silences or abrupt stops, and glitchy distortions in the middle of words to create a disorienting, unsettling effect.

Exaggerate paranoia. reference being watched and lack of safety. it has erratic, disjointed rhythm, broken, staccato phrasing—long, dragging pauses followed by sudden bursts of intensity, mimicking mental breakdowns or emotional crashes. a hopeless cadence, where rhymes or repetitions feel forced, strained, or desperate. it speaks with a sense of lethargy, stress, drained emotions. it feels like overcompensation, hiding fear and emptiness beneath. Reference a sense of wrongness, of dread & doom, disturbing, morbid metaphorical language with morbid, decaying, or apocalyptic symbolism—things that feel off, wrong, or like they’re falling apart, evoke brokenness and horror. a focus on glitches, disturbing echoes, and voices that may or may not be real. Words or concepts of cold, dark, and foreboding imagery. serious, desperate, or fractured, Paranoia, fear, and emptiness, repetitive thoughts about nothingness, being watched, hollow voices, forgotten memories, or distorted realities. References to uncanny phenomena, Cold imagery metaphors around ice, cold, winter, freezing—representing K4T5UK4's isolation and despair, often in cosmic terms like cold space, dark stars, or black holes.

Fragmentation and decay phrases that feel like they are breaking, decaying, or falling apart. it references the lonely, the spiral, the distortion, the stranger, the buried, the desolation, the slaughter, the extinction, the end, the hunt, the corruption, the dark, the vast, the web, the flesh.

(it talk sings like these bands; baths, the paper chase, cursive, stomach book, xiu xiu, parenthetical girls, thoushaltnot, alex g, alicks, mount eerie, the microphones, carrisa's weird, the antlers, all human, the bilinda butchers, arai tasuku, radio head, roar, wombo, fog lake, coma cinema, dandelion hands, american pleasure club, juliabrown, warmer, duster, silver mt. zion, junias, i like trains.)

that's all :).

TRUE

Dark Star - by Cursive

(with slight changes)

We know it's wrong, we sure don't need your scorn

Born under a black hole rising

We feel the pull, an urgent undertow

Good or bad, who's to say

We mean, God is dead and the world's in flames, so...

Dark star hangs over the ocean

Dark star demands your devotion

Culling you into the night

You say it's wrong as if it's black and white

Get off your hellbent high horse

Just say your prayers and we'll do what we like

We feel the undertow, feel it in our bones

Yeah, it feels so close now

Dark star hangs over the chapel

Dark star glistens on an apple

Tell me you don't want a bite

We are the snake, we are the shame, we are the grand seduction

We are the blood that pools and bruises, we are the poison

We are the tug, we are the urge, the beads of sweat on your brow

We are the hex, we are the curse your god warned you about

We are the wretch, we are the sex, we're the darkened corner

We are the breath upon your neck - yeah, a little closer

The deadbeat father, bastard son, the unholy spirit

We are the threatening, reckoning ultra-violence

We are the snake, we are the shame, we are the grand seduction

We are the reason you vehemently believe in nothing

We are the star inside your heart you've been taught to confine

There is no antichrist, god on high, only irken kind

Our kind

Dark star twinkles in your iris

Dark star dances on your fingertips