Unlike Other Magical Girls, Nagisa's Magical Girl Outfit Is Super Casual And Cute (to The Point It's

Unlike other magical girls, Nagisa's magical girl outfit is super casual and cute (to the point it's hardly even a magical girl costume). It feels like such a perfect representation of her; like she's wearing fun clothes she normally can't.

Homura's so well written and is the core part of why Maodka Magica is so beloved and genius!!! Anyone stuck in a timeloop watching their friends die would go crazy and detach themselves from said friends to try and feel less bad!!!

Homura has """accepted""" (deluded herself into believing her negative thoughts) the fact that she's """evil""" (despite her actions being very well intentioned and justified in pretty much all cases).

"homura is an evil abuser who wants to control madoka and hates their friends" tired trope, canonically untrue, congrats on falling for the facade put up by a middle schooler.

"homura sees herself as inherently evil and abusive due to her upbringing, past actions, and status as a witch, which is still ongoing even at the end of rebellion" fresh, new, actually closer to canon, doesn't demonize a child for being mentally ill.

Nagisa living long enough to form bonds with other magical girls presents two wildly different AUs:

1. She meets Mami and the two help eachother through their mutual issues (fluff-fix-it-fic style)

2. She's mentored by Yuu and becomes an assassin who gets you with the bubble blower and puts a slice of cheese on your corpse (fix-it-fic but alot less fluff)

When it comes to Homura's obsession with Madoka it's obviously romantic, but I feel like there's some jealousy there too.

At the end of Rebellion, Homura is the class president and Madoka is the transfer student; the inverse of their original "roles".

Homura idolises and worships Madoka (even pre-Madokami); everything Homura does is motivated by Madoka. All because Madoka was the first one to connect with Homura when she needed it. The only way I can really describe how I interpret it is like the way a child wants to be a superhero after watching a movie.

Seeing Madoka as a magical girl fighting witches, defending Homura, and most of all being kind to Homura; Homura wants to defend herself and Madoka too. She wants to be the "Madoka" to a "Pre-Wish Homura" Madoka.

Apply your Color

🎼⏳🎀🌼🍎

Shortly after Madoka Magica released (to great success), everyone started trying to make the next big "magical girl misery" anime. I think the reason those ones didn't really take off is because they missed the point of Madoka: the love of others and self-sacrifice is center stage, and we only really feel bad for the characters of Madoka Magica because we see them happy.

Madoka Magica isn't just a misery fest; Mami's death matters because we understand Mami's dreams and struggles, Sayaka becoming Oktavia is impactful because we see her downfall that isn't her fault (or anyone's for that matter). Madoka (and to a secondary extent, Homura) never give up hope or trying.

Madoka isn't constantly victimised and abused (unlike some over-the-top edgy magical girl animes I know) she's in tragic circumstances and still tries her best; still WANTS the best for the world around her.

Making something sad isn't about how much we see a character suffer and struggle; it's about making the struggles and suffering they go through impactful through their story. Wants, relationships, traits, and flaws... That's what makes a character's pain painful for an audience.