Shortly After Madoka Magica Released (to Great Success), Everyone Started Trying To Make The Next Big

Shortly after Madoka Magica released (to great success), everyone started trying to make the next big "magical girl misery" anime. I think the reason those ones didn't really take off is because they missed the point of Madoka: the love of others and self-sacrifice is center stage, and we only really feel bad for the characters of Madoka Magica because we see them happy.

Madoka Magica isn't just a misery fest; Mami's death matters because we understand Mami's dreams and struggles, Sayaka becoming Oktavia is impactful because we see her downfall that isn't her fault (or anyone's for that matter). Madoka (and to a secondary extent, Homura) never give up hope or trying.

Madoka isn't constantly victimised and abused (unlike some over-the-top edgy magical girl animes I know) she's in tragic circumstances and still tries her best; still WANTS the best for the world around her.

Making something sad isn't about how much we see a character suffer and struggle; it's about making the struggles and suffering they go through impactful through their story. Wants, relationships, traits, and flaws... That's what makes a character's pain painful for an audience.

It dons the air of a noble swordsman to mask its envious nature.

The apple scene between Kyoko and Sayaka feels both like "a proper introduction between enemies who no longer wish to fight" and "a final invitation to connect with someone and pull yourself back from the edge".

Sayaka tossing aside Kyoko's gifted apple feels like her making a conscious choice to fully go crazy and a denial of Kyoko's attempt to reach out to her.

Additionally, Kyoko giving away to Sayaka something that holds significance for her (food, which she considers incredibly precious) without any expectation of something in return aside from "connection" is an interesting moment for a character previously depicted as "selfish" and constantly against Sayaka.

Kyoko sharing her story TO Sayaka is a moment of vulnerability, later matched by her sharing her story WITH Sayaka by sacrificing herself when she likely could've defeated Oktavia without dying in a effort to ensure Sayaka wouldn't be alone anymore.

One thing that I don't see talked about as much is Mami's dependant-related personality. Of course there's the stuff with her wanting Madoka to become a magical girl and join her (which is the obvious one), but there's also her relationship with Bebe in Rebellion and her witch Candeloro.

Mami feels a NEED to be the "responsible" and "dependable" type, highlighted by how she takes care of Bebe like she's her mother (all the pictures she has with Bebe really look like family photos to me). This is juxstaposed by her witch form Candeloro, who is tiny and carried around by familiars that look like the rest of the holy quintet.

Mami really wants to be "carried", to be weak, to depend on others, and to be selfish. She's isn't bad for this; her circumstances are tragic, and she didn't even really get to choose her wish. Because she's older and has more experience than the other girls, she feels like she HAS to be the rock of the team.

Most of all, she simply doesn't want to be alone. She's lost so many people she's loved, and the chance of having other people around again for once gives her so much joy she can't help but try to push Madoka and Sayaka into becoming magical girls. And unfortunately, that was her doom in the main-series timeline. I find it bittersweet that she died at her most happy; on one hand she felt hopeful and unalone, but on the other hand she never got to see and fight alongside Madoka and Sayaka.

When it comes to Homura's obsession with Madoka it's obviously romantic, but I feel like there's some jealousy there too.

At the end of Rebellion, Homura is the class president and Madoka is the transfer student; the inverse of their original "roles".

Homura idolises and worships Madoka (even pre-Madokami); everything Homura does is motivated by Madoka. All because Madoka was the first one to connect with Homura when she needed it. The only way I can really describe how I interpret it is like the way a child wants to be a superhero after watching a movie.

Seeing Madoka as a magical girl fighting witches, defending Homura, and most of all being kind to Homura; Homura wants to defend herself and Madoka too. She wants to be the "Madoka" to a "Pre-Wish Homura" Madoka.

This is so lovely and exemplifies the feelings of loneliness Mami must feel.

Abandoned by Kyoko (who later forms an "eternal bond" with Sayaka), and abandoned by Madoka ("stolen away" by Homura).

Mami is the only character who truly doesn't have anyone. Of course, she somewhat has Bebe, but Bebe can't truly fill Mami's emotional needs.

you're fine alone