Hello! Not Really A Ask But I Just Wanted To Say I Love Your Writing. I Just Binge Read Your Final Girl
Hello! Not really a âAskâ but I just wanted to say I love your writing. I just binge read your final girl series of what you have so far as well as some other ones. Thanks for all the time and effort you put into them for lack of better words <3
thank you love !! nothing makes me happier than knowing ppl are enjoying my writing :)
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More Posts from Yesimwriting
Gingerbread
 A/n small christmas drabble i talked about earlier,, just a cute little holiday snippetÂ
Summary: Billy and Stu donât particularly care about Christmas, but they like being around you. Â
----
His words are sinking in because itâs been long enough and you canât just stare at Stu forever, but you canât think of a way to react. After all, one of the most enthusiastic people youâve ever met just casually admitted to not being super into the holidays.Â
The holidays arenât something people are or arenât into. Theyâre a state of mind, a ritual, a time of year to put aside the pretext of angst in order to take joy in the simple things like decorating little cookie people and walking around to look at everyoneâs lights.
âYouâre ânot into the holidaysâ?â Stu blinks, a pinch of humor playing into his expression at your disbelief. âWhat do you mean youâre ânot into the holidaysâ?âÂ
âWhat I said, sweetheart,â he hums with a casualness thatâs nearly suspicious because youâre still not convinced, âIâm not nine so Iâm not super into it.âÂ
It. âWhatâs there not to be into?â You feel a bit like a kid with your insistence, but come on--itâs weird that Stu, whoâs all energy and pro anything that gets him time off school is indifferent about the holiday season.Â
Whoâs indifferent about the holiday season? You get why some people might hate this time of year and you donât expect everyone to be all deck the halls, tinsel coming out of every crevice of their being, or anything--but this much flatness? Itâs weird. Especially from him.Â
Stuâs eyebrows pull together. Heâs clearly enjoying something about your shock. âIt was fun when I was a kid, but you grow out of the holly jolly. The decorators come, Leslie pops in, and we get gifts. Itâs nothing world changing.âÂ
The bit of insight only vaguely helps, shifting your total disbelief into something a little more downcast. His apathy seems to stem from his family dynamic at least a little. âWell, what about you?âÂ
Billy angles his head in your direction, leaning against the island of your familyâs kitchen. His pause is cut short by Stu, âOh, donât even try with Billy. Heâs the real Grinch here.âÂ
Your head snaps towards Billy. âYou hate Christmas?âÂ
âHateâs a strong word,â Billy answers, his flatness ruined by the slight amusement at your total shock. When you donât ease, Billy shrugs, eyes dropping to focus on the granite countertop instead of your face, âChristmas was my momâs thing.âÂ
You have to bite your tongue to keep from asking if you heard correctly. Billy mentioning his mom in any capacity is shocking enough, but hearing him talk about her so casually and with such blankness is something else entirely.
âMy dad and I just arenât that into it.âÂ
Nodding once, youâre not sure thereâs a good way to continue. âSo no baking cookies? Got it.â
Stu leans forward, nudging you with his elbow. âI didnât say that, princess, Iâll play house with you.â
It takes a second of reflection, but you guess you can see how Stu found a way to weasel in that angle. You werenât thinking of it when you brought up the cookie thing, but you should have expected it. Stu has a talent for reading between lines in a way that makes it easy to translate subtext into anything he wants it to be. You donât think you get why heâd want to perceive it that way, but decide that a dip into psychoanalysis will derail the afternoon.
Itâs not too weird, you guess, at least not too weird for Stu. His parents arenât around much so all those little things need to be found in friendship. Itâs the defense you use for a lot of Stuâs tiny comments and actions. Itâs a fair excuse, and not the worst way his potential parental issues come out, and--
Okay. This is the exact psychological deep dive you didnât want to take. If you think too hard on it, you feel bad about it. What kind of friend needs to over observe and read into everything like that?Â
âYeah?â You tap your nails along the granite, âWilling to wear an apron and everything?âÂ
Stu tilts his head, leaning forward and lifting his hand to your cheek. He pinches the skin of your cheek too quickly for you to protest. âYouâre the one with the legs for it.âÂ
Itâs dumb enough that you should be able to think of some kind of retort, but the way he says it, voice all low and eyes too focused, derails your train of thought entirely. âAnd youâre the one with the legs that can reach the top shelf where the flour is.âÂ
----
âIâm doing it right.â Itâs little more than a huff and itâs quickly followed by a full, unashamed pout. âYou just like being bossy.âÂ
Glaring at Stu as he squishes the dough between his fingers instead of fully flattening it, you cross your arms across your chest. Itâs a bad idea, because flour is coating both of your hands and more powder smudges against your shirt. Youâre surprised that you didnât think to expect such a mess. âDo not.â
âThe power tripâs adorable.âÂ
âAnd how cute will you find it when I kick your ass?âÂ
He does the most offensive thing possible. He grins, full teeth and not even the tiniest bit menaced. âYeah? Youâre gonna kick my ass?âÂ
His reply is equal parts teasing and something youâve never been able to name but have always known not to push too far. Winding Stu up is fun until itâs not and the line shifts with little warning. âMaybe,â it feels more like a retreat than youâd like.Â
âI wouldnât try her,â Billyâs voice comes out half disinterested as he continues to mostly do as told, evening out the dough Stu un-smoothed. âShe can be mean.âÂ
You fight a smile, âNot mean--fair.âÂ
Billy pauses in a consideration so deliberate it almost feels like heâs making fun of you in a lighthearted way. âTough.âÂ
Nodding once, you move to press your palm into the dough. âI have to be to keep two specific people I can never shake in line.âÂ
âTwo people you canât shake.â Billyâs thumb presses into the side of the dough stiffly, flattening the dough too thinly. âSounds like you have some stalkers.âÂ
You move your hand to adjust the distribution of the dough, your fingers brushing against the side of Billyâs hand. âNah,â you hum casually, âTheyâre nice in their own weird way.â
Billy turns his hand, skin settling against yours in a way thatâd feel intentional if it wasnât for the way he dutifully returned to evening the dough. âWeird?â Itâs said softly enough, a touch of lightheartedness etched into the word.Â
Youâre about to make some joke about how weird is a total understatement when youâre yanked back with no warning. Your body has barely moved a full step, but the sudden, firm grip on your waist and left forearm forces you to bite your tongue to avoid yelping. Flour puffs into a cloud that gets all over you and up your nose.
âStu!âÂ
He laughs, not letting go. âWhat happened to keeping us in check?âÂ
The jab makes you feel like you could kill him in order to prove a point. You squirm aimlessly, too offended to manage anything else. Stuâs relentless in his hold as you twist until youâre facing him. His expression leaves something in your stomach on edge. Itâs not genuine panic or comfortability either. You canât decide whether that makes you want to move or stay in place.
Stu angles his head downwards and you slowly raise a hand. He doesnât question it until itâs too late and youâre opening your palm in order to let out a quick, sharp breath. Flour strikes Stu in a way that seems to genuinely catch him by surprise. Itâs enough to make you laugh until his stillness sinks in. His hold on you feels firmer now and youâre not sure if the change is new or if you had been too distracted to notice before. Your lower back presses into the kitchen counter as you instinctually shift back.Â
The bubbling of your internal awkwardness combines uneasily with the humor of earlier. It sits and builds with no where to go until you blurt out, âYou in check yet?â
He cocks his head to the side. âDonât get a big head, babydoll.âÂ
Youâre not sure you get the framing of his words and their uncharacteristically stiff undertone. Before you can dwell, Billy sighs. âYou two are little kids.âÂ
Any hint of edge that had just started building up vanishes as Stu turns his head. âMoody.âÂ
âYeah,â you echo, feeling like your proving Billyâs point, âWe should dump flour on Billy.âÂ
âAn entire bag,â Stu angles his head to face you again, slowly releasing you, âWe could wait for him to go to the bathroom and ambush him.âÂ
âYou hide around the corner and Iâll hide behind the couch. No escape.â
Billy rolls his eyes. âYouâre conspiring in front of me.âÂ
âMaybe Iâm just trying to lure you into a false sense of security and Iâm actually planning something a lot worse.âÂ
His eyebrows draw together, a desperate attempt at annoyance. âYou wouldnât make a good bad guy.âÂ
You let out a sound of mock offense. âYou have no idea what Iâm capable of plotting. I could be a total evil mastermind.âÂ
With a loud snort, Stu brings attention back to him. âYouâre better off sticking to the cookies.â Before you can protest, Stu challenges your irritated expression with a question, âOkay--slasher movie, how do you take out your first victim?â
Youâd point out that you werenât trying to prove youâd be a fantastic killer in a scary movie, but theyâd take that as giving up. Especially since you should have known that one of them would go there eventually. âThose things are unrealistic because half the time not getting caught isnât a priority.â The answer feels a little bit like a cop out, and so you take a second to actually think it through, âBut, I guess, off the top of my head Iâd take out the first victim way before the others to make the crimes seem disconnected.âÂ
Billy asks, âThen what?âÂ
Ugh. You donât love being put on the spot and this could easily turn into a sore subject with how seriously they take their scary movies. Youâre not in the mood to be made into a joke as they pick apart your murder plan without taking into consideration that they gave you no notice. âI donât know--take out the second victim alone to allow suspense to build and then attack the last of them all at once at some place Iâm supposed to be at and then injure myself to make it easier to frame someone close enough to the victims to already have the policeâs eye on them.âÂ
âBoring,â Stu exhales, dragging out the two syllables, âYou left out the good, bloody details. Think youâd look cute all stabby--âÂ
âYou want to see me stab happy? Because I guarantee you wonât like the outcome.âÂ
âOuch,â Stu drops his head onto your shoulder, feigning a pain to rival an actual wound, âIâd let you live if I was a killer.â Not breaking at whatâs clearly a compliment, you cup some more flour into your hand before blowing it into his face again. âYouâre mean.â The whine is followed by him burring his head into his shoulder as he pretends to cry, affectively forcing the flour all over your shirt.Â
Billy leans forward, grabbing a cloth rag from the other side of the counter before dropping it in front of you. âClean up before you get it on me.â He catches the look behind your eye before you even realize what youâre doing. âDonât.âÂ
His warning isnât serious to constitute a threat or ruin the mood, but youâre not in the mood to make this painful. Heâs already precarious enough when it comes to Christmas as is. âYouâre no fun.â
----
Baking cookies has never taken you this long in your life. Youâre sure that you were a better cookie assistant when you were a toddler than Billy and Stu were today, but you donât mind.Â
You had to take a quick shower while the cookies were in the oven because there was no other way to get all of that flour off. Stu did the same once you got out of the bathroom. Though, according to Stu and his never ending jokes and little comments, the truly practical thing would have been to shower together.
But now youâre dry and clean and Stu finally put on the shirt you stuck in the wash back on, youâre all left with a tiny army of gingerbread men. Yours are decorated a little cliche, gum drop buttons and crooked frosting smiles. Stu took creative liberties in the making of his thanks to help from the red food coloring he found in the back of the kitchen cabinet. Billyâs was surprisingly the neatest but was only decorated as an average guy in order to be a victim to Stuâs axe wielding gingerbread man.Â
You rolled your eyes, but the amount of background and voices that went into the production of the mini massacre that only spared your cookies was funny.
"So, sugarplum.â The nickname forces your nose to wrinkle and you fight a laugh the same way a parent who doesnât want to encourage bad behavior in a toddler would. That much affirmation could lead to sugarplum joining the already lengthy lineup of pet names Stu rotates through on a regular basis. âWhatâs your heartâs Christmas wish?âÂ
Okay--youâre not made of stone. A laugh thatâs a little too loud slips out. âYou donât need to be that cheesy, all I did was get you to bake cookies.â
Stu forces out a mock gasp, eyes flitting towards Billy. âCan you believe her?âÂ
âI canât believe you used âsugarplumâ and âChristmas wishâ in the same sentence.â Billy lifts his head up from the couch long enough for you to catch his slight smile. You laugh again, a little more comfortably.Â
âYeah, yeah, gang up on me,â Stu says this like he has never been this tired or this victimized in his life. He moves to sit on the couch, taking a second to comfortably adjust before patting his thigh. âIf I get one of those hats will you sit on my lap and tell me what you want?âÂ
You roll your eyes, fighting against the burning sensation in your face. âYeah,â flopping onto the couch at what you consider a safe distance, you continue, âAnd then if Iâm lucky youâll put me on the nice list.âÂ
âThereâs an easy way to g--â Heâs cut off by a pillow hitting the edge of his chin before smacking against his chest and landing on his lap. Stu gasps with an over the top level of offense. âWhat? I was going to say all you had to do was get me another cookie from the kitchen.âÂ
Itâs blatant bullshit. âMhm,â you cross your arms, settling on your spot, âIâm sure.âÂ
âCross my heart.â He makes a point of tracing the âXâ motion over his chest. âIâm easily pleased.âÂ
Billy gently kicks his foot against Stuâs. âSince when?âÂ
âSince always.â Stu sits up, turning his full attention back to you. âBut seriously, princess, what do you want for Christmas?âÂ
The question makes you feel awkward despite itâs casualness. âUm...â Every time people ask it, your mind instantly wipes and you canât think of anything youâve ever desired or needed. Besides, gift buying is inherently awkward when itâs talked about. âNothing really, as of right now, I guess.âÂ
Stu practically whines like your response is a seriously, deeply personal issue. âDonât pretend, it just makes Christmas shopping harder.âÂ
âYou donât have to get me anything.âÂ
âLike Iâm not getting my best girl anything.âÂ
Sitting up a little further, youâre not sure what you to say to that. Sometimes Stuâs joking flirting is a little hard to laugh about when itâs that blatant. âYou guys should help me put up some lights in my room. Last year I almost broke the curtain rod so now Iâm banned from doing it alone.âÂ
You stand before any further comment can be made, fully aware of how transparent and flimsy the transition feels, but you canât bring yourself to care. Youâd much rather be playing with colored lights as Stu gets too comfortable climbing up stepping stools and furniture than having whatever that conversation would have been.Â
Hi! I'm back with another request and it is stu again(I'm sorry I'm in a phase rn) . In this request I was wondering if we could get Stu walking the reader from class to their locker, waiting for them at their locker, and then walking them to their next class. I know you've mentioned it before yk with Stu waiting for the reader and I'd just love to see the casual intimacy like in the last request (and also I hope you're feeling better after the break down you went through I'm not sure if this is a good time for request for you and if not thats so understandable I'm so sorry take your time, obviously if you do do this request I'd appreciate it but if you don't thats so okay i mainly sent this in bc you said you were in your Stu era and what kind of loyal reader would I be if I didn't indulge one of my favorite writers by tricking them into writing/talking about one of there current favorite characters :)
A/n hi, i'm feeling better now :)) i'm home so that always helps and done with school until close to late january so that definitely helps lol
also side note, i try to keep the appearance of the reader as vague as possible but at the beginning i do mention the reader having long enough hair to be tied back/up with a hair tieÂ
this took a minute but i hope itâs worth it!!Â
----
You're practically bouncing on the balls of your feet once the bell rings, more akin to a little kid getting ready to run across the park than a student simply getting a few minutes to move from second period to third. It feels a little silly, especially when you intentionally keep your freshly graded test on top of your folder instead of tucking it away, but it's become a bit of a habit.
You'd think about breaking it if it wasn't for the fact that no one ever gives you a reaction quite like Stu. Sure, he's purposefully over the top, oversaturating his enthusiasm with his tone and teasing humor, but it's nice. Comforting in the way it never dwindles no matter how many things you bring up that you don't think anyone else would have the energy to even pretend to care about.
Out in the hallway, you adjust your hold on your math textbook and the plastic folder that's resting over it. Your head turns left, towards the row of lockers that he's always waiting near. Only, this time Stu's not there. Not looking through his actual locker or talking to Billy or Tatum or anyone. He's not there. At all.
You're more confused than you should be, it's not like Stu owes you his presence, but it is weird considering that this is the first time he's ever not been there since your tradition started. You frown, a little offended by his absence. Things with Stu are more intentional than he wants them to seem, a fact you picked up pretty quickly after meeting him, but something insecure within you twists at the thought that maybe he just forgot. Or decided he just didn't feel like it today.
Even though the hall is quickly flooding with teens, you crane your neck in the direction of Stu's second period. Stu has a tendency to stand out, too tall and too much of a force to blend in if one makes up their mind to look for him. It shouldn't be hard to--you bite your tongue to avoid yelping as some firm force settles on your upper hip.
You've heard too many stories, seen too many girls rant or tear up in the bathroom after some entitled guy thought it'd be funny to grab or grope under the guise of accidentally bumping into someone thanks to overcrowding. For a brief second, the contact feels pointed and wrong. You turn stiffly, eyes wide until they settle on a familiar grin.
Panic fading almost immediately, you exhale. "Stu."
When you don't melt , Stu drops his arms, offering you a halfhearted, "...Boo."
You roll your eyes, half stepping back. "You scared me."
âShouldâve been paying more attention,â he mumbles, expression slightly scolding.Â
A retort about how you were just looking for him because heâs always waiting across the hall rises and dies on your tongue. Thereâs no normal way to explain that, and even if the fact that you were waiting for him wasnât totally mortifying, your sure heâd find a way to tease you. One of those jokes about how he didnât realize the two of you hadnât gotten so serious and since when were you such a ball and chain?Â
So instead of saying anything like that, you tilt your chin up, âYou snuck up on me on purpose and we both know it.âÂ
âIâll make it up to you later.â The suggestive wink earns him an eye roll.Â
âSure,â you mumble pointedly, âGuess what?â The question is rhetorical enough that you donât even have to wait a full beat to answer, âWe got our tests back!âÂ
You lift your paper, careful not to cover the red A+ circled on the first page. Stuâs mouth falls open briefly in a look thatâs just a little too amazed for a reaction to a math exam. âWow,â he takes the packet from you, leafing through it without taking it in fully, âThis is some complex shit, too.âÂ
He sets the test back down over your folder before ruffling your hair in a way thatâs nearly too affectionate, harsh enough to make your head move at an angle that strains your neck. âHarvard bound.âÂ
You brush him off with a barely contained smile, softly pushing against his hands before attempting to smooth out the mess he made. âOkay--knock it off, I actually liked how my hair looked today.â Â
âItâs not fair that youâre the smartest person in the room and the prettiest.â The blatant compliments without their usual layers of implication and subtle-not-so-subtle innuendos are enough to get you to pause.Â
Stu briefly squeezes you to him before taking the textbook from your hands. Itâs easy to let go now that the habitâs been established. You rarely carry anything in between classes anymore, Stu either making up a silly excuse to take your textbooks or doing so silently. "Someoneâs too smart to carry things.â He forces mock irritation into his voice.Â
âI didnât ask you to do that.â Itâs half accusing, but you make no move to take your books back.Â
âUh-huh,â he hums dismissively, âWhatever you say, smarty.âÂ
----
You canât remember the last time Stuâs house felt so hot, maybe it has to do with how overly humid the outside world is today, but youâre struggling to feel fully comfortable despite your contentment.
Stuâs talking, reiterating everything wrong with some low budget horror film he stumbled onto last night. Youâre listening a little less than youâd like to and you honestly feel bad about it, but you canât help the way the heat on the back of your neck distracts you.Â
Billy sits up a little more, âIâm not surprised, your movie instincts are awful.â It sounds like the start of one of their debates that are better off without your interference, and youâre okay with that. This week has been long and this is the first moment thatâs allowed you to really breathe. You donât mind absorbing that for a second and just taking in their presence and the easiness it brings you.Â
âTheyâre not worse than yours.âÂ
âEven Y/n picks better.âÂ
Something about the way Billyâs eyes focus on you makes you feel like itâs a genuine attempt on Billyâs part to bring you in a little more. Even though you donât feel insulted, you still sit up a little more, âThanks.âÂ
âOuch, man.â The fact that Stuâs basically dropping the argument in order to add to the jab at your taste is enough to get you to turn your head.Â
You glare, shoving his shoulder. âMy taste is not bad.â They exchange a look that has you feeling like youâre on the outs of some joke. âYou guys are the worst, I have no idea why I hang out with you.âÂ
ââCause you love us.â Stu nudges his foot against yours, bumping your knees in the process.Â
The additional closeness reminds you of the warmth of the room. To avoid crossing your arms or doing anything that would get them to accuse you of pouting, you begin to pull your hair away from your neck. The hair tie against your wrist smacks against your skin. Loud and stinging a little too noticeably. Itâs not painful, but surprising enough to make you drop your hair. âStu.âÂ
He ignores the harshness of your voice, instead choosing to chase after your wrist with one hand. âGive it.â Thereâs something about the way he says it that stands out to you. Itâs reminiscent of a child noticing a brand new toy and instantly deciding that they want it.Â
Before you realize what heâs asking for, Stu pulls the hair tie off of you and takes a second to stretch it between his fingers. What heâs trying to do finally sinks in when Stu slides the band up his wrist. Youâre not in the mood to redefine how tender scalped you consider yourself to be, but thereâs no way to say that in a way that wonât make Stu moody.Â
âTurn.â Itâs a command so gentle you listen instinctually despite your reservations.
You barely have a second to adjust before Stuâs pushing your hair back. âAre you--â His touch is surprisingly focused, not tugging on the strands in the way youâd expect him to. âAre you putting my hair up?âÂ
âYep,â he pops the âpâ casually, like thereâs nothing weird about this.Â
He drags his palms against the top of your scalp a little clumsily. Itâs not that weird. Not really, you decide, just different. Any type of ponytail or loose bun would have never taken you this long and itâs clear that Stu doesnât really know what heâs doing, but it doesnât hurt. Heâs being restrained, gentle.
âYouâre letting him do your hair?âÂ
You shrug at Billyâs comment, feeling a little awkward as Stu finally reaches your scalp. âThe good thing about hair is that it always grows back.â Stu tugs at your hair pointedly. âOuch.âÂ
"Rude.âÂ
âBilly started it.â
Billy half scoffs. âJust asked a question.âÂ
A pointed question. Youâre about to point that out, but then you hear the tell tale snap of a hair tie being pulled off of a wrist. Stu twists it around your hair carefully and you ease. He lingers, fingertips brushing against your neck before releasing you.
You tilt your head slightly, surprised at how well your hair is pulled off your neck. Not tight enough to feel pulled or like the start of a headache but not loose enough to be annoying. Even though there was some hesitance, he did a lot better than you thought he would. Better than most boys would have done.Â
Maybe you shouldnât have assumed he had never done anything like this before. You know about his older sister, and while sheâs a sore subject now, maybe there was a time when she wasnât. And even if thatâs a stretch, Stuâs a total flirt thatâs been circling around a relationship with Tatum for a minute now.Â
 Your fingers brush against the end of your hair. âYou did good.âÂ
âGive me some credit, babydoll.â You wrinkle your nose at that and Stu grins. âIâve had a lot of practice. When a girl gives he--âÂ
âEw.â And just like that, the moment ends. âYouâre gross, I hope you know that.âÂ
âHe knows,â Billy mumbles, tone extra casual to compensate for his slight smile, âGets off on it, too.âÂ
You snort, an ungracefully sharp laugh as you sink further into the couch. Stu lets out a sound of protest, shooting a glare in Billyâs direction. âFuck off.â You laugh again. âBoth of you.â
Stu scoots away from you. With a sigh, you reach forward. He plays up his pain for a second but eventually relents, letting you tug his hand into the space between you two.Â
----Â
Itâs twisting--the world, your mind, the blank spot of the wall youâre tying to focus on. All of it. Swirling at a rate thatâs practically nauseating as emotions you canât fully label in your current state spur on the feelings. Theyâre a fog, disorientating and complicated. You donât want to figure out each hue of your feelings so you label them under one umbrella: bad.Â
You take a breath thatâs meant to settle you, but it does the opposite. Your unsteadiness leaves you instinctually wanting to reach over, to grab Stuâs arm and stabilize yourself. But heâs standing there with that same illegible, yet clearly irritated expression. Youâre not sure if itâs the beer on an empty stomach or what happened five minutes ago or the silence, but the yellowish tinge of the bathroomâs light adds something to Stuâs features. Something bordering on eerie.Â
Part of you wants to speak, the rest of you feels like the best thing you can do is just keep standing there. Youâre not convinced that Stuâs anger is fully directed at the third party. Heâs at the very least annoyed at you.Â
Leave it to Stu to think that youâre taking the side of the guy that kept hitting on you despite how visibly uncomfortable you got just because you didnât want things escalating. It wasnât worth it. Was the guy an annoying asshole? Yes. But you had it under control and Sidney and Tatum were right there. It wasnât exactly dire.Â
The quiet is ebbing at your patience. Thereâs probably some perfect thing to say to shatter the tension, but you canât think of anything clever or tactful and the last thing you can handle right now is a fight. Your mind tunes into the music thatâs softened by the closed space. The thumping base is both terrible and familiar. âI hate this song.âÂ
Stu blinks, gaze shifting towards you. He doesnât quite ease, but he lets out a breath that could be considered a form of lighthearted acknowledgment. Youâll take it. âLast one was worse.âÂ
You let yourself smile. âDefinitely competition.â
He pretends to gasp. âNo argument,â he shoots his reply back so quickly you nearly get whiplash, âColor me shocked.âÂ
The theatrics do little to take away from the lethal levels of aggression pressed into his words. That did seem too easy. âI--I didnât--â You donât want to explain. You shouldnât even need to. You were keeping his ass out of trouble. âI just didnât want you to get in trouble. It wasnât worth it.â Heâs silent for a second, which you canât make your mind up about. âHe wasnât worth it.âÂ
Stu scoffs, pushing himself away from the wall. âYouâre defending hi--âÂ
âI am not.â Ugh. Can he not hear you? If thereâs anyone in this situation that youâre trying to defend, to protect itâs Stu. You try to swallow, but your throat still feels overly dry.Â
âYou heard the shit he said about you.âÂ
Okay, speaking calmly is not working. âI donât care about the shit he said about me, I care about you.â The blowup immediately fills you with regret. âIt wasnât that big a deal. Youâve said worse while we were literally in class.âÂ
Stu straightens in a way that makes his full height unignorable. You doubt that itâs intentional--he canât help that heâs objectively tall, but noticing it now...And the way heâs looking a little beyond you with a hardened stare that feels more sober than it did a second ago. âThe way he was looking at you and then he grabbed your arm.â Stuâs voice changes with no warning, taking a dark edge that nearly startles you.Â
You blink, biting your tongue to keep from admitting that you had barely noticed. That sounds like purposefully playing oblivious, but itâs true. You had hardly looked at the guy until his clammy fingers were around your forearm. That had been scary. Even Sidney and Tatum had reacted. âThanks for getting him off of me, by the way.â It feels awkward, but saying it takes a weight off of your check. âEven though the weird, testosterone match the two of you had after was totally unnecessary, it was nice of you.âÂ
Stu tilts his head, taking in your inability to look him in the eye. A flash of genuine shyness despite what youâve had to drink. He can imagine your thoughts, the running of different words together to make sure you donât say anything that he could turn into something embarrassing. Itâs cute. Youâre all fidgety and still a little tipsy. A rush of fondness strikes him with no warning. Itâs dangerous, distracting when paired with the little alcohol he did let himself drink.Â
Itâs too much and heâs not used to it. The feelings are a web and his mind tangles around all he could say. A mix of the obscene kind of jokes that always make you role your eyes fondly and genuine comments that all burn down to the same, general meaning: âIâd kill for you.âÂ
Great. The words come out at the exact second Stu recognizes the truthfulness of it. He scrambles for some kind of joke he could make to change the subject before you can think about it too much. The more you know, the more at risk you are. And this is the exact kind of slip up Billy always gives him shit about.Â
You smile, either unaware of the intensity behind his words or just choosing to ignore it. âThen itâs a good thing I wouldnât ask you to. Youâre too pretty for jail.âÂ
Your casual acceptance makes it easy. Stu lets himself smile for just a second before letting his mouth fall open in mock hurt. âI wouldnât get caught, babe. Iâm slasher material.â You raise your eyebrows in a silent challenge. âAnd youâve seen these guns.â He flexes one arm, waiting for your attention to settle on that before reaching for you with his still free hand. Your yelp is more of a laugh than anything else. âIâd be fine.âÂ
Stu pulls you away from the bathroom door and towards his chest. You halfheartedly fight against him, twisting your wrist back in a way thatâd be more efficient if it wasnât for your laughter. âStu.âÂ
âWhat?â You push back, Stuâs fingers tighten just slightly. âJust proving my point, sweetheart.â Another laugh as his first hand finds your waist. âPracticing what I preach.âÂ
After a second of play fighting, Stu gets you close enough that thereâs no point in resisting. Itâs somehow farther and closer than a hug, especially when Stu angles his head downwards.Â
You like the closeness more than you should. It makes your head feel too jittery, but the rest of you so warm you almost donât mind the awful music. âThis party sucks.â Stuâs eyes focus on the slight pout of your lips. âWant to go and watch a movie or something and then pretend that we stayed here until later so Billy never has to know that he was right about how much this party would suck?â Â
Stu tugs on your arm, placing a quick kiss to your forehead. âTrying to get me back to your place?â You bite your tongue to avoid giggling again. The last thing he needs is encouragement. âTrying to take advantage of me? Because I promise you wonât have to work that hard at it.âÂ
You roll your eyes, half debating pulling away. âIâm taking back my offer.âÂ
âHey--no take backs,â he squeezes your arm slightly and you resist for the sake of it, âCâmon, Iâll let you pick the movie if you sleepover.â
The offer surprises you as much as it doesnât. Stu invites you more and more the longer his parents are out of town. He never says it, but you feel like itâs his way of keeping people around, reducing the quiet in his almost perpetually empty house.Â
âDeal.âÂ
me reading through my drafts knowing what iâm gatekeeping
What Follows
a/n can (likely) see myself making a part 2 of this, itâs like 4:30 AM and i cannot make that decision rn,, so if you think thatâs a good idea or are interest,, lmk, public opinion could make or break my decision once iâm better rested
Summary: If you had to think about the coincidences that brought you to this, youâd realize that it was inevitable. Domino pieces falling into place. Or, to put it simply, itâs the end of the world and yet your biggest concern is your teeny tiny...terrible, life ruining crush.Â
*cough* sharing bed trope, and some other stuffÂ
also iâve never played the game iâve only watched the show but i have some context of the game (iâve watched some videos),, but timeline wise,, location wise, itâs pretty general as iâm just going with what fits for my intended story line like i do with most fics :)) itâs mainly set in a sort of safe houseÂ
warnings: potential timeline errors, mentions of age gap thatâs pretty vague, allusions to anxiety and canon angsty-ness
----
Memories of before are tricky. Most of them hybrids, odd mix-matches of true experiences and snippets of other things. Stories from an uneasy rotation of people, bits and pieces from books and magazines and other odds and ends. A collage that makes up an easily swayed perception of the world before.Â
But you know this one is real. You know it is because itâs so mundane thereâs no way someone gave it to you. Itâs a quick glimpse, a brief flicker of you in a pair of roller skates with those thick, plastic stoppers attached to the front. The memory isnât of what they felt like, or how many laps you did up and down your block. All you remember is the stinging. The soft skin of your knee scraped raw by the sidewalk. The particularness of that kind of pain.Â
Thatâs what the realization feels like. Knowing that thereâs a chance that you might feel something for Joel outside of general gratitude for the unofficial way Ellie and him took you in is speeding down a street just to collapse with no warning against unforgiving concrete.
His fingers brush around broken skin with a delicateness that turns you rigid. These are the same hands that beat a man within an inch of his life the first time he met you. Itâs a juxtaposition that twists your nerves tight around your stomach.
Itâs quiet now. More so than usual because Ellieâs asleep. If you had to come to your realization at all, you should have done it during the day. With Joel at a safe distance and Ellie awake to distract from the fact that youâve been staring at his hand in total silence for minutes now. A violently out of character mistake, which is why youâre not surprised when his voice breaks the nothingness with a question: âYou alright?âÂ
You sit up a little straighter. âYeah.â It comes out flat and distant. âYeah,â you affirm, a little more here, âJust thinking.âÂ
Ugh. Not nearly deflective or subtle enough. Itâs the kind of cop out answer that worked in the beginning, before there was any form of attachment. Back then, you thought youâd only be around them for a few days. Until the swelling in your ankle went down enough to let you walk efficiently again. It was the least they could do then, after you jumped in to save Ellie when Joel and her were briefly separated.Â
Joelâs mouth pulls into a shadow of a frown in the low light. A pang of guilt strikes you in the chest with no warning. Slipping back to that for no real reason goes a step beyond unfair; itâs mean. âI remembered something from before.â Joel says nothing, but his eyes refocus on you in a way that feels attentive. âNothing big or interesting, just remembered these roller skates from when I was a kid. The one time I went out without knee pads I fell and scraped my knee.âÂ
His hand shifts away from your current injury--a long, yet shallow cut up your foreleg. Joelâs fingertips ghost up the skin, there and not at the same time. He settles his palm near your knee. âIs that how this happened?â Thereâs a hint of something in his voice, a touch of gentleness that makes you feel like he might be teasing you, at least a little.Â
That kind of humor is new. Well, not new new anymore, but new enough to still sometimes slip past your perception or take you completely by surprise. Joelâs transition from constantly distant and standoffish to who he is now was equal parts slow as it was all at once. Weeks of tiptoeing, of hesitant flashes of a softer side until it became more and more there. Itâs still not the side of him thatâs most common, but considering the place where the two of you started from, the difference feels like miles from the sad starting point.Â
You blink, tilting your head downwards to focus on the skin next to his thumb. A scar thatâs little more than a blemish. The kind of mark thatâs a result of picking at a scab again and again. âThatâs nothing.â Itâs such a small thing and Joel pointed it out so quickly. Like he knows your skin better than you do. Dwelling on that thought isnât an option, so you recover with a question, âHowâd you even see that?âÂ
Joel raises his eyebrows as if your surprise is something worth being amused by. âWhen you get used to seeing, itâs easy.âÂ
Of course itâs that. Considering how Joel is, how he always scouts out areas before letting us settle, it makes sense that heâd notice that. Itâd be weirder if he didnât. You press your foot into the ground, letting the feel of the dirt compacting itself beneath your shoe hold you in place. Youâre almost embarrassed that youâve never noticed the mark on your knee enough to fully register it. âIâll let you check the rest of me for scars later then.âÂ
What. Did. You. Just. Say. What.Â
Your entire body becomes as stiff as the trunk youâre leaning against. There are a lot of things you donât know about attraction and dating, but youâre not so dense you canât tell that thatâs the worst line youâve ever heard.Â
Staring at the ground forever feels like the only safe option left, but itâs extremely unviable. After a few seconds, not knowing starts to feel as bad as knowing so you force yourself to look up enough to see him. Heâs staring at you, mouth morphing into a subtle smile. He lets out a breathy scoff thatâs supposed to cover a laugh, but you know better by now than to fall for that.Â
âI didnât say that.â With a sigh, you let your eyes shut. âI mean--I said it as in the words did come out of my mouth--but not like--yâknow.âÂ
Joel laughs again, this time more openly. Itâs deep and full and makes the burning of your humiliation worth all of it. âI know?âÂ
Squinting your eyes open, you take in his smugness. Itâs different and oddly warm. And unfortunately, not unattractive. âYouâre not funny.â Indignation makes you want to pull your leg back, and you should. You know you should. If there was any concern about the cut on your leg, Joel wouldnât be joking. But he relaxes his hand, fingers splaying against your skin. âSo whatâs the verdict: Keeping the leg or cutting my losses?âÂ
Joel lets out another breath-laugh. This time itâs shorter. âAnd Iâm the unfunny one?â Yeah, thatâs the kind of response that guarantees your safety. The kind of comment heâd only ever make if everything is truly fine. âYouâre okay.âÂ
âJust like I told you--âÂ
He ignores the comment with an expertâs ease. âTomorrow Iâll go out, get some penicillin.âÂ
âShit.â You frown, turning your leg out slightly to get a better look. This is easily one of the most embarrassing injuries of your life. Not inflicted by the monsters that infest your world or a corrupt person. The only thing youâre a victim of is not paying enough attention while panicking and not noticing a jagged rock. Itâs nothing life changing, nothing worthy of this much attention or discussion. âItâs infected?âÂ
Joelâs hand relaxes against your lower knee. Itâs more of an implication of pressure than an actual change, but your body reacts to it all the same. You ease. âIt was a muddy rock.â He pauses, like heâs running through his words. âBetter safe.âÂ
Oh. Preventative antibiotics. A kind thought, but it feels unrealistic. âIf nothingâs wrong, I donât think we should risk it.â You blink, eyes struggling to focus on anything other than the hand still on your knee. If Joel feels awkward about it, he gives no indication. Which means it must be normal. Joelâs too him to do anything not normal when it comes to touch. âYouâre hurt. More hurt than me, whoâs just an idiot.âÂ
ââM fine.â Tell that to the flash of purple you saw when Joelâs shirt briefly rode up this morning. It had only been that way for a second, but that was all it took for you to realize that Joelâs bruising is larger than the size of your hand. You wouldnât be surprised to find out that he has a cracked rib.Â
You must let your disbelief show because the corner of his mouth turn upwards. Not quite a smile, but itâs close enough. âTell that to your probably cracked rib.âÂ
 âIâm fine,â he repeats, and when you donât ease, he tacts on something fatal, âDonât pout.â
The joke is nothing original. Back in the âearlyâ days of your friendship, when things were rockier and less known, Joel had pointed out your expressiveness. He claimed it made it too easy to figure out more or less what you were thinking. It hadnât been an insult, but it bothered you more than it should have. Which is a fact that Joel used to prove his hypothesis correct, because he then immediately told you that there was no point in pouting about it.Â
Joel only says it in good humor. You know that, but that doesnât mean you like it. It all goes back to the same thing. An implication that youâre transparent. You hate it.Â
Transparency is for the naive, for those who havenât experienced enough to be hardened. It makes you feel like a child, and maybe thatâs intentional. Maybe itâs Joelâs equivalent to patting you on the head and telling you to cheer up, kiddo.
Youâve never understood the way the implication manages to snag itself beneath your skin, but now that youâre examining it under the lens of your new realization, itâs too much. Thereâs a good chance he sees you like another kid to look after.Â
 âIâm not pouting.â A bad kind of heat rises up your chest. Instinctually, you angle your leg a little closer to yourself. Itâs not a full retreat, but Joelâs fingers shift to secure their hold on you.Â
Itâs enough to shock you into stilling. If Joelâs prolonged contact was unexpected, him instinctually fighting to keep it is absolutely unbelievable. Heâs not squeezing or forcing you to stay in place, but the gesture is enough to feel like heâs asking you to. âNeed to wrap it.âÂ
Another thing you consider over treating a cut of this size. The only thing startling about it is its length. âItâs not that deep.âÂ
âLet me wrap it.â His voice comes out with a gruff annoyance thatâs become increasingly familiar. It makes everything sound like some kind of version of donât give me shit.Â
You fight down a grin. âAdmit your ribâs cracked.â
Joel presses his lips together, lines etching themselves into his skin. âDo you always have to argue?âÂ
Pausing, you pretend to have to think about it. âWe all need hobbies.â You give yourself permission to look at him. Really look at him. âWhen you argue your eyebrows draw together and this line appears between them.âÂ
He laughs once, this time a little more openly. Itâs still a little breathy and maybe even a little reluctant, but it feels good. Like sunlight saturating a room during the dead of winter. âIâm old.âÂ
Another reminder of that. You fight against the way it twists at your insides. âIâve met older.âÂ
âGrandparents donât count.âÂ
Itâs all so weird and ridiculous, so you do the only thing you can think to. You laugh. âI wasnât thinking about my grandparents.âÂ
Itâs meant to be a joke that echoes his own, only itâs not quite that. Not with the way your voice softens and your eyes focus on his.
His fingers take their time parting from your skin. A slow drag that feels dangerously close to intentional. Youâre practically holding your breath until he stands. âIâll grab something for your leg.âÂ
Thereâs another thing left to point out. Something hanging in between the two of you. The fact that youâre perfectly capable of bandaging it yourself. That thereâs a good chance youâd be better at it. âOkay.âÂ
----
When there is no sun and sleep pulls you under only to push you back out, time feels fickle. You donât know how long itâs been since you all agreed to go to bed.Â
Things feel different now that youâre all temporarily established in some safe house. Joelâs connection to it is vague to you. He mentioned his brother at some point, though you think details were used intentionally sparingly. It doesnât feel cagey to you like it used to. Now it just feels like heâs holding off until itâs time to tell you everything.
 Maybe heâs waiting for it to come up naturally on some night where thereâs nothing but time or maybe heâs waiting for it to feel right. Youâre okay with either and any option. His past is his. You know he gives you what he can bare to and itâs only a matter of time until you hear the rest.Â
You sit up, resting your back against the wall that your mattress is pressed against. Despite the dark, the outline of your roommate is easy to see. Youâre not sure how it happened, the division of space that led to you and Joel in the same room and Ellie sleeping on her own.Â
Itâs only been a few nights and youâve yet to regret going along with it. Ellie deserves the little privacy life can offer her considering the way you and Joel watch the poor girl. And, in all honestly, youâve never been particularly fond of long hours alone in the dark. Especially since you joined Joel and Ellie on their mission. Youâve gotten more used to being around people than ever and thatâs made being alone more noticeable than ever.
Sometimes when you canât sleep your mind goes there. After. The inevitable separation. It makes your chest hurt and forces memories of what youâve already lost to the surface. That makes it even harder to sleep, so sometimes you just settle for watching. Youâd feel weirder about it if the dark of night didnât make it little more than a step above staring off into space.Â
Bending your knees, you adjust your position on the mattress, letting thin blankets fall away. Itâs cold; the bite of it is welcomed.
Everyoneâs temporary. Youâve learned that already. Itâs burned into you the way that normal memories should be.Â
This is stupid. All of it. Maybe Joelâs right to see you as a child. One bad dream shouldnât have this much power of you. Quietly, you squeeze your arms around your legs. Itâs the same position you were in when it happened. When you lost her.Â
You donât realize that youâre breathing heavier than you should be until you hear Joelâs mattress adjust as he moves from his side to his back. Shit. He never gets enough sleep. Guilt and embarrassment swell in you, but itâs not enough to subdue the impending panic.Â
âYou awake?â Itâs mumbled through a voice thatâs heavy with sleep.
A part of you wants to stay quiet, but thatâd be wrong. You already woke him up, the last thing you need to do is stress him out. âYeah,â you manage, âIâm up.â Your voice comes out so hollow you barely recognize it. âSorry, I didnât mean to wake you. I--Iâm gonna--â You donât know what the end of the sentence is supposed to be. Something that implies that youâre stepping out and that everythingâs fine. âGo back to sleep.âÂ
Thereâs a moment of nothing and a small part of you thinks maybe Joelâs listened for once. Your hope is shattered at the sound of rustling sheets. âCâmere.âÂ
Itâs said so faintly you can imagine that itâs a figment of your imagination. Likely a mumbled slur that he wonât even remember in the morning. A sleep idled grunt of acknowledgement that just so happened to sound like a word. You know itâs nothing. You know you heard him incorrectly, but you canât relax. Not yet. You hold yourself there, breath caught in your lungs as a prolonged beat passes.Â
Joel breaks the silence by moving off of his side and on to his back. His arm stretches forward, pulling his blanket to the side. Are you crazy or is that...some kind of invitation? âIâm not going back to bed until you come here.âÂ
Thereâs still sleep in his voice, but heâs already managed to snap back into seriousness. A subdued authority. Your body moves on its own accord. You sit up fully, place your feet on the ground, and stand. Walking is a little harder but the distance is short.Â
You stand in front of his mattress, smaller than youâve ever been. Joelâs never fully relaxed. Heâs close to it now, and you wonder if youâll be around long enough to be able to see it. The question leaves you too cold, too antsy. Before you know what youâre doing, youâre sitting at the edge of his mattress. ââM here,â you whisper, âAnd Iâm fine.âÂ
A touch at your lower arm nearly makes you jump. Itâs just Joel. âYouâre shaky.â He sits up so quickly you can barely register it. The back of his palm presses itself against your neck before he reaches for your temple. His fingers feel like ice but you canât bring yourself to move away. âYouâre not warm--âÂ
âNo fever.â It leaves you too quietly. âI--Iâm fine.â Joelâs hand leaves your forehead and settles against your back. âJust realized some shit.â His fingers drag down your spine and trace their way back to their original resting place. Again and again, a pattern that makes it easy to breathe. âIâve been around for awhile, with you and Els. Longer than I thought Iâd be. Longer than...â Longer than Iâve been with anyone since I lost her. âJust longer.â
His touch nearly falters. âMhm.âÂ
âAnd itâs been nice. Really nice.â Your nails softly scratch the inside of your wrist. âAnd I donât want to get to that part where something fucked up happens.â Your breath catches itself in your throat. âI know that the fucked up part is normally my fault. Historically, at least, but--â You cut yourself off with a shaky breath, hating yourself for being this pathetic. âI just really donât want to get there. To the fucked up part that leads to the leaving part.â
Getting things out in the open is supposed to make things feel better. Itâs supposed to make things lighter. Thatâs what people always say. This isnât that. Thereâs no epiphany, no healing. It leaves you and it stays that way. Gone.
Hollowness is worse. Itâs too revealing. You should leave, mumble a vague comment about dreams and sleepy thoughts before crawling back to your own jumble of cushioning and jumbled blanket or at the very least apologize for waking him over nothing.Â
You do neither. For a minute thereâs only the silence and the cold and the safe assurance of Joel tracing patterns against your back. âThereâs not going to be a fucked up part.â Joel destroys the silence. âNot a fucked up part that leads to leaving.âÂ
âYou donât know--â Your cut off is jarring, but itâs better than letting him hear what you were going to say. You donât know me. Donât know the kinds of things that happen around me. âThat.â
Joelâs hand retreats and your world feels less stable. âThere wonât be.â His tone is harsher than before, a tone that leaves no room for argument from the universe let alone you. He shifts, pushing most of himself to one side. âJust lay down.â The lowness of his voice is too assured to be considered understanding. It hints at impatience but undoes a knot in your stomach regardless. âTry to get some sleep.âÂ
You nod your head slowly, the motion overly deliberate despite the fact that he likely canât see it. Thereâs nothing else to be said, so you stretch back, placing your legs onto his mattress and carefully easing yourself onto your back.
Now that youâre under the same blanket as him, the thinness of it is hard to ignore. When the three of you divided the bedding supplies found in some closet, Joel had picked last. You asked if he ever felt like trading, but he insisted that he was warm enough and that if he ever wasnât, he could always use his jacket for extra layering.Â
The realization that heâs likely been freezing without complaint takes a second to sink in. He likes his walls up and to play detached, but then takes the worst of the blankets without complaint. Itâs so stupidly close to being a martyr that you nearly laugh. Itâs so him in the worst way, the kind of way heâd never acknowledge.Â
Youâre debating whether or not the additional warmth of your blanket would be worth potentially disturbing his sleep again. If you did that, maybe in the morning you could pretend to get the two blankets mixed up. You think you could get used to being this cold if heâd let you.Â
âYou know what you remind me of.â
His voice is so unexpected you nearly jump out of your skin. With your mind focusing on other things, it was easier to pretend that there was nothing unusual about this.Â
Blood rushing to your face, you adjust so that youâre more on your side. Facing him. "I thought you wanted me to go to sleep.âÂ
Joel sighs and you can practically feel his lungs filling and deflating. âI didnât think tonight would be the night you started listening to me.âÂ
At least heâs learning. âFirst time for everything.â The words feel different once theyâre out in the air. Itâs meant to be a passing comment, not what the darkness morphs it into.Â
Itâs the second time a realization has come at a terrible time in the last few days. You know that youâve been lying in his bed, but now youâre feeling the fact. Feeling the little space between you and the dip in the mattressâs fabric where heâs resting. Itâd be easy to extend your arm. Dangerously easy.Â
You feel his head tilt, angling himself even closer to you. âDo you want to know or not?âÂ
It takes a second for your mind to cement a connection. âWhat I remind you of?â You hum once, several jokes thatâd make this easier coming to mind instantly. âI have a few guesses.â Itâs too dark to make out the details of his expression, but you can feel his halfhearted glare. âOkay, tell me.âÂ
âThere was this story from before. Way before.â Youâre patient as he takes his time thinking through what he wants to say. You donât mind the wait, not when heâs close enough that his casualness is tangible enough to be contagious. âAbout a kid that saw this white rabbit. She chased the thing down a hole and it took her into this other world, and there were some other things, but she kept chasing that rabbit.â
You would have laugh if he had spoken any less seriously. Itâs always been clear that you two arenât exactly the same age, and some references that are about before the outbreak feel either vague or completely disconnected from you, but not everything. âI know Iâm younger than you, but I know about Alice in Wonderland.âÂ
âExcuse me.â The two words are dripping in sarcasm; you beam. âAfter you didnât know that--âÂ
âI knew you were going to say that.â You donât get one reference one time and now he feels the need to explain everything. âIt was one time.âÂ
âEven Ellie got it.âÂ
âI was tired.â He raises his eyebrows at that, a gesture of disbelief. You huff once, sitting up a little to shove his shoulder. âI was.â He lets out a sound thatâs a little too smug. You move your hand, but before you can push at his arm, his fingers find their way around your wrist. When you try to tug your arm back, his resistance surprises you. âAsshole.âÂ
His hand leaves goosebumps crawling up your arm as he adjusts his hold on you. âYouâre the one that shoved me.â Like heâs not the one that instigated it. âAnd you interrupted me.âÂ
âFine.â You lay back down. Joel doesnât let go of your arm and you make no move to get it back. His hands are so cold you find it hard not to worry. Hypothermiaâs a thing. âContinue. Alice in Wonderland.âÂ
âThe rabbit,â he says, âYouâre a lot like that.âÂ
You play around with the thought, scraping together the details you remember about the white rabbit. Itâs been awhile since youâve watched the Disney movie version, and even longer since youâve heard the actual story. Alice got into some trouble with the queen of hearts and her card deck guards. Every time she wasnât supposed to be somewhere it was because of that rabbit, wasnât that the gist of it? She just kept chasing and chasing it.Â
âSo who am I leading astray?âÂ
âNo.â He says it so quickly, the silence that follows is unexpected. You accept it. Youâll wait. âYouâre...youâre followable.â Oh. The cold makes no difference to the uncontrollable warmth that rushes to your face.Â
He feels tenser, his touch on your arm a little more hesitant. The meaning of that from Joel isnât lost on you."You are, too.âÂ
Joelâs fingers brush up your arm. âNot the way you are.âÂ
You like the way he is, like that heâs the kind of person that can be moody and standoffish for days and still take the thinnest blanket. âI disagree.âÂ
âThatâs not new.âÂ
âI think itâs good we donât agree.â He waits for you to continue with little reaction, but you know heâs listening. âI can follow you, you can follow me. Makes it easier.â
He hums once, âSounds like walking in circles.âÂ
Rolling your eyes, you finally let your attention fall to his hand. âYouâre so cold.âÂ
Joel mistakes it for a complaint instead of the show of concern itâs meant to be. His hand moves off you so quickly you barely have a chance to reach for him. He doesnât resist, not even when you squeeze his one hand between both of yours. Youâre careful, gentle as you let your fingers move up and down his skin. When he doesnât complain, you do something a better rested you would have never done. You let your touch wander further, first to his wrist and then down to his forearm. Heâs no warmer there.Â
âShit, Joel.â you start pressing your hands against his forearm, your need to make his skin feel like itâs at a stable temperature overriding your survival instincts. âYouâre freezing.â You sit up, taking his arm with you. âAre you sick?âÂ
âSickâs hot.âÂ
âTell that to someone with early stage hypothermia.â You scoot back, preparing to move over to grab your blanket. âIâll get my blanket.âÂ
He squeezes your arm. âIâm fine.â Youâre seconds away from protest, but Joel stops you. âJust stay put.âÂ
Youâre about to insist. Itâll take less than a minute and make things a lot better. The urgency in his hold makes it impossible. Makes the thought of doing anything that doesnât involve holding on just as intensely outside of the realm of possibility. âOkay.âÂ
If heâs surprised at how quickly you give in, he doesnât show it, he just lets you lay down again. Youâre not sure if you can prove it, but it feels like heâs closer than before. âHow are you not cold?âÂ
You almost tell him you do feel cold, heâs just that much colder, but then think he might use that as a reason to move away from you. Heâd never understand that youâd rather be cold than know heâs freezing. Or maybe the problem is heâd get it too much, that heâd feel the same way.Â
âI run a little warm.â You brush your fingers down his arms again. Itâs nice in a way you donât get. âExcept my feet.âÂ
He tilts his head. âYour feet?âÂ
You stretch your legs until your feet find his. âTheyâre cold.âÂ
Joel lets out a disgruntled sound, moving closer to let his legs cover your feet. âRabbit.âÂ
The giggle that comes out would be embarrassing if that had been any less funny. Your forehead pushes forward, dropping against his shoulder. âPlease donât let that stick.âÂ
âThey burrow.â You grin against his skin, deciding that you really like this version of him. A little lighter, a little more candid. âYouâre a little jittery, too.âÂ
âShut up.â Heâs not wrong, which only makes you resent him a little more. ââM not.âÂ
Thereâs no fight in your reaction so you have no idea how Joel finds a way to take it as a challenge. He must have, though, because you can think of no other explanation for the way he stills. No other motive for the way you can feel his eyes focusing on you or the slow way he moves his hand down your arm.
You will your body to stay still, to not react. It doesnât listen. You shiver.Â
Maybe you are a fucking rabbit.Â
The only thing worse than this reaction is the thought of Joel being right. So you force your lips to part even though you have no idea what to say. âThink we should go to sleep.â Your voice feels awkward, shallow. â...Get a few hours before Els wakes up.âÂ
Heâs almost smiling, âShe takes up a lot of energy.âÂ
âYeah,â you agree with an even more open fondness, âTold her Iâd teach her how to shoot arrows and french braid hair.â You smile at the thought. Itâs good to have someone to teach, to pass something onto. âFeels like summer camp.âÂ
Youâre expecting a similar type of joke, or maybe a snarky comment about archery over actual shooting. Instead, his hand settles a little more comfortably against your arm. âYouâre good with her.âÂ
âSheâs easy to be good with.â Itâs true. Beneath the smart ass jokes and swear rate that could make a sailor uncomfortable, Ellieâs just a kid, and a good one, too.
Joelâs one to talk about people that are good with Ellie. When you first met, you genuinely thought they were father and daughter until Joel explained to you what they were doing. âItâs more than that.â
His approval means a lot when it comes to this. âYouâre even better with her.âÂ
Ellieâs another factor all together. Thereâs no way it wouldnât feel weird for her to know that in the other room, you and Joel are sharing a mattress, holding onto each other because of the cold.Â
Itâs not like youâre doing anything wrong, it just feels odd when considering her. Like this is some kind of game of house. The realization that you think you might like Joel is still pretty new and something thatâs ruined a lot of things. Every time it floats to the front of your mind, everything starts feeling off.Â
You donât want to taint this or to overthink. You want to let it all soak in. The two of you sharing a mattress and a too thin blanket. His leg is still resting over your feet and your hands are still on his arm. Youâre a slowly tangling web of limbs and you donât think youâd have it any other way as you drift towards unconsciousness.Â
First Rule
A/n this is my first time writing for The Last of Us and for Joel Miller and i have not played the game!! iâve only watched the show so far (might have to watch someone playing it on youtube or something to know what happens next sooner đ) so if the characters feel a little off iâm sorry!!Â
writing new characters and finding their voice/securing their vibe is a process :))Â
Summary: Literally just a drabble, i debated making it longer but bc it was so impulsive i didnât want it to get lost in the drafts and itâs pretty late rn,, i have a clear idea for a part 2 bc it was going to be longer (part 2 is the only way the title makes sense đ) so if youâd be interested in that let me know :)) feedback sustains meÂ
this is basically just reader meeting joel and itâs set after the pandemic/outbreakÂ
----
Itâs hard to watch. The stranger did everything right enough to get by until he didnât. Not to say that his operation was flawless, you picked up on it almost instantly, but in his defense, you know how to look. Itâs as much a skill as the ability to turn a blind eye, only a lot less evolutionarily appropriate.Â
Because seeing often leads to thinking (or, in your case, not thinking), which leads to doing, which usually leads to the worst result of all--involvement.Â
So now youâre here, watching someone thatâs likely a smuggler doing their best to act like theyâre anything else while dealing with a FEDRA officer. You know better than most that FEDRAâs iron exterior is a poorly constructed allusion. Some like catching smugglers because of the promise of a bribe. Hell, you know some of them are regular customers.Â
But the man you donât know is tense, rigid in his steady stance. And the officerâs uniform is too polished, too new and ready to be stained in blood. Heâs untrustworthy.Â
This has nothing to do with you. The two men are in their own standoff, and youâre tucked away between two buildings, You could disappear further into the shadows, or you could just walk forward, onto the street behind them. Youâre not used to being in a situation in which you really havenât done anything wrong. Nothing to lie or feel cagey about.Â
Youâre untethered.Â
With a low sigh, you give into the itch that youâve been pretending doesnât exist by reaching into your bagâs front pocket. The contraption feels small between your fingers, perfect for the type of distraction youâre going for. A dramatic person would call it an explosive; you like to think of it as a small set up of gun powder and a few other things. A glorified version of those snap things children used to throw at each otherâs feet on Fourth of July.Â
You twist your body, bending your knees slightly before heaving the small cylinder over your head and far to the right. You duck down before it makes contact. The bang is effective. A sharp, crackling boom that makes your body tense.
The officer snaps his head back, looking above you. You can practically feel his thoughts. Your opinion on the Fireflies are pretty set in stone, but you canât complain about the cover theyâve provided. Every crack, pop, and boom has anyone with authority abandoning whatever theyâre doing in a second. And itâs not like youâre a monster about it. You donât take the easy way out if you think thereâs any chance that itâll hurt someone.Â
After a second of weighing their options, the FEDRA officer turns sharply and runs off. You hear his footsteps disappear somewhere away from you, but you still hesitate to stand straight again. A minute passes and you decide youâre safe enough to move. You walk forward slowly, planning on running in the opposite direction of the man.Â
Youâre out just enough to round the corner before it happens. One second youâre walking, stepping forward like normal, and the next thereâs a hard touch on your arm and the wall shifts to from beside you to against your back. You thrash instinctually, stepping on the manâs foot hard enough to bruise. He curses under his breath and pushes you a little harder.Â
âWhat--â A voice thatâs cutting in its irritated indifference. âWhat was that?âÂ
Mind running a mile a minute, you struggle to form a sentence. You didnât think youâd have to talk to him. It was a good dead. A hushed fuck you to one of those asshole officers.Â
The man pauses long enough to take you in. You imagine he doesnât see much, because blending in and seeming harmless enough is what you know. And youâre not much--not now, cursing your recklessness and just standing there with wide eyes. His hold doesnât exactly loosen, but his touch on your arm becomes less intense. Less demanding.Â
You push your back against the wall firmly and he lets you. Itâs a small shift that makes no real difference, but itâs space, itâs the illusion of independence. Your eyes flit forward, meeting his. Thereâs a sharp crease between his eyebrows and an unforgiving focus behind his dark eyes. His features are amplified by an ingrained tiredness, but that doesnât take away from his attractiveness.Â
Wow--okay, that last thought is enough to scare you out of your analysis. You tilt your chin downwards, snapping yourself out of whatever manipulative trance was. The man notices the subtle motion and drops his arm but makes no move to step away. Itâs clear that youâre still caged in.Â
âYou with the Fireflies?â The shake of your head is instinctual. âSo you just have bombs you like throwi--âÂ
âNo,â Itâs too defensive and you shrug within your limited space. âAnd that thing wasnât a bomb. It had less gunpowder than a firework and less than a tablespoon of silver fulminate and even less ammonium nitrate.âÂ
The explanation feels awkward and you have no idea why. Itâs a fair explanation. He takes in the information and waits a beat before replying, âWhy did you have a bomb?âÂ
A correction bubbles in your chest--not a bomb. The distinction matters to you more than it should, but something about the gruffness in his voice feels more like an accusation than a question.Â
âYâknow I did a nice thing when I saved your ass from getting busted. A reasonable person would have just accepted that and not asked any questions.â You frown, the amount of allotted kindness in your body suddenly running low. âActually a reasonable person would offer me a cut of whatever theyâre smuggling or what theyâre getting for it.âÂ
Your statement is relatively bold. You donât know this man, you donât know if heâll perceive whatâs meant to be a sad attempt at a deterrent as a threat. But something in you tells you that youâre still on steady ground. That this stranger knows when thereâs an actual fight.Â
It works, the manâs posture straightens in what you assume is his version of a bristle. Though small, the motion creates enough space for you to narrowly slip past him.Â
Youâre free now. Free enough to run off, though some gut feeling tells you heâd keep at it if he had any reason to want to chase you. He wonât, though. Some gut feeling in your chest is sure of it. Itâd be bold to call it trust, but it feels more stable than optimistic intuition. Itâs an understanding.
One step backwards, you donât turn around. Not yet. Assumed understanding or not, youâve done enough without thinking today. He watches you back, equally silent. And then you end the standoff with a tilt of your chin.
You turn on your heels, walking forward with even paced steps. Heâs given you no reason to run, and sudden, panicked movements might trigger a break in the uneasy peace.Â
âYou make them.âÂ
Heâs not asking, but you turn just enough to shrug at him anyways.Â