yesimwriting

Elle

just wanted a place to write :) 21!!🎀🇨🇺

791 posts

Without Faith

a/n giggling and kicking my feet rn btw, this is meant to be a set up for something longer! lmk if you're interested in part 2 :)

Summary: After a news story that was only meant to be an internship assignment spirals into a crime story that earns national attention, you feel conflicted enough about your involvement to join a criminal psychology class despite being a journalism major. Despite your good intentions, the universe seems to have it out for you considering your slightly older professor is extremely attractive and the only person that seems to understand what you're going through.

Warnings/info: age gap (reader is of consenting age tho!!), future student-professor relationship, slow burn, slight changes to how college works for the sake of plot, a surprising amount of lore (i got carried away), me writing for a character for a first time on here so be kind 😭

----

It's not often one finds their enemy crumpled up and lying helplessly next to an overflowing garbage can. It's even rarer to see that and still feel the bitter sting of defeat.

"He didn't text me back, which is weird because when I ran into him on Friday--" Carlie, who might know you better than you know yourself, pauses.

You turn your head away from the trash in an attempt to abandon the newspaper as completely as the person who had thrown it away. "You saw James last week? You didn't tell me."

She watches you for a moment, her eyebrows pulling together in a way that tells you she won't accept your lie just because you're offering her an opportunity to re-dissect her most recent interaction with her latest target. "You know I did."

Carlie shifts her weigh from one foot to the other, her eyes drifting towards the ground. "It's there because it's old--it's over."

It's over. The words crack themselves against your skull. More than a sentence, more than a promise. The only consolation the state's attorney could offer grieving families. The sound ringing in your ears as a mother gave into her agony, a choked sob ripping its way out of her throat.

It's over--the catalyst that sent the mother to you in a parking lot illuminated by stale, synthetic lighting. They're the reason for her confession, that in some off-kilter way she thought the verdict would make her feel better.

It's over--the syllables that accompany the sound of the needle leaving Josh Robinson's lifeless body. Killed by the justice system or the media?

"You didn't do anything wrong." Carlie's voice is careful in its unflinchingness. "He was a serial killer. You--you wrote the truth."

And while this awareness has bound itself to your bones, it is rarely enough to make you forget what you did wrong. Journalists are impartial, they don't--they're supposed to understand, they're supposed to be careful. You took it a step further.

"I know."

You don't need to look up to know that you haven't convinced her. However, you must have sounded okay enough for Carlie to accept moving on. "And you're doing more than anyone else would do to make your true crime even better."

It's an exaggeration. Journalists have done a lot more for their careers than request to join a class that belongs to a department unrelated to their degree. But Carlie seems so happy to be able to compliment you, you decide to go with a less sentimental correction, "Not true crime."

"I know, journalism." She sighs, but continues to walk forward in a way that feels oddly optimistic. Maybe even relieved. "Make sure you point out the difference to the professor. I'm sure he'll love that."

You roll your eyes at her sarcasm, but follow her lead anyway. You've already perfected the elevator pitch you're planning to present to Dr. Spencer Reid. A brief but genuine description of the importance of ethical journalism, especially when it comes to writing about serial killers.

You're well practiced and far from worried about winning him over. Academic authority figures have always taken well to you...it also doesn't hurt that you spent all night googling him just to be safe.

"Actually," she begins, pulling open the door to the psychology building, "I bet there's no room for original material in the interaction that you've already imagined, planned, and mentally rehearsed."

You scoff as you step past the door's threshold. "No," the word is dismissive and entirely unconvincing. You instinctually move past it. "Go talk to your advisor about your thesis, I'll meet with Dr. Reid, and then we can order food or something."

The reminder of her own meeting seems to kill the mood, her smile morphing into something more focused. Carlie lets out a small breath. "Right. We got this." And with one final assuring nod, Carlie turns towards the stairwell.

----

The thought is a dull ache that wedges itself into your chest before you can bring yourself to knock against the door. It'll follow you forever.

When you step into the room, Dr. Reid will inevitably ask why you want to join his class. And then you'll have to answer.

You exhale as you extend your arm, knuckles rapping against the wooden surface before overthinking can hurt you any further. After a brief silence, you hear a slightly muffled, "Come in."

You reach for the brass handle, pulling the door open before stepping past the doorway's threshold.

The office is comfortable, a large desk and two plush chairs manage to share the space without seeming cramped. There's a pencil holder and several stacks of papers on the desk's surface. If one ignores the degrees--and the age of the recipient when he received them--on the walls, the office seems normal. Almost suspiciously so. There's even a partially wilted plant sitting on the windowsill.

After taking in the room, you let your attention fall to the individual behind the desk. He's--he--while you've read enough about Dr. Reid to already respect him, and are fully aware that he is far from your peer, you're also now looking at him.

Last night, you did stumble onto a few pictures of him that forced you to reluctantly make a mental note of the fact that he's aesthetically pleasing, but those occasionally blurry snapshots did him and his sharp features little justice.

"Hello," the word is an instinct, slipping past your lips before you're ready to speak.

"Hi," his response is as sudden and lacking in context as your own--a fact that immediately eases you.

Dr. Reid shifts, back straightening against his seat. "You're here for your appointment." You barely have the chance to nod in confirmation before he's continuing, "Come in, take a seat."

In all honesty, you're more glad for the direction than the excuse to sit. You enter his office fully, approaching the plush chair in front of his desk. You sit down, lips parting before you're ready to speak. All structured thoughts have abandoned you.

"Hi." You realize your mistake immediately. You blink, a sound between a self deprecating laugh and a sigh escaping you. "I already said that."

If Dr. Reid thinks anything of your mistake, he gives no indication of it. His expression remains steady, with the exception of the corner of his mouth briefly tugging itself upwards.

Your hands come together on your lap, one of your nails pressing into the nail bed of the thumb on your opposite hand before forcing yourself to relax. You've read enough about his work with the FBI to know that he's so adept at analyzing behavior, you don't need to make it easy for him by giving into obvious signs of nervousness.

"Like I mentioned in my email, I'm interested in joining your class even though it's not an elective and in an entirely different department than my degree." This part is easy, a perfunctory explanation of what he already knows. "However, there is enough overlap that my advisor is supportive of the idea and has already signed off on it."

He shifts again, his pointer finger tapping against the surface of his desk. "Right, she mentioned that, but she didn't mention why."

Okay. This is the part that matters. "I'm a journalism major, and I've recently completed an internship with The Washing Sun." In an act of total self betrayal, you study his expression for any hint of recognition. Finding absolutely none makes it easier to breathe. "And spending time in such an active, journalistic environment has made me fully aware of the way that morals and personal views can complicate ethics."

You pause, pressing your lips together. "I'd like the opportunity to learn about certain behaviors in order to develop a perspective separate from my own.

Though still politely neutral, something behind Dr. Reid's eyes implies an uncertainty that has the rest of your pitch jamming itself down your throat. Whatever's changed doesn't feel like disbelief, and you're far from worried about being accused of lying. You were careful to comb through your mess of emotions before you had even pitched the idea to your advisor--you do feel those things, they're just not the only things you feel.

How delusional had you been to assume the same answers that hid their vagueness behind a heavy layer of altruism that worked on Mrs. Carol would work on a FBI profiler?

"I um--" The sound of your own voice surprises you. "I know what it's like to write something when you can't feel anything for the person everyone's already rooting against, and I'd like to not feel that again." Another glimmer of honesty, barer than your curated story, but still not exactly everything.

Dr. Reid is quiet for a moment, studying you with an openness that should make your skin crawl. "What did it feel like?"

The question throws you. Friends, family, strangers--they've all asked you things about the case, about your article, about hundreds of other things so barely connected you couldn't fathom an answer. No one has ever asked you about that feeling.

"Uh..." You're not even sure you have an answer. "Weird." Your blankness feels like such a cop out, you feel the need to try again. What did it feel like? A hybrid beast made of a festering not-quite-guilt, an over awareness of your every action, all held together by an uneasy pride...that only served to further aggravate the not guilt. "Like I was doing something right and wrong, with no way of knowing what it was more of."

You squeeze your hands together, allowing yourself to focus on the action instead of him. "I'm sorry, that probably doesn't make much sense."

When you finally lift your head, Dr. Reid is already looking at you. A moment passes, the somberness of his features growing heavier in the silence. Maybe he's looking at something past you. "It does."

The affirmation is a small, fragile thing, so faint and far away it almost feels like an intrusion to have heard it. Some selfish part of you latches onto that, his unexpected understanding a lifeline you can't let go of.

You almost thank him before realizing that you have no idea what you'd be thanking him for. "I'm glad," you settle on, fingers carefully coming apart on your lap. "The writing thing's no good if I don't make sense."

The attempt at humor seems to pull him back from wherever he had gone. "Then you have nothing to worry about." He doesn't exactly smile, but there's something easy about the way he's looking at you. "I'll approve your enrollment request."

Relief floods through you immediately. "Really?"

"Maybe it'll help you feel less...weird." From him, your too plain adjective feels a lot more fitting.

You nod once, the motion quick and polite. "Hopefully." The beat of silence that follows comes closer to kinship than anything you've ever felt in someone's office. You're also fully aware of the fact that you've gotten what you came for and that Dr. Reid is likely a very busy man. "I shouldn't take up anymore of your time."

His fingers tap against his desk. "Right. I'll see you in class."

You smile as you stand. "See you then."

The walk towards the door is a lot less intimidating now. Still, once you reach it, you can't bring yourself to immediately reach for the handle. You pause, letting out a breath before turning around. "Dr. Reid?"

He looks up, nodding once in a way that's meant to prompt you. Maybe it's overkill, but it feels necessary and it's too late to back out now. "Thank you."

"You're welcome." He doesn't look away from you after responding.

There's nothing left to expect, there are no words or anything else meant to be said. That's not enough to stop some unknown feeling from wedging itself between your ribs, urging you to something, to say anything that might come close to offering him the same kind of understanding he's given you.

"I hope you find a less weird, too."

He doesn't respond, but something about the look behind his eyes and his slight nod makes you feel okay about leaving him.

----

There are few ideologies that have clung to him, and even fewer that have managed to bind themselves to some integral part of his being that exists beneath his skin.

The pursuit of knowledge is one of the few constants Spencer Reid allows himself to rely on, one of the only things he allows himself to consider a saving grace. However, circumstance has prevented his views on the subject from skewing. The irony of the fact that some things are better left unknown is not lost on him.

For example, the girl that walked into his office and immediately saw through him, is better left a mystery. He'd see her in class, he'd answer her questions, he'd grade her work and offer her necessary feedback--but he will not know her.

It's a mantra, a promise that he repeats in his head again and again as his attention falls to the desktop in front of him. He attempts to grasp onto this lack of knowledge, to transform it into a tangible entity to keep him from typing your name into the search engine.

----

a/n spencer entering his garcia era while googling reader 💻🧑‍💻

anyways in ur interested in part 2 or would like to be tagged let me know!!

Without Faith

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