Black Folk - Tumblr Posts - Page 2
Song of the day
do you want to know the history of a folk song? submit an ask or dm me and I'll cover it
"Irene (Goodnight, Irene)"
Lead Belly, 1933
this song was covered by many artists, but my favorite is the most notable cover: this one by the Weavers
The Weavers' version is incredibly important to the history of folk music, as it was their most popular song in 1948 (and the first no. charting single in the folk music genre), and helped kick them off into popularity before they were blacklisted just 2 years later.
Elizabeth Cotten - Euphoria Tavern, Portland, Oregon, February 19, 1975
American genius Elizabeth Cotten was born at the tail-end of the 19th century, but she thankfully lived a long life. And in 1975, at the age of 82, she was in Portland, playing her guitar and banjo and singing her classic songs for a small-but-very-appreciative crowd. Originally broadcast on KBOO-FM, this show features plenty of Cotten's hugely influential fingerpicking, charmingly rambling monologues and singalongs that will bring a smile to your face and a tear to your eye.
Elizabeth Says: I just loved to play. That used to be all I’d do. I’d sit up late at night and play. My mama would say to me, “Sis, put that thing down and go to bed.” “Alright, Mama, just as soon as I finish—let me finish this.” Well, by me keep playing, you see, she’d go back to sleep and I’d sit up thirty minutes or longer than that after she’d tell me to stop playing. Sometimes I’d near play all night if she didn’t wake up and tell me to go to bed. That’s when I learned to play, ’cause then when I learned one little tune, I’d be so proud of that, that I’d want to learn another. Then I’d just keep sitting up trying. I tried hard to play, I’m telling you. I worked for what I’ve got. I really did work for it.
PS - A snippet of this performance was released a while back on a 7-inch with the great Marisa Anderson on the flipside. Go grab the digital version to support KBOO!
Elizabeth "Libba" Cotten clipping, 1987
An Album a Day 2024: Day 262
Sep. 18, 2024
Tracy Chapman - Matters of the Heart (1992)
Folk rock, Pop rock, Singer-songwriter
Song of The Day/history of cotton eyed joe
do you want the history of a folk song? dm me or submit an ask and I'll do a full rundown
"Cotton Eyed Joe" Terry Callier, 1963
As a disclaimer, "Cotton Eyed Joe" is my least favorite American folk song and I'm going to talk about why, and I'm going to talk about why Terry Callier's version is subversive and good.
The Earliest date we have for the song's origins is from 1882 when it was Published in "Diddie, Dumps, and Tot, or, Plantation child-life" by Louise Clark-Pyrnelle. This book is a nostalgic recollection of her childhood as a plantation owner's daughter. She reminisces fondly about slavery, missing the old plantation days. Honestly, some of the quotes within this book are beyond parody, in one sentence she says "... My little book does not pretend to be any defense of slavery" and in the next sentence when referring to the morality of slavery she writes, "there are many pros and cons to that subject", later at the end of the chapter she laments about the forever lost emotional connection between the Masters children and the enslaved people. hate this woman and her little book.
It is also important to note that this book goes out of its way to caricature black people, throughout the book she exaggerates accents and dialects to dehumanize them. This is a recurring theme in early publications of this song. Another early publication of the song comes from Dorothy Scarborough in "On the Trail of negro folk-songs" 1925 who got it from her sister who also learned it on a plantation, in Texas. She writes "This is an authentic slavery-time song" This book, if you can believe it, is remarkably racist and dismissive of black music, even as a more "progressive" songbook of black folk songs.
In 1922, the song's history was documented a bit more extensively by Thomas W. Talley in his book "Negro folk rhymes". He writes that it has "deep roots in black traditional lore". Thomas W. Talley was also just a cool guy in general, this book is one of the first compilations of African American folk songs, and it has been a pioneering book in its field. Even today, this book is still one of the best sources for the history of African American folk songs.
So, this is a black song. This was a black song whose first wave of popularization was through the caricature of black people to be amusing for white folks. Let's move on to its second wave of popularization.
The song was first recorded in 1927 by "Dykes Magic City Trio" (all white band) then about a week later by Fiddlin' John Carson (white performer) then in 1928 by Pope's Arkansas Mountanaineers (all white band) then in 1929 by Carter Brothers and Son (all white band) and then it wasn't really recorded for a while because of the great depression and the war but the times it was recorded, it was by white people. We know this because it was mostly recorded by John Lomax and despite documenting southern folk songs, he almost went out of his way to avoid recording black people singing them. Then, in 1941, it was recorded by Burl Ives (painfully white).also covered by a few white country singers like Adolph hofner bob willis but I think you get the point. It wasn't until later that year that it would be recorded by a black person, performed by josh white in 1944-45, who covered it as a lullaby.
However, it wouldn't be until the 90s, during its 3rd wave of popularization that it became its most grotesque. "cotton eye joe" was recorded and released by Swedish Eurodance band Rednex in 1995 as a, to paraphrase reviews, 'Way to make fun of backwater southerners'. This song became incredibly popular throughout Europe and in the USA as well, charting as a number-one song in several countries, sometimes for weeks. Not only is this song incredibly classist, it is, whether by omission or deliberately, fundamentally racist, adding to the whitewashing of black folk and minstrelsy of black people. The attitude and humor derived from the Swedish version are the same as the version in 1882 when it was a "classic slave song".
So, why is Terry Callier's version important, why talk about it? Terry Callier's version is the first version of the song that I have heard and it is not a comedy. It isn't meant to be funny. It slows the melody down and draws attention to itself. It's almost a ballad, showcasing Joe as a tragic but mysterious hero, maybe a love song. His voice is angelic as well. Terry Callier once again, subverts expectations and creates something beautiful out of a song that has been so whitewashed and appropriated that no one remembers its tragic origins.
Thomas W. Talley
some other versions by black folks Josh white 1944-46 Nina simone 1959 The Ebony Hillbillies 2004 Leon bibb 1962 Ella Jenkins 1960 Josh White Jr 1964 Queen Ida 1985
Song of The Day
"Shake Sugaree" Elizabeth Cotten and Brenda Evans, 1960s Shake Sugaree was written sometime in the 1960s by Elizabeth Cotten's Great-Grandchildren. She explains, "Each child got a verse." The song is sung here by Brenda Evans, who was 12 years old then, and was recorded by Mike Seeger. This song could have been the inspiration for the song "Sugaree" by the Grateful Dead, but the band has denied this. Jerry Garcia was a big fan of her work and performed and the band performed some of her songs. I'm not really familiar with these people though, so I'm not sure. Brenda Evans would continue to be a musician, and I think, was a member of the band "The Undisputed Truth" for a time. And would continue to make and perform music in the 1970s.
Song of The Day
"We Shall Be Free" Woody Guthrie, Lead Belly, Cisco Houston, Sonny Terry 1940s
"We Shall Be Free" was first written by Lead Belly but is likely based on an older spiritual based on its similarities to other songs like "We Shall Overcome" and "Children We Shall Overcome"
Song of The Day
"Mississippi Goddam" Nina Simone, 1964 "Mississippi Godamn" was written in 1963 in response to the Baptist Street Church Bombing, when the KKK bombed a church and killed 4 black young girls. It also contains references to other racist murders, like the death of Emmett Till and Medgar Evers.
She considered it to be her first Civil Rights song and her debut in the Civil Rights movement. She first performed the song live in Los Angeles, and then again in NYC in 1963. it was released in 1964. She said
"And I was beginning to get angry then. First you get depressed and then you get mad. And when these kids got bombed, I sat down and wrote this song. And it’s a very moving, violent song cause that’s how I feel about the whole thing."
This song is one of the best songs ever written.
cool version of "Which side are you on?" i found
Nina Simone, Miles Davis.
University of Massachusetts Archives, 1963
Nina Simone Flier
Pete Seeger's Rainbow Quest, ep 5, 1965 "Will The Circle Be Unbroken" Bernice Reagon
Song of The Day
"Salty Dog Blues" Mississippi John Hurt, 1965 (?)
Salty dog Blues is a song that had existed comfortably in the public domain in the early 1900s (I couldn't find any research of it being a traditional song however) until it was first recorded in 1924 by Papa Charlie Jackson. Which was.. adapted for Broadway?
The Interesting thing about this song is its versatility. It has been performed in a plethora of related but distinct genres. Like:
Bluegrass (Lester Flatt and Earl Scruggs, 1967) Blues (Clara Smith 1926) Country 1 (Morris brothers 1937) Country 2 (Johnny Cash 2000) Jazz 1 (Freddie Keppard's Jazz Cardinals 1926) Jazz 2 (Pat Hawes 2000)
The meaning of salty dog in this context is unclear. It could be a sexual innuendo, a term for a sailor who has been at sea for too long, or even a local beverage, maybe even a combination of all 3.
I like Mississippi John Hurt's cover the best, his voice is very relaxing and soothing which adds another layer to the fun song.
University of Massachusetts Archives, 1963
Odetta flier
Elizabeth Cotten's 90th birthday concert, 1983