Gangsters - Tumblr Posts
This is my first created Moodboard and I Think I did pretty well done Indeed!
My Total drama OC - “The Scary Gangster”
(Im sorry that I didn't pick a name for him yet, I might do that later.)
Name: (Unknown for now)
Gender: Male
Pronouns: He/him
Nationality: American
Label: “The Scary gangster”
Age/Age range: Adult
Stuff about him:
1 - He looks like a Gangster Biker dude with a Scarred up face with some of his skin being burned off and he also wears a eye patch to cover his right Eye.
2 - He has an adopted Daughter who is in elementary school while he is on Total drama/Disventure camp.
3 - He would Scare/Terrify some of the Bully/Jerk characters due to his terrifying appearance and this has caused him to nearly gotten voted off a few times before the merge.
4 - He is a good strategist and this has helped his team a few times in the game.
5 - His reason for Winning the money is so that he can put some of the money into his adopted daughters Collage fund for her future.
6 - He is also a fan of Blues music and Jazz.
7 - In reality he is a Chill dude who tries to keep the group together and try not to get people into fights and stuff like that.
Well, when competition gets completely out of hand.
Both had the music world at their feet but the game they played east side west side was ultimately fatal for both.
The world of street gangs and the music industry of absolute competition was a deadly mix.
2PAC would definitely have been a good actor due to his sensitive nature hidden behind a mask of the badass.
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For many kids of that generation, the music was just a provocation, but everything that was rapped was ultimately meant seriously.
Fucking someone's girlfriend and then rapping about it officially is like putting your tack in the gang territory of the opposing gang. Unforgivable..... deadly by the way
A world of money, prestige, gang attitudes was and is a mixture of verbal and physical abuse that should not be underestimated.
Diss was a style in the b boy scene and in the rapper scene back then and still is.
The deadly contempt on display is and always has been a mask of gang culture, and that's what ultimately kills them.
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I was once in LA right next door to Watts and the mate we visited had barred all the windows and doors. When I was walking around there they left me alone because I just looked too fucked up. At night you could hear gunshots and if you were barbecuing in the garden after dark you were often in the cone of light of a police helicopter. It was weird but quite normal back then.
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Watts is one of the neighbourhoods with the highest crime rate in the City of Los Angeles. It is generally advised not to visit the neighbourhood after dark.
An old leather jacket and the fact that I was a fucking white loaf of bread made me invisible as a threat. I was just one of the few drug users in their eyes, which wasn't true but helped a lot. I could take really cool photos with my small picture camera. There were no mobile phones with great features yet.
The Story Behind Tupac Dissing the Notorious BIG
THE MOB (Dir: Robert Parrish, 1951).
A tough gangster movie-cum-film noir thriller. The Mob stars Broderick Crawford as Johnny Damico, a tough New York cop who poses as a longshoreman to bust up the corrupt union activity polluting the city's dockyards.
Based upon the novel Waterfront by Ferguson Findlay, The Mob covers similar ground to the more famous On the Waterfront (Elia Kazan, 1954). Pre-dating the latter movie by three years it is more of a pulpy crime drama that Kazan's socially conscience classic.
In his second outing as director, former editor Robert Parrish has crafted a hard hitting, at time brutal thriller which still packs a considerable punch seven decades later. It is a tough movie, with tough guys talking tough. William Bowers' screenplay is interspersed with some smart hard boiled dialogue, delivered in suitable pithy fashion by the excellent Broderick Crawford.
A year after his Oscar winning performance in All the King's Men (Robert Rossen, 1949) Crawford is dynamite here; perfectly cast as a hard nosed cop, ruthless in his mission to bring down the mob. Also impressing in an early role is Ernest Borgnine as thuggish mobster Johnny Castro. As his right hand man, Neville Brand is equally effective in one of many maniacal bad guy roles.
Often categerised as a film noir, The Mob feels closer to a gangster film than a true noir; its staccato pacing and overall theme evoking the Warner Brothers mob movies of 1930s. It presents an evocative, shadowy world of backstreets and dive bars populated with shady characters It is surprisingly violent at times, especially in its realistically scrappy fist fights.
It may not rank among the greatest thrillers of its era, but it is an exciting and engaging minor noir, or rather a gangster movie in noir clothing. Deserving of far more attention than it generally receives, The Mob is neat little crime flick with a cracking screenplay and a first rate cast. To my knowledge, the movies only official home video release is as part of Spain's Columbia Classics range. This may make The Mob a little difficult to source, but it is well worth the effort!
100+ movie reviews now available on my blog JINGLE BONES MOVIE TIME! Link below.
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Rose Sellery - Eats like a bird (detail) [Sterling silver, ceramic, metal paint, acrylic dome]
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