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7 months ago

I saw someone make a headcannon post, so why not?

Erik:

• he knows pressure points, human weaknesses, etc. basically my excuse to say Erik would know how to disarm Meg in LND because what was that.

• good at everything to an infuriating level. (Everything psychological not so much)

• has an arsenal of dad jokes he uses in increasingly insensitive ways.

• has some weird thing about size. Type of guy to call you “small” as a flirtatious move…

• easily hurt, both physically and emotionally, but refuses to take a break or admit it. Unless Christine is concerned, then he’ll do nothing but wail about it for attention.

• his hands are both cold and smelly, take that translation truthers!

• if he were an ordinary man, he’d still be a complete snob.

• when he’s going crazy he vents his emotions out on a Carlotta-esque toad puppet. There is a tiny wooden stick he beats it with.

Christine:

• would love Fiona Apple.

• her love language is tolerating you.

• people call her “nice” because they rarely speak to her at all. Not that she isn’t, but I’ve always thought she was a bit asocial.

• extremely empathetic to animals. She can’t even kill a spider. (Ahem)

• dislikes being touched.

• moved around with her father a lot, so she has some pretty severe attachment issues. She had good reasons to leave Erik, but Raoul(while he can be a jerk) takes the brunt of her poor coping mechanisms.

• In another life, had Erik not been so pushy and murder-y, they would’ve been very very close.

• Asexual. Yeah. Take that.

• Or she at least would dislike the very potent closeness and intimacy the devils tango brings. In other words sex repulsed.

• After the book, I imagine she took a small break from opera. She'd spent so much of her life doing things for others, and now it was time to do something for herself. Maybe she started singing what she wanted to sing, or maybe she pursued something entirely different. My idea: she began writing stories. After all, her connection to them had always been strong.

• a private woman, thus why she didn’t speak with leroux.

Raoul:

• can be an asshole, but more willing to admit it that others. I choose to interpret the fact that he so readily admitted how cruel he was(to a man who would publish this no less!) as an admission of guilt.

• would never take away music from her.

• a bit pudgy, but has some real muscle beneath it. He can’t be a twink doing sailor work I don’t think. (That rhymed!)

• hates Erik for taking his brother from him. He has a hard time watching Christine mourn Erik because of it.

Daroga:

• becomes Christine’s friend after the plot of the book. How, you ask? Beats me.

• I don’t have many headcannons about him I’m so sorry. Please, pitch your own id love to see em! He’s such an interesting character I feel so bad!


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