John Wick 4 - Tumblr Posts
Have you watched Bill in John Wick 4? Because the way you write Roman… I think you’d do Marquis Vincent de Gramont justice🫣
He’s like Roman but older, a little more evil and French 🤤
sooooo... guess what i did last night because of this. i finally watched JW4, and let me tell you i got INSPIREDDDDD!!!
edit: link to the first chapter here!!<33
am now in the process of writing a little something for our favourite Marquis, so i hope to do him some justice as you said tihi✨🌸 i've already planned out six chaps... this is deffo gonna be a big fic. sorry not sorry. inspiration is a killer.
he was SO FUCKING HOT IN THIS ROLE IT WAS INSANE. i was squealing and kicking my feet so many times omg



"I LIKE YOU" LMAOOOO HE'S SUCH A CHARACTER I WANT HIM
like... fuck me. fuck. me.
y'all are in for a ride lol. thank you for sending in a message!!!💜
*John Wick reloading his gun*
The beast was dead. It took every adventurer in town and many a casualty, but the beast was finally dead. The town was saved - until someone noticed the creature was wearing a collar and a nametag.













Katie McGrath behind the scenes of The Continental.
☆ ── YOUNGER THAN YOU



☆ ── he knew it was wrong to involve himself with someone younger than him. but it felt so good. ☆ ── age gap ( reader is in her 20’s and john is in his 40’s ) , emotionally closed off john , daddy issues ( not me projecting ) , smut ( p—in—v s*x ) , squirting , listen to younger than you by whirr


john sat in an empty booth, nursing a glass of alcohol that he would sip from time to time. the burning sensation every time he swallows kept him alive. he watched as the criminals socialized around him. he remembered when he was like them
he would be able to talk to anyone without a problem. now, he felt like an outcast. despite the fact that people feared him when his name was spoken.
he hated interactions that weren’t needed. he was a man that spoke a few words.
but you? everything was different with you. ever since helen passed away, he kept telling himself that he’ll never find love again.
but he kept finding himself tangled in bed with you at night. spending his mornings with you.
he even almost forgot about helen. you could take her place. but…something kept eating him alive.
you are too young. you were mature. you could take care of yourself. you were strong. mentally and physically. but in reality, you were too young.
──
“johnny.” you wrap your arms around his waist as he makes himself a bowl of cereal. you kissed his bare back, his scent filling your nostrils. he must have taken a shower recently.
“i missed you tonight. where did you go?” your hands travel up to his chest. “i needed some fresh air.”
in your mind, you knew that was code for “i needed some time to think about something.”
“what did you think about?” he takes a breath. “i think we should end this.” your arms leave his torso, taking a step back, “what?” he turns to you, that same stoic look on his face. “you’re too young for me. you need a man who is around your age. someone who knows what do with you.”
you scoff, “you must be joking right? when was age ever a problem between us?” “you don’t underst—” “no you don’t understand! i don’t want anyone else. i just want you, wick.”
you take your place again, in front of him, instead taking his arms to wrap around you. he would’ve moved his arms back but he didn’t. he couldn’t resist you. you were his kryptonite.
he pulled you closer. “i don’t know how i could live without you.” he bends down, taking your lips with his. you moan in the kiss, sending electric signals in his body.
he pats your thigh, telling you to jump. you wrap your legs around his waist as walks up to his your shared bedroom.
you bounce on the bed, giggling. your clothes quickly ripped, which he promised you that he would buy some more.
he placed himself between your legs, kissing up your thigh while one hand places itself on your breast. “john.” he hums in response. “please. no foreplay today.”
he chuckles darkly. “impatient, are we?” his clothes were taken off, his tip prodding at your hole, “you—” “just do it, please!” you whine.
the first thrust was hard. he practically slip you open. for an old man, he knew how to fuck.
his hands gripped your hips, letting him stroke deeper. “fuck—” you let out a strangled moan. his hips thrust in rhythm, hitting that sensitive spot on your spongey walls. “i could never leave you.” he bends down, kissing your neck. “i love you.”
a knot forms in your stomach, threatening to rip. “john, i think i’m—” “come.” his thrust get faster, chasing for both your orgasms. “s-shit.”
a liquid substance covers both of your legs. you were hoping he didn’t notice. but he did, he groaned in pleasure. “fuck.” he released in you, white painting your walls.
he pulls out, laying next to you. “i hope you’re on the pill.” your eyes widen, “you finished inside me?” silence covers the room.
he wraps his arm around your waist, “i wouldn’t be opposed to having a kid with you.”
𝐆𝐨𝐬𝐭𝐥𝐲𝐆𝐡𝐨𝐬𝐭.
The Marquis Vincent de Gramont.

Oh my God, it was for him that I watched John Wick 4, although I'm not a fan of the franchise. The charismatic villains of the French are beautiful...and hot...
And now, special thanks to: Keanu Reeves’ choice to deliver every single line in this movie in the exact same deadpan monotone thus making the line “….. loving husband” sound like he was addressing the two men in front of him, and of course, Donnie Yen’s choice to deliver the line “let’s go, John” in the exact same tone, rhythm, and inflection of the basketball jock in a 90s teen drama saying “let’s go babe” to a shaken yet besotted blonde as he casually puts an arm around her and turns to leave after beating up the school asshole at homecoming
I want to be as untroubled as the club dancers that exalted the good vibes and kept dancing while john wick was gasping, struggling, fighting for his life, and annihilating dozens of men just a few feet away





No one, not even you, can kill everyone
Keanu Reeves as John Wick in John Wick Chapter 4 (2023)




John Wick: Chapter 4 (2023) Chad Stahelski
OP basically narrated the entire movie.
John Wick Chapter 4 Spoilers Without Context







John Wick 4: 'But why though?'
John Wick isn't 'back'. He never left. He merely bided his time till the world needed him, needed the Baba Yaga to remind the world about the necessity of doing things with Style.

The importance of Style in John Wick 4 is inversely proportional to John's regard for the generally accepted rules of a firefight. The word Style was the running theme of John Wick 4, and the film's director managed to find a dozen ways to manifest Style on the big screen and crammed them all into a 2-hour-plus action movie.
Truth be told, he shouldn't have. Truth be told? He shouldn't have.

John Wick 4 starts with John making his move against the High Table after the events of Parabellum. John's strategy in this case is to make as big a mess as he can with his first move, then pop the heads of whoever comes to clean up the mess like a macabre game of Whack-a-mole.
In response to this, the High Table empowers the Marquis De Grammont with carte blanche access to the Table's resources and unleashes their new hunting dog against the infamous Baba Yaga. The High Table's new Hound wastes no time in drawing blood wherever it can by destroying the continental hotels, starting with New York, and the deaths that result becomes one death too many in John Wick's already full ledger of souls he has dealt the Ruska Roma haircut.
John, therefore, decides to cut off the head of the snake and goes to challenge the Marquis to single combat. According to the old laws of the High Table which governs the relationships between the members who sit at the table.
Along the way, John meets up with old friends at the Continental Hotel in Osaka, duels a blind man brilliantly played by Donnie Yen, and deals with a Man-Hunter who is saving John for when John's bounty gathers the requisite number of digits and zeroes to make him worth the killing.
John also beats up Scott Adkins wearing a fat suit.

Why though?
That question, that 'why though?' That was what struck me halfway through John Wick 4. The Osaka Continental was a gorgeously designed, Japanese-Themed Hotel for Assassins. Seeing Donnie Yen fight like a blind man was a creative exercise in character design, and Scott Adkins turning a single hand of cards into a work of art was a testament to the amount of work he had put in to prepare for his rather short, but impactful role.
However, none of these new characters and locations were really interesting.
Every new character and location had a point in John Wick 2 and John Wick 3; Parabellum. The D'Antonio siblings in John Wick 2 gave us an insight into the High Table and the conflicts among the table's members.

Cassian and Ares served by introducing the concept of Bodyguards as a counterpart and a countermeasure against Assassins.

In Parabellum, the Adjudicator and the Ninjas introduce the methods the High Table relies on to enforce their rules and rule over their subjects 'Under the Table'.

Even the Ruska Roma were poignantly important as the organization gave the audience insight into John Wick's childhood as a Belarusian orphan raised to serve the High Table.

Every character and location in John Wick 2 and 3 had a purpose as they answered questions about the John Wick universe and deepened the immersion of the audience into the story of John Wick's journey through the world under the High Table.
John Wick 2 and 3 interested me. John Wick 4, however, was a mind-numbing ride through willy wonka's chocolate factory with rivers of blood instead of chocolate, and trees that bore as its fruits lead and death. It's really cool, but why? What is the point of it all?
In John Wick 4, John goes to Osaka to meet an old friend, who is also the concierge of the Osaka Continental. A fusion of neon lights and Japanese tradition that is heavily inspired by the Yakuza motif. Japan's efficient modernity, clean steel edges lit up with gaudy neon, a monolithic testament to the present day beneath which lay the rigid adherence to the traditions that underscored the 'extreme way' of the Yakuza of old.

But why did John Wick need to go to Japan? As exquisitely thought out as the Osaka Continental was, what purpose did John Wick's detour to Japan serve?
That is the issue that underlies John Wick 4, what is the purpose of the Osaka Continental? What is the purpose of the Marquis, or Caine, or the Harbinger? All of their roles in the narrative could be replaced by characters already introduced in previous movies. The Harbinger could be the Adjudicator from Parabellum, Caine could be played by Cassian from JW2, and having John resolve his differences with these characters from the previous movies may have given John Wick 4 greater impact. According to the theme that the movie had about the end of John Wick.
Ultimately, John Wick 4 was a stylish movie that introduced new, cool things that pushed the story of John Wick to a new level.
But why though? When the story of John Wick was supposed to end?






John Wick: Chapter 4 (2023) Final Trailer






John Wick: Chapter 4 (2023) Final Trailer







John Wick: Chapter 4 (2023) Final Trailer







John Wick: Chapter 4 (2023) Final Trailer







John Wick: Chapter 4 (2023) Final Trailer







John Wick: Chapter 4 (2023) Final Trailer





LAURENCE FISHBURNE and KEANU REEVES JOHN WICK: CHAPTER 4 (2023) dir. Chad Stahelski