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The Vanishing Portrait Shaina Tranquilino September 20, 2024

Draydon Cunning, a reclusive artist, stood before his latest work, wiping the sweat from his brow. He had no idea where the inspiration had come from, but the face of the man he had painted felt strangely familiar. He hadn’t met him in real life—at least, he didn’t think so—but the figure had haunted his dreams for weeks, compelling him to paint.

The painting, now completed, stared back at him. It was a man in his late thirties, with piercing green eyes, dark hair, and a strong jawline. His expression was one of melancholy, like someone who had seen too much of life’s darker side. Every stroke of Draydon's brush had brought the man to life, and now, he stood framed in silence in the centre of Draydon's studio.

Draydon felt uneasy. The dreams were always the same. The man would appear in a dense fog, walking toward him through a forest at dusk. He never spoke, but his eyes—those same green eyes—were filled with desperation, pleading for help. Draydon would wake each morning, drenched in sweat, and rush to his easel, compelled to finish the portrait before it faded from his mind.

As he stepped back to admire his work, the air in the room felt heavy. He couldn’t shake the feeling that the man in the painting was trying to tell him something. The sensation was so intense, it bordered on paranoia. Draydon shook his head, laughing at himself. He needed fresh air.

After stepping outside for a cigarette, he returned to the studio only to be struck by a strange detail. The painting had changed.

The man’s eyes, once gazing downward in melancholy, now stared directly at Draydon, wide with terror. His lips, previously set in a solemn line, were parted slightly, as if frozen mid-sentence. Draydon's heart raced. He hadn’t altered the painting himself—he was sure of it.

He blinked, convinced he was overtired. But the sense of urgency in those green eyes wouldn’t leave him.

Unable to sleep that night, Draydon scrolled through the news on his phone. A headline caught his eye: "Man Missing for Weeks: Police Offer No Leads." He clicked the article, and his blood ran cold. Staring back at him from the screen was the same face he had painted.

The man was real. His name was Adam Marrow, a local history professor who had vanished a month ago while hiking in the nearby woods.

Draydon's pulse quickened. How could he have known? The image from the dream and the real man—there was no mistaking it.

The next morning, he contacted the police. At first, they were skeptical, dismissing his claims as coincidence or a product of his overactive imagination. But the detective assigned to the case, Detective Serrano, took a lingering look at the painting.

"Let’s say you didn’t meet him," Serrano said, scratching his chin, "but you say you saw him in a dream? That’s hard to swallow, Cunning."

Draydon could only nod, feeling like he was falling deeper into something he didn’t understand.

That night, Draydon couldn’t rest. His dreams were more vivid than ever. He saw Adam standing in the same fog-filled forest, but this time, the landscape seemed more distinct. A twisted oak tree stood in the distance, its branches gnarled like reaching fingers. Nearby, a large, jagged rock jutted out of the earth.

When Draydon woke the next morning, his eyes flew to the painting. Once again, it had changed. Adam’s body had shifted in the frame. Instead of standing in an empty space, a faint background had emerged—a shadowy silhouette of the same forest from Draydon's dream, the twisted oak tree barely visible in the distance.

The realization hit him hard. The painting was showing him something—something real. A location. A clue.

Draydon grabbed his sketchpad and hurriedly sketched out the forest and rock formation from his dream, adding every detail he could recall. His heart pounded as he contacted Detective Serrano again, showing him the updated painting and the sketch.

Serrano, to his surprise, didn’t dismiss it outright this time. "There’s a place about twenty miles from here," the detective muttered, his eyes narrowing as he studied the sketch. "The rock, the tree—they match a spot near Timber Falls. It’s known for hiking trails. It’s possible Marrow went that way."

Against his better judgment, Draydon offered to go with Serrano to the location. They trekked into the forest, each step more unnerving than the last. The trees loomed above them, casting long shadows across the trail. The deeper they went, the more familiar the terrain became to Draydon. It was as if he had walked these woods a hundred times before.

After nearly an hour, they reached the twisted oak tree from his dream. It stood tall and sinister, just as he had seen it. Serrano gave Draydon a wary glance but pressed forward, toward the jagged rock.

Near the base of the rock, partially hidden by underbrush, they found something. A torn piece of fabric, stuck to a branch. It matched the description of the clothing Adam Marrow had been wearing when he disappeared.

Then, something else caught their attention—an old, shallow well, its stone edges crumbling with age. Draydon’s stomach twisted. He didn’t know how he knew, but something about the well was wrong. He could feel it.

Serrano leaned over the edge, shining his flashlight into the darkness below. His breath caught in his throat.

There, at the bottom, was Adam Marrow.

The man’s body was lifeless, but it was clear he had been alive until recently. Claw marks on the stones suggested he had tried to escape, but the well was too deep. The authorities later confirmed that Adam had fallen into the well while hiking and had been unable to climb out. He had survived for days, perhaps even weeks, before succumbing to dehydration.

Draydon stood silently as the rescue team pulled Adam’s body from the well. He felt a strange sense of relief but also an overwhelming sadness. The man who had haunted his dreams, the man he had unknowingly painted, had been crying out for help all along.

Back in his studio, Draydon stared at the now-empty canvas where the portrait had once been. The painting had vanished, as mysteriously as it had appeared. In its place was nothing but a blank white surface, as if the canvas itself had purged the tragedy it had borne witness to.

But Draydon knew the truth: the portrait hadn’t disappeared.

It had simply fulfilled its purpose.