Print Exchange - Tumblr Posts
originally made for a print exchange. I was the only person to submit on time, but my piece was probably also the least superlo (forgive me it was an early experiment carving backwards words and after having it pointed out I cannot unsee this mistake)
everybody loves this piece until they ask what gave me the idea, so fair warning.
somebody I know on twitter is a very out of touch artist, and there was a hashtag during the super bowl that was #superbowl, so they look at this in their "trending topics" feed for the day and tweet, "I feel like I'm missing something, what the heck is this Superb Owl everyone is talking about?"
tadah.
in my head I call this one something like "carried away by the bluebird of happiness" but that is a bitch and a half to write on an edition of 36. so I titled it Joy.
if you turn your head you will note that it works in every possible orientation of the paper. but this is printmaking, and bitches need titles, edition numbers, and signatures. so Christine picked this orientation and I went with it.
it was created for a print exchange and exhibition put together by a classmate of mine, in conjunction with other students and alums of WWU and UW's printmaking programs. I was asked to not participate by my professor because he was worried that I would slap together something horrible and messy at the last minute and disgrace him and his printmaking program. considering my track record, a not unreasonable concern.
luckily for me, I had already paid my money to Drew, and started work on my print before Ben decided I would be a liability, so I felt I had to do my best to show him I was capable of putting together something that would show my capabilities and my worth as a printmaker.
of course, I then decided to hand color the whole edition.
I didn't color three that I used with my exclusively black and white works in my BFA show. one of which is shown here. carving printing and coloring this edition took around two weeks in total. which admittedly involved a lot of drying time.
I like hand coloring. it's easier for me to control than multi-block processes and if I use an oil based ink and a water based paint on high quality paper the color stays between the lines with water tension. but, it introduces inconsistencies to an edition. which is a cardinal sin in printmaking. so I painted every one of them in layers, using one batch of paint at a time on all of them one by one, so they would look exactly the same.
it's still considered a lazy and unprintmakerly technique.
of course another friend of mine got flak for doing a no-color black lino cut. and of course, after we got the packet back with everyone's prints in it, UW had done a bunch of sloppy abstract bullshit anyway and the best stuff was done by WWU alumni who I assume didn't even get yelled at a little.
storal of this mory being that you can't win against other people's anxiety problems.
and if you want 25 near-perfect prints, start with 40.