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Today I passed by the theater and I liked the view, that’s why I decided to take a photo of it; also, the sculptures on its roof look very majestic!
Сегодня я проходил мимо театра, и мне понравился вид, поэтому я решил его сфотографировать; а еще скульптуры на его крыше выглядят очень величественно!
Одесский Оперный Театр #art #архитектура #Одесса #опертныйтеатродесса #odessa #sculpture #arhitecture #театр
𝐅𝐫𝐚𝐧𝐜𝐢𝐬𝐳𝐞𝐤 𝐁𝐫𝐨𝐝𝐧𝐢𝐞𝐰𝐢𝐜𝐳 (November 29, 1892 - August 17, 1944) was born into a respectable family and there was no indication that he would become an amante and a dream of women in his later years. As a young man, he escaped from the army when Poland regained its independence in 1918, and he embarked on a theatrical career that he preferred to films, joining the touring company of actor Ludwik Dybizbański, who later became the director of the Municipal Theater in Bydgoszcz. Around this time he met Helena Thewsówna. The two fell deeply in love with each other. From their union a daughter was born, who wanted to perform on stage, and during her stay in the United States she took the name Ada Kennedy. Francis married Helena after some time, recognizing his daughter to take his name. Francis did not stop developing his career, performing alongside wily stars. He produced many great acting performances and appeared in films: "Dwie Joasie" ("Two Joans"), "U kresu drogi" ("At the End of the Road"), "Wrzos" ("Heather") and "Prokurator Alicja Horn" ("Prosecutor Alice Horn"). As his career progressed, interest in his private life increased. He kept his wife and daughter away from fame and often hid the fact of their existence. He often played roles of villains and bad guys, but was able to find his way in any role. He was described as a nice man, with beautiful eyes and hair, who is even more handsome than on screens or in photos. He also emphasized his love for his country, so during World War II he was very involved in helping soldiers and participating in the war by supplying weapons during the Warsaw Uprising. He died suddenly of a heart attack during one such assignment.
𝐌𝐚𝐫𝐢𝐚 𝐌𝐚𝐥𝐢𝐜𝐤𝐚 (May 9, 1900- September 30, 1992) from childhood it would seem that she was destined for an acting career. Her father was a technical worker at the Juliusz Słowacki Theater in Krakow, and Maria herself made her first appearance on stage when she was seven years old. She attended singing, dancing and rhythmic lessons. She was an acclaimed reciter. In her youth, she played the role of Marianne from Molière's drama "Skąpiec" ("The Miser"), Anna "Świt, dzień i noc" ("Dawn, day and night") by Niccodemi or the Bride "Wesele" ("Wedding") by Wyspiański. In 1935 she opened her own theater in Warsaw under her name. She married the actor Zbigniew Sawan, whom she wanted to rescue from Auschwitz during World War II. In order to save her ex-husband at the time, she collaborated with the Germans, having previously been prosecuted for performing in theaters that collaborated with the Germans. She was cleared of the charges for collaborating with the Germans, and received a performance ban penalty for her performances. She obediently served her punishment, although, as she usually said, she felt most comfortable in the theater. Over the course of her career, she appeared in films such as "Janko Muzykant" ("Janko the Musician") and "Uwiedzona" ("Seduced"), but she didn't take it seriously, but rather for financial reasons. She returned to the theater very quickly after serving her sentence, although some people were still distrustful of her. She remained active professionally until the end of her life.