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Logos- the Word of God Erebos- darkness, gloom

i don't remember where i heard this analogy, but it really stuck with me. you can't stay on the fence of belief/ unbelief forever, because the devil owns the fence. he owns all the religions of the world, except for the only faith that can save you: faith in the blood of Jesus Christ. the Son of God came down, lived a sinless life, took our sins upon Himself in death, and resurrected so we might have life too. because He LOVES us.

the truth is, you don't know when the end of your life will be. when you come to stand before the Just and Righteous Judge, will you be covered by Jesus' perfect blood, shielding you from punishment? or will you still have all your sins covering you because you rejected Him?

i don't write this to condemn, but because i love you and want you to have an eternity of joy and peace. so i warn you with love: Jesus is returning soon, to take His people away before God's Wrath and judgement begins (Revelation 3:10, 1 Thessalonians 5:9).

signs in the sun, moon, and stars. wars and rumors of wars, people's love for each other turning to hate. the increased intensity of natural disasters and strange behavior of animals. every other week some expert talks of world distinction events in our future (AI, or famine, or disease, or WWIII). God has sent dreams and visions to all people about the times about to happen. you can feel there's something weird about the world right now. God is speaking loudly.

now is the time to repent, accept the sacrifice for your sins and put your faith in Him. now is the time to step into the Kingdom of Life that will never pass away 💙✝ "For God so loved the world that He gave His one and only Son, so that whoever believes in Him will not perish but have eternal life (...) There is no judgment against anyone who believes in Him. But anyone who does not believe in Him has been judged already, for not believing in God's one and only Son." (John 3:16, 18)

transcript:

Helel: What did they say that gripped your attention so much?

Girl: Prince Helel. She was just telling me about life in the Logos Kingdom compared to the Erebos Kingdom. I haven't really decided where I want to live yet.

Helel: Pffeh, I can assure you, she greatly exaggerate. I've been to the Logos Kingdom. Those people are practically in chains and they don't even realize.

Girl: ..But you rule the Erebos Kingdom. Doesn't that make you a little bias? Either way, I'd still like to decide for myself.

Helel: Of course, of course! Take all the time you want. We'd love to have you!

(years pass)

Girl: Helel, what's happening?!

Helel: That, my dear, is a curtain call.

Girl: I don't understand-

Helel: It's time you came with me.

Girl: Wait-! But I never picked a kingdom! I'm still on the fence-

Helel: Oh, I'm terribly sorry for the confusion! You see, I OWN the fence!

Girl: No! Get off me! I thought I had more time! Stop-!

Girl: King Yeshua!!

Helel: No, sshe'sss mine! Sshe waited too long-

Yeshua: (Release her. Serpent.)

Helel: (Fine. But they won't all want sssaving~)

Girl: Thankyou, thankyou, he almost had me! If You didn't... I'm so sorry. Please don't send me back to him-

Yeshua: I came to you when you called, didn't I? You made your decision. And I'm so Glad! Allow Me to welcome you home, Dear One.

so does Maggie become Sterling's ex-wife?

watching the Nigerian Job, and I stand by my position that things would've been much more fun if Sophie were Nate's ex-wife.

a post-doc was doing a guest seminar at my institute and at the beginning of his presentation he was explaining why he chose birds for his evolutionary analysis - so he said "well first of all, because birds are the best and most interesting animals and it's fun to study them" and a few professors in the room gave him a very serious nod

Marks of Loyalty: A Retelling of Maid Maleen

For the Four Loves Fairy Tale Challenge at @inklings-challenge

Seven years, the high king declared.

Seven years’ imprisonment because a lowly handmaiden pledged her love to the crown prince and refused to release him when his father wished him to marry a foreign princess.

Never mind that Maleen’s blood was just as noble as that of the lady she served. Never mind that Jarroth had been only a fourth prince when he and Maleen courted and pledged their love without a word of protest from the crown. Never mind that they loved each other with a fierce devotion that could outlast the world’s end. A handmaid to the sister of the grand duke of Taina could never be an acceptable bride for the crown prince of all Montrane now that Jarroth was his father’s only heir.

“Seven years to break your rebellious spirit,” the king said as he stood in the grand duke’s study. “More than enough time for my son to forget this ridiculous infatuation.”

“This is ridiculous!” Lady Rilla laughed. “Imprison a lady of Taina for falling in love? If you imprison her, you must imprison me on the same charges. I promoted their courtship and witnessed their betrothal. I object to its ending. I am Maleen’s mistress, and you can not punish her actions without punishing me for permitting such impudence.”

Rilla believed that her rank would save her. That the high king would not dare to enrage Taina by imprisoning their grand duke’s sister. She believed her brother would protest, that the high king would relent rather than risk internal war when the Oprien emperor posed such a danger from without. She believed her words would rescue Maleen from her fate.

Rilla had been wrong. The high king ordered Rilla imprisoned with her handmaiden, and the grand duke did not so much as whisper in protest.

Lady Rilla had always treated Maleen as an equal, calling her a friend rather than a servant, but Maleen had never dreamed that friendship could prompt such a display of loyalty. She begged Rilla to repent of her words to the king rather than suffer punishment for Maleen’s crimes.

Rilla only laughed. “How could I survive without my handmaid? If I am to retain your services, I must go where you go.”

On the final morning of their freedom, they stood before the tower that was to serve as their prison and home, a building as as dark, solid, and impenetrable as the towering mountains that surrounded it. In the purple sunrise that was to be the last they would see for seven years, Maleen tearfully begged her mistress to save herself. Maleen was small, dark, quiet, hardy—she could endure seven years in a dark and lonely tower. Lively, laughing Rilla, with her red hair and bright eyes, was made for sunshine, not shadows. She loved company and revels and the finer things of life—seven years of imprisonment would crush her vibrant spirit, and Maleen could not bear to be the cause of it.

“Could you abandon Jarroth?” Rilla asked.

In the customs of the Taina people, tattoos around the neck symbolized one’s history and family bonds, marked near the veins that coursed with one’s lifeblood. Maleen had marked her betrothal to Jarroth by adding the pink blossoms of the mountain campion to the traditional black spots and swirls. Color indicated a chosen life-bond, and the flowers symbolized the mountain landscape where they had fallen in love and pledged their lives to each other.

“Jarroth has become part of my self,” Maleen said. “I could as soon abandon him as cut out my own heart.”

With uncharacteristic solemnity, Rilla said, “Neither could I abandon you.” She rolled up her sleeves far to reveal the tattoos that marked friendship, traditionally marked on the wrist—veins just as vital, and capable of reaching out to the world. The ring of blue and black circles matched the one on Maleen’s wrist, symbolizing a bond, not between mistress and servant, but between lifelong friends. “I do not leave my friends to suffer alone.”

When the king’s soldiers came, Maleen and Rilla entered the tower without fear.

*

Seven years, they stayed in the tower.

There was darkness and despair, but also laughter and joy.

Maleen was glad to have a friend.

*

The seven years were over, and still no one came. Their tower was isolated, but the high king could not have forgotten about them.

The food was running low.

It was Rilla’s idea to break through weak spots in the mortar, but Maleen had the patience to sit, day after day, chipping at it with their dull flatware until at last they saw their first ray of sun.

They bathed in the light, smiling as they’d not smiled in years, awash in peace and joy and hope. Then they worked with a will, attacking every brick and mortared edge until at last they made a hole just large enough to crawl through.

Maleen gazed upon the world and felt like a babe newborn. She and Rilla helped each other to name what they saw—sky, mountain, grass, clouds, tree. There was wind and sun, birds and bugs and flowers and life, life, life—unthinkable riches after seven years of darkness. They rolled in the grass like children, laughing and crying and thanking God for their release.

Then they saw the smoke. Across a dozen mountains, fields and forests had been burnt to ashes. Whole villages had disappeared. Far off to the south, where they should have been able to make out the flags and towers of the grand duke’s palace, there was nothing.

“What happened?” Maleen whispered.

“War,” Rilla replied.

Before the tower, Maleen had known the Opriens were a threat. Their emperor was a warmonger, greedy for land, disdainful of those who followed traditions other than Oprien ways. But war had always been a distant fear, something years in the distance, if it ever came at all.

Years had passed. War had come.

What of the world had survived?

*

Left to herself, Maleen might have stayed in the safe darkness of the tower, but Maleen was not alone. She had Rilla, who hungered for knowledge and conversation and food that was not their hard travel bread. She had Jarroth, somewhere out there—was he even alive?

Had he fallen in battle against the Oprien forces? Perished as their prisoner? Burned to death in one of their awful blazes? Had he wed another?

Rilla—who had developed a practical strain during their time in the tower—oversaw the selection of their supplies. They needed dresses—warm and cool. They needed cloaks and stockings and underclothes. They needed all the food they could salvage from their storeroom, and all the edible greens Maleen could find on the mountain. They needed kindling, flint, candles, blankets, bedrolls.

On their last night before leaving the tower, Maleen and Rilla slept in their usual beds, but could not sleep. The tower had seemed a place of torment seven years ago. Who would have thought it would become the safest place in the world?

“What do you think we’ll find out there?” Maleen asked Rilla.

“I don’t know,” Rilla said. “Whatever it is, we’ll face it together.”

*

It was worse than Maleen could have imagined.

Not only was Taina devastated by war and living under Oprien rule.

Taina was being wiped out.

The Taina were an independent people, proud of their traditions, which they had clung to fiercely as they were conquered and annexed into other kingdoms a dozen times across the centuries. Relations between the Taina and the high king of Montane had been strained, but friendly. Some might rebel, but most were content to live under the high king so long as he tolerated their culture.

The Oprien emperor did not believe in tolerance.

Taina knew that under Oprien rule, Taina life would die, so they had fought fiercely, cruelly, mercilessly, against the invasion, until at last they were conquered. The emperor, enraged by their resistance, ordered that the Taina be wiped from the face of the earth. Any Taina found living were to be killed like dogs.

Maleen and Rilla quickly learned that the tattoos on their necks and arms—the proud symbols of their heritage—now marked them for death. They wore long sleeves and high collars and thick cloaks. They avoided speaking lest their voices give them away. They dared not even think in the Taina tongue.

One night as they camped in a ruined church, Maleen trusted in their isolation enough to ask, “If I had given up Jarroth—let him marry his foreign princess—do you think Taina would have been saved?”

Rilla, ever wise about politics, only laughed. “If only it had been so easy. I would have told you to give him up myself. No, Oprien wanted war, and no alliance could have stopped them. No alliance did. For all we know, Jarroth did marry a foreign princess, and this was the result.”

Maleen got no sleep that night.

*

Jarroth had not married.

Jarroth was the king of Montane.

*

The wind had the first chill of autumn when Maleen and Rilla entered Montane City—a city of soaring gray spires and beautiful bridges, with precious stones in its pavements and mountain views that rivaled any in Taina.

Though its territories had been conquered, Montane itself had retained its independence—on precarious terms. Montane was surrounded by Oprien land, and even its mountains could not protect it if the emperor’s anger was sufficiently roused. Maleen and Rilla could not be sure of safety even here—the emperor had thousands of eyes upon his unconquered prize—but they could not survive a winter in the countryside, and Montane City was safer than any other.

“We must find work,” Maleen said, “if anyone will have us.” She now trusted in their disguises to keep their markings covered and their voices free of any taint of Taina.

“The king is looking for workers,” Rilla said with a smile.

Even now, Rilla championed their romance, but Maleen had grown wiser in seven years. Jarroth’s father was no longer alive to object, but a king—especially one surrounded by enemies—had even less freedom to marry than a crown prince did. Any hopes Maleen had were distant, wild hopes, less real than their pressing needs for food and shelter and new shoes.

But those wild hopes brought her and Rilla at last to the king’s gate, and then to his housekeeper, who was willing to hire even these ragged strangers to work in the king’s kitchen. The kitchen was so crowded with workers that Maleen and Rilla found they barely had room to breathe.

“It’s not usually like this,” a fellow scullery maid told them. “Most of these new hands will be gone after the wedding.”

Maleen felt a foreboding that she hadn’t felt since the moment the high king had pronounced her fate. Only this time, the words the scullery maid spoke crushed her last, wild hope.

In two weeks’ time, Jarroth would marry another.

*

As Maleen gathered herbs in the kitchen garden—the cook had noticed her knowledge of plants—she caught sight of Jarroth, walking briskly from the castle to a waiting carriage. He had aged more than seven years—his dark hair, thick as ever, had premature patches of gray. His shoulders were broader, and his jaw had a thick white scar. There was majesty in his bearing, but sorrow in his face that was only matched by the sorrow in Maleen’s heart—time had been unkind to both of them.

She longed to race to him and throw her arms around him, reassure him that she yet lived and loved him. A glimpse of one of her markings peeking out from beneath a sleeve reminded Maleen of the truth—she was a woman the king’s enemy wanted dead. She could not ask him to endanger all Montane by acknowledging her love.

Sensible as such thoughts were, Maleen might still have run to him, had Jarroth not reached the carriage first. When he opened the door, Maleen saw the arms of a foreign crown—the fish and crossed swords of Eshor. The woman who emerged was swathed in purple veils, customary in that nation for soon-to-be brides.

Jarroth bowed to his betrothed, then disappeared back into the palace with his soon-to-be wife on his arm.

Maleen sank into a patch of parsley and wept.

*

Rilla was helping Maleen to water the herb gardens when the purple-veiled princess of Eshor wandered into view.

“Is that the vixen?” Rilla asked.

Maleen shushed and scolded her.

“Don’t shush me,” Rilla said. “Now that I’m a servant, I’m allowed the joy of despising my betters.”

“You don’t need to despise her.” She was a princess doing her duty, as Jarroth was doing his. Jarroth thought Maleen dead with the rest of her nation.

“I will despise who I like,” Rilla said. “If I correctly recall, the king of Eshor has only one daughter, and she’s a sharp-tongued, spiteful thing.” She tore up a handful of weeds. “May she plague his unfaithful heart.”

Since Maleen could not bear to hear Jarroth disparaged, she did not argue, and she and Rilla fell into silence.

The princess remained in the background, watching.

When their heads were bent together over a patch of thyme, Rilla murmured, “Will she never leave?”

“She often comes to the gardens,” Maleen said. “She has a right to go where she pleases.”

“But not to stare as if we each have two heads.”

Out of habit, they glanced at each others’ collars, cuffs, and skirts. No sign of their markings showed.

“We have nothing to fear from her,” Maleen said. “In two days, the worst will be over.”

*

A maid came to the kitchen with a message from the princess, asking that the “pretty dark-haired maid in the herb garden” bring her breakfast tray. Cook grumbled, but could not object.

Maleen tried not to stare as she laid out the tray. The princess sprawled across the bed, her feet up on pillows, her face unveiled. Her height and build were similar to Maleen’s, but her hair was a sandy brown, and her face had been pockmarked by plague. Even then, her eyes—a striking blue, deep as a mountain lake—might have been pretty had there not been a cunning cruelty to the way they glared at her.

“You are uncommonly handsome for a kitchen maid,” the princess said. “You have not always been a servant, I think.”

Maleen tried not to quake. There was something terrifying in her all-knowing tone. “I do not wish to contradict your highness,” Maleen said, “but you are mistaken. I have been in service since my twelfth year.”

“Then you have been a servant of a higher class. Your hands are nearly as soft as mine, and you carry yourself like a princess.”

“Your highness is kind.” Maleen nodded her head in a quick, subservient bow, then scurried toward the door.

“I did not dismiss you!” the princess snapped.

Maleen stood at attention, her eyes upon her demurely clasped hands. “Forgive me, your highness. What else do you require?”

“I require assistance that no one else can give—a service that would be invaluable to our two kingdoms. I sprained my ankle on the stairs this morning and will be unable to walk. Since I cannot bear the thought of delaying the wedding that will bind our two nations in this hour of need, I need a woman to take my place.”

A voice that sounded much like Rilla’s whispered suspicions through Maleen’s mind. The princess was proud and her illness was recent. She would not like to show her ravaged face to foreign crowds, and by Montane tradition, she could not go veiled to and from the church.

Knowing—or suspecting—the truth behind the request didn’t ease any of Maleen’s terror. “No!” she gasped. “No, no, no! I could never…!”

“You will!” the princess snapped, sounding as imperious and immovable as the high king on that long ago day. “You are the right build—you will fit my gowns. You have a face that will not shame Eshor. You are quiet and demure—you will be discreet.”

“I will not do it! It is not right!” To marry the man she loved in the name of another woman, to show her face to the man who thought her long dead, to endanger his kingdom and her life by showing him a Taina had survived and entered his domain, it was—all of it—impossible.

“It is perfectly legal. Marriage by proxy is a long-standing tradition. I will reward you handsomely for your trouble.”

As she had defied the high king, so Maleen defied this princess. With her proudest bearing, Maleen looked the princess in the eye. “I will not do it. You have no right to command me. You will find another.”

“If I do,” the princess said, “there is an agent of the Oprien empire in the marketplace who will be glad to know the king of Montane harbors a fugitive from Taina.”

Maleen’s blood ran cold.

The princess smirked—a cat with a mouse in its claws. “If you serve me in this, no one ever need know of your heritage. I will even spare your red-haired friend. Do we have a bargain?”

Maleen bowed her head and rasped, “I am your servant, your highness.”

*

That night in their shared quarters, Rilla kept Maleen from bolting.

“We must flee!” Maleen said. “She knows the truth! If we are gone before dawn—“

“She will alert the emperor’s agent and give our descriptions,” Rilla said. “Nowhere will be safe.”

“If Jarroth sees me!”

“Either he will recognize you, and you’ll have your long-awaited reunion, or he won’t, and you’ll be well rid of him.”

“He could hand me over to the emperor himself. He is king and has a duty—“

If you think him capable of that, you’re a fool for ever loving him.”

Maleen sank onto her cot, breathing heavily. Tears sprang from her eyes. “I can’t do it. I’m too afraid.”

“You’ve lived in fear for seven years. I should think you well-practiced in it by now.”

“Will you be quiet, Rilla?” Maleen snapped.

Rilla grinned.

But she sank down on the cot next to Maleen and took Maleen’s hands in hers. With surprising sincerity, she said, “We can’t control what will happen. That’s when we trust. Trust me. Trust heaven. Trust yourself. Trust Jarroth. All will be well, and if it’s not, we’ll face it as we’ve faced our other troubles. You survived seven years in a tower. You can face a single day.”

What choice did she have? What choice had she ever had? She loved Jarroth and would be there on his wedding day, dressed as his bride. What came next was up to him.

Maleen embraced Rilla. “What would I do without you?”

“Nothing very sensible, I’m sure.”

*

The bride’s gown was all white, silk and lace, with a high collar, full sleeves, and skirts that hid even her shoes. Eshoran fashions were well-suited for a Taina bride.

When she met Jarroth on the road to the church, he gasped at the sight of her. “My…”

“Yes?” Maleen asked, heart racing.

He shook his head. “Impossible.” Meeting her eyes, he said, “You remind me of a girl I once knew. Long dead, now.”

The resemblance was not great. Seven years had changed Maleen. She was thinner, paler, ravaged by near-starvation and hard living. She had matured so much she sometimes wondered if her soul was the same as the girl’s he’d known. Yet the way her heart raced at the sight of him suggested some deep part of her hadn’t changed at all.

Jarroth took her hand and they began the long walk to the church, flanked on both sides by crowds of his subjects. So many eyes. Maleen longed to hide.

She glanced at her sleeve, which moved every time Jarroth’s hand swung with hers. “Don’t show my markings,” she murmured desperately.

Jarroth glanced over in surprise. “Pardon?”

Maleen looked away. “Nothing.”

At the bridge before the cathedral—the city’s grandest, flanked by statues of mythical heroes—the winds over the river swirled Maleen’s skirts as she stepped onto the arched walkway.

“Please, oh please,” she prayed in a whisper, “don’t let the markings on my ankles show.”

At the door to the church, she and Jarroth ducked their heads beneath a bower of flowers. She felt the fabric of her collar move, and placed a hand desperately to her throat. “Please,” she prayed, “don’t let the flowers show.”

“Did you say something?” Jarroth asked.

Maleen rushed into the church.

She sat beside him through the wedding service—the day she’d dreamed of since she’d met him nearly ten years ago—crying, not for joy, but in terror and dismay. He had seen her face and did not know her. He believed her long dead. She was so changed he did not suspect the truth, and she didn’t dare to tell him. Now she wed him as a stranger, in another woman’s name.

When the priest declared them man and wife, Maleen dissolved into tears. He took her to the waiting carriage and brought her to the palace as his bride. Maleen could not bear it. She claimed fatigue and dashed in the princess’ chambers as quickly as she could.

She threw the gown, the jewels, the petticoats on the floor beside the bed of the smiling princess. “It is done,” she said. “I owe you no more.”

“You have done well,” the princess said. “But don’t go far. I may have need of you tonight.”

*

That evening, Rilla wanted every detail of the wedding—the service, the flowers, the gown, and most of all, Jarroth’s reaction.

“You mean you didn’t tell him?” she scolded. “After he suspected?”

“How could I? In front of those crowds?”

“You’ll just leave him to that woman?”

“He chose that woman, Rilla.”

“But he married you.”

He had. It should have been the happiest moment of her life. But it was the end of all her hopes.

After dark, a maid summoned Maleen to a dressing room in the princess’ suite. The princess—queen now, Maleen realized—sat before a mirror, adjusting her customary purple veils. “You will remain here, in case I have need of you.”

The hatred Maleen felt in that moment rivaled anything Rilla had ever expressed. Not only did this woman force her to marry her beloved in her place—now she had to play witness to their wedding night.

The princess stepped into the dim bedchamber—her ankle as strong as anyone’s—leaving Maleen alone in the dark. It felt like the tower all over again—only without Rilla for support.

What a fool the princess was! She couldn’t wear the veil forever—Jarroth would see her face eventually.

There were murmurs in the outer room—Maleen recognized Jarroth’s deep tones.

A moment later, the princess scurried back into the dressing room. She hissed in Maleen’s ear, “What did you say on the path to the church?”

On the path?

Her stomach sank at the memory. She could say only the truth—but the princess wouldn’t like it. “My sleeve was moving. I prayed my markings wouldn’t show.”

Another moment alone in the dark. Another murmur from without, then another question from the princess. “What did you say at the bridge?”

“I prayed the markings on my ankle wouldn’t show.”

The princess cursed and returned to the bedchamber.

When she came back a moment later, Maleen swore the woman’s eyes sparked angrily in the dark. “What did you say at the church door?”

“I prayed the flowers on my neck wouldn’t show.”

The princess promised a million retributions, then returned to the bedroom.

The next time the door opened, Jarroth loomed in the threshold, a lantern in his hand. His eyes were wild—with anger or terror or wild hope, Maleen couldn’t begin to guess.

He held the lantern before her face. “Show me your wrists.”

Maleen rolled up her sleeves and showed the dots and dashes that marked the friendships of her life.

“Show me your ankles.”

She lifted her skirts to reveal the swirling patterns that marked her coming-of-age.

“Show me,” he said, his eyes blazing with undeniable hope, “the markings around your neck.”

She unbuttoned the collar to show the pink flowers of their betrothal.

The lantern clattered to the floor. Jarroth gathered her in his arms and pressed kisses on her brow. “My Maleen! I thought you dead!”

“I live,” Maleen said, laughing and crying with joy.

“And Rilla?” he asked.

“Downstairs.”

He put his head out the door and called for a maid to bring Rilla to the chambers. Then he called for guards to make sure his furious foreign bride did not leave the room.

Then he and Maleen began to share their stories of seven lost years.

*

The pockmarked princess glared at Jarroth and Maleen in the sunlit bedchamber. “You are sending me back to Eshor?”

“I have already wed a bride,” Jarroth said. “I have no need of another.”

The princess spat, “The emperor will be furious when he knows the king of Montane has wed a Taina bride.”

“Let him hear of it,” Jarroth said. “Let him go to war if he dares it. The people of Taina are always welcome in my realm.”

Jarroth played politics better than Rilla could. A threat had no power over one who did not fear it, and Eshor risked losing valuable trade if Montane fell to war with Oprien. The princess never spoke a word.

*

Maleen wandered the kitchen gardens with Rilla and Jarroth, luxuriating in the fragrance of the herbs and the safety of their love and friendship.

“Is this wise?” Maleen asked. “To put all the people at risk over me?”

“Over all the people of Taina,” Jarroth said. “My father was monstrous to tolerate it.”

“We will have to tread carefully,” Rilla said. “No need to provoke the emperor. No need to reveal his bride's heritage too soon."

"We can be discreet," Jarroth said. "But what shall we do with you, Lady Rilla?”

Rilla bowed her head in the subservient stance she’d learned as a kitchen maid—but there was a sparkle of mirth in her eyes. “If it pleases your majesties, I will remain near the queen, who I am bound by friendship to serve.”

Maleen took her friend’s hand and said, “I would have you nowhere else.”

Twelve, Thirteen, and One

Words: 6k

Rating: G

Themes: Friendship, Self-Giving Love

(Written for the Four Loves Fairytale Retelling Challenge over at the @inklings-challenge! A Cinderella retelling feat. curious critters and a lot of friendship.)

When the clock chimes midnight on that third evening, thirteen creatures look to the girl who showed them all kindness.

—

It’s hours after dark, again, and the human girl still sleeps in the ashes.

The mice notice this—though it happens so often that they’ve ceased to pay attention to her. She smells like everything else in the hearth: ashy and overworked, tinged with the faint smell of herbs from the kitchen.

When she moves or shifts in her sleep (uncomfortable sleep—even they can sense the exhaustion in her posture as she sits slumped against the wall, more willing to seep up warmth from the stone than lie cold elsewhere this time of year), they simply scurry around her and continue combing for crumbs and seeds. They’d found a feast of lentils scattered about once, and many other times, the girl had beckoned them softly to her hand, where she’d held a little chunk of brown bread.

Tonight, she has nothing. They don’t mind—though three of them still come to sniff her limp hand where it lies drooped against the side of her tattered dress.

A fourth one places a little clawed hand on the side of her finger, leaning over it to investigate her palm for any sign of food.

When she stirs, it’s to the sensation of a furry brown mouse sitting in her palm.

It can feel the flickering of her muscles as she wakes—feeling slowly returning to her body. To her credit, she cracks her eyes open and merely observes it.

They’re all but tame by now. The Harsh-Mistress and the Shrieking-Girl and the Angry-Girl are to be avoided like the plague never was, but this girl—the Cinder-Girl, they think of her—is gentle and kind.

Even as she shifts a bit and they hear the dull crack of her joints, they’re too busy to mind. Some finding a few buried peas (there were always some peas or lentils still hidden here, if they looked carefully), some giving themselves an impromptu bath to wash off the dust. The one sitting on her hand is doing the latter, fur fluffed up as it scratches one ear and then scrubs tirelessly over its face with both paws.

One looks up from where it’s discovered a stray pea to check her expression.

A warm little smile has crept up her face, weary and dirty and sore as she seems to be. She stays very still in her awkward half-curl against stone, watching the mouse in her hand groom itself. The tender look about her far overwhelms—melts, even—the traces of tension in her tired limbs.

Very slowly, so much so that they really aren’t bothered by it, she raises her spare hand and begins lightly smearing the soot away from her eyes with the back of her wrist.

The mouse in her palm gives her an odd look for the movement, but has discovered her skin is warmer than the cold stone floor or the ash around the dying fire. It pads around in a circle once, then nudges its nose against her calloused skin, settling down for a moment.

The Cinder-Girl has closed her eyes again, and drops her other hand into her lap, slumping further against the wall. Her smile has grown even warmer, if sadder.

They decide she’s quite safe. Very friendly.

—

The old rat makes his rounds at the usual times of night, shuffling through a passage that leads from the ground all the way up to the attic.

When both gold sticks on the clocks’ moonlike faces point upward, there’s a faint chime from the tower-clock downstairs. He used to worry that the sound would rouse the humans. Now, he ignores it and goes about his business.

There’s a great treasury of old straw in the attic. It’s inside a large sack—and while this one doesn’t have corn or wheat like the ones near the kitchen sometimes do, he knows how to chew it open all the same.

The girl sleeps on this sack of straw, though she doesn’t seem to mind what he takes from it. There’s enough more of it to fill a hundred rat’s nests, so he supposes she doesn’t feel the difference.

Tonight, though—perhaps he’s a bit too loud in his chewing and tearing. The girl sits up slowly in bed, and he stiffens, teeth still sunk into a bit of the fabric.

“Oh.” says the girl. She smiles—and though the expression should seem threatening, all pulled mouth-corners and teeth, he feels the gentleness in her posture and wonders at novel thoughts of differing body languages. “Hello again. Do you need more straw?”

He isn’t sure what the sounds mean, but they remind him of the soft whuffles and squeaks of his siblings when they were small. Inquisitive, unafraid. Not direct or confrontational.

She’s seemed safe enough so far—almost like the woman in white and silver-gold he’s seen here sometimes, marveling at his own confidence in her safeness—so he does what signals not-afraid the best to his kind. He glances her over, twitches his whiskers briefly, and goes back to what he was doing.

Some of the straw is too big and rough, some too small and fine. He scratches a bundle out into a pile so he can shuffle through it. It’s true he doesn’t need much, but the chill of winter hasn’t left the world yet.

The girl laughs. The sound is soft and small. It reminds him again of young, friendly, peaceable.

“Take as much as you need,” she whispers. Her movements are unassuming when she reaches for something on the old wooden crate she uses as a bedside table. With something in hand, she leans against the wall her bed is a tunnel’s-width from, and offers him what she holds. “Would you like this?”

He peers at it in the dark, whiskers twitching. His eyesight isn’t the best, so he finds himself drawing closer to sniff at what she has.

It’s a feather. White and curled a bit, like the goose-down he’d once pulled out the corner of a spare pillow long ago. Soft and long, fluffy and warm.

He touches his nose to it—then, with a glance upward at her softly-smiling face, takes it in his teeth.

It makes him look like he has a mustache, and is a bit too big to fit through his hole easily. The girl giggles behind him as he leaves.

—

There’s a human out in the gardens again. Which is strange—this is a place for lizards, maybe birds and certainly bugs. Not for people, in his opinion. She’s not dressed in venomous bright colors like the other humans often are, but neither does she stay to the manicured garden path the way they do.

She doesn’t smell like unnatural rotten roses, either. A welcome change from having to dart for cover at not just the motions, but the stenches that accompany the others that appear from time to time.

This human is behind the border-shubs, beating an ornate rug that hangs over the fence with a home-tied broom. Huge clouds of dust shake from it with each hit, settling in a thin film on the leaves and grass around her.

She stops for a moment to press her palm to her forehead, then turns over her shoulder and coughs into her arm.

When she begins again, it’s with a sharp WHOP.

He jumps a bit, but only on instinct. However—

A few feet from where he settles back atop the sunning-rock, there’s a scuffle and a sharp splash. Then thrashing—waster swashing about with little churns and splishes.

It’s not the way of lizards to think of doing anything when one falls into the water. There were several basins for fish and to catch water off the roof for the garden—they simply had to not fall into them, not drown. There was little recourse for if they did. What could another lizard do, really? Fall in after them? Best to let them try to climb out if they could.

The girl hears the splashing. She stares at the water pot for a moment.

Then, she places her broom carefully on the ground and comes closer.

Closer. His heart speeds up. He skitters to the safety of a plant with low-hanging leaves—

—and then watches as she walks past his hiding place, peers into the basin, and reaches in.

Her hand comes up dripping wet, a very startled lizard still as a statue clinging to her fingers.

“Are you the same one I always find here?” she asks with a chiding little smile. “Or do all of you enjoy swimming?”

When she places her hand on the soft spring grass, the lizard darts off of it and into the underbrush. It doesn’t go as far as it could, though—something about this girl makes both of them want to stand still and wait for what she’ll do next.

The girl just watches it go. She lets out a strange sound—a weary laugh, perhaps—and turns back to her peculiar chore.

—

A song trails through the old house—under the floorboards—through the walls—into the garden, beneath the undergrowth—and lures them out of hiding.

It isn’t an audible song, not like that of the birds in the summer trees or the ashen-girl murmuring beautiful sounds to herself in the lonely hours. This one was silent. Yet, it reached deep down into their souls and said come out, please—the one who helped you needs your help.

It didn’t require any thought, no more than eat or sleep or run did.

In chains of silver and grey, all the mice who hear it converge, twenty-four tiny feet pattering along the wood in the walls. The rat joins them, but they are not afraid.

When they emerge from a hole out into the open air, the soft slip-slap of more feet surround them. Six lizards scurry from the bushes, some gleaming wet as if they’d just escaped the water trough or run through the birdbath themselves.

As a strange little hoard, they approach the kind girl. Beside her is a tall woman wearing white and silver and gold.

The girl—holding a large, round pumpkin—looks surprised to see them here. The woman is smiling.

“Set the pumpkin on the drive,” the woman says, a soft gleam in her eye. “The rest of you, line up, please.”

Bemused, but with a heartbeat fast enough for them to notice, the girl gingerly places the pumpkin on the stone of the drive. It’s natural for them, somehow, to follow—the mice line in pairs in front of it, the rat hops on top of it, and the lizards all stand beside.

“What are they doing?” asks the girl—and there’s curiosity and gingerness in her tone, like she doesn’t believe such a sight is wrong, but is worried it might be.

The older woman laughs kindly, and a feeling like blinking hard comes over the world.

It’s then—then, in that flash of darkness that turns to dazzling light, that something about them changes.

“Oh!” exclaims the girl, and they open their eyes. “Oh! They’re—“

They’re different.

The mice aren’t mice at all—and suddenly they wonder if they ever were, or if it was an odd dream.

They’re horses, steel grey and sleek-haired with with silky brown manes and tails. Their harnesses are ornate and stylish, their hooves polished and dark.

Instead of a rat, there’s a stout man in fine livery, with whiskers dark and smart as ever. He wears a fine cap with a familiar white feather, and the gleam in his eye is surprised.

“Well,” he says, examining his hands and the cuffs of his sleeves, “I suppose I won’t be wanting for adventure now.”

Instead of six lizards, six footmen stand at attention, their ivory jackets shining in the late afternoon sun.

The girl herself is different, though she’s still human—her hair is done up beautifully in the latest fashion, and instead of tattered grey she wears a shimmering dress of lovely pale green, inlaid with a design that only on close inspection was flowers.

“They are under your charge, now,” says the woman in white, stepping back and folding her hands together. “It is your responsibility to return before the clock strikes midnight—when that happens, the magic will be undone. Understood?”

“Yes,” says the girl breathlessly. She stares at them as if she’s been given the most priceless gift in all the world. “Oh, thank you.”

—

The castle is decorated brilliantly. Flowery garlands hang from every parapet, beautiful vines sprawling against walls and over archways as they climb. Dozens of picturesque lanterns hang from the walls, ready to be lit once the sky grows dark.

“It’s been so long since I’ve seen the castle,” the girl says, standing one step out of the carriage and looking so awed she seems happy not to go any further. “Father and I used to drive by it sometimes. But it never looked so lovely as this.”

“Shall we accompany you in, milady?” asks one of the footmen. They’re all nearly identical, though this one has freckles where he once had dark flecks in his scales.

She hesitates for only a moment, looking up at the pinnacles of the castle towers. Then, she shakes her head, and turns to look at them all with a smile like the sun.

“I think I’ll go in myself,” she says. “I’m not sure what is custom. But thank you—thank you so very much.”

And so they watch her go—stepping carefully in her radiant dress that looked lovelier than any queen’s.

Though she was not royal, it seemed there was no doubt in anyone’s minds that she was. The guards posted at the door opened it for her without question.

With a last smile over her shoulder, she stepped inside.

—

He's straightening the horses' trappings for the fifth time when the doors to the castle open, and out hurries a figure. It takes him a moment to recognize her, garbed in rich fabrics and cloaked in shadows, but it's the girl, rushing out to the gilded carriage. A footman steps forward and offers her a hand, which she accepts gratefully as she steps up into the seat.

“Enjoyable evening, milady?” asks the coachman. His whiskers are raised above the corners of his mouth, and his twinkling eyes crinkle at the edges.

“Yes, quite, thank you!” she breathes in a single huff. She smooths her dress the best she can before looking at him with some urgency. “The clock just struck quarter till—will you be able to get us home?”

The gentle woman in white had said they only would remain in such states until midnight. How long was it until the middle of night? What was a quarter? Surely darkness would last for far more hours than it had already—it couldn’t be close. Yet it seemed as though it must be; the princesslike girl in the carriage sounded worried it would catch them at any moment.

“I will do all I can,” he promises, and with a sharp rap of the reins, they’re off at a swift pace.

They arrive with minutes to spare. He knows this because after she helps him down from the carriage (...wait. That should have been the other way around! He makes mental note for next time: it should be him helping her down. If he can manage it. She’s fast), she takes one of those minutes to show him how his new pocketwatch works.

He’s fascinated already. There’s a part of him that wonders if he’ll remember how to tell time when he’s a rat again—or will this, all of this, be forgotten?

The woman in white is there beside the drive, and she’s already smiling. A knowing gleam lights her eye.

“Well, how was the ball?” she asks, as Cinder-Girl turns to face her with the most elated expression. “I hear the prince is looking for fair maidens. Did he speak with you?”

The girl rushes to grasp the woman’s hands in hers, clasping them gratefully and beaming up at her.

“It was lovely! I’ve never seen anything so lovely,” she all but gushes, her smile brighter and broader than they’d ever seen it. “The castle is beautiful; it feels so alive and warm. And yes, I met the Prince—although hush, he certainly isn’t looking for me—he’s so kind. I very much enjoyed speaking with him. He asked me to dance, too; I had as wonderful a time as he seemed to. Thank you! Thank you dearly.”

The woman laughs gently. It isn’t a laugh one would describe as warm, but neither is it cold in the sense some laughs can be—it's soft and beautiful, almost crystalline.

“That’s wonderful. Now, up to bed! You’ve made it before midnight, but your sisters will be returning soon.”

“Yes! Of course,” she replies eagerly—turning to smile gratefully at coachman and stroke the nearest horses on their noses and shoulders, then curtsy to the footmen. “Thank you all, very much. I could not ask for a more lovely company.”

It’s a strange moment when all of their new hearts swell with warmth and affection for this girl—and then the world darkens and lightens so quickly they feel as though they’ve fallen asleep and woken up.

They’re them again—six mice, six lizards, a rat, and a pumpkin. And a tattered gray dress.

“Please, would you let me go again tomorrow? The ball will last three days. I had such a wonderful time.”

“Come,” the woman said simply, “and place the pumpkin beneath the bushes.”

The woman in white led the way back to the house, followed by an air-footed girl and a train of tiny critters. There was another silent song in the air, and they thought perhaps the girl could hear it too: one that said yes—but get to bed!

—

The second evening, when the door of the house thuds shut and the hoofsteps of the family’s carriage fade out of hearing, the rat peeks out of a hole in the kitchen corner to see the Cinder-Girl leap to her feet.

She leans close to the window and watched for more minutes than he quite understands—or maybe he does; it was good to be sure all cats had left before coming out into the open—and then runs with a spring in her step to the back door near the kitchen.

Ever so faintly, like music, the woman’s laughter echoes faintly from outside. Drawn to it like he had been drawn to the silent song, the rat scurries back through the labyrinth of the walls.

When he hurries out onto the lawn, the mice and lizards are already there, looking up at the two humans expectantly. This time, the Cinder-Girl looks at them and smiles broadly.

“Hello, all. So—how do you do it?” she asks the woman. Her eyes shine with eager curiosity. “I had no idea you could do such a thing. How does it work?”

The woman fixes her with a look of fond mock-sternness. “If I were to explain to you the details of how, I’d have to tell you why and whom, and you’d be here long enough to miss the royal ball.” She waves her hands she speaks. “And then you’d be very much in trouble for knowing far more than you ought.”

The rat misses the girl’s response, because the world blinks again—and now all of them once again are different. Limbs are long and slender, paws are hooves with silver shoes or feet in polished boots.

The mouse-horses mouth at their bits as they glance back at the carriage and the assortment of humans now standing by it. The footmen are dressed in deep navy this time, and the girl wears a dress as blue as the summer sky, adorned with brilliant silver stars.

“Remember—“ says the woman, watching fondly as the Cinder-Girl steps into the carriage in a whorl of beautiful silk. “Return before midnight, before the magic disappears.”

“Yes, Godmother,” she calls, voice even more joyful than the previous night. “Thank you!”

—

The castle is just as glorious as before—and the crowd within it has grown. Noblemen and women, royals and servants, and the prince himself all mill about in the grand ballroom.

He’s unsure of the etiquette, but it seems best for her not to enter alone. Once he escorts her in, the coachman bows and watches for a moment—the crowd is hushed again, taken by her beauty and how important they think her to be—and then returns to the carriage outside.

He isn’t required in the ballroom for much of the night—but he tends to the horses and checks his pocketwatch studiously, everything in him wishing to be the best coachman that ever once was a rat.

Perhaps that wouldn’t be hard. He’d raise the bar, then. The best coachman that ever drove for a princess.

Because that was what she was—or, that was what he heard dozens of hushed whispers about once she’d entered the ball. Every noble and royal and servant saw her and deemed her a grand princess nobody knew from a land far away. The prince himself stared at her in a marveling way that indicated he thought no differently.

It was a thing more wondrous than he had practice thinking. If a mouse could become a horse or a rat could become a coachman, couldn’t a kitchen-girl become a princess?

The answer was yes, it seemed—perhaps in more ways than one.

She had rushed out with surprising grace just before midnight. They took off quickly, and she kept looking back toward the castle door, as if worried—but she was smiling.

“Did you know the Prince is very nice?” she asks once they’re safely home, and she’s stepped down (drat) without help again. The woman in white stands on her same place beside the drive, and when Cinder-Girl sees her, she waves with dainty grace that clearly holds a vibrant energy and sheer thankfulness behind it. “I’ve never known what it felt like to be understood. He thinks like I do.”

“How is that?” asks the woman, quirking an amused brow. “And if I might ask, how do you know?”

“Because he mentioned it first.” The girl tries to smother some of the wideness of her smile, but can’t quite do so. “That he loves his father, and thinks oranges and citrons are nice for festivities especially, and that he’s always wanted to go out someday and do something new.”

—

The third evening, the clouds wete dense and a few droplets of rain splattered the carriage as they arrived.

“Looks like rain, milady,” said the coachman as she disembarked to stand on water-spotted stone. “If it doesn’t blow by, we’ll come for ye at the steps, if it pleases you.”

“Certainly—thank you,” she replies, all gleaming eyes and barely-smothered smiles. How her excitement to come can increase is beyond them—but she seems more so with each night that passes.

She has hardly turned to head for the door when a smattering of rain drizzles heavily on them all. She flinches slightly, already running her palms over the skirt of her dress to rub out the spots of water.

Her golden dress glisters even in the cloudy light, and doesn’t seem to show the spots much. Still, it’s hardy an ideal thing.

“One of you hold the parasol—quick about it, now—and escort her inside,” the coachman says quickly. The nearest footman jumps into action, hop-reaching into the carriage and falling back down with the umbrella in hand, unfolding it as he lands. “Wait about in case she needs anything.”

The parasol is small and not meant for this sort of weather, but it's enough for the moment. The pair of them dash for the door, the horses chomping and stamping behind them until they’re driven beneath the bows of a huge tree.

The footman knows his duty the way a lizard knows to run from danger. He achieves it the same way—by slipping off to become invisible, melting into the many people who stood against the golden walls.

From there, he watches.

It’s so strange to see the way the prince and their princess gravitate to each other. The prince’s attention seems impossible to drag away from her, though not for many’s lack of trying.

Likewise—more so than he would have thought, though perhaps he’s a bit slow in noticing—her focus is wholly on the prince for long minutes at a time.

Her attention is always divided a bit whenever she admires the interior of the castle, the many people and glamorous dresses in the crowd, the vibrant tables of food. It’s all very new to her, and he’s not certain it doesn’t show. But the Prince seems enamored by her delight in everything—if he thinks it odd, he certainly doesn’t let on.

They talk and laugh and sample fine foods and talk to other guests together, then they turn their heads toward where the musicians are starting up and smile softly when they meet each other’s eyes. The Prince offers a hand, which is accepted and clasped gleefully.

Then, they dance.

Their motions are so smooth and light-footed that many of the crowd forgo dancing, because admiring them is more enjoyable. They’re in-sync, back and forth like slow ripples on a pond. They sometimes look around them—but not often, especially compared to how long they gaze at each other with poorly-veiled, elated smiles.

The night whirls on in flares of gold tulle and maroon velvet, ivory, carnelian, and emerald silks, the crowd a nonstop blur of color.

(Color. New to him, that. Improved vision was wonderful.)

The clock strikes eleven, but there’s still time, and he’s fairly certain he won’t be able to convince the girl to leave anytime before midnight draws near.

He was a lizard until very recently. He’s not the best at judging time, yet. Midnight does draw near, but he’s not sure he understands how near.

The clock doesn’t quite say up-up. So he still has time. When the rain drums ceaselessly outside, he darts out and runs in a well-practiced way to find their carriage.

—

Another of the footmen comes in quickly, having been sent in a rush by the coachman, who had tried to keep his pocketwatch dry just a bit too long. He’s soaking wet from the downpour when he steps close enough to get her attention.

She sees him, notices this, and—with a glimmer of recognition and amusement in her eyes—laughs softly into her hand.

ONE—TWO— the clock starts. His heart speeds up terribly, and his skin feels cold. He suddenly craves a sunny rock.

“Um,” he begins awkwardly. Lizards didn’t have much in the way of a vocal language. He bows quickly, and water drips off his face and hat and onto the floor. “The chimes, milady.”

THREE—FOUR—

Perhaps she thought it was only eleven. Her face pales. “Oh.”

FIVE—SIX—

Like a deer, she leaps from the prince’s side and only manages a stumbling, backward stride as she curtsies in an attempt at a polite goodbye.

“Thank you, I must go—“ she says, and then she’s racing alongside the footman as fast as they both can go. The crowd parts for them just enough, amidst loud murmurs of surprise.

SEVEN—EIGHT—

“Wait!” calls the prince, but they don’t. Which hopefully isn’t grounds for arrest, the footman idly thinks.

They burst through the door and out into the open air.

NINE—TEN—

It has been storming. The rain is crashing down in torrents—the walkways and steps are flooded with a firm rush of water.

She steps in a crevice she couldn’t see, the water washes over her feet, and she stumbles, slipping right out of one shoe. There’s noise at the door behind them, so she doesn’t stop or even hesitate. She runs at a hobble and all but dives through the open carriage door. The awaiting footman quickly closes it, and they’re all grasping quickly to their riding-places at the corners of the vehicle.

ELEVEN—

A flash of lightning coats the horses in white, despite the dark water that’s soaked into their coats, and with a crack of the rains and thunder they take off at a swift run.

There’s shouting behind them—the prince—as people run out and call to the departing princess.

TWELVE.

Mist swallows them up, so thick they can’t hear or see the castle, but the horses know the way.

The castle’s clock tower must have been ever-so-slightly fast. (Does magic tell truer time?) Their escape works for a few thundering strides down the invisible, cloud-drenched road—until true midnight strikes a few moments later.

—

She walks home in the rain and fog, following a white pinprick of light she can guess the source of—all the while carrying a hollow pumpkin full of lizards, with an apron pocket full of mice and a rat perched on her shoulder.

It’s quite the walk.

—

The prince makes a declaration so grand that the mice do not understand it. The rat—a bit different now—tells them most things are that way to mice, but he’s glad to explain.

The prince wants to find the girl who wore the golden slipper left on the steps, he relates. He doesn’t want to ask any other to marry him, he loved her company so.

The mice think that’s a bit silly. Concerning, even. What if he does find her? There won’t be anyone to secretly leave seeds in the ashes or sneak them bread crusts when no humans are looking.

The rat thinks they’re being silly and that they’ve become too dependent on handouts. Back in his day, rodents worked for their food. Chewing open a bag of seed was an honest day’s work for its wages.

Besides, he confides, as he looks again out the peep-hole they’ve discovered in the floor trim of the parlor. You’re being self-interested, if you ask me. Don’t you want our princess to find a good mate, and live somewhere spacious and comfortable, free of human-cats, where she’d finally have plenty to eat?

It’s hard to make a mouse look appropriately chastised, but that question comes close. They shuffle back a bit to let him look out at the strange proceedings in the parlor again.

There are many humans there. The Harsh-Mistress stands tall and rigid at the back of one of the parlor chairs, exchanging curt words with a strange man in fine clothes with a funny hat. Shrieking-Girl and Angry-Girl stand close, scoffing and laughing, looking appalled.

Cinder-Girl sits on the chair that’s been pulled to the middle of the room. She extends her foot toward a strange golden object on a large cushion.

The shoe, the rat notes so the mice can follow. They can’t quite see it from here—poor eyesight and all.

Of course, the girl’s foot fits perfectly well into her own shoe. They all saw that coming.

Evidently, the humans did not. There’s absolute uproar.

“There is no possible way she’s the princess you’re looking for!” declares Harsh-Mistress, her voice full of rage. “She’s a kitchen maid. Nothing royal about her.”

“How dare you!” Angry-Girl rages. “Why does it fit you? Why not us?”

“You sneak!” shrieks none other than Shrieking-Girl. “Mother, she snuck to the ball! She must have used magic, somehow! Princes won’t marry sneaks, will they?”

“I think they might,” says a calm voice from the doorway, and the uproar stops immediately.

The Prince steps in. He stares at Cinder-Girl.

She stares back. Her face is still smudged with soot, and her dress is her old one, gray and tattered. The golden slipper gleams on her foot, having fit as only something molded or magic could.

A blush colors her face beneath the ash and she leaps up to do courtesy. “Your Highness.”

The Prince glances at the messenger-man with the slipper-pillow and the funny hat. The man nods seriously.

The Prince blinks at this, as if he wasn’t really asking anything with his look—it’s already clear he recognizes her—and meets Cinder-Girl’s gaze with a smile. It’s the same half-nervous, half-attemptingly-charming smile as he kept giving her at the ball.

He bows to her and offers a hand. (The rat has to push three mice out of the way to maintain his view.)

“It’s my honor,” he assures her. “Would you do me the great honor of accompanying me to the castle? I’d had a question in mind, but it seems there are—“ he glances at Harsh-Mistress, who looks like a very upset rat in a mousetrap. “—situations we might discuss remedying. You’d be a most welcome guest in my father’s house, if you’d be amenable to it?”

It’s all so much more strange and unusual than anything the creatures of the house are used to seeing. They almost don’t hear it, at first—that silent song.

It grows stronger, though, and they turn their heads toward it with an odd hope in their hearts.

—

The ride to the castle is almost as strange as that prior walk back. The reasons for this are such:

One—their princess is riding in their golden carriage alongside the prince, and their chatter and awkward laughter fills the surrounding spring air. They have a good feeling about the prince, now, if they didn’t already. He can certainly take things in stride, and he is no respecter of persons. He seems just as elated to be by her side as he was at the ball, even with the added surprise of where she'd come from.

Two—they have been transformed again, and the woman in white has asked them a single question: Would you choose to stay this way?

The coachman said yes without a second thought. He’d always wanted life to be more fulfilling, he confided—and this seemed a certain path to achieving that.

The footmen might not have said yes, but there was something to be said for recently-acquired cognition. It seemed—strange, to be human, but the thought of turning back into lizards had the odd feeling of being a poor choice. Baffled by this new instinct, they said yes.

The horses, of course, said things like whuff and nyiiiehuhum, grumph. The woman seemed to understand, though. She touched one horse on the nose and told it it would be the castle’s happiest mouse once the carriage reached its destination. The others, it seemed, enjoyed their new stature.

And three—they are heading toward a castle, where they have all been offered a fine place to live. The Prince explains that he doesn’t wish for such a kind girl to live in such conditions anymore. There’s no talk of anyone marrying—just discussions of rooms and favorite foods and of course, you’ll have the finest chicken pie anytime you’d like and I can’t have others make it for me! Lend me the kitchens and I’ll make some for you; I have a very dear recipe. Perhaps you can help. (Followed in short order by a ...Certainly, but I’d—um, I’d embarrass myself trying to cook. You would teach me? and a gentle laugh that brightened the souls of all who could hear it.)

“If you’d be amenable to it,” she replies—and in clear, if surprised, agreement, the Prince truly, warmly laughs.

“Milady,” the coachman calls down to them. “Your Highness. We’re here.”

The castle stands shining amber-gold in the light of the setting sun. It will be the fourth night they’ve come here—the thirteen of them and the one of her—but midnight, they realize, will not break the spell ever again.

One by one, they disembark from the carriage. If it will stay as it is or turn back into a pumpkin, they hadn't thought to ask. There’s so much warmth swelling in their hearts that they don’t think it matters.

The girl, their princess, smiles—a dear, true smile, tentative in the face of a brand new world, but bright with hope—and suddenly, they’re all smiling too.

She steps forward, and they follow. The prince falls into step with her and offers an arm, and their glances at each other are brimming with light as she accepts.

With her arm in the arm of the prince, a small crowd of footmen and the coachman trailing behind, and a single grey mouse on her shoulder, the once-Cinder-Girl walks once again toward the palace door.

me: oh man im starving but im not sure what i should make for dinner……

the spirit of a 12th century templar knight that died a horrific death due to torture that started haunting me after i found a sword in the middle of the woods: spaghetti once more, prithee?

me: henry you are brilliant. spaghetti it is

attention this is your captain speaking chag sameach pesach to all celebrating and a reminder do not open the airlock to greet elijah the vulcan rabbinic council ruled that opening the door to the room where the seder is occurring is sufficient elijah can get on a starship just fine himself he just likes to be personally invited in to your seder we dont need another incident like last year thank you

love iiiiiiit

Sunday Doodles 4/21/24

Doodle is late because I been sick.

Elder Wright was more than a little surprised when his mission call told him he was called to serve “where so ever in the world where the evil forces of darkness plot”. After a few weeks at the secret MTC in the Granite Mountain Vault, though, he was ready to face whatever weirdness came his way. He didn’t even bat an eye when introduced to his new mission companion, Elder Malice, a demon working to repent of his pre mortal sins.

THE EMPEROR'S NEW GROOVE (2000) dir. Mark Dindal

@lgbtqcreators creator bingo - #ffbe0b #fb5607 #ff006e #8338ec #3a86ff + redemption arc + strangers to friends + vibrant colors

yesssssss

ok so hear me out

List 5 things that make you happy, then put this in the askbox for the last 10 people who liked or reblogged something from you! Get to know your mutuals and followers :3

I got this twice so you get 5 more things

My almost definitely not haunted house (it was built in 1899 and sometimes pictures fall off the walls and someone is walking around upstairs when no one is up there)

Seeing my brother's RV in my parents' driveway ((it means he's home)

Watching General Conference (again, LDS and we get to hear from Modern day apostles and prophets)

Spaghetti

Popcorn

List 5 things that make you happy, then put this in the askbox for the last 10 people who liked or reblogged something from you! Get to know your mutuals and followers :3

My old telephone that had a rotary dial retroactively added in which I bought from a time traveler in Salt Lake (it works)

Attending the temple (I'm LDS)

My baby nephew, Redd, who smiles at every person ever (except my roommate for some reason)

My two 3D printed dragons

Gardening (because I am old)

Also, in case anyone is wondering it's basically the American version of Sherlock Holmes.

Psych is so good because you’ve got:

- Deeply weird guy masquerading as an even weirder guy

- His dad

- Deeply weird guy masquerading as a normal guy

- Feral girl with a thin veneer of normalcy

- Deeply weird guy who thinks he’s 100% normal

i don’t know why i love this so much but i do

I'm haunted by the beautiful potential in an Edwardian-era Persuasion.

A setting just after WWI, another time of major social upheaval--blurring class barriers, new ideas about gender roles, further crumbling of the aristocracy

Sir Walter blindly clings to the old order, barely thinking about the war except to lament the impossibility of getting good servants these days

Elizabeth Elliot styles herself as a bit of a women's rights activist, claiming this is the reason she remains unmarried

Anne would have served as a nurse if her father had allowed it, but of course he couldn't permit an Elliot of the Elliots to undertake such ugly work, so she stayed at home quietly undertaking the usual home-front charitable work

This war deepens the story's melancholy. There's not the same sense of the men returning home as conquering heroes. The world is changing, but is it worth what we've lost? Can we have hope for the future when all our optimistic dreams led to such slaughter?

The best way to retain some of Wentworth's glamour is to make him a flyboy. However, given their short life expectancies, I'm not sure how realistic it is to have him and several buddies survive the war.

A "band of brothers" in the trenches is also a decent analogue for their relationship

Harville's injury meant he was invalided home fairly early. Benwick's probably a wartime poet suffering from shell shock that only got worse after his fiance died in the influenza epidemic.

Louisa and Henrietta are of a slightly younger generation that hasn't been quite as scarred by the war. Their relative innocence makes them refreshing to a war-weary returning soldier

It's possible Wentworth is so shaken by Louisa's accident (and thus needs Anne to take charge) because it sparks some kind of PTSD flashback. (Though that may not be the best direction to take the character).

There's just so much potential to explore the layers--old wounds and new possibilities, finding ways to heal and grow and rebuild after pain and loss

Ah yes, like: they were from the state of Erie.

It’s funny when American authors come up with a new European nation so their main character can be a secret royal without the pain of researching a real nation. We should all start doing that with North America, just make up a new state. My protagonist lives in New Utahioshington which is the 51st state and located between Delaware and Maryland

I'm liking the boop thing, but I'm thinking the notification that comes with it should include information on where I was booped from. Did you go to my blog? Did you find a post I made? How are you finding me?

Friend. Dearest mutual. Lovely follower. Random passer-by. I know we haven't shared a fandom in 5 years. I know we never talk. I know we may only barely recognize each other's icons, if that. I just want you to know...

Boop

windows knight-y eight

I need one of these!!! 😍😍😍

Rough seas.