ENEMIES TO LOVERS SAPPHICS?!?!? UMMMYES PLEASW

ENEMIES TO LOVERS SAPPHICS?!?!? UMMMYES PLEASW

GCPD files of the Gotham Knights boys

This just made my night.

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There is so many thoughts I have attached to this narrative and the consequences that it has, but also the fandom and the way that fandom changes narratives as well. It's really interesting to go back and analyze the original foundations of any character and do mental compare and contrast to what others would do with the character and the storyline. But to go back and look at the foundations for female characters and the way that their oftentimes male creators choose to portray them.

Now I admit I haven't read all of Steph's stuff. I'm slowly going through it, but do we ever get the full backstory on Crystal? Because I can see with a little author perspective shift while still using all of the foundations Dixon has given us a very powerful story on the life of the Brown family.

It's also interesting to see what it implies about certain plot points or character traits for characters because while never stated when going back and looking at the Browns with both the original intention of Dixon but also outside analysis on larger narratives. It can tell a lot.

1. Crystal Brown is strong in many ways that the narrative doesn't acknowledge. There's the saying that you can stop being drunk but you'll never stop being an alcoholic. Addictions don't just disappear over night for the vast majority of people, and those urges and muscle memory exists for a very long time. Crystal presumably got clean quick and the narrative doesn't show her relapsing at all [This is definitely Dixon's personal bias and perspective on addiction, but I digress it what it implies for Crystal's character.] She kicked an addiction, found a stable job as a nurse, and inserted herself back as a parental figure for Steph. That's perseverance. [Dixon's pull yourself up by your bootstraps sort of mentality shows in this. How with hard work things get better.]

2. Crystal Brown had the qualifications to go from what by the narrative is very much shown as unemployed for an undetermined amount of time to a stable job as a nurse. Now depending on where and what type of nurse this can be different. It's been awhile since I've read Steph's stuff in full but I don't think two to four years passed in the narrative, so Crystal had to at least been qualified in the basics before her introduction during Steph's introduction. That would fold into Dixon's narrative of middle class falling on hard times a lot more than if Crystal wasn't qualified beforehand. Because if Crystal was a nurse beforehand than it would slot right into the idea that the Brown's could get out of the financial issues they were in.

Adding onto this it also would give Crystal an environment where she would have access to medications that she could have become addicted to. It could have been from stress and anxiety dealing with whatever was going on with Arthur at the time or something completely unrelated, but Crystal being a nurse would also play into Dixon and other Conservatives fears on the drug epidemic spreading to hard working middle class Americans. Just something to look at and consider.

3. Because Dixon was rewarding the Brown's within the narrative, within the context of a character it shows that Crystal knew her way around saving and putting money where it needed to be. Crystal was not just hardworking, but knew where to put her money in order for it to hopefully [and because of Dixon's narrative] succeed.

I have a lot more to say on this but I just think it would be interesting for people to incorporate more of this back into the Brown family narrative.

actually there is another super interesting way in which you can tell dixon is trying to narratively reward steph for her perserverence (aside from writing her to fit his sexist worldview and rewarding her for that) & almost the... "pick oneself up by their bootstraps and succeed no matter your circumstances and what barriers there may be" narrative he kind of has for her and that is with the evolving nature of her social class through her appearances while he writes her imo (the ultimate bootstraps story that conservatives love) (which also contributes to the vast difference of interpretations of steph's economic status)

so honestly, in her first appearance in detective comics #647-649 she is very much coded as coming from a background of lower class/working poor/welfare stereotypes with a criminal father and an addict mother.

their house is visibly run down & not taken care of. crystal is emaciated and wears a robe all day/doesn't bother to get dressed, doctor shops for pills, and is whiny about how she'll get sicker without the prescription pills she's addicted to (you know nothing about crystal's initial aesthetics screams welfare queen imagery to me, tbh. they certainly don't seem to be implied to be "scamming the system just to live it up on steaks and lobster" and dixon would be way more overt about welfare fraud. i would call this more "white trash poor person" imagery as i imagine he sees it.).

interestingly though is the framing of steph by dixon as incredibly positive in comparison to her surroundings. in a way she's conceived as someone who is fighting against the poor circumstances that she was born into--she's going to be spoiler and rise above her criminal father and compared to her mother who can't be bothered to get dressed because she's always high, steph's going to dress nicely. those jeans she's wearing? that back pattern pocket is pretty iconically calvin klein. those were like. status symbol jeans of the 90s. now i'm not here to argue about affordability indicating she's way richer than she actually is here, because this was the 90s and steph very much could have afforded nice clothes and a vespa for herself on her summer/part-time job (in fact the clothes she wears on her vespa are pretty implied to be some sort of part-time job uniform), but it's a very interesting contrast that dixon draws, especially considering his biases. like you can tell he thinks that steph is in no way responsible for her circumstances (it's not her fault that her dad is a criminal and her mom is an addict) & and that being born into her circumstances don't mean she's doomed to end up like them--as long as she works hard and does the right thing, she'll be rewarded. in this case, she'll present herself as higher class/act classier than her unfortunate surroundings (via her external presentation of herself--she'll work hard and get the things she deserves for her hard work and effort) & resoundingly reject following her criminal father's footsteps by becoming the spoiler in order to cement herself as Not Like That. like he went out of his way to make her circumstances be more stereotypically poor and then show her as being above all that. she's the noble poor to her unfortunate white trash circumstances. (which is in line with dixon's classism and conservative viewpoint that it's okay to be poor, as long as you're white and don't act like those people do and hate your circumstances/are motivated to rise above them).

and this thread of how crystal is/stephanie's circumstances continues through crysal's next two appearances in robin #3 and showcase '95 #5 (though this was was written by keri kowalski, not dixon). she's still presented with very stereotypical aesthetics: she's never dressed, at this point, it's not implied she works...

and again, you can tell that dixon likes steph despite the fact that he wrote her as poor in her initial appearances because he often writes her as though he considers her above her circumstances (because those aren't her fault and she's working hard to not be like that).

the interesting thing is how this evolves once crystal kicks her addiction. which. frankly, i don't believe we ever see exactly when this happens? she's still an addict in showcase '95, but by her next appearance in robin #43 in 1997, she seems to. certainly be different than she was portrayed in her few initial appearances and appears to probably be sober at this point.

she's well put together and clearly employed, a far cry from the initial imagery dixon initially used for her. now it doesn't say she's a nurse here, just that she works at the hospital, but the white shoes and dress are an imagery giveaway. and now making steph's mom a nurse is actually kind of a soft retcon of her previously implied situation and a pretty interesting one at that because nursing--nursing and teaching occupations back in the 80s and 90s (and even today for nursing) iirc were considered good jobs to the middle class, on account of them being professional and steady jobs that required a degree of some sort that couldn't be automated or sent overseas (and there's a shortage, they need nurses!), like other jobs that were being lost at the time. so by making her mom a nurse, dixon was explicitly cementing their family circumstances as middle class as opposed to implied poor like their very initial appearances (or even what might've been considered "working class" at the time by certain economic theories, given that nursing isn't necessarily considered an "unskilled" job and does require college + it may be considered a pink collar job but in general there's good job security so it's such a gray area) (forgive my use of quotations here, i don't personally believe that jobs are unskilled and that the working class is a nebulous term that is illdefined and covers many different jobs with vastly different potential salary opportunities. a union working class electrician could very well be upper middle class based on salary, low cost of living, and lack of debt compared to someone who works at minimum wage, lives in a HCOL area, and has 75k in college loans but both are considered working class because they provide labor for wages) (i'm thinking of a 90s working class that was viewed between the middle class and the poor that consisted of a lot of what people considered blue collar or routizined work, but again, that means almost nothing in terms of salary potential and economic opportunity. plumber and warehouse worker are both considered blue collar, but their economic circumstances can vastly differ, but i digress-)

which is actually a pretty interesting evolution to her initial implied socioeconomic circumstances. because if her mom is a nurse & has a middle class job, then their economic issues previously weren't necessarily just that they were poor. it's that they were middle class fallen on hard times. which also coincides with the shift in the 90s where people were starting to be frightened of the middle class getting ravaged by the opioid/drug crisis. so now crystal isn't a stereotypical poor white trash addict, she's a middle-class worker who fell on hard times. and if they were struggling with finances, it wasn't that they were poor, it was more to do with struggling on account of crystal's addictions and having to deal with steph's dad/pay for him/he used their money and house for his villainy. and you end up because of this retcon having this issue where yea, she was initially presented as poor. but for the vast majority of her appearances, when she more consistently started to have a presence, she's written as middle class fallen on hard times. and you get this dissonance in her reading where it's like, yea, at the beginning, she was poor (and in far more stereotypical circumstances), so you can't say she never struggled financially. but also to claim she's just poor is to go against a lot of imagery that indicates more of a lower middle class (middle class, but struggling/tighter finances/no significant wiggle room), such as having a mom who's a nurse, having a home computer, etc. and in this case i really don't think this was just a case of dixon not knowing how to write a poor person (though that's definitely somewhat involved, this is dixon after all), because the choice of profession for her mother and giving her access to a home computer in the 90s and the overall improvement of her perceived home environment as the series progressed do seem like a deliberate choice on dixon's part. he probably would have known that nursing was considered a "good, steady" job to have.

anyways, i don't necessarily think this retcon is. necessarily worst thing in the world. it's much less stereotypical than poor/bad people are in poor/bad situations because of their choices and it acknowledges that people in all socioeconomic tiers can struggle with issues like crime and addiction.

alright, continuing on. there's an interesting thread in the steph pregnancy arc that has crystal ruminate on how steph ended up that way because crystal was a bad influence for marrying arthur and the pills. but because chuck has decided that the browns are more lower middle class than straight lower class there's a bit of a redemption/reimagining of his initial poor view of crystal once she gets sober and a marked improvement in the appearance of their socioecomonic status. take robin #58 for example.

crystal gets to support and affirm steph, be present (unlike her initial appearances). and in robin #84 after she's aware of steph's going out as spoiler after having recently found the spoiler costume (and trying to put her down about it--compared to when steph was doing spoiler stuff in the kitchen and her mom didn't even notice because she was high) and the visual design of the inside of their their house has definitely improved from run down to standard middle class, fairly nice looking.

which again feels fairly deliberate to me. because it doesn't just seem like dixon not understanding what it means to be poor, there's a deliberate moving of steph's socioeconomic status up more towards middle class once her mom gets sober which i feel like aligns nicely with chuck's viewpoint that if you're poor, you're poor because of bad choices and once you make good choices you can settle back into relative comfort.

and notably he gives even bigger reward to crystal for kicking her habit and make better choices and renouncing her husband's criminal ways (when she found out steph was spoiler and turned him in she was like "hah, serves him right"--compare this to when she was implied to be visiting him in steph's first appearance and she was being presented poorly): she, like steph, will now get sympathy for being put in a situation out of her control and the hard times that have fallen upon them. in robin #93 and #94 arthur comes home and parks himself there and nobody likes it.

and yea, they're shown to be struggling--crystal doesn't have extra money laying around to hire a lawyer to kick our her husband--a long, arduous, expensive process (+in robin #94 she's shown as being fed up with the court process as well). but rather than her being treated bad by narrative for not having money, she's presented quite sympathetically. she doesn't want them there or have anything to do with them. she's a hardworking, middle class woman who maybe fell on hard times because of her past addictions and having a criminal husband, but because she did the right thing and got clean and renounced those ways. she's not being seen as culpable to the situation--she's being seen as a victim of it this time. anyways, dixon eventually resolves the situation by sending dinah over to kick out the villains inhabiting her home, which shows that he thinks that they're (crystal and steph) deserving of being saved from the circumstances that keep them down (because they're hardworking people who are actively trying to get out of their situation and better themselves). and it aligns quite nicely with his conservative view of the world, that people who work hard get rewarded for their hard work and good things happen to them.

like i'm not going to pretend that the browns are rich by any means. they're clearly not. but there's an interesting way in which dixon improves steph's class as a reward for her perserverence. the last mention we get of any potential class by dixon is her conversation with tim in robin #100 where tim is catastrophizing about the loss of his money (which i know is nagl), but it also doesn't exactly imply she's poor and she's not exactly mad at him for being tone-deaf. she's just matter of fact about not understanding the big deal--just that she fights crime on a budget. so it's more her way of telling tim that he doesn't have to worry about the money thing/going down to middle class when it comes to being robin--after all, she's done just fine as spoiler by being smart with her money. which is actually fairly in line with dixon's viewpoint that if you make good decisions with your money, you'll do just fine and can/should afford to do what you want.

his biases and politics are sooo obvious with the browns tbh. all in all, the way he writes the browns (crystal & stephanie) wrt class i get a lot of flavors of that stupid fucking hillbilly elegy book. they're not poor welfare recipients because they're the true, hardworking people who deserve to be middle class. they were down on their luck and made bad decisions and had unfortunate things happen to them (arthur, crystal's addiction), but they overcame that like good hardworking americans (became spoiler, got sober) and as a result their economic situation improves as god intended. anyways, like i said before. it makes it so hard to be like "yea, steph was poor!" without leaning into dixon's stereotypes of poor people (addiction, criminality) and when he does write them as poor/struggling he writes them as the "true poor" "the good poor people who would never depend on aid, they just work hard to reject their circumstances and elevate themselves as they should". but it's also hard to uncomplicatedly say she was middle class, because despite being presented as lower middle class for a lot of her appearances, it's also another part of dixon's classism that has him improving their economic class over time because it's an improvement inexorably linked to his belief that hardworking americans can just pull themselves up by their bootstraps because he shows steph and crystal doing just that.

& i think of how it was initially dixon's idea to maybe make steph robin in a storyline & i can't help but feel that's almost a continuation/conclusion of the bootstraps narrative he has for steph.

idk it's just hard for me to say that dixon looked down on steph for being poor/being lower middle class because her story of self-improvement is so tied to the conservative belief of upward mobility with hard work. it's extremely classist. and yet it's still there. on the paper.

bonus, just to prove he sees them (the browns) as a lower middle class family who wouldn't be struggling so much if the government would just stop taking all their money in taxes:

Yk how Mr. Timothy Jackson Drake-Wayne misplaced his spleen.

What if on the hunt for the best presents (for Christmas or birthday you get the idea), Damian found it.

Like The batfamily know Damian is a crackhead with no real understanding of how normal people work.

But like the major the storyline you could make on this idea.

Example:

Timothy’s 21 first birthday, and he can’t even drink alcohol (it can be deadly without your spleen).

So everyone searched for a way to make it better by finding the best gift.

Damian just figured why not go get his spleen. His Grandfather (Ra’s) loved trophy’s and it being Timothy’s. He probably kept it perfectly preserved.

Damian also know doctors who can do this surgery with little no issue from the league who would do it as they owe him favors.

So on his birthday, they all gave him presents and so did Damian. Ironically, Damian went last.

Tim opens up the present and sees a jar with his spleen in it with a note -> “Surgery in 2 days no eating or drinking 12 hours before hand. Recovery time is 1 week bedrest. They suggest a month before drinking.”

And Tim would just start crying. Because that little boy who had hated him for years, went out of his way to get him a present although it was his in the first place, and not only a present but something that could fix so many problems and insecurities. He may have not even know the magnitude of that gift.

Tim cried with no explanation so of course Bruce would start yelling at Damian (not seeing what was in the box). And Tim would rock his shit. Scream what the present was. And boom cute fluff story.

Side note -> you could also add like a lot of angst when getting the spleen like have him have to kill someone or getting hurt or doing something like that would add a lot and I mean a lot of good plot.

they really do