
Art, writing tips, misc creative stuff probably, and a bunch if other shit I can't be bothered to organize on this (or another) blog. Don't expect anything from this.
687 posts
Actually Supervillains With Kid Hero Nemeses Are Hysterical Bc If I Was A Billionaire And I Found Out
actually supervillains with kid hero nemeses are hysterical bc if i was a billionaire and i found out the kid who was also my nemesis was a preteen orphan i would simply adopt them. oh you’re going to stop my nefarious schemes? how when you’re grounded. go to your room
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More Posts from Assassin-sadboy
The whole world through queer-coloured glasses
Sometimes reading new scholarship coincides perfectly with the discussion I read here, on the blog. You have read discussion about fan perspectives on queer representation and on the fanfic lens and another take on the latter (or in other words, how to be gay).
Frederik Dhaenens writes research about gay representation on television. Their work dicusses both queer stories and queer readings which is what brought these previous posts to my mind. In queer readings, the audience was examined.
(The) regular television viewers seemed to be aware of the strategies of queer deconstruction. DHAENENS, FREDERIK. “READING GAYS ON THE SMALL SCREEN.” JAVNOST – THE PUBLIC 19, NO. 4 (2012): 57–72. HTTPS://DOI.ORG/10.1080/13183222.2012.11009096.
However, these texts only briefly touched on queer readings that were of not explicitly queer stories.
Another example (of the distinction between the focus group with the heterosexual and the homosexual participants) is the way many gay participants stressed the necessity of identification with gay characters or at least the fun of assuming a character being gay. DHAENENS, FREDERIK. “READING GAYS ON THE SMALL SCREEN.” JAVNOST – THE PUBLIC 19, NO. 4 (2012): 57–72. HTTPS://DOI.ORG/10.1080/13183222.2012.11009096.
Audiences are adept at reading into the text but there are also more and more queer stories. However, an analysis of queer reading practices could look at these interpretations less as separate ones as they can co-exist. After all, many of us might have experienced reading everyone else around the canonically queer couple as also queer, haven’t we?
Szabo Dorottya






ANBU LEGACY 5.1 - @anbu-legacy
With kind permission of the authors
Full cloth binding with title hot stamped on the spine.
case materials 2,4 binders board and cardboard (covers) coated book cloth, black (covering material) silver heat reactive foil (hot stamped title)
inner book Munken polar, 100gsm (book body paper) Chiyogami paper (endpapers)
Format: ~A6 (10,5cm x 14,8cm)



i have rule i semi-adhere to for media criticism which is to ideologically meet shit where it's at (or where it's presented to me). i like to call it the "i didn't make you market it that way" rule--like, if lancer's union was just presented as a sci-fi setting, that would be fine. i don't expect all sci-fi settings to be communist utopias! but when the creators of lancer use the word utopia like 20 times & bandy around words like 'mutual aid' and 'post-scarcity' and 'anticapitalist' when describing it, then to me that becomes absolutely fair game. similarly if someone says 'stardew valley is fun i like farming :)' then i'm not gonna reply with a long post about how it's ideologically petty-bourgeois--but if they say 'stardew valley is anticapitalist', then they've opened up that can of worms and it's fair for me to point out that the worms exist.

Episode 211: The Copyright Conundrum
In Episode 211, “The Copyright Conundrum,” Flourish and Elizabeth welcome prolific fic writer and copyright expert @earlgreytea68 back to the podcast to discuss her new Fansplaining article, “How U.S. Copyright Law Fails Fan Creators.” After giving a little primer on copyright, trademark, fair use, and how they all intersect with fandom, EGT discusses the ways current U.S. intellectual property law is unequipped to deal with non-monetized creativity—and how the system fails everyone but the big publishers and studios. They also discuss copyright and AI, and whether copyright claims have the potential to take down LLMs and AI tools.
Click through to our site to listen or read a full transcript!
And an exciting note: this episode has a sponsor!! Ellipsus is a new collaborative writing tool that lets you and your co-writers/editors/betas create different drafts and merge them together. They are very anti-generative AI, and they reached out to us because they have roots in fic fandom. Ellipsus is currently in closed beta, but if you use our SPECIAL LINK, you’ll go to the top of the list. We’ve really enjoyed testing it out—and we hope this can supplant Google Docs (ugh) in our fic writing.