The Flash (2023) Non-Spoiler Thoughts

The Flash (2023) Non-Spoiler Thoughts

I managed to see an early screening of The Flash last Thursday and I have a lot of thoughts on the movie. I’m going to keep this completely spoiler free because the movie hasn’t released yet.

My feelings towards this movie are complicated. The parts of this movie that work really hit and I absolutely loved, but there are also quite a few parts of this film that really fell flat. It had a fun, if a bit clunky, opening and a very engaging middle portion that showcased everything that I wanted from a flash live-action movie. But the end is where the film falters for me. The emotional beats surrounding main Barry and his mother work really well and make for some very emotional moments- some of the best the DCEU has to offer- but the rest didn’t work to nearly the same degree.

This movie is steeped in nostalgia. That’s not really a secret since it’s been a heavily emphasized part of the marketing material and I’d say most of the callouts are really fun with Michael Keaton in particular being amazing, but it can get a bit over-indulgent at points and pull focus from the core of the story. 

This is most noticeable during a sequence near the end of the film that is meant to be an emotional turning point of the story, but the cameos pull the attention away from the important character beats to flaunt the multiversal scope of the movie. This hurts the resolution of younger Barry’s arc which was one of the main through lines of the story up until this point and contributes to the third act’s issues.

Sasha Calle is also very good as Supergirl, but she’s underutilized. The moments we get with her are great but some of her emotional moments aren’t given the time and build-up they deserved. This is most noticeable when it comes to her bond with Barry. While their relationship contains some great moments, it feels a bit undercooked as a result of her limited screen time. She does a good job with the material she was given and it makes me hope that we will see her in the DCEU moving forward even though I know that’s a long shot.

Ezra Miller’s turn as the flash was fantastic. I wasn’t sold on their take on Barry Allen prior to seeing this movie and was a bit skeptical they could carry a flash solo film, but this completely wiped those beliefs away. Ezra Miller did a great job playing the two Barry Allens and sold the emotional beats at the core of the film in a way that I wasn’t expecting going in. They managed to balance the pain and trauma that Barry carries with the more awkward and goofy side of the character very well. 

You can’t bring up Ezra Miller without addressing the controversy and accusations that they are facing. I’ll admit that part of the reason I wanted to see an advance screening of the film was because I wasn’t entirely comfortable financially supporting a movie with them as the lead. If that makes you uncomfortable as well then I’d say you can skip this. 

The last thing that I feel like I have to mention is the fact that the cgi is really questionable in places. This movie looks unfinished in some areas to the point that it pulled me out of many important scenes. I know I’m not the only one who has had this issue. Almost every other review I’ve seen on youtube points out the questionable cgi. 

It’s unfortunate that this is becoming a bigger and bigger issue with superhero films as time continues to pass and that studios are overworking and underpaying vfx artists. I hope that this can get sorted out because we’ve seen what vfx artists and animators can do when given the time and resources to do their job effectively. 

Overall I’d say the movie is good but it’s not as amazing as the early reviews have led people to believe. It has a lot of issues in the script department and doesn’t entirely stick the landing, but has a strong emotional core with Barry and his mother and great performances.

The Flash is my favorite DC hero and I’m glad that he finally got the feature film treatment he deserves. If anyone else enjoyed this movie more than I did then that’s great. If you didn’t then that’s fine too. Everyone takes something different from the media they consume and that’s part of what’s so great about it.

Alastor Theory

Okay, I'm gonna throw my hat into the ring when it come to who has Alastor on a leash and I'm not gonna say Lilith.

I think Eve might also be an option for being the one that owns Alastor's soul.

I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. And Eve is easily the character that would have the most issues with the Morningstar family, heaven, and hell. She was made out of Adam's rib and given the apple by Lilith and Lucifer. She's been a pawn in other people's plans since the beginning. She's the one blamed for original sin and it's clear she's not in heaven. She was the scapegoat while Adam got off relatively Scott free.

She has so many reasons to want to get back at everyone and what better way to gradually gain a foothold without drawing attention to herself than enlisting the services of a sinner in hell?

It’s said that Alastor immediately started taking out overlords that had been dominant for centuries the moment he stepped foot in hell. There has to be a reason for that. It feels too calculated to be a coincidence.

Plus Lilith’s disappearance coinciding with the Alastor's isn’t necessarily a factor against this theory because it can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover.

His reaction when Zestial said people thought he had been struck down by holy arms was a bit telling to me. The way he took that moment to look away and collect himself to brush it off read as Zestial hitting too close to the mark.

He's super touchy about why he was gone for 7 years and we've seen that Alastor's berserk button is his pride and he dislikes his strength being questioned. He absolutely would not want to admit he was gone because he was recovering.

That comment seemed too pointed by the writers to be completely written off.

Maybe in this battle Eve got Lilith's soul. If she doesn’t why would Lilith be gone from Charlie’s life for seven years? Why wouldn't she return around the same time as Alastor? She seemed to really care about Charlie. Charlie still tries to call her and she doesn’t seem to hold any resentment toward Lilith, so I think there would have to be a reason beyond nebulous plans that's keeping her away.

Alastor also clearly does not have a good relationship to whoever has his soul, so I kind of imagine if it was Lilith he would be a bit more hostile towards Charlie or it would show a bit more in the moments where he was alone or when Charlie isn't looking. (Alastor is the only character this show is truly subtle with)

I just wanted to put my opinion out there because I've seen so many Lilith owns Alastor's soul theories out there and I wanted to offer a different angle.

Best of Animation 2021 - The Last Lullaby (Centaurworld)

Centaurworld is a deceptively deep show*. From the marketing it received the show felt jarring and disjointed almost as if two incompatible worlds had been thrown together haphazardly but the moment you boot it up and start watching it is obvious this is far from the case. 

Centaurworld is about grief, loss, depression, and learning to heal. It uses its vastly different tones and visual styles to elevate these aspects of the story. 

It’s a fantastic and fun ride and I believe its finale “The Last Lullaby” is the best example of how it uses all these seemingly contradictory parts to get all these themes across, especially with the music.

Centaurworld is a musical that has a lot of songs that I have fun with but I would say it is usually “all bops and no bangers” (credit where credit is due. I heard this from Sarcastic Chorus). 

The one place I really love their music and think it makes itself stand out is in its reprises. The way it brings songs from earlier on back and completely changes the meaning through the context of the scene. 

This episode does the same thing with Rider’s Lullaby and The Nowhere King’s lullaby. These songs are closely associated with the protagonist and antagonist of the show respectively and the way they are brought back in this finale really brings their arcs full circle. 

I especially love how the Nowhere King’s lullaby is brought back because it really accentuates the tragedy of his character and his relationship with the purple haired woman. I wish this relationship was explored in greater depth throughout this season but what we did see of these two characters was hauntingly beautiful in a way that you wouldn’t expect from what is essentially a single episode exploring their relationship. 

The Nowhere King’s death didn’t feel triumphant or glorious like you would have expected after his introduction in the two part finale of season 1. It’s quiet and personal. He returns to his original form one final time before the woman he loves ends his life once and for all.

The purple haired woman hesitated to go through with this before this point but she’s resigned herself to the fact that she must be the one to bring this nightmare to an end. Despite the love between the two their story doesn’t have a happy ending. It’s very tragic and the last lullaby the purple haired woman sings gets across the emotions of the scene between the two characters accentuates this.

The backstory of the elktaur chronicles the slow self-destruction and mutilation of someone who feels trapped on the outside looking in due to his internalized self-hatred. It becomes a tragedy about someone who felt undeserving of love to the point where their internal war with themselves became external. 

“They’re the same being locked in this everlasting fight with himself.”

This is an interesting exploration of morality that accepts that people are steeped in shades of gray. It’s like what the Nowhere King says to horse “we all have good and bad”. 

This episode shines brightest when it takes a microscope to all these characters and forces us to look at them for all they are. 

The Nowhere King is a horrible monster that has caused so much suffering but he is also a victim. 

The general is a monster wearing the mask of a hero that perpetuates a conflict he will never end because he ultimately holds his own self interest and preservation of utmost importance. 

The purple haired woman was blinded by her love and awe of the elktaur and centaurworld and it is ultimately her love that prevented her from ending this conflict when she had the chance. (She isn’t evil. I’m not blaming her. She understandably struggled to end the life of someone she loved.)

That being said I do have a few issues.

My issues with this episode don’t stem from the content within the episode itself but rather the lack of screen time and build up to certain important aspects of this finale. 

I think there should have been more of the general before this moment because the twist that he’s part of the nowhere king is meant to completely flip the kindly, righteous leader visage on his head but since we didn’t spend enough time with him it doesn’t hit as hard as it could have. The general’s betrayal of Rider would have been even more of an emotional gut punch if we trusted him like Rider did, which could only be built up if there was more time allotted to him. 

I think the purple haired woman should have had more screen time because it’s the tragedy of her life and love of the nowhere king that is a driving factor in the entire story. In fact it’s her ending with the nowhere king that is what I would argue to be the emotional climax of the episode and by extension the series so I wish more time was given to them.

Everything that happened in the episode was great and it hit all the beats it was aiming for but like I said above I feel like some of them could have been strengthened if the series had given the characters involved more focus.

For example Rider being stabbed by the general is comparable to Marcy being stabbed by Andrias and yet I would argue that Marcy being stabbed is much more of a gut punch due to the amount of time their relationship was afforded within the show. We see how much Marcy trusts Andrias and we know why. Even if we knew he was up to no good we got to see how well Marcy and Andrias clicked and how much they had in common. 

Marcy is also given more screen time herself which allows us to grow attached to her in a way we couldn’t with Rider. So when the moment of truth happens and Andrias makes the decision to stab Marcy in the back it is a complete gut punch. We care about Marcy, we know how this relationship made her feel seen, we understand the full depth of the betrayal. 

I’m not saying this to hold one show up on a pedestal above the other, I’m using it as an example to explain why I think this certain plot point would have benefitted from extra attention earlier in the series.

That being said, I believe the way the general’s betrayal played out was very effective coming from Rider’s perspective (just not as much when it comes to the general and their relationship). The show has done a good job up to this point portraying Rider’s unwavering belief in the general. She is a child soldier that has dedicated her life to this cause that the general leads and yet he never meant to actually end the war or his people’s suffering. 

It also leads into a very touching reprise of Rider’s Lullaby. 

This was the first song we heard in the series and it was the defining song of Rider and Horse’s relationship. Having the song come back around with Horse being the one to sing it to comfort Rider in an inverse from the pilot would have been a fantastic bookend to their relationship.

This is why I’m mixed on how they chose to have this scene play out.

I’ve never been a big fan of fake out deaths and this one still has me conflicted. This is purely a personal preference thing. I’ve just never been big on these types of scenes. 

This leads me to the episode’s ending.

Centaurworld is a story of two wildly different worlds and tones that come together to elevate each other rather than detract. On the one hand the show can cover the bleak reality or war, loneliness, and loss and on the other it triumphs family, love, and connections. This episode is a nice blend of the two with the finale showing the clash of the tragedy of the past (the elktaur and the purple haired woman’s story) and the hope of the future (the ending with horse and her herd).

This decision holds true to the series to this point.

This episode was a fantastic ride from start to finish. There were some aspects of the episode I was mixed on but I ultimately love the end result and find myself revisiting the tale in my thoughts and on rewatch. 

I am interested to see what Megan Nicole Dong does next!

*The marketing for this show wasn’t great. I know many people that were turned off from the show because of the trailers they had seen which is disappointing. But I’ve seen a lot of fairly big youtubers cover the show and help give it the attention it deserves.

Extra Thoughts

I thought almost all of the comedy hit, especially all the gags with Stabby. “I have unquantifiable corpses on my conscience.” is one of the funniest lines in the entire show. I really wasn’t a fan of the fart joke with horse in the elktaur’s mind and thought it really fell flat.

I actually did think about what Charlie's role in this would be and I think the reason Alastor was sent to look over Charlie would be because she'd be a pawn in Eve's plan.

Eve has been hurt by both heaven and hell. She's the one that benefits the most from this war that is coming in episode 8.

We don't know who told heaven that hell was trying to rise up against them. It's clear that Lucifer wasn't trying to start anything and Lilith (based on Charlie's story at the beginning) was mostly just building her people up. There wasn't a hint of an uprising.

So who fed heaven this lie?

Eve.

And Charlie is the only one in hell trying to change the status quo. It felt like the sinners were resigned to their fate so they just lived however they wanted at the start of the story.

Alastor would have been sent to the hotel after it was announced to ensure it didn't fail because if it succeeded then the reasoning behind the angels' extermination would come to light to both hell's inhabitants and the rest of heaven. This would then cause an actual uprising in hell.

And we know that sinners can kill exterminators because of Carmilla. (I think the only reason she could kill them could be her weapons. I think she's the one that Striker got the gun to kill Stolas from, but it's been a while since I watched that episode.)

The hazbin hotel itself looks like it's going to become a symbol of the resistance against hell in the next episode with Charlie leading the charge. Charlie is the best person for this. She's exempt from the extermination, the daughter of the king of hell, and likely very powerful (even if she doesn't show it). She's a symbol.

As a result heaven and hell destroy each other.

Alastor Theory

Okay, I'm gonna throw my hat into the ring when it come to who has Alastor on a leash and I'm not gonna say Lilith.

I think Eve might also be an option for being the one that owns Alastor's soul.

I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. And Eve is easily the character that would have the most issues with the Morningstar family, heaven, and hell. She was made out of Adam's rib and given the apple by Lilith and Lucifer. She's been a pawn in other people's plans since the beginning. She's the one blamed for original sin and it's clear she's not in heaven. She was the scapegoat while Adam got off relatively Scott free.

She has so many reasons to want to get back at everyone and what better way to gradually gain a foothold without drawing attention to herself than enlisting the services of a sinner in hell?

It’s said that Alastor immediately started taking out overlords that had been dominant for centuries the moment he stepped foot in hell. There has to be a reason for that. It feels too calculated to be a coincidence.

Plus Lilith’s disappearance coinciding with the Alastor's isn’t necessarily a factor against this theory because it can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover.

His reaction when Zestial said people thought he had been struck down by holy arms was a bit telling to me. The way he took that moment to look away and collect himself to brush it off read as Zestial hitting too close to the mark.

He's super touchy about why he was gone for 7 years and we've seen that Alastor's berserk button is his pride and he dislikes his strength being questioned. He absolutely would not want to admit he was gone because he was recovering.

That comment seemed too pointed by the writers to be completely written off.

Maybe in this battle Eve got Lilith's soul. If she doesn’t why would Lilith be gone from Charlie’s life for seven years? Why wouldn't she return around the same time as Alastor? She seemed to really care about Charlie. Charlie still tries to call her and she doesn’t seem to hold any resentment toward Lilith, so I think there would have to be a reason beyond nebulous plans that's keeping her away.

Alastor also clearly does not have a good relationship to whoever has his soul, so I kind of imagine if it was Lilith he would be a bit more hostile towards Charlie or it would show a bit more in the moments where he was alone or when Charlie isn't looking. (Alastor is the only character this show is truly subtle with)

I just wanted to put my opinion out there because I've seen so many Lilith owns Alastor's soul theories out there and I wanted to offer a different angle.

Barbie Thoughts

I think my favorite thing about Barbie is that on top of everything else it tackles it’s also a touching exploration of the beauty of life and the creation of art.

The line: “Ideas live forever.” which has been featured in most of the trailers has a completely different meaning through this exploration. It shows that it’s people who create meaning. Be it through movies, comics, toys, etc. It’s their life, experiences, and creativity that make something of the ideas and art that are made in the world.

Barbie herself wouldn’t have meaning if not for the personal inspiration that drove Ruth to create her or the way she impacts the people who play with her (at least until the end). It’s this desire to be seen and understood (and inspire) and help others to feel less alone that drives creation and creates meaning.

That meaning put into creation is found in all aspects of life. And Barbie emphasizes that life isn’t perfect. Life is hard and painful and rife with change and conflict but it’s also beautiful in its own way. Barbie is inherently optimistic about life and shows the beauty of aging. Of mistakes. Of learning and growing. And that’s what makes its final message about creation and connection hit harder. Life is imperfect and doesn’t last but you can find and create meaning in it.

And it’s this aspect of the movie that hit me the hardest and makes it really great to me.

Thanks to Them Thoughts

The first special of The Owl House’s third season recently dropped and I can say with full certainty that it hasn’t lost what made the second season so special.

I don’t think I’m in the minority when I say I was disappointed that the third season got shortened to three specials but I wanted to come in hopeful for what these specials could bring. The Owl House proved to me in its second season just how phenomenal it could be within a limited time frame with episodes like Eda’s Requiem, Knock Knock Knockin’ on Hooty’s Door, and Hollow Mind. I know that the situation is different but it’s proof just how much this show knows how to tap into the emotional core of its characters, stories, and relationships in 22 minutes.

This episode does the same thing by digging into the core of Camila, Luz, and Hunter. 

Camila is a character that had the fandom split and in my opinion received way too much hate. She was a single mother doing her best with a specific set of struggles due to the point she was in her life and the circumstances surrounding the start of the series. This episode understands that Camila loves her daughter and wants to do right by her but parenting rarely has a perfect answer. 

Camila’s choices are given more context and shown in a different light. I was already in the camp that believed Camila was a loving parent that made some mistakes because she’s only human, but this episode solidified it.

The nightmare Camila has about halfway through the episode is a poignant way to explore the concept of generational trauma and trying to break that cycle.

Luz found a community that will accept her the way she is and a place where her strengths can flourish. Once Camila has had time to grapple with the reality that Luz went to the demon realm by her own choice and she gets to see just how good this place has been for her she embraces it.

She even wants to go to the demon realm with Luz so she can be a part of that aspect of Luz’s life as well (and look out for her daughter in a very dangerous situation). It’s just a really touching portrayal of motherhood.

That’s actually the part I’m the most upset we missed out on due to the shortened season. Seeing Camila be a supportive mother to Luz and give Amity and Hunter their first real experience with a caring parent is something I would have loved to see considering how much their abusive/complicated home lives we’ve gotten to explore over the show. (I specify Amity and Hunter because we know that Gus and Willow have loving home lives. I would still love to see Camila be a parental figure to them too)

We still have some more time. I’m hoping we’ll get to see more of surrogate mother Camila over the next two specials.

Hunter especially needs that care because he cannot catch a break.

Season 2 and now season 3 has been one long trauma conga line for Hunter with so much of that trauma being born from his twisted relationship with Belos. 

Hunter being possessed by Belos is a very fascinating turn of events that foreshadows so many possibilities with Belos but there is one area I think could have been handled better. 

I want to touch on the scene where Hunter stood up to Belos first. This has been a long time coming. Hunter has submitted to Belos’ ideas for his future for most of his life and even after leaving the emperor’s coven he didn’t get the chance to have a confrontation with Belos where he was given the time to address this area of growth.

Hunter finally has the chance to choose his destiny which is something he stated he was jealous Luz could do back in Hunting Palismen. Due to his journey in the human realm he has the self worth and the security to stand up to Belos for the first time in his life and it was a powerful scene because of the build up.

Hunter has gained so much that he has lacked all his life due to his time away from Belos and in the human realm. It makes this moment and his sacrifice hit all the harder because of how far this episode shows he’s come.

He has a family

He likes who he sees in the mirror 

He has friends who value him for who he is and not what he can do

He can take part in his hobbies and indulge his interests 

He no longer needs Belos like Belos tried to make him believe. He can finally be the person he was always meant to be. 

Hunter is brave, caring, and kind. No matter what Belos did or said to him he never lost those qualities. He is willing to stand up to Belos and possibly sacrifice himself to protect everything he has come to love. He has people that will extend that same care and compassion towards him.

This brings us to one of the saddest moments in the episode: Flapjack’s sacrifice.

Hunter has gone through so much and Flapjack’s sacrifice hits especially hard because Flapjack was one of the first people Hunter could rely on and probably even call a friend. 

Flapjack was important for Hunter’s development in more ways than one. He provided him with a confidant when he didn’t have anyone else and it helped him question and re-evaluate Belos’ actions in regards to palismen and wild magic. He also met him because of his first real encounter with Luz.

It all comes full circle. He initially protected Flapjack from Belos because he knew Belos would use him as fuel/a life source but now Flapjack is willingly being exactly that for Hunter. He is now a part of Hunter. It’s a very bittersweet ending to their relationship that shows the growth and care that they each had for each other.

That moment where Hunter stops in front of the portal and holds his hand over his heart was a short but very effective moment at conveying his grief. 

This sacrifice was very well executed in my opinion.

All of this works emotionally within Hunter’s character arc. 

However, the battle didn’t quite reach its full potential. It had incredibly fluid animation and was amazing to watch, but it wasn’t as emotional on Amity, Gus, and Willow’s end as it could have been in certain ways. 

You could feel the conflict and pain from Luz’s end. It was made clear that she was purposefully not trying because she didn’t want to hurt Hunter and even hugged him to try and get through to him. She doesn’t want to hurt him because of how much she has come to care for him and this turmoil could be seen in every action Luz took and could be felt in her voice acting performance. 

She’s the only one you could understand the full grasp of her conflict over the fight with Hunter though. There wasn’t any of that same hesitation or desperation on anyone else’s end. You know that all of them are close to Hunter and care about him but you don’t feel the full depth until after the fight.

These connections are really important to Hunter’s character because of how Belos isolated him prior to season 2 and I loved all the moments that showcased how important Hunter is to the group and vice versa. That’s why I decided to point out the lack of hesitation on everyone else’s part. It doesn’t break the episode (in fact the episode is great) but I thought it could have been executed a bit differently.

Hunter is one of the strongest characters in the show and the way this episode handled him was great.

This brings me to Luz.

King’s Tide had real consequences for Luz. She feels like she couldn’t protect Eda or King and she couldn’t stop Belos or the Collector. She doesn’t know the fate of the family she left behind and she believes that everything that happened is her fault.

She’s understandably not handling it well.

Luz this episode and in a few episodes last season is used to explore grief and loss. This is explored in more ways than one through the loss of her father and her newfound family in the Boiling Isles.

Luz’s father was noticeably absent in her life at the start of the series but what happened to him wasn’t revealed until “Reaching Out” (In a fantastic scene by the way). We get even more expansion on it through Luz’s video diary entries. 

Luz was much more aware of what was happening with her family and father than she let on to her mother despite their best efforts to shield her. The way you can see the decline in her emotional state through her entries as her father’s health declines makes the process feel real. This wasn’t a quick but a slow process/struggle for the family over time until he unfortunately passed. It’s something that Camila and Luz are still struggling with. 

The process of healing isn’t linear for any of the characters. 

It also reveals that Manny introduced Luz to the Good Witch Azura. This is really bittersweet and touches on something that this episode emphasized and that is how media and stories can help us process, heal, and feel seen in aspects of life that people struggle with.

Hunter finds connection and healing through the Cosmic Frontier character O’Bailey. Luz finds that same connection and escape through Azura. It helped her during a really hard time in her life by helping her find a connection to her father after he was gone.

It makes everything in regards to her Good Witch Azura book and hyperfixation very bittersweet and puts so much in a new light. It’s a brief but powerful moment in the episode.

The exploration of Luz’s grief in the present day is handled just as well as that short segment. It shows the repercussions on her mental health and how it trickles out in unexpected ways like her rant in class. 

But most importantly it shows how her support system understands that she’s struggling and they are there for her no matter what. They might not all know how to best handle what she is dealing with but they all give it their best and make sure they let her know that they don’t think of her as a burden.

One of my favorite moments showcasing this in the episode is when Amity lets Luz know that Belos meeting the collector because of her help isn’t a failing on her part. It doesn't make her a mistake or the harbinger of doom she believes she is. She assures Luz it’s a testament to her good heart instead.

Luz’s support system doesn’t automatically make her better either. The Owl House understands there is no quick fix to depression and other mental health issues. There is no list of requirements to check off to “cure” it. It’s something that is dealt with on a daily basis.

Dealing with mental health isn’t linear just like dealing with grief isn’t linear.

I am really intrigued to see how they handle Luz’s struggles moving forward and believe that they were handled with a lot of tact in this premiere.

This show has really come into its own. Season one was fun and had a great world and characters that drew you in but lacked a strong vision of where it wanted to go with wonky power scaling, an inconsistent level of control and influence from Belos that changed to suit the episode, and parts of the story that clashed with its core themes. I loved the season but thought there was missed potential. 

Season two came around and reached the heights I thought it was capable of and it seems like season 3 plans to do the exact same. I can’t wait for the final two episodes. If this is any indication of their quality I bet they will be amazing.

Extra thoughts

I love when Camila lets Luz sleep with her after she’s awoken from her nightmare. It’s just a really sweet mother-daughter moment.

I really liked Hunter’s cosplay and how his attachment to the character of O’Bailey speaks to the importance of representation and how it can help you heal and feel seen.

Gus definitely knows that Hunter is a Grimwalker. He purposefully introduced Hunter to a character that he could connect to and even tried to imply that he knew before Hunter covered his ears to avoid spoilers. I really appreciate their dynamic in the smaller moments of this episode.

I said it in my Hollow Mind thoughts but I’m going to say it again here: I think that Evelyn was a Calwthorne. There’s just too many clues in the show for her not to be and the Owl House has a pretty good track record of paying off obvious hints.

The best thing about this episode is how it carries over the consequences of King’s Tide. There are a few times where the tension the characters should feel to get back to the Boiling Isles gets a bit lost. The most notable example was how solving the clue they found to get them back to the isles was framed more as a way to cheer Luz up than a way to return to their families and know if they are okay. 

Yeah, the characters are sad to be away from their families but there isn’t the desperation to know about their fates that would be expected considering what happened with the day of unity and the collector. I like how this plot point was used in regards to Hunter and Luz but thought it was a bit lacking in execution and development when it comes to Amity, Willow, and Gus.

Amity, Willow, and Gus are unfortunately the ones that suffer from this section of the season being shortened. They are fun and engaging supporting characters but they noticeably don’t get the emotional focus or development that Luz, Hunter, and Camila get. I don’t dislike the choice, in fact, I think it was a smart choice to narrow the scope of the episode because it would likely become bloated and lack the strong focus and emotional core that it has.

It’s just unfortunate because Willow and Gus are not as well explored as Amity, Luz, and Hunter. Gus at least has “Labyrinth Runners” as an episode focused on him and a few episode B plots but Willow doesn’t really have her own spotlight episode. Both of her episodes “Understanding Willow” and “Any Sport in a Storm” are actually Amity and Hunter episodes respectively.

I would just like to see a bit more of Willow explored.

This is the first time Hunter has really cried in the show. He’s teared up before but never allowed himself to fully cry. It’s telling that the moment that gets to him the most, that makes him drop those walls and breaks the dam, is when Luz calls him family. It’s not traumatic or violent. It’s quiet and tender. He’s never had a family (something he mentions in Hunting Palismen) and now he does. Earth really did allow Hunter to come into his own and gain so much that he lacked all his life. 

I absolutely adore all the end credits art. Most of it is just so wholesome with my favorites being Luz teaching Camila glyphs (Camila is really committed to learning from Luz) and Flapjack tucking in Hunter (this is just so bittersweet).