This Little Droid Is A Christmas Present For My Friend Rhonda, AKA Rhonda2D2. Ever SinceStar Wars: Uncut,

This little droid is a Christmas present for my friend Rhonda, AKA Rhonda2D2. Ever since Star Wars: Uncut, Artoo has made me think of her, so I hope she gets a kick out of it.

It's funny how the different colors mold differently. The white clay was much softer and more pliable--to the point where it was impossible to get my fingerprints out of it--than, say, the black, which crumbled in my hands no matter how much I kneaded it first.

This is the first sculpture I've baked since the puppet heads from the film shoot, so I was a little worried it would crack, but it came out beautifully. Working in color is much more time consuming, but the finished product looks so much nicer, wouldn't you say?

Sculpey III (white, black, and denim), ~3 hours

Zzzzzzzzz...

It's 2am and I'm still not done for the night. But that's ok, just a few more days and all this will be over. Shooting starts on Saturday morning, bright and early, which means it would be nice if...oh, I don't know...my puppets actually had heads by then.

Because they don't.

So I spent 6:30-1:30 at the studio, patching and painting the puppets. I finished three of the nine completely, two more just need heads (a minor detail), and the other four need one more coat of paint before they catch up to their headless brethren. Which means that now, I'm going to sit here and catch up on House while I sculpt a half-dozen heads as fast as my little hands can go.

Oh, and here's Marion and Monster #1 for my mom, because I promised a picture days ago but didn't finish until now:

Still plugging away at the first models for the film project. Here, you can see rough versions of the "young boy" body (to be used for some schoolkids in the background), a couple of heads (we'll see what works after we cast them in latex, starting tomorrow), and "sketches" of the monsters. The pear-shaped one on the right is really growing on me, but the cat/walrus/Reptar hybrid on the left has got to go. I'll keep fussing until something sticks. It's hard to know exactly what's going to work, since the bodies will be clothed (real fabric) and the monsters will have fur. It's like trying to sculpt the skinned version of something you can't quite picture in the first place.

Thanks for sticking with me while I do the boring parts. After tomorrow, there's going to be a lot of cool stuff to see. :)

For some reason, New Friend Rob was under the impression that I know what I'm doing and wanted to watch me sculpt today, so I subjected him to the ritual: Jurassic Park III in the background, running commentary under my breath, and eventually some kind of recognizable shape out of polymer clay. He made a couple of cute little figures (pictures forthcoming) and kindly refrained from commenting on my lobster.

Oh, and credit where credit's due: it was totally his idea to use dish soap to make it look like the water is boiling. My friends are so clever.

Super Sculpey, ~90 min.

Catastrophe! I came in this morning to pry apart the little boy mold, and it crumbled in my hands. Well, half of it crumbled. So I rebuilt that half, and while I was waiting for it to dry, I started on the Monster #1 mold. That's this little guy!

He's going to be covered in fur, remember, so he'll actually look really different than this. But this is what he'd look like if he was naked, shaved, and blanched. So helpful.

In other news, the second attempt at the boy mold was successful, so I built a wire armature for the puppet and tomorrow I'll pour and bake the latex on top of it. I'd show you a picture, but I'm frankly so sick of looking at the dude that I couldn't bear it. So just use your imaginations.

Merci started bringing in set pieces and monster fur today, and I'm starting to see the whole thing coming together in my head. It's really exciting. :)

We started filming today. :)

Eyeless Mina and about 5% of my tools.

Sara and Jim, setting up the shot.

Little Mina could use some friends.