This Little Droid Is A Christmas Present For My Friend Rhonda, AKA Rhonda2D2. Ever SinceStar Wars: Uncut,

This little droid is a Christmas present for my friend Rhonda, AKA Rhonda2D2. Ever since Star Wars: Uncut, Artoo has made me think of her, so I hope she gets a kick out of it.

It's funny how the different colors mold differently. The white clay was much softer and more pliable--to the point where it was impossible to get my fingerprints out of it--than, say, the black, which crumbled in my hands no matter how much I kneaded it first.

This is the first sculpture I've baked since the puppet heads from the film shoot, so I was a little worried it would crack, but it came out beautifully. Working in color is much more time consuming, but the finished product looks so much nicer, wouldn't you say?

Sculpey III (white, black, and denim), ~3 hours

Catastrophe! I came in this morning to pry apart the little boy mold, and it crumbled in my hands. Well, half of it crumbled. So I rebuilt that half, and while I was waiting for it to dry, I started on the Monster #1 mold. That's this little guy!

He's going to be covered in fur, remember, so he'll actually look really different than this. But this is what he'd look like if he was naked, shaved, and blanched. So helpful.

In other news, the second attempt at the boy mold was successful, so I built a wire armature for the puppet and tomorrow I'll pour and bake the latex on top of it. I'd show you a picture, but I'm frankly so sick of looking at the dude that I couldn't bear it. So just use your imaginations.

Merci started bringing in set pieces and monster fur today, and I'm starting to see the whole thing coming together in my head. It's really exciting. :)

I admit, these posts are getting fewer and farther between. But I haven't abandoned you entirely!

Here's a frog prince (or is he a baron?), modeled after this statue in Philadelphia. I'm quite a fan of his jaunty crown, personally.

Here is in in profile:

Super Sculpey, ~60 min.

Today was excellent day, thanks mostly to my personal assistant (and best friend), Dayna. She was a huge help, not just for making my armatures and cutting up burlap, but for keeping me company and generally being awesome. Thanks!

And then Merci stopped by! It was a regular film-making party up in there today. Here's Dayna (right) and Merci measuring a tiny doorway for the set:

While they slaved away on that, I tried to figure out how to make the characters' heads. Cast them in latex? Stick with the Super Sculpey? I finally decided to go with the latter, so I hollowed out this head to prepare it for baking:

Once that was done, I hollowed out the eye sockets so we could pop in the eyeballs (harvested, like the clothes and wigs, from a bunch of dolls I bought at Target):

And then we popped in the eyeballs for the creepiest moment of the day (see above).

Not bad for a day's work.

For some reason, New Friend Rob was under the impression that I know what I'm doing and wanted to watch me sculpt today, so I subjected him to the ritual: Jurassic Park III in the background, running commentary under my breath, and eventually some kind of recognizable shape out of polymer clay. He made a couple of cute little figures (pictures forthcoming) and kindly refrained from commenting on my lobster.

Oh, and credit where credit's due: it was totally his idea to use dish soap to make it look like the water is boiling. My friends are so clever.

Super Sculpey, ~90 min.

This weekend was ROUGH, you guys. Dayna (my new PA) and I were at the studio until one in the morning last night, so you have my apologies for not posting anything until today. I'm about to head over there again right now, but here are a few highlights from yesterday.

We managed to finish making all the latex bodies (yay!!!), so now it's just a matter of trimming off all the excess, patching the holes, painting the bodies, and sculpting the heads. It's a lot of work, but fortunately most of it can be done in my living room.

Thanks to Dayna for all these pictures!

The anatomy of a puppet.

Mixing the foam latex.

Pouring the latex into the mold.

Trimming the excess latex.

Lots o' puppets, in various states of completion.