clashingcolorsss - Hooty Fan Blog
Hooty Fan Blog

I can’t believe hooty is canonically queer

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When Eda First Fought Lilith In Covention, She Was Mostly Smiling And Didnt Seem To Be Taking It Nearly

When Eda First Fought Lilith In Covention, She Was Mostly Smiling And Didnt Seem To Be Taking It Nearly
When Eda First Fought Lilith In Covention, She Was Mostly Smiling And Didnt Seem To Be Taking It Nearly

When Eda first fought Lilith in Covention, she was mostly smiling and didn’t seem to be taking it nearly as seriously as Lilith. In Agony of a Witch we see how strong she truly is when she tries

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More Posts from Clashingcolorsss

4 years ago
Eda Stop! Youll Run Out Of Magic!

“Eda stop! You’ll run out of magic!”

Luz cares more about Eda’s curse than she does the fact she’s falling to her death. Which makes the ending even more painful


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4 years ago
Herere My Bingo Card Of Predictions For The Owl Houses Season One Finales! Ill Explain Some Of These

Here’re my bingo card of predictions for The Owl House’s season one finales! I’ll explain some of these after I watch the episode


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4 years ago

Wow thanks for responding! I didn’t even know what testing was until I read this and I’m defienetly gonna check out that Animator Guild thingy. Gracias for the knowledge

Hey! I’m an aspiring Storyboard artist and I was wondering how you got your job on The Owl House. Where can you apply for that kinda stuff? Did you have to cater your portfolio to be more ‘Disney’? I love your boards btw (especially the Grom ones)

Hiya! Thanks for reaching out! So, I had been working in the industry for about four/five years at WB, and a couple of my directors there had given my name to artist management at Disney TVA. TVA reached out to me to do a test for Owl House (a storyboard test is like they give you some model sheets, a few pages of script, and then you just sort of board what you want to based on the guidelines they’ve given you). I submitted it and I didn’t hear for over a month whether or not I had gotten the job. But I mainly have gotten most of my jobs through testing. There are sometimes open calls for testing; I know even Dana Terrace put it out there that they were testing for Owl House when it was first staffing up. A note though: Testing is hotly contested within the Animation community and amongst our Union members because sometimes it does require a lot of work that is usually unpaid and sometimes there isn’t a guarantee that they won’t take some of your work and use it without having ever paid you for it, and sometimes, when they’re testing a lot of people, you won’t even get the job. (Sidenote: Check out IATSE Local 839 The Animation Guild for animation resources too and getting connections! I know before the pandemic they had outreach for people looking to get into the industry, not sure if they’re still doing that but it’s worth looking into. Unions woo!) But honestly, and don’t read into my experience too much because there are lots of different ways to get into the industry, but my portfolio has never factored into any jobs I’ve gotten; it’s usually a matter of getting in and doing good work so that your directors/showrunners etc like you enough to recommend you to other productions. I started out as a revisionist because one of my teachers in college liked my boards, and when there was an opportunity, I got a job as a Storyboard Revisionist (the entry level position most Board artists go through) at WB TV Animation, and since then, I’ve gotten most storyboarding jobs through testing. Even to this day, after working in the industry for 7 years, I still get asked to test for things :T It’s a bit demoralizing, but sometimes it does come down to getting that first test and connections to recruiters and artist management. But I have heard of people with really amazing art online getting sought out through twitter and stuff, so things are definitely changing from when I was first trying to get my job (and that wasn’t even that long ago... gosh.. I’m old ToT.) So while it’s definitely good to have a portfolio in your back pocket that shows range and ability, for storyboarding, try reaching out to recruiters for opportunities to test if you want to give that a try. (But don’t over exert yourself for a test either! Taking care of yourself is important!) Ah, I don’t know if this helped at all! Sorry!


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4 years ago

In light of recent events: damn I was way off but the actual episode was still really good

Grom prediction

Willow and Gus will go to Grom together as friends. Luz will have no one else to go with so she’ll go with Amity as a friend. Amity is like oh okay yeah we’re friends but she secretly likes Luz and debates confessing to her the whole night, writing out her feelings on a letter. They’ll have a whole scene at the Owl House where they pick out outfits, Amity will have her own thing she wears, Eda will be their chauffeur. At Grom Luz will hang out with Willow and Gus and Amity will be torn between maintaining her facade of popularity and hanging out with them. She keeps flip-flopping when Luz gets chosen for the Grom tiara. The whole Grom tiara thing is a gladiator type thing that the whole school watches (based on how they had a set up arena with weapons). Luz gets freaked out, Amity helps her, we see Amity’s biggest fear. They beat it and then the scene in the hallway happens. They’re talking about how weird what just happened was. Amity is about to tell Luz something when Luz gets texted by her mom. She walks away for a second and Amity puts away/tears up her note out of embarrassment. Episode ends with her hanging out with Luz and the gang.


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4 years ago

Wait I realized something

Wait I Realized Something

Here in Covention, Luz asks Eda if she’ll ever be a true witch

One of the secret code things is “A witch loses a true way”

Her name is Luz

Wait I Realized Something

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