I'm Sure Someone Already Pointed It Out, But I Just Can't Get Over The Symbolism Of The Church Scene

I'm sure someone already pointed it out, but– I just can't get over the symbolism of the church scene in 1941. How the bomb shatters the church and kills the nazis and leaves Aziraphale and Crowley behind.

The bomb literally destroys the Good™ (the church obviously represents Heaven) and the Bad™ (we know that the nazis represent Hell because that's where we meet them again. Also, they're nazis) but it doesn't do any harm to Aziraphale and Crowley, therefore placing them with neither Good nor Bad but rather something in between.

Look at them. The sacred ground is scattered around them, not even sacred anymore, since Crowley no longer is bothered by it. What once was to resemble the Evil is now buried beneath.

But there is Aziraphale, who used a miracle to save not only himself but also Crowley. And there is Crowley, who used a miracle to save Aziraphale's books. Because they care for each other. Because they look out for each other. Because neither of them is solely good or bad, they are shades of grey.

We even see Crowley pulling the bag out of the dead person's hand, which could be interpreted as an act of ultimate liberation from the past. After thousands of years of choosing between Heaven and Hell, Crowley chooses to save the books for Aziraphale.

Even though this scene takes place years before they get cut loose from Heaven and Hell respectively, it already depicts Aziraphale and Crowley as independent from both, as their own team. It's the visual proof that they already are an us.

In the end, it all comes down to them. When Heaven and Hell lose their power, when there's little more than broken pieces left –

Aziraphale and Crowley still survive. Together.

Anyways, I'm going mad over here

apology dance concept

– "Seventy Years of Sleep #4" by nikka ursula

ALSO I would like to add that the melody of the lullaby is playing in the background (6:23)

Make of it what you will

I'm sure someone already pointed it out, but– I just can't get over the symbolism of the church scene in 1941. How the bomb shatters the church and kills the nazis and leaves Aziraphale and Crowley behind.

The bomb literally destroys the Good™ (the church obviously represents Heaven) and the Bad™ (we know that the nazis represent Hell because that's where we meet them again. Also, they're nazis) but it doesn't do any harm to Aziraphale and Crowley, therefore placing them with neither Good nor Bad but rather something in between.

Look at them. The sacred ground is scattered around them, not even sacred anymore, since Crowley no longer is bothered by it. What once was to resemble the Evil is now buried beneath.

But there is Aziraphale, who used a miracle to save not only himself but also Crowley. And there is Crowley, who used a miracle to save Aziraphale's books. Because they care for each other. Because they look out for each other. Because neither of them is solely good or bad, they are shades of grey.

We even see Crowley pulling the bag out of the dead person's hand, which could be interpreted as an act of ultimate liberation from the past. After thousands of years of choosing between Heaven and Hell, Crowley chooses to save the books for Aziraphale.

Even though this scene takes place years before they get cut loose from Heaven and Hell respectively, it already depicts Aziraphale and Crowley as independent from both, as their own team. It's the visual proof that they already are an us.

In the end, it all comes down to them. When Heaven and Hell lose their power, when there's little more than broken pieces left –

Aziraphale and Crowley still survive. Together.

Anyways, I'm going mad over here

the group chat when i ask whos available to hang out next week

If Crowley had TikTok

He escaped into the wild again.