Modern AU Where The Boys Save Each Other From Their Canonical Deaths

Modern AU where the boys save each other from their canonical deaths

I nattered on about this a while back as an addendum to one of my other posts, but it got a little lost since it was a reblog, and the idea of it's stuck with me, so I wanted to come back to it again and expand on it a little.

One of the major themes of Dead Boy Detectives is that the good you do comes back around.

It surfaces and resurfaces throughout the series. The instances in the final episode are the most spelled out for the viewer, but there's one example that lives at the very heart of the show that isn't quite so obvious on first glance.

When Charles dies, Edwin is newly returned from hell. The show doesn't specify the timeline aside from that he escapes hell in the same year he meets Charles, 1989, but overcoming that much trauma within a year is a big ask any way you slice it. He's spent seventy years in survival mode. He's got to be a wreck, still.

At this point, he hasn't had time to develop any complicated leniency schemes to keep himself out of hell. Certainly their detective agency hasn't been formed yet. It comes later, in 1990.

For the entire rest of the series, Edwin has a least a partial ulterior motive for the good he does. He takes on cases and tries to make an impact for their clients at least in part so that he can build himself up such a shield of decency that if he ever gets dragged back to hell, he can try to plead his case. He's so ashamed of this that he doesn't admit it out loud until he's forced to by magic.

But when he meets Charles, none of that plan is in place yet. Here he hasn't taken the time to sit down and work out a plan at all. Here the agency doesn't even exist.

He sees this boy in the attic, beaten and freezing and huddling in a corner, and he comes to offer the only thing he thinks he can: light.

And when he realizes he can give more than that – when he realizes that Charles can see him, and what that means – he stays and gives more. Comfort, and kindness, and company, in the very darkest hour of all.

He takes one look at how battered Charles is, and he tells him, "I shan't hurt you."

And it is a big deal.

Arguably this one line is the very best thing he could have said to Charles in this situation, and Edwin, who struggles with people, who has spent seventy years in hell, who is still trying to sort through his own trauma, takes one look at this boy who has been beaten soon-to-be to death, and he knows that intuitively.

And to Charles? It must have meant everything. Charles has spent his entire life trying to be good enough. He smiles and struggles to please. He does the best he can for whoever he can, and for his entire life, it has never been enough. He's been hurt, over and over again, for failing to live up to his father's impossible standards or guess at his impossible rules. His so-called friends turned on him and murdered him for trying to keep them from hurting someone else.

He's on the verge of tears, alone in the dark, dying.

And then Edwin steps up carrying the metaphorical and literal light in the darkness, and one of the very first things he ever says is, "I shan't hurt you."

That's the baseline. That offer comes when Charles isn't putting on a show. He's not being brave, or strong, or charming. He's hiding in a corner, quietly freezing to death. But here comes this boy anyway, with a light in the darkness and a promise not to hurt him.

It's a moment of simple, honest kindness – of Edwin doing good because he sees someone and he wants to help.

And to Charles, it makes such an impact that he gives up his afterlife for this boy. He spends the next thirty years stepping in front of things that would do him harm. He keeps the lantern and brings it with him, when he comes to save Edwin from hell.

It's that very first moment of kindness, in the attic, that sets into motion the events that result in Edwin's rescue.

That one moment of genuine good, with no furtive selfish side intentions, comes back around to save him. He only knows Charles at all because he stopped to help. Charles only didn't pass on to his afterlife because Edwin was there for him.

And then, all those years later, Charles sets out like Orpheus down into hell to get his best mate back.

That good has come around again. That light in the darkness, literally and figuratively both, is there for him in his lowest moment because he offered it to someone else when they desperately needed it.

And that's beautiful.

I’m a D&D nerd, who is currently obsessed with Dead Boy Detectives, so of course the “What class would everyone be?” thought has been tickling me. I’ve seen a few other people post their thoughts on it, and I’ve been reading the amazing “Messrs Payne and Rowland’s Adventuring Agency” by @terresdebrume whenever it updates. Seriously, it’s really good, highly recommend. So I figured I’d throw my hat in the ring and see what anyone else’s thoughts are while I’m at it. Just doing the core four in this post.

So let’s get the easy one out of the way first, Crystal. She’s 100% a sorcerer, her power comes from her bloodline, she was born with it. Because she’s psychic based I’d say she’s specifically an Aberrant Mind sorcerer, without all the deep space tentacle monster baggage. Though she does have disembodied floating eyeballs in her psyche so MAYBE!

Next up is the second easiest, Edwin. He’s a wizard, everyone knows he’s a wizard. What KIND of wizard though? I’m going with Order of Scribes. He loves that little notebook so much, it gained sentience. How awesome would it be, if in this D&D version of the show, Edwin’s notebook didn’t follow him to hell because it was his sentient spell book, and it stayed behind with a purpose? It stayed behind because it KNEW Charles would never leave Edwin there and he would attempt a rescue. It KNEW Charles would go, and it KNEW it had to stay behind to help him. It showed him the things he needed to see, the information and maps that would reunite him with their wizard. I just love that.

Next up is Charles. He was a little tougher. I’ve seen quite a few posts saying that he’s a barbarian, and at this, I must object. At least with the criteria I’m using I suppose. Charles’ power doesn’t come from his rage. The one time we see him using his rage to fight, Edwin’s horrified and worried reaction pretty much confirms this was wildly out of character for him.

Just as an aside, I’m a firm believer of when Edwin said, “That was extreme”, he wasn’t talking about knocking the night nurse off the cliff. He was talking about Charles’ reaction in general, it was an extreme REACTION. He’d never seen Charles act with that much anger, hate, and violence before. He’s not an attacker, he’s a defender. It scared him, but he was scared FOR Charles, not OF him. Our wizard just isn’t great at people’ing. That’s a discussion for a different post though! Back to the topic at hand!

So, if I don’t think he’s a barb, what is he? Well, I’ve got two possible options. One thing that’s said quite a bit in the show, is how charismatic Charles is. And let’s face it, he is. So, using that logic, I’d say he could possibly be a Paladin. Specifically, an Oath of Devotion Paladin. I mean, come on, his power would so come from his extreme devotion to his favorite wizard. That would be a fun one, but there’s my second option which I find slightly more plausible.

It’s shown multiple times in the show, that while Charles claims to be just the brawn, he’s actually very clever and capable of thinking outside the box. Not to mention, he’s all about magic items. Bag of holding, enchanted cricket bat, enchanted jar/paper weight, enchanted lullaby ball, the disguises, the list goes on. So he’s smart and specializes in magic items, that screams Artificer. I’d say he’s a Battle Smith Artificer, some of their specialty spells are based around defending/supporting their allies, and you can’t tell me he wouldn’t find having a little robot pet, sorry STEEL DEFENDER, completely aces. He’d also name it like “Steve” or something and treat it like it was his and Edwin’s child, fight me on that lol. (Jk, don’t fight me I don’t like conflict!) Update: Charles’ lock picking has been mentioned and it just added to this for me as Artificers get expertise in thieves’ tools. How did I forget this?!

So that leaves Niko, who is kind of the wild card. I saw at least one post saying she’d be a bard, but I don’t think that’s accurate. Bards are all about attention (well mostly, I guess whispers would be an exception but she wouldn’t be a whispers anyway) and the whole sprite possession thing seemed to kinda make her uncomfortable with it. Idk, it just doesn’t really fit right to me. On the same thread though, so far in the show, Niko’s only real power is to see the dead. That might be expanded if we get a second season (🤞🏻), but for right now, that’s all she’s got other than being a good friend and excellent reading comprehension skills (which I might revisit this using that last one later). That said, since she got that ability (technically) because of the sprites (more because they almost killed her, but also they’re with her in the igloo so this still might work!) I’d say Niko is a Warlock. Just by the by, I hate that the class is called “Warlock”. That’s a word that came from an old English word meaning “oath breaker or he who breaks their oath”. Warlocks are all about MAKING not BREAKING pacts. Just a weird choice but MOVING ON! Since the sprites seem kind of Fey, I’d say she’d be a Pact of the Archfey. Nothing to do with the pact’s skill set, since we’d have nothing to compare it to, just because they seem fey to me.

So that’s what I’ve got so far. I might think of other characters’ later, like what would Jenny be etc. What do you guys think? I like to hear other people’s opinions on this! It’s fun to bat around!

ye olde fashioned Thirst Trap

Just got back from my trip and I took them with me ✈️