fifteenth-entity - assigned sickly frail victorian boy at birth
assigned sickly frail victorian boy at birth

noel | 19 | he/him | ☀️/🌙 aquarius / ⬆️ leo | multifandom (random atp)

663 posts

Emoji Spell To Free Yourself From Fear

Emoji spell to free yourself from fear

🔮📿🧘🏼‍♂️🧘🏿‍♀️🧘🏻🌗🍃🐬🛌🧿

Like to charge, reblog to cast

Take a deep breath. Listen to meditation music

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More Posts from Fifteenth-entity

3 years ago

How to Write Dialogue for (most) Dream SMP Characters

A few months ago, I remembered seeing a lot of posts giving advice on how to write dialogue for DSMP Characters. And while those posts contained numerous helpful pointers, overall, they fall just short of capturing what it means to write in a character’s Voice.

Unique character Voices, while tricky to get right, are usually achieved by giving each character a distinct set of words to say, in a manner that distinguishes them from the rest of the cast. 

With this in mind, I’ve spent the past few days combing through almost Thirty Hours of VOD footage to collect nearly all of the unique words, phrases, and speaking habits of every major and minor character on the Dream SMP (involved in 2+ story arcs.)

Before Reading:

Sentence-Starters are single words or phrases which begin a sentence. (ie. “Y’know, maybe you should try something different.”) 

Sentence Paddings are reoccurring words added to the middle of sentences. (ie. “It’s like he just can’t cry.”) 

Sentence Endings are single words or phrases which end a sentence. (ie. “There’s no need to fight, I hope.”)

All three of these types can be combined with one another to create more natural-sounding sentences. For instance, if a character has the two Sentence-Starters “Okay” and “So,” they can be used like this; “Okay, so, I’m a bit worried.”

(Note: When certain traits or phrases aren’t obvious with how they should be applied to dialogue, an (ie.) will be added below to illustrate them.)

Wilbur

General Traits:

Repeats himself for emphasis. Sometimes these repetitions will add additional information. More often, this repetition is focused around a specific word with the circumstance of the sentence being changed each time.

ie. “I’m living in an eternal limbo again. I’ve been through limbo, I’m out of limbo, and socially, I’m still in this limbo.”

Highly eloquent in language, bordering on poetic.

Highly introspective; significantly less so after Eret’s betrayal and onward.

Occasionally makes literary analogies and references, sometimes breaking the Fourth Wall to do so.

Curses semi-frequently. Wilbur is the only known character to use the word “cunt,” although rare.

Common Go-To Swears - Fuck, Shit, Prick, Bastard, Hell, Ass (Including all variations and combinations.)

Tends to hum when he thinks to himself.

Stutters most often when offended, shocked, or surprised.

Generally addresses characters semi-formally, often by title or role.

Often slips into long-form monologues when self-reflecting.

Usually defaults to being the head of a conversation; introducing, managing, and elaborating on topics throughout, especially when speaking to three or more people.

Circumstantial Phrases:

You and I, we’re ━ (To connect positively with someone.)

ie. “You and I, we’re used to seeing the good in people.”

I wanna pick your brain / Can I pick your brain? (To ask about someone else.)

Don’t say that, I’ll cry (Affectionate banter, only to Tommy.)

I’m afraid ━ (When hopeless or delivering bad news.)

ie. “I’m afraid there’s no getting out of this now.”

There’s no reason to ━ / There’s no reason for ━ / There’s no need for ━  (When being threatened or breaking up a fight.)

ie. “There’s no need for violence, gentlemen.”

Keep reading

3 years ago

intuitive luck and electro-mechanical physiology

i dont know shit about robotics so i just became op as FUCK

Click on it twice. These are your two super powers.


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3 years ago

agree with the first paragraph entirely

I gotta add to the second paragraph tho: So are you not ok with Nott the Brave or are you just transphobic?

I know some people wanted all new characters but I can’t help but feel like the people complaining about the ExU characters (in earnest, not just saying, aw, not what I wanted, but those genuinely angry they “are being forced” to watch ExU now or whatever) are shockingly entitled. Matt had said that the players who are continuing with those PCs decided they would prefer to after playing ExU. Even with as extensive and impressive as The Critical Role Extended Universe™️ is now, it is literally still their game that they have invited us into, and as long as Crit Role continues to be completely free (or “pay what you want,” if you want to be really pedantic), I think it’s ridiculous for people to ever expect them to sacrifice their enjoyment for basically any reason. Not to mention it would literally ruin the show, but seeing into their game is still a privilege and not a right.

And I won’t even touch the complaints about Sam and Taliesin playing characters with “he/they” pronouns. People can play characters with whichever pronouns they want regardless of their own gender identity and pronouns, I am begging you to go outside.


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