Triple Baka!

Triple Baka! 💛🩵❤️

the beast's silver tongue

Johan's and Lotte's first meetings with Karl Schumacher were meant to contrast. Lotte has to search Karl's mother to retrieve info about her. By contrast, Johan appears so trustworthy and amiable that Karl reveals his past without much prodding.

Matahachi Honiden and Peter Keating

Despite being from two completely different eras and countries, the deuteragonists of the Vagabond manga and The Fountainhead share a lot in common. The Fountainhead has Peter Keating, an aspiring architect who sacrifices others and eventually his own happiness to achieve ephemeral success. In Vagabond, we see Matahachi Honiden bumble through various troubles on his quest to become an esteemed swordsman. Both of these men pursued these paths because of their mothers. Mrs. Keating guided all of Peter's career choices, from attending college to joining a firm and marrying his employer's daughter. Osugi Honiden, Matahachi's adoptive mother wanted him to be a worthy heir of the Honiden name. One of these men falls into disgrace, whereas the other accepts his failings and aspires to be better. Their maternal support is critical to their character arcs.

From the very beginning, Peter and Matahachi are pushed towards divergent endings. Peter mother frequently dismissed Keating's actual desires in favor of fulfilling a shallow version of success. This is epitomized in Keating's rejection of Katie, his true love. One day, a panicked Katie goes to Peter's home and asks to marry him the next day. He agrees, but his mother dissuades him from doing so. Instead, she advises him to marry Dominique Francon, his employer's daughter. Peter ultimately follows his mother's wishes rather than his own. This desperation to live up to his mother's standards drive him to ghastly measures. He frightens his firm's partner into dying of a stroke. Keating also plagiarizes his rival's designs. Despite owing his success to his rival, Peter still resents him Reaching all the hallmarks of traditional success leaves Keating tormented; he knows that he can credit himself for none of it.

By contrast, Osugi supports Matahachi's goal of becoming a skilled swordsman. In her eyes, this ambition makes him a better heir. However, Matahachi doesn't have the discipline to develop his sword skills. His indiscipline leads him to make the same mistakes as Keating. He cheats on his fiancee Otsu and wounds her deeply. Matahachi pretends to be the renowned swordsman Sasaki Kojiro. Admiration also sours into envy for Matahachi. He also resents his friend Musashi for becoming a better swordsman and taking his ex-fiancee.

It's Osugi's support, however, that guides Matahachi on a better path. Before her death, Osugi reveals that she knew about his failings but loved him anyways. She even compares him to Musashi positively. Even though Musashi's single-minded focus is admirable, Osugi believes that Matahachi wandering before finding his path is still beautiful. This validation and love is what gives Matahachi the strength to accept himself and his mistakes. This is the start of his redemption arc. Keating, however, never receives this same love. His mother recognizes that her constant meddling led to Peter's current misery; however, she never openly states that she accepts him for who he is.

Farnese-The Lily Blooms

It's not a coincidence that both Guts and Roderick look similar and have comparable talents. Both men are also important to Farnese: Farnese nearly worships Guts and Roderick is clearly attracted to her, but Farnese doesn't reciprocate his feelings. This dynamic mirrors the Golden Age love triangle between Guts, Casca, and Griffith. Just like Casca, Farnese has to choose not just between self-acceptance and self-rejection.

Farnese's journey is one of becoming more courageous through service. She was a fearful girl who armored herself with aloofness and acts of terror. She wanted people to be more scared of her than she was of the things that frightened her. Farnese's encounter with Guts during the Conviction Arc demonstrates a new way of confronting horrors- head-on rather than running away. Her inability to care for Casca forces her to confront her vulnerabilities and overcome them for someone else's sake. Farnese even learns magic so she can become more self-reliant and defend Casca herself.

Guts is the catalyst for Farnese's aforementioned development. Farnese worships Guts as the embodiment of the resilience she desperately desires. This is reminiscent of how Casca idolized Griffith. By giving Casca a sword, Griffith gave Casca a means of asserting and defending herself in a world that would otherwise oppress her. She, like Farnese, idolized a man who gave her greater autonomy.

Ironically, Casca's self-image became dependent on how Griffith could use her. She even disdained her womanhood, seeing it as an obstacle to serving Griffith. Farnese self-esteem isn't nearly as low, but she is clearly crushed whenever she doesn't get Guts' attention.

Her improvement finally grants her a chance to get more of it. It isn't until she meets Roderick, however, that she finally has a chance to be loved. Roderick is curious about Farnese, saying he always wanted to see the Vandimion devil child. The worst parts of Farnese's history don't scare Roderick away but only intrigue him. Likewise, Guts saw the worst of Casca: her abrasiveness, jealousy, and insecurity, all derived from her unrequited crush on Griffith. However, this only endears Casca to Guts further. Roderick is similarly patient towards Farnese: he understands she has feelings for the Black Swordsman, but isn't jealous.

Both Guts and Roderick respect their love interests' prowess as well. When Farnese protects the ship using magic, Roderick calls Farnese a goddess among angels. For a man from a society that prohibits witchcraft and limits women, this response is remarkably accepting. Farnese and Roderick's relationship will mirror the total acceptance found in Casca and Guts'.

Farnese's romantic relationships mirror Casca's almost 1-to-1. The protective admirer (Serpico), the unrequited love (Guts), and now her possible soulmate (Roderick). As of now, I see Roderick and Farnese getting together. Farnese's gentle and compassionate nature would make her a great partner, and I can see her joining Roderick on his journeys. I'll keep in mind what Lady Vandimion said about Farnese's unpredictability. Farnese may surprise not only her brother but us as well.

Petyr the Disillusioned Hero

Petyr Baelish's story could be ripped out of a fairytale: the wimpy heir to a poor, unremarkable noble house fights for the affections of his beloved. I wouldn't be surprised if Petyr's bravery (one might say foolhardiness) was inspired by songs. Much to his disappointment, however, life did not reward his bravery. It's no wonder, then, that he frequently warns Sansa that life is not a song: he fell into that trap and paid dearly for it. Life taught Petyr no lessons, it only gave him more grudges to hold.

one glance

I'm only 50 or so chapters into kingdom, yet I can tell I'll really enjoy it because of this one non-verbal interaction

Oh. My. GOSH

Where do I even start. Firstly, we don't really get into Ei Sei's head. He's an incredibly stoic character, the cool calm tempering Shin's fire. He often listens to Shin's rants with annoyance or frustration, and you might think that he doesn't think that highly of Shin at all. But this moment completely overturns that. It demonstrates that when Ei Sei isn't speaking, he's observing and learning. In his silence, there's an internal monologue reflecting on what others say and adapting his worldview accordingly.

Both Shin and Ei Sei depend on each other and acknowledge that fact. Ei Sei glances at Shin after his statement to let Shin know that he understands what he said and respects him for it. Likewise, Shin knows that he has to serve Ei Sei for a while before becoming the greatest general in the heavens. Both of them understand their friendship is also a vehicle to achieving their individual goals and don't resent that fact.