frankiebirds - frankiebirds
frankiebirds

nineteen | canadian | avatar by me | they/it | 🍉

920 posts

So Nice Of Reid To Offer To Do Elle's Files For Her. What A Gentleman!

so nice of reid to offer to do elle's files for her. what a gentleman! <3 no takebacks!

Three people walk through a dimly lit lobby while other people mill about behind them. From left to right: a man in a suit and blue tie, a man in a green jacket, and a woman in a dark jacket with a fur-lined hood. The subtitle at the bottom of the image reads: "Thank you. Now I get to go back to the 15 folders on my desk."
A fourth man, dressed in dark clothing, joins the group from the right. The man in the green jacket has his brows furrowed and the man in the suit and blue tie is looking at him. The subtitle at the bottom of the image reads: "Wait a minute, 15? I have 24."
The man in the green jacket and woman in the jacket with the fur-lined hood face eachother. The caption at the bottom of the image reads: "That's because I slipped you four of mine on Friday. Yep."

(Not included in the subtitles on the last image: Cross-talk with Reid saying "What?!" while Elle is saying "four of mine" and Elle following "Yep," with "Mmhm."

also:

The man in the suit and blue tie smiles

Hotch smiling! twice in one episode!

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More Posts from Frankiebirds

11 months ago

i am once again thinking about morgan's protectiveness over reid this episode.

Three men stand outdoors at night. From right to left: a teenage boy in a blue letterman jacket, a man with a purple scarf, and a man in a dark jacket. The subtitle at the bottom of the image reads: "I want you to go to the house and see"
Subtitles: 
-"if the deputies have come back."
and
-"What?"
A close-up of the man in the dark jacket, addressing the man in the purple scarf. The subtitle at the bottom of the image read: "We need the sheriff and the crime scene team here."
A close-up of the man in the purple scarf. His face is shadowed and he looks contemplative. The subtitles at the bottom of the image read:
-"But..."
and
-"Reid, do it."

it's a little hard to tell because there's a scene with the rest of the team interrupting this scene and the next, but as best as I can tell. Morgan telling Reid to go back to the house is immediately followed by Morgan confronting Cory.

The teenager in the blue letterman jacket faces the man in the dark jacket, brows furrowed and mouth open. The subtitle at the bottom of the image reads: "This was more than just a lucky guess, wasn't it?"

Reid isn't the most suited for physical confrontation (which Morgan knows this will likely escalate to) at the best of times, but he's especially not ready for it now. He's tired, kept up by nightmares, embarrassed by his superiors knowing about them, nervous about losing his job over it, and probably still feels a little betrayed by Morgan telling them without his permission even though at this point he understands why he did. So, Morgan tells him to leave, and gives him no indication that he thinks Cory is the unsub. Maybe even waits until Reid is a safe distance away to confront Cory. Trying to keep him out of harms way.

The teenager in the blue letterman jacket aims a gun at the cheek of the man in the purple scarf, his free arm wrapped around his neck. The man in the purple scarf has his hands up in surrender, and the man in the dark jacket aims his own gun at the teenager.

Unfortunately, there was nobody at the house to bring back to the scene (because they were already on their way) and Spencer "Danger Magnet" Reid came back quicker than I think Morgan was hoping for. Better luck next time!


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11 months ago

i hate mary mays* and im so glad the characters (especially hotch) treat her with the appropriate amount of disdain. especially hotch's disgusted expression when she insists she did it to protect him.

Outdoors at night, a man in a suit and patterned tie stares, disgusted, at the out of focus figure of a woman with short blonde hair in the foreground.

hell, here's a brightened up version so you can really look at that expression.

I Hate Mary Mays* And Im So Glad The Characters (especially Hotch) Treat Her With The Appropriate Amount

hotch doesn't emote a lot, either in his face or his voice (he's just like me fr) but to me this reads pretty clearly as disgust, especially followed by this exchange.

The woman with short blonde hair, who is also wearing a brown fur coat and a pearl necklace, looks at the out-of-focus figure of the man in the suit in the foreground. The subtitle at the bottom of the image reads: "What else was I supposed to do?"
The man in the suit and patterned tie looks down and to the right, half his face cast in shadow. The subtitle at the bottom of the image reads: "Almost anything would have been better."

sidenote: i would have really liked to see an earlier part of this exchange comes back, where mary mays asks hotch if he has children, and when he says yes, asks if there's anything he wouldn't do for them, to which he responds by saying that he wouldn't clean the blood of their victim off the floor. not quite so dramatic, obviously, but it's not unreasonable that jack would have some issues in his adolescence, for reasons i don't think i need to say. so. fic concept:

at some point in jack's adolesence (11-14ish?) he chronically shoplifts, and hotch catches him. maybe he finds the items in his room, maybe they're out together and hotch catches him doing it and realises it's not the first time. either way, he makes jack return the items and apologise, and has a conversation with him about it, wondering where he went wrong and deciding to take jack to a therapist. jack is seriously reluctant, and after some prying, hotch realises that jack is taking after him wrt emotional repression and believes that talking about his feelings would make him weak or less of a man, because his dad isn't do it, and his dad is as masculine as one gets. to motivate jack to go to therapy (and actually engage) he starts going to therapy himself. because he needs it. they all do. possibly some flashbacks or references to hotch's childhood, where he acted out very similarly and his father was uh. less than kind. insert somewhere a flashback to this scene. obviously it's very different, shoplifting isn't comparable to murder and cannibalism, but. you know. parallels. this is really half-baked and bad and random i'm sorry lmao.


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11 months ago
In the woods at daytime, a man in a blue sweater and a man in a brown and white striped button-up, both wearing brown coats, look down and offscreen. There are two other men in the background, one taking photos of what the other men are looking at.
The man in the blue sweater turns to look at the man in the brown and white striped button-up, who continues to look sadly down and offscreen.
The man in the brown and white striped button-up turns to look at the man in the blue sweater, clearly upset.
The man in the blue sweater has his arm around the man in the brown and white striped button-up, pulling him in for a side-hug. They have both returned to looking down and offscreen.

this scene makes me need to lay down. goddddd.

sometimes i get the sense that reid is more attached to gideon than gideon is to reid. obviously they both serve as surrogates for the family member each is estranged from (gideon is estranged from his son and reid is estranged from his dad) but.

you know. reid clings to gideon, not physically but emotionally, and i think a lot of his wellbeing at the start of the series relies on gideon's presence. gideon almost certainly knows the most about reid out of anyone on the team—i don't think canon ever says that reid has told gideon about diana, but i would imagine he has—and i think reid feels understood by him in a way he doesn't by other people, even compared to the rest of the team who (mostly) try their best. i think he also tends to try to be as good and deserving as possible of gideon's presence, since he definitely at least partially feels like his father left because he wasn't good enough.

on the flipside, while gideon definitely sees reid as a son, he's...not the best dad. i think we see him repeating a lot of the mistakes that drove a wedge between him and stephen with reid, and i think that had mandy patinkin stayed on, we would have gotten a larger parallel there. he holds him at arms length, trying not to get too close, although he definitely cares about him more than he lets on and the mask slips sometimes, like this moment and on the plane after ldsk.


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11 months ago
I Love How Spencer Gets Defensive Of Mentally Ill Unsubs. Just Imagine How Many Comments He Probably
I Love How Spencer Gets Defensive Of Mentally Ill Unsubs. Just Imagine How Many Comments He Probably

I love how Spencer gets defensive of mentally ill unsubs. Just imagine how many comments he probably got about his mom growing up. That was the 80s and 90s - people were less aware of mental illness, made fun of it more, and people loved to talk.

I wonder if he always stuck up for her or if he couldn't. If he knew he shouldn't snap back at the neighborhood boys that were twice his size or the teacher that talked about things she didn't know about. I wonder if people made comments like that about Diana. Saying oh it's too bad what happened to poor Diana. She is too ill to work and her husband left her... She was so sweet too. And Spencer knows she is still sweet - that she can be sweet when she is lucid enough to remember who he is, when she reads to him and calls him Crash - even though she might never know that she is the reason he is bruised.

I like to think that Spencer stood up for her but he might also be too smart for that. He would have to shoulder those comments about his mom. He would go home and cry into his pillow because the world was hating on the only person he had left for something she can't control. But then Spencer gets himself into the FBI, gets a badge and a gun and a score of degrees, and he never has to listen to another negative comment about his mom - or anyone with mental illness.

Spencer might not have always been able to protect his mom, but he sure as shit isn't going to let anyone bad mouth her now.


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