Hm, Maybe I Should Start A High Grade G-Witch Collection For Dead Pilots.

Hm, maybe I should start a high grade G-Witch collection for dead pilots.

By my count, I’d have three (for major characters, at least).

I do really like the whole mythic aspect that Iron-Blooded Orphans brought to the table. Not just in regards to the Gundams or mobile suits specifically (though those are wonderful), but just the world in general.

Tekkadan being enshrined as “The Devils of Mars”, and Gjallarhorn’s naming convention having so much influence from Nordic legends and mythology. It really sells the world as not only believable, but where these things have power.

Where a legend can make or break something.

And the mobile suits exemplify this.

I really like the Gundams being these forgotten, almost revered machines. The legendary warriors that ended a war over three centuries ago. The relics of a bygone age, taken up by modern peoples for their own, comparatively petty, causes. That mystic aspect works really well, since it is a setting built on myth, with Kudelia’s Maiden of Revolution and Julieta’s knight imagery.

Gjallarhorn as a whole has a lot of knightly imagery in its mobile suits and it’s aesthetics. Gjallarhorn is the organisation that saved the world from the calamity war after all, so they project that image with their dress and mobile suits. Even Lieutenant Crank and Ein are emblematic of a knight and squire, with Gaelio and Ein only furthering the comparison

Ein’s is a squire, who’s knight is slain by bandits. In desperation he pledges himself to another knight in hopes of avenging his lord, eventually giving up his life to protect his new knight, who gave him that chance. He rises again as a black-armoured murderer, who is lost to his vengeance, focusing only on that single goal, being slain by the very bandits he sought to avenge himself on. Years later, his “memory” is carried by the knight he saved, which is used to give him a chance against his foe.

It sounds like a classical story, and that’s just Ein. It only touches on Gaelio, but he undergoes his own arc, intertwined with Ein. There’s a bunch of imagery like that, particularly with Gjallarhorn. One example would be railguns.

They’re fairly common weaponry, but they’re wielded so much like lances. Iok seeks to use one to slay Hashmal, so even though they’re ranged weapons in a world defined by CQC, they don’t seem out of place, because they still seem like a comparatively simple weapon. Dainsleif’s looking like bows and being employed en mass a la archers would be another example. It even adds to the knightly theme, since one of the main downfalls of knights was the invention of the longbow, a bow capable of piercing armour.

So you have this setting built on all this, where even Tekkadan, who don’t even pay lip service to the idea are part of this grander mythology.

And then Rustal shows up and completely upends it.

It just all works really well.

Alright, considering I spent the last two points gushing about how much I like Mcgillis, I should probably do a post on the other great power in Gjallarhorn.

Rustal Elion, the Man Who Rules the Moon.

And I’m gonna pick apart that title before anything else. He is in charge of the Arianrhod fleet, in charge of directly safeguarding Earth, which obviously affords him a lot of power. Him being “the man who rules the moon” also puts him in the same league as Nobliss Gordon and McMurdo Barriston “the man who rules Jupiter”. It also shows his, at least at first, disconnection with the other events going on around him. Or rather the fact that he essentially just shows up, this massive power unrelated to much of the others going on around him, like he’s come down from another world. Which is fairly accurate.

His tactical excellence really goes without much saying, but the recent Iron-blooded orphans MSV has revealed a new detail I want to talk about.

ASW-G-48 Gundam Haagenti, the Gundam frame owned by the Elion family, currently stored at Vingolf with (presumably) the rest of the Seven Stars Gundam frames (which is a topic for another day).

Now we know that members of the families are able to take out and deploy Gundam frames, as Gaelio does with Kimaris, so why wasn’t the Haagenti deployed? It would have surely been a great boon to their forces, and even might have been able to match Barbatos.

Rustal even has a pilot for it in the form of Julieta Juris, so why was it just left in Vingolf?

Because Rustal chooses not to. The Gundam frames are legendary relics of a bygone age, and Rustal wishes to crush Tekkadan and Mcgillis without using them. He could even risk playing into Mcgillis’ hands by using the same “power” that Mcgillis does. So instead he uses the Reginlaze Julia.

He rejects the ancient power of the calamity war, instead choosing a machine based off the brand-new Reginlaze frame. He embraces the future, while Mcgillis and Tekkadan wield weapons of the past.

(Okay yes he also uses Dainsleif’s, but those don’t have as much of a mythic aspect in-universe as Gundam frames do).

It just adds to his character, with him possessing the power needed to enact change, but also the wisdom to recognise that some powers he probably shouldn’t use.

(And yes I know the out-of-universe explanation is “well it didn’t exist yet, so of course he couldn’t have used it”, don’t @ me.)

Also (less relevant to the above points but I just want to kinda gush about Haagenti (and Gamigin) for a bit) ever since we saw the hangar in Vingolf in episode 43, I’ve really been looking forward to seeing what the other Seven Stars Gundam’s are. Haagenti and Gamigin are utterly gorgeous, but I’m particularly interested in the Issue, Kujan and I suppose Fareed families (I always forget that the Fareed family exists as a separate entirety to Mcgillis, since he was adopted into it).

Huh, actually that does throw Mcgillis’ plan in a new light, since he (presuming it’s still around) essentially already had a Gundam as his birthright as head of the Fareed family, but still went for Bael. Maybe the colour didn’t match or something, I don’t know.

Anyway, I’m reasonably sure that the Kujan family Gundam’s no longer around, since you just know Iok would’ve deployed it, Rustal or no. But that still leaves the Issue, Fareed and Baklazan families still to go.

Come to Gundam, we have;

The Fat Uncle

The Gaw Attack Carrier

The Mad Angler

The Gattle

And the Rewloola (imagine a report of being “sunk by the Rewloola”)

I’m begging you to name your ships something else

Spoilers for Gundam Witch from Mercury episodes 13 and 14 follow.

So, now that we know exactly how Aerial’s been operating this entire time (well, give-or-take a couple details) it does raise the question of what Eri’s role in all this is.

Like, how cognisant is she of her actions? Is she just following Lady Prospera’s orders? Is she protecting her sister? Is she fully aware that she’s murdering all these people?

It’s worth noting that when Suletta expresses doubt about her actions, brought on by witnessing Sophie’s death, Eri (as Aerial) immediately steps in to reassure her that she’s totally on the right path, and should trust her mother (at least that’s the vibe Suletta’s response gives me).

But, in light of this new information, it’s worth considering Elan Four’s fight with (as we now know) Eri (again, as Aerial) and Suletta.

Eri essentially pulled the patented newtype therapy on Elan Four, reminding him of a significant time in his life. But the question is, why?

She had no problem murdering Sophie (though that was somebody actively trying to kill), but why give Elan this?

My immediate though is as a distraction, to give them time to set up that little coup de grace they hit Elan with, but the alternative is that Eri is a good deal more empathetic than someone under Prospera’s thumb should be.

It’s also possible that she was put into Aerial at an early age (I’m not sure how much of a representation what Sophie and Elan saw was) and as such a lot of her development has atrophied.

Other predictions and thoughts on this development:

1. Lady Prospera will almost certainly betray Delling.

Perhaps I’m reaching for the low-hanging fruit here, considering that this was already likely, based both on how they act around each other and Lady Prospera’s existence as a char clone (and therefore pretty likely to betray anyone). But I’m thinking that Delling either doesn’t know about this (highly likely) or this is just a small part of the larger quiet zero project, which he also doesn’t know the full details on. Given his position with Cathedra in the prologue, I just can’t imagine him backing this.

2. Lady Prospera will fight in the Aerial.

Okay, so this is the biggie. I’m thinking that Suletta comes around to Miorine’s way of thinking and backs her in the upcoming fight. Aerial is (initially) more loyal to Prospera than Suletta, and Suletta will be forced to use a different unit (though presumably still a Gundam). Throughout the fight, suletta will be desperately trying to appeal to Aerial/Her mother and eventually get through to Aerial, which will then refuse to dodge an attack that kills both Eri and Lady Prospera. Bonus points if it plays out similarly to Scirocco’s death in Zeta Gundam.

Alternatively Lady Prospera takes to the field in a shiny new Gundam, the culmination of Quiet Zero (I wonder if too many of my theories rely on the fact that we know absolutely nothing about the Gundam Schwarzette at this point), and trying to convince Aerial to take her side, while Suletta’s desperately fighting without Eri’s assistance.

Honestly, I always figured that the reason why the Clones are the way they are in Star Wars (IE, Why they exist, why they’re written as they are) is that, fundamentally, they were beholden to that line from way back in the original Star Wars (before it was A New Hope) back in 1977. “You fought in the Clone Wars?” So, Clones have to be involved somewhere, they’re stuck with that. They’d already established the Droid armies as being a thing in A Phantom Menace, and it sells the Trade Federation (and by extension, the rest of the separatists) as cowardly, since they’re relying on machines to do their fighting for them, and since they’re expensive, they’re rich as well.

It’s important to remember that around the time of the prequels coming out, there was the very real fear among people of mechanisation in the workplace, machines coming to take their jobs (I’m not saying that isn’t still a thing, just that it was less prevalent then than now), so with that as the backdrop it’s less likely that the viewing public’d get behind a robot army. So, we have to work clones in somewhere, and they can’t be the bad guys, and the Grand Army of the Republic has to come from somewhere…….

Eureka! Make the Grand Army of the Republic clones!

It solves the problem of the giving the republic an army for the conflict, without making them look like the aggressors, or implying that they would use a standing army to enforce rule on the galaxy. The Republic is still the good guys, remember, no matter how corrupt and inefficient certain parts of them are. It also enables them to sell this conflict as being a sith plan, since this army “just happens” to have been set aside for this very purpose.

It’s also worth noticing that, in the movies at least (near as I can tell, until The Clone Wars (The CG tv show) the clones have a far more varied depiction, from being varied characters with their own views on the war, to being essentially droids made of meat, with a lot of variation between those two binaries. The Clone Wars (as above) took the decision to follow the more humanist line. I’m focusing on the movies since, again, primary source) the clones don’t really have much personality. Mostly that’s because there’s only so much screen time, and it’s being taken up by Jedi, Senators and the like, but it really feels like the only reason they’re human is so we, the viewers can emphasise with them as the good guys and to provide foreshadowing as to where those suspiciously similar stormtrooper fellows come from.

“Are the Clones slaves?” Is, at least to me, a fairly thorny ethical question in its own right, both in and out of universe. I won’t go into the specifics of that now, but it is absolutely a fun and interesting question to ponder. But there’s a myriad of reasons as to why this decision was made, so making such a binary choice as throwing out everything else because the clones are apparently slaves is honestly just kinda doing the series an injustice.

People complain that the jedi don't act appropriately to being forced to use a slaver army, but they seem to forget that the jedi can't. Not just in universe (although yes, in universe there was nothing the jedi could do about this decision made by the senate) but narratively.

The jedi can't comment on the clone's slavery because the narrative won't let them! As a matter of fact, the narrative won't let anyone mention this! Literally no one calls the clones slaves seriously, even characters who by all accounts should feel that way because the narrative won't let them because they are fictional people created by a team of writers.

The clones aren't slaves in universe because the writers refuse to write them that way. Do I personally feel that this should have been a plot point? Yeah I think it would have been interesting! But they didn't!

Is it fun to explore this in fanfiction? Yeah it totally is! I know I would mention it in any fic I write in the future.

Does it make for good media criticism or analysis? No! This is just straight up not how you professionally analysis media. It is worth bring up in a discussion about the creators and exploring why they didn't bring these things up in the series. That would be good media analysis.

But as "proof" that some characters are bad this fails dramatically. Why? Because then you must apply this logic to every character, meaning not just the jedi are evil but actually every single character in the whole series, yes all of them, are evil. Once you do that you have successfully thrown away any meaning the original work had. It is all pointless now.

People confuse in-universe (watsonian) and out-of-universe (doylist) analysis. 'Why did no one do anything about the clone's situation?' is a shit watsonian analysis. But 'why the fuck did the writers write the clones like this?' is a GREAT doylist question.

Media analysis should add meaning, or explain meaning, or even describe why you feel the work lacks meaning, but it should never take all meaning away.

It is the same reason droids aren't called slaves. It would complicate the narrative and distract from whatever the writers were actually trying to say. The writers don't want to go there, so they don't.