Gundam Iron Blooded Orphans - Tumblr Posts

Regarding Bael’s Ars Goetia listing; “He maketh thee to go Invisible. He ruleth over 66 Legions of Infernal Spirits. He appeareth in divers shapes, sometimes like a Cat, sometimes like a Toad, and sometimes like a Man, and sometimes all these forms at once.”

Though it’s less about the Mobile Suit and more about Mcgillis, would-be invoker of Bael’s power; Mcgillis concealed his ambitions in Gjallarhorn for years, making himself invisible to everyone, friend and foe alike. He appears in diverse shapes - a Masked Man, a Virtuous Son, a Prospective King. It’s possible that Bael’s listing denotes more about Mcgillis than the suit itself.

IBO reference notes on … the Gundams (part 1)

[Part 1 | Part 2 | Part 3]

Or: a spotter’s guide to the Calamity War.

[Note: I tried to post this twice today before figuring out that one of the images was causing it to be consigned to Tumblr oblivion. Apparently a shot of Lt. Crank's gloved hand was too racy for this site. Yeah.]

I said at the time that the fanfic Of Obsessions and Erotemes was written as an alternative to writing an essay expanding on my thoughts regarding the Gundams in Iron-Blooded Orphans. This is probably not strictly accurate, however, and I've been struck by the urge to take a figurative walk through the canonical examples out of the 72 Gundam frame type mobile suits.

I want to focus on the Gundams as they started out during the Calamity War, as far as that is possible, and what this says about the nature of the conflict. I will probably follow up at some point with notes on the mobile armours too, since they are the flip-side of this narrative. As I’ve had cause to mention before, I’m generally content with not knowing too much about the historical event that serves as the basis for IBO’s world-building. I think that adds rather than subtracts from the story. Still, it is fun to play with what we get and piece together an impression of what happened three hundred years prior to the series’ beginning.

For the purposes of not writing a post ten thousand words long, I’ve split the Gundams into three groups based on numerical position in the master list, which is of course taken from the Ars Goetia. Here, I will be drawing on Crowley’s edition.

All images shown here are either borrowed from the Gundam Wiki or are my own screenshots.

As with all my posts like this, spoilers are present for everything.

The Gundam frame

Let’s start with what is under the hood, to whit: the Gundam mobile suit frame.

I covered some of this in my post on the aesthetics of the mobile frame concept, but the most important detail about the Gundam type is how human-like its proportions are, in both limb structure and eye placement. Unlike other frames, this is intended from the start to be used with an Alaya-Vijana system, so designing it to more closely approximate the human form makes a great deal of sense.

At the same time, there is something fittingly demonic about the skeleton, down to the claw-like fingers. However it must be noted that this is specifically Barbatos’ frame; the talons on on the feet are not reflected on the others. Indeed, based on the design work for Kimaris and Flauros, the feet are the part that varies the most from machine to machine.

A Gundam’s power – both in the sense of motive force and superior strength – comes from the twin Ahab reactors making up its torso. It’s the only mobile weapon in Iron-Blooded Orphans confirmed to have multiple reactors, with the implication that this boosts the output beyond simply adding the two together. Indeed, when operating at full capacity against a mobile armour, Barbatos seems barely able to contain its own energies.

Ancillary material states Ahab reactors are made ‘on a plant near a fixed star’, implying a difficult process to begin with (or at least a factory in orbit of the sun). Synchronising the reactors so they run in parallel is adding extra complexity on top of that, which is one of the reasons Gundam construction is a lost art. These things are the peak of mobile suit design and have never been equalled since they quite literally saved the world.

A Gundam, then, is not merely another weapon. It is the maximisation of human capacity, allowing a pilot to exceed their bodily limitations to destroy an inhuman enemy. We don’t know for sure the Calamity War pilots ended up in the same sorry state as Mikazuki (though the taleof Agnika Kaieru’s spirit residing inside Bael carries some interesting implications). But we do know the Alaya-Vijnana places extraordinary pressure on human physiology by its very nature, and the Gundams themselves come with competing limiters as a result. One that disengages in proximity to a mobile armour, allowing the full force of the reactors to be unleashed; another that switches on at that point, to stop this burst of power immediately overwhelming the operator. Only by accepting the danger can the pilot proceed with their attack.

It’s a duality of ultimate strength and ultimate risk that makes the Gundam frames seem like suitably desperate creations. They are the demons that prevented total apocalypse, while consuming their pilots body and soul.

ASW-G-01 Bael

The first king of the Hell, and therefore presumably the first Gundam to have been constructed. From latter machines, there is the suggestion that deployment order did not match the numerical codes, so it isn’t entirely clear if we can solidly say they are numbered in the order they were built. But it seems reasonable to assume that this represents the start of Gundam operational history.

If we can take Bael to exist in the present exactly as it did in the War, it is a relatively simple affair, sporting nothing more flashy than a pair of wing-like boosters (I say wing-like purely because they are not functionally wings; they’re more an elaborate jet-pack). From a design point of view, Bael otherwise matches exactly to the template set by the series’ hero machine, Barbatos: the armour and thruster placement is identical and we may take this to be the default.

The combat philosophy behind this machine appears to be the same too: strike fast and strike sharp. It follows that Agnika Kaieru was the kind to lead from the front. Indeed, kit manual text makes it clear he was self-sufficient in battle, taking down mobile armours solely with his twin swords. Given McGillis holds his own against an entire fleet for a while, this doesn’t feel like a stretch and it certainly explains why the man became such a legend.

The symbol on Bael’s left shoulder is the original Gjallarhorn logo, which more directly presents the source of the organisation’s name: the horn that sounds Ragnarök. This would later be elaborated into the flag used in the present while remaining as a some sort of badge/pin or medal on officers’ uniforms. I find that fitting, that something simple would be built up over time into a grander image, disguising the root truth. In many ways, that sums up Bael’s place in history.

From the Ars Goetia:

The first Principal Spirit is a King ruling in the East, called Bael. He maketh thee to go Invisible. He ruleth over 66 Legions of Infernal Spirits. He appeareth in divers shapes, sometimes like a Cat, sometimes like a Toad, and sometimes like a Man, and sometimes all these forms at once. He speaketh hoarsely. This is his character which is used to be worn as a Lamen before him who calleth him forth, or else he will not do thee homage.

Notably, the sigil used for Gundam Bael’s interface does not simply replicate the 'canonical’ seal from the Ars Goetia but rather reinterprets it.

Clearly OG Gjallarhorn had graphic designers on staff. Also, Bael’s main console screen is of a uniquely narrow design, in a rather elaborate housing. It would seem the cockpits were refined for later models, simplifying things towards a standard pattern seen in Kimaris and Gusion that would itself go on to become the standard for Gjallarhorn 'suits.

ASW-G-04 Gamigin

Pretty much all we know about Gamigin is that it exists, it was originally piloted by Kalf Falk and it made it out of the Calamity War in one piece. Oh and someone in the armoury department was having a laugh the day they issued this Gundam its weapons.

Seriously though, if Bael is the default, this is a heavy-duty model. Gamigin looks a hell of a lot less manoeuvrable, even accounting for the extra thrusters built into its skirt, and its standard-sized arms appear positively weedy compared to the heft of the body and legs. Clearly though, that was a trade-off deemed acceptable for the sake of destructive capacity.

The giant Gatling gun speaks for itself, but the revolver axe is the more interesting item here. As silly as it looks, it’s represents the (presumed) earliest incorporation of Dàinsleif weaponry into a Gundam frame mobile suit.

'Dàinsleif’ is a term used to refer to anything that launches javelin-like projectiles at high speed with the intent of puncturing nano-laminate armour. It’s unclear if the present ban on their use extends to smaller-scale versions like this, which is a point-blank deployment of the technology.

The blunt side of that axe is designed to strike an enemy and fire a spike straight through it. Crude but effective. Or so we can assume given this machine was piloted by one of the first Seven Stars and therefore must have destroyed a great many mobile armours.

From the Ars Goetia (Samigina/Gamigin):

The Fourth Spirit is Samigina, a Great Marquis. He appeareth in the form of a little Horse or Ass, and then into Human shape doth he change himself at the Request of the Master. He speaketh with a hoarse voice. He ruleth over 30 Legions of Inferiors. He teaches all Liberal Sciences, and giveth account of Dead Souls that died in sin. And his Seal is this, which is to be worn before the Magician when he is Invocator, etc.

This is one of several demons with multiple names listed in the Ars Goetia. There doesn’t appear to be any pattern to which was picked as the ID for the corresponding Gundam.

ASW-G-08 Barbatos

Teiwaz are stated to have restored Barbatos to its original state so we can assume the 4th form represents the version that fought in the Calamity War. Given this, it likely used a katana in battle, as the sword Teiwaz provides bears the same logo as the 'suit and we know from their work on Flauros that Gundams store information about their own weaponry (see also Mikazuki’s sudden competence with it when he connects deeper to Barbatos).

Intriguingly, with the retroactive introduction of predecessor designs, it appears Barbatos takes cues from both Bael and Gamigin, which ties these three low-numbered models together nicely. It is also relatively unspecialised in comparison, lacking the features that mark out the previous two. When found, it had a small buckler shield built into a gauntlet on its left forearm, similar to those the 5th form in the series would use. However, there’s no indication if this was used as a mount for mortars like the later version, leaving us with a machine that appears to have been a simple melee combatant.

The absence of gimmicks showcases just how powerful Gundams are in comparison to other mobile suits, at a baseline. In any given fight during Season 1, Barbatos is faster, stronger, and more adaptable than its opposition, and while we see it built up with add-ons over the course of the series, those often seem to get in the way or provide only passing advantages.

Since my focus is on the Calamity War, I’m not going to go into any detail regarding the Lupus and Lupus Rex forms. But I will posit the idea Barbatos’ original pilot was of a different temperament to Mikazuki. If it is indeed their 'ghost’ who comes to his aid in Edmonton – some trace left behind in the system that allows him to understand the katana in the nick of time – they seem to have been a master of that weapon, favouring lethal precision, in stark contrast to Mikazuki’s gradual transformation into an animalistic, living weapon.

(The mace that Mikazuki leads with seems to have been something Maruba bought for possible use if he could ever get Barbatos running, rather than a relic of it previous operations.)

From the Ars Goetia:

The Eighth Spirit is Barbatos. He is a Great Duke, and appeareth when the Sun is in Sagittary, with four noble Kings and their companies of great troops. He giveth understanding of the singing of Birds, and of the Voices of other creatures, such as the barking of Dogs. He breaketh the Hidden Treasures open that have been laid by the Enchantments of Magicians. He is of the Order of Virtues, of which some part he retaineth still; and he knoweth all things Past, and to Come, and conciliateth Friends and those that be in Power. He ruleth over 30 Legions of Spirits. His Seal of Obedience is this, the which wear before thee as aforesaid.

Again, we see a redesign of the seal for Gundam Barbatos’ start-up sigil.

I like the choice to make the lines more dynamic.

ASW-G-11 Gusion

We don’t know if this is what Gusion started out looking like. Gusion was found in a debris zone and passed through various hands before it reached the Brewers, and we know the Brewers’ Man Rodis are custom jobs, more heavily armoured than standard Rodi frame models. On balance, this is probably something they cooked up to fit their requirements.

But gives us an idea of the limits of a Gundam frame’s flexibility. The arms and legs have been stretched outwards from the main body to accommodate the armour load-out. You can see a glimpse of the piston that operates the hip joint under the skirt in the image above, providing a sense of where the legs have been moved. Quite how this works is unclear since we only see the head exposed when the Turbines start deconstructing this form. The fact it does work emphasises just how far the Gundams can be reconfigured. The Turbines even go so far as installing extra arms into the Rebake version given to Akihiro, seemingly with no issues at all.

Gusion also provides an example of the fate suffered by quite a number of the Gundam frames: that of being lost and forgotten after battles during the Calamity War. The figure provided for how many frames are known to have survived is 26, but it’s unclear where that sits in the timeline of IBO canon, throughout which several Gundams are uncovered from previously hidden resting places. Certainly it appears only a minority of such 'suits remain in Gjallarhorn’s custody. While some have most likely been destroyed outright, many may still be drifting among debris fields or buried at the sites of battles from three hundred years ago.

It’s a neat conceit, leaving fertile ground for fanfiction or spin-offs to play on, and underscores that these machines belong to a bygone era most have forgotten about.

From the Ars Goetia:

The Eleventh Spirit in order is a great and strong Duke, called Gusion. He appeareth like a Xenopilus. He telleth all things, Past, Present and to Come, and showeth the meaning and resolution of all questions thou mayest ask. He conciliateth and reconcileth friendships, and giveth Honour and Dignity unto any. He ruleth over 40 Legions of Spirits. His Seal is this, the which wear as aforesaid.

The connection between the machine or pilot and the Ars Goetia descriptions is somewhat variable throughout this list. In some instances there’s nothing obvious at all. However, I love that Gusion bestows honour and dignity because of how beautifully it ties into Akihiro’s arc. This said … I don’t actually know what a 'Xenopilus’ is. My first thought was 'Xenopus’ and a frog motif certainly would explain Gundam Gusion’s appearance. But I don’t think that’s right? Answers on a postcard, please.

That’s where we’ll leave things for today. I will probably post the next instalment sometime tomorrow.

Other reference posts include:

IBO reference notes on … Gjallarhorn (Part 1)

IBO reference notes on … Gjallarhorn (Part 2)

IBO reference notes on … Gjallarhorn (corrigendum) [mainly covering my inability to recognise mythical wolves]

IBO reference notes on … three key Yamagi scenes

IBO reference notes on … three key Shino scenes

IBO reference notes on … three key Eugene scenes

IBO reference notes on … three key Ride scenes

IBO reference notes on … the tone of the setting

IBO reference notes on … character parallels and counterpoints

IBO reference notes on … a perfect villain

IBO reference notes on … Iron-Blooded Orphans: Gekko

IBO reference notes on … an act of unspeakable cruelty

IBO reference notes on … original(ish) characters [this one is mainly fanfic]

IBO reference notes on … Kudelia’s decisions

IBO reference notes on … assorted head-canons

IBO reference notes on … actual, proper original characters [explicit fanfic – as in, actually fanfic. None of them have turned up in the smut yet]

IBO reference notes on … the aesthetics of the mobile frame

IBO reference notes on … mobile suit designations

Huh. Though the new Gundam Murmur is a delight, I’ve just realised something about the pilot, Makie Fareed. I’d initially misread it as “Maike” (Ma-ike), but here we have a member of the Fareed family bearing the name Makie.

Makie, Maky, Macky……

Now where else have we heard that name?

Of course it could just be a coincidence, but given that Almiria is a scion of Gjallarhorn, it’s likely that she was taught to remember the names of the other Gjallarhorn members primogenitors. And when her “shining knight” should come along to rescue her from harm, her mind draws back to those history lessons to another “knight” of the Fareed Household, and the shining armour they wore.

How interesting it is then, that it’s that exact set of shining armour that McGillis rejects in favour of Bael.

Gonna quickly skim over Astaroth and Vual first;

While Astaroth’s Ars Goetia entry relating to the Warren Family’s (and thus its own) fall, it’s interesting that a large part of IBO Gekko is the revelation of how other elements of Gjallarhorn fell, with Astaroth playing a significant part in revealing that (Nadira and Zalmfort). Even it’s initial fighting against Rosario Leone could be taken as evidence of this, since it reveals his “fall” from being an ally of Tanto Tempo.

“Wherefore the Magician must hold the Magical Ring near his face, and that will defend him. He giveth true answers of things Past, Present, and to Come, and can discover all Secrets. He will declare wittingly how the Spirits fell, if desired, and the reason of his own fall”.

I’d also like to call out the line regarding holding the magical ring near his face to defend him.

Argi Mirage is stated to be able to form a neural link with the Astaroth through his prosthetic arm, though it’s not nearly as strong as Alaya Vijinana. Given how Alaya Vijinana is shown to affect people, and given that Argi seems to be shown holding his hand in front of his face a lot, it’s possible that Argi’s prosthetic is meant to substitute for a ring, with Argi being the Gundam’s “summoner”.

Next, the Vual;

“His Office is to Procure the Love of Women, and to tell Things Past, Present, and to Come”.

Tell of things past, present, and to come - fairly straightforward, Vual is of the past and it’s defeat ties up exactly what went down with Daddy Ted’s assassination - IE why Argi was hired in the first place, whereas Leone exists as a foe to essentially tip off Volco that Ville Klassen has something to do with his family’s demise - explaining the past, setting up a fight to come. Rosario’s a starter villain, is what I’m getting at. It’s possible that has the series gone on, it would have eventually led to a reveal relating to the Gundam Seere, thus acting as a harbinger of Argi finally understanding the events of the past (though I confess that’s utter supposition).

Secondly, to procure the love of women. Rosario is backed up by Nanao Narolina, a very seductive character who ultimately betrays him.

So, while Vual might procure the love of women as allies, it’s ultimately only a temporary boon, as these sorts of demonic pacts often are. (I’m not considering the other kind of “procurement”, but Nanao’s sexual personality coupled with Vual’s “office” is what made the connection)

Right, the Gundam Haagenti

I confess annoyance that I hadn’t caught the feminine design prior (or, rather, that I had but without considering the wider context of it). Then again, I do have a fondness for heeled suits, so it’s perhaps excusable I didn’t make the connection.

It’s possible the reason for the wires on the throwing fans is just that the fans themselves are difficult to manufacture, so retrieval is a priority. It’s also possible that the fans are representative of the “gryphon’s wings” mentioned in the Ars Goetia listing. The multiple mentions of transmutation may refer to Rustal Elion, since he changes the current governing system into another one.

Hm. Japanese property though it is, apparently somebody on the Gjallarhorn design team had a thing for Katanas, since the Barbatos, Vidar, Haagenti and Waltraute all use them (then again I’m no expert, so perhaps they’re different kinds of Katanas).

IBO reference notes on . . . the Gundams (part 2)

[Part 1 | Part 2 | Part 3]

The way I've broken this down, the different Gundams group nicely into vague categories, with this set of middle-sequence machines showcasing a variety of additional enhancements compared to the more straightforward early-sequence entries from the last post.

It appears the engineers became increasingly creative as the ID numbers escalated. At first blush, that makes sense, since presumably the mobile armours didn't take the appearance of a new fighting force lying down. An arms race of sorts might well have been a natural outcome. However, with both Bael and Gamigin right at the start of the list, we have to conclude that pilot ability was of paramount importance when it came to racking up kills.

Again, spoilers for everything.

ASW-G-29 Astaroth

Astaroth seems to have been intended for independent aerial operations in atmosphere. As such it was equipped with wings that deploy from the shoulders and an elongated backpack that can flip-up to act as a stabiliser (seen below in an official promotional shot of the HG kit).

Basically, it came with its own in-built Base Jabber/Tickbalang. This afforded it much greater range than a standard Gundam. Interestingly, the wings are sufficiently tough they could be repurposed as shields/blades for close-quarters combat, presumably because they were manufactured using the same techniques as the rest of the armour.

I should note that while we can take the red colour scheme as original, the Warren Family crest on the chest and wings is explicitly a later addition. The Warrens gained status in Gjallarhorn by digging up Astaroth on the Moon after the Calamity War was over; we know nothing about its first pilot beyond where they left their machine.

The additional gimmick here is the sword, which uses Ahab particles in combination with a special nanolaminate coating to disrupt standard nanolaminate armour. This is probably the nearest IBO gets to a beam saber-like weapon and while we haven't seen it in action at any point in canon, it required hooking the sword direct into the 'suit's reactor via a connector plug built into Astaroth's arm. According to the kit manual, this technology was not especially stable, hence why it didn't see wider deployment.

When not in use, the sword sheathes inside a giant club, which continues a trend for Gundams to be armed with either piercing or smashing weapons as the primary means of attack. This is not to say they eschew guns completely; you can see here Astaroth came with a shotgun and obviously there's Gamigin's Gatling gun. But these are likely meant mainly for dealing with plumas, which we see in Season 2 are relatively vulnerable to normal bullets -- unlike a mobile armour, which requires something capable of breaching its defences and destroying its central processor as quickly as possible.

From the Ars Goetia:

The Twenty-ninth Spirit is Astaroth. He is a Mighty, Strong Duke, and appeareth in the form of an hurtful Angel riding on an Infernal Beast like a Dragon, and carrying in his right hand a Viper. Thou must in no wise let him approach too near unto thee, lest he do thee damage by his Noisome Breath. Wherefore the Magician must hold the Magical Ring near his face, and that will defend him. He giveth true answers of things Past, Present, and to Come, and can discover all Secrets. He will declare wittingly how the Spirits fell, if desired, and the reason of his own fall. He can make men wonderfully knowing in all Liberal Sciences. He ruleth 40 Legions of Spirits. His Seal is this, which wear thou as a Lamen before thee, or else he will not appear nor yet obey thee, etc.

'Riding a dragon' certainly fits the self-propelled flight option quite well, as the winged form does with Astaroth appearing as an angel, and we might interpret the γ nanolaminate sword as a viper if we squint -- or possibly this is the 'noisome breath'. Additionally, the idea of declaring how a spirit fell sits interestingly in the context of Gundam Astaroth's modern history, with it having been the prized possession of the Warren Family until they were framed for embezzlement and disgraced, and subsequently becoming involved in the mafia-like internal strife of the Tanto Tempo shipping company.

ASW-G-32 Asmoday

Found mint-in-box, Asmoday seems to have never actually been deployed in battle. Indeed, it is discovered repurposed as a secondary power supply for an Ariadne Network relay station. This is a unique case, since every other Gundam frame we know about either definitely saw combat or is heavily implied to have done so.

With respect to the previous comment about armaments, Asmoday comes equipped with giant tonfas that can extend to a frankly ludicrous length and are designed to act as armour-breaching pile-drivers. It also has claws built into its feet, allowing it to grab on to targets, marking a further development in how weapons are integrated into the 'suits. This feature is similar to one found on the Hugo mobile suit, which was developed in the middle of the Calamity War for space-combat. Possibly this means Asmoday was intended for the same purpose.

Its hand-held weapons are a sword/javelin combination that can shoot out on a cable and a mid-range rifle. Both are relatively uninteresting in their own right, but fit the standard pattern of the setting for mobile suits to carry both a melee weapon and a gun. It also carries smoke-screen grenades.

Asmoday's status when found provides a rare glimpse into the Calamity War's immediate aftermath. The Ariadne route leading to its location was long abandoned by the present and passed through the middle of a debris zone. The space station in which Asmoday was stored bore the Falk Family coat of arms; indeed, Kalf Falk, a Seven Star, was its administrator. This suggests that by the point Asmoday was plugged into the power grid, the Seven Stars were already established as ranking members of Gjallarhorn, placing that development right at the end of the War or perhaps even before it was over.

That they would need to use Asmoday in this manner also implies power sources were thin on the ground at the time. Given the sheer scope of the War, that's not an unlikely outcome. The artificial gravity effects of Ahab reactors continue to hold debris zones together three hundred years later, so we know a great many of them were lost in battle. Furthermore, in the present day, Gjallarhorn has come to completely monopolise the manufacture of Ahab reactors. A contributing factor to this may have been the destruction of the infrastructure that previously existed to produce them. This is pure speculation on my part, but it would gel with someone so highly placed in their organisation needing to deploy a Gundam as a glorified back-up generator.

From the Ars Goetia:

The Thirty-second Spirit is Asmoday, or Asmodai. He is a Great King, Strong, and Powerful. He appeareth with Three Heads, whereof the first is like a Bull, the second like a Man, and the third like a Ram; he hath also the tail of a Serpent, and from his mouth issue Flames of Fire. His Feet are webbed like those of a Goose. He sitteth upon an Infernal Dragon, and beareth in his hand a Lance with a Banner. He is first and choicest under the power of Amaymon, he goeth before all other. When the Exorcist hath a mind to call him, let it be abroad, and let him stand on his feet all the time of action, with his Cap or Head-dress off; for if it be on, Amaymon will deceive him and cause all his actions to be bewrayed.* But as soon as the Exorcist seeth Asmoday in the shape aforesaid, he shall call him by his Name, saying: “Art thou Asmoday?” and he will not deny it, and by-and-by he will bow down unto the ground. He given the Ring of Virtues; he teacheth the Arts of Arithmetic, Astronomy, Geometry, and all handicrafts absolutely. He giveth true and full answers unto thy demands. He maketh one Invincible**. He showeth the place where Treasures lie, and guardeth it. He, amongst the Legions of Amaymon, governeth 72 Legions of Spirits Inferior. His Seal is this which thou must wear as a Lamen upon thy breast, etc.

*This sentence was apparently badly translated and should more accurately run: "When the exorcist employs his [Asmodai’s] offices, let him [the exorcist] be strong, wary [lit. “warned”], standing on his feet, for should he be overwhelmed, he will be exposed in everything: but if the exorcist does not do this he will be deceived in everything by Amaymon." Just in case any of you were going to attempt the invocation.

**copyist's error, apparently: should be 'invisible'.

Head of a ram? Check. Lance? Eh, a tonfa that big is basically a blunt lance. Webbed feet? Kind of. And the bit about guarding the place where treasures lie does fit with where Gundam Asmoday was found.

[Note: I am aware the Japanese materials use the more common spelling 'Asmodeus', making this the only instance where the name of a Gundam varies between languages. But the official English text all uses Asmoday so I'm sticking with that.]

ASW-G-35 Marchosias

And then there's this thing. Do you like swords? How about some more swords on your swords? Well, Marchosias has you covered!

Oh, and we know at least one thing about its original pilot: she took duelling etiquette to heart. Or just thought zooming around like Zorro on steroids looked incredibly cool.

Like Astaroth, Marchosias' main sword stows in a sheath that could be used as a club. But it was also equipped with extra arms for better slicing/dicing action. The result is a one-mecha army that can take down a mobile armour with incredible efficiency.

We already knew from the Gusion refits that Gundam frames can support additional sets of limbs. That this should be the case is worth pausing over. Gundams are designed to allow people to surpass their limits. Marchosias gives us a view into just how far they could go beyond the human-like starting point.

What effect would this have on the pilot? Did this set-up place a higher load upon them during battle? We see nothing similar among the other Calamity War Gundam configurations. Only Kimaris' trooper form comes close and that seems more about increasing stability than adding extra offensive options. Perhaps therefore this approach was deemed too risky or too complicated to pursue further.

Moreover, Mikazuki starts to miss his tail when outside Barbatos Lupus Rex; was it the same for Marchosias's pilot? Having four additional limbs to keep track of must have done some wacky things to her sense of self. And how was that seen by her comrades? In light of later attempts to dehumanise augmented people, it's hard not to suspect this Gundam would be excellent propaganda for that cause.

Perhaps this explains why she retreated to Venus after the War was over. I've been saying 'she' because the current leading candidate for the identity of Marchosias's pilot is Erda Afam, great-grandmother to Wistario Afam, protagonist of the Urdr Hunt game. Marchosias -- in its rebuilt form as Hajiroboshi -- was not abandoned like Asmoday but deliberately hidden in the depths of the Radonitsa Colony. While we have yet to learn the full story, the details so far point to at least one Gundam pilot who didn't want to be part of the Seven Stars' post-war reorganisation of the world.

From the Ars Goetia:

The Thirty-fifth Spirit is Marchosias. He is a Great and Mighty Marquis, appearing at first in the form of a Wolf having Gryphon’s Wings, and a Serpent’s Tail, and Vomiting Fire out of his mouth. But after a time, at the command of the Exorcist he putteth on the Shape of a Man. And he is a strong fighter. He was of the Order of Dominations. He governeth 30 Legions of Spirits. He told his Chief, who was Solomon, that after 1,200 years he had hopes to return unto the Seventh Throne. And his Seal is this, to be made and worn as a Lamen, etc.

Following its rebuild into Hajiroboshi, we get a glimpse of the underlying operating system, so we can see that again, the IBO sigil has been reworked from the original seal.

'Strong fighter' might well be an understatement here! The griffon elements described also find expression in the winged appearance of the 'suit.

ASW-G-47 Vual

Vual is the odd Gundam out. By which I mean, it adds absolutely nothing to our understanding of them whatsoever. Like Gusion, we have no hints as to what its original configuration was. Unlike Gusion, this is explicitly stated to be because it was discovered without any armour. The above is a hodge-podge of Astaroth components and other elements of unknown provenance. Indeed, while you can't see it in this shot, its left arm is basically naked.

Of the parts seen here, the torso, right arm, waist armour, thighs, left shin, feet, and backpack are all from Astaroth. The rest, it seems, comes from Tanto Tempo's stores as a more complete set of the armour can be seen on the rebuild, Vual Yuhana.

But yes. We know zilch about the original Vual, what it was designed for, or what happened to it during the War. Which itself speaks to the ways in which the past can be erased over the course of three hundred years. As significant as the Gundams were, only people invested in that long-gone history (McGillis Fareed, Uso Mendou, Cyclase Meyer etc.) care to look into the details. To a businessman like Rosario Leone, this is merely a particularly powerful mobile frame that can be repurposed for his use.

From the Ars Goetia:

The Forty-Seventh Spirit is Uvall, or Vual, or Voval. He is a Duke, Great, Mighty, and Strong; and appeareth in the form of a Mighty Dromedary at the first, but after a while at the Command of the Exorcist he putteth on Human Shape, and speaketh the Egyptian Tongue, but not perfectly. His Office is to Procure the Love of Women, and to tell Things Past, Present, and to Come. He also procureth Friendship between Friends and Foes. He was in the Order of Potestates or Powers. He governeth 37 Legions of Spirits, and his Seal is this, to be made and worn before thee, etc.

I'd probably do use the first seal as the basis for the IBO equivalent. The angle on the offset cross is more interesting and aligning the middle pair looks nicer. The promotion of friendship between foes in the Ars Goetia text works nicely for Vual being rebuilt and deployed to help the protagonists of the Moon Steel manga, piloted by on-again, off-again foe-turned-ally Sampo Hakuri.

ASW-G-48 Haagenti

To get this out of the way: yes, they gave the only confirmed lady in the original Seven Stars a mobile suit with a dainty, curving aesthetic and inbuilt stiletto heels (they look somewhat more practical from the back but even so).

However, to give it its due, Haagenti is actually a really cool and unique design. First we've got frankly over-sized thrusters on an otherwise light-weight machine, implying this is an exceptionally nippy fighter. Then we have the twin swords which are noted to be heavier than they appear, allowing it to deal a lot of damage. And finally, there are the fan-blades built into its forearms.

I'm sorry, allow me to rephrase that. There are the RAZOR DOOM YO-YOS built into its forearms.

I, personally, would not question Angelica Elion's aesthetic choices to her face, even if I genuinely dislike that much salmon pink on a war robot (I stress the problem is it being *salmon* pink. Urgh).

Its official bio mentions it used a large-bore gun as well, but oddly not the yo-yos, so given the gun hasn't been shown, I wonder if there was a mix-up there. In any case, this is a rare case of bladed ranged weaponry on a Gundam frame. The only equivalent I can think of are the disc-launchers on Kimaris, which are clearly not as reusable.

Going back to Asmoday's implementation of something seen on another mobile suit, Hugos are also equipped with grappling hooks, so cable-mounted weapons have precedent. Whether Haagenti employed the kind of smart-cables seen on mobile armours, however, is an open question. The animation from Iron-Blooded Orphans G suggests not, but I wonder if something like these yo-yos would be practical without the ability to control them more precisely.

Indeed, given how effective Barbatos Lupus Rex is in battle, it's curious we don't see any Calamity War Gundams explicitly using a technology that would have been available at the time. Hashmal's tail and Harael's claws represent the closest the Post Disaster setting comes to implementing the 'funnel' drone technology found in other Gundam shows (plumas being more autonomous than funnels/bits are usually depicted). Yet Haagenti is the only Gundam we can even hypothesise as using something similar.

Were smart cable-mounted weapons less effective against mobile armours and pluma swarms than they proved against individual mobile suits? Was the technology less available than its existence aboard the armours implies? Or was it too closely associated with the enemy to use, either out of principle or because the armours were intimately familiar with how it worked? So far, no clues are available.

What we can be certain of is that Haagenti's dainty appearance belies an incredibly strong showing during the War. The Elions wound up becoming an immensely powerful member of the Seven Stars, commanding Gjallarhorn's single biggest fleet. Their Gundam itself, however, was consigned to storage in the vaults on Vingolf, a relic of a by-gone age.

From the Ars Goetia:

The Forty-eighth Spirit is Haagenti. He is a President, appearing in the Form of a Mighty Bull with Gryphon’s Wings. This is at first, but after, at the Command of the Exorcist he putteth on Human Shape. His Office is to make Men wise, and to instruct them in divers things; also to Transmute all Metals into Gold; and to change Wine into Water, and Water into Wine. He governeth 33 Legions of Spirits, and his Seal is this, etc.

It's certainly got the bull horns, though no wings to speak of. Beyond that, this seems to be another case where the Gundam doesn't inherit much from the demon.

And that's where we'll leave it for this instalment. Not sure if I will have the third part up tomorrow but I will try to post it soon in any case.

Other reference posts include:

IBO reference notes on … Gjallarhorn (Part 1)

IBO reference notes on … Gjallarhorn (Part 2)

IBO reference notes on … Gjallarhorn (corrigendum) [mainly covering my inability to recognise mythical wolves]

IBO reference notes on … three key Yamagi scenes

IBO reference notes on … three key Shino scenes

IBO reference notes on … three key Eugene scenes

IBO reference notes on … three key Ride scenes

IBO reference notes on … the tone of the setting

IBO reference notes on … character parallels and counterpoints

IBO reference notes on … a perfect villain

IBO reference notes on … Iron-Blooded Orphans: Gekko

IBO reference notes on … an act of unspeakable cruelty

IBO reference notes on … original(ish) characters [this one is mainly fanfic]

IBO reference notes on … Kudelia’s decisions

IBO reference notes on … assorted head-canons

IBO reference notes on … actual, proper original characters [explicit fanfic – as in, actually fanfic. None of them have turned up in the smut yet]

IBO reference notes on … the aesthetics of the mobile frame

IBO reference notes on … mobile suit designations

IBO reference notes on … the Gundams (part 1)

Fuck it, it’s been out for….. however many days now, let’s talk about the Gundam Murmur.

Gonna be discussing the design and sorta just general implications of its existence (like I did a little with the Haagenti and Rustal).

Design-wise, gorgeous. I love how unique it looks compared to units that came before it, while still retaining enough Gundam-like features to not look too out of place. It is, I suppose, the limit of the Gundam’s human-centric design (watch something else come out that just blows this out of the water), especially since it’s primary weapons (the Surgical Feathers) are controlled via remote (through Alaya-Vijinana). It makes sense as a weapon system, since it seems to be designed to overwhelm a Mobile Armour from range. The form and flowing armour I find quite pleasing - I’d like to assume the engraving was added postwar (particularly since the Fareed’s are part of the Seven Stars), but I’ve absolutely nothing to back that up with. I did think that given the nature of its weapons systems, it’s possible that it relied on a lot of other units (like Hugo’s or Rodi’s) to tie up enemy mobile armours until it could strike the killing blow, so perhaps they’re there to inspire its vassals? Then again, the surgical stylings of its equipment seem to be pointing in a different direction.

I’ve seen a lot of comparisons going around with the Qubeley, because of the flowing nature of its armour, but I honestly associate it more with the Gundam Harute (Final Battle ver.), likely due to the skirt, back weapons and orange colouration. I do have a fondness for the head - it feels quite removed from the typical design, thanks to its large shape, but it retains the key features (twin-eye, “horns”, faceplate). It could even be said that the both have a significant compliment of ranged weaponry, since the Harute has Scissor Fangs. I do like how it’s upper half seems rather lightly armoured, since it makes it seem mobile and able to fight with its surgical knives - too much armour would make it’s mobility less believable, so it’s a nice touch. I generally like skirts on mobile suits (a good example off the top of my head would be the Xamel), so Murmur going the whole hog with a dress and a bunch of knives is just wonderful.

Alrighty, so I mentioned way, waaaaay back when talking about the Haagenti that it’d be interesting to see what the other Seven Stars Gundams are that remain in Vingolf along with Bael (barring Kimaris, obviously)

(Which is a thought. Wonder how Kimaris’ loss was covered up. It’s all very well saying Gaelio died at Edmonton, but surely you’d at least recover the Gundam frame. Supposedly the official records were doctored to say that the Kimaris had been returned, but I feel like someone should’ve at least checked if it’d been returned.) (Hm. Though now I am imagining Rustal just swapping the armour onto Haagenti and then smuggling it into the Baudin’s vault, which is fun).

Anyway, we now have the Fareed and Kujan Family Gundam’s leaving only the Baklazan and Issue families to go (I’ve been seeing some theories floating around regarding the Issue family Gundam, so it’ll be interesting to see how accurate they are). So, to recap, there’s 8 Gundam frames in Vingolf (unless House Baklazan’s missing theirs or something) of the 26 confirmed to still be in existence at the start of Iron Blooded Orphans in P.D. 323 (though we don’t know who’s doing the confirming, so that number’s fairly loose).

So, what does this mean regarding our erstwhile Agnika Kaieru Impersonator over here?

Mcgillis Fareed stood to, and by the second season did, inherit the Gundam Murmur as part of his position in the Seven Stars. It’s not difficult to fathom why it wasn’t used in his coup - Mcgillis wishes to inherit the power of Agnika Kaieru - Bael, the symbol of Gjallarhorn. If anything, I’d wager he actively wants to reject his connection to the Fareeds not only because of his relationship with Iznario, but also because it would tie his coup to the Seven Stars. It would cheapen it to (in his mind) an internal power struggle within the echelons of Gjallarhorn, rather than the glorious revolution he wants it to be, spurred by the inheritor of Agnika Kaieru’s legacy.

Ironically, Murmur’s rejected because it’s a thing of the past - The Fareed family is shortly to cease being an active part of Gjallarhorn as Mcgillis rejects it, Iznario no longer holds any power with which to access it and it’s not a part of the world that Mcgillis wants to create. It’s part of a bygone age - a symbol of the Seven Stars system that Mcgillis aims to remove.

How very poetic.

I fully agree that Vidar probably required a lot of speeches from Rustal to prevent him from rushing Mcgillis there and then. Everything about Vidar just screams that he’s restraining himself from pursuing vengeance. The poise, his talks with Julieta, the way he fights in Gundam Vidar - it’s very pointed, it’s very precise as he strikes the chinks in his opponents armour but at the same time communicates that aura of freedom - this is what he can do. This is what he will do when it’s time for him to step up on stage. This is how he’s going to make Mcgillis pay. It’s like a dance. He’s not toying with his opponents but he’s just untouchable. And when he finally has the opportunity to go for Mcgillis he does *not* mess around, all but stating who he is and how he’s going to win. I imagine Rustal really had to emphasise the need to bide their time.

Vingolf….. my usual read for why it’s like that is that it’s evocative of a shrine or a tomb. Here lie the Machines that ended the Calamity War, slumbering until awakened again. The water makes me think of a reflecting pool, here for any of the Seven Stars to gaze into and consider the power contained here - These machines were the seeds of Gjallarhorn, the strength by which it governs the world. It would hopefully dissuade any of the Seven Stars from doing anything foolish to upset the balance of things - to meditate on the powers that were the foundation of Gjallarhorn. I did also think that (assuming it’s very, very pure) the water might also be there to electrically insulate the Gundam Frames to prevent further damage? Since pure water doesn’t conduct electricity? However that seems like it’d be more trouble than it’s really worth (since you’d have to keep it pure somehow).

The Baklazan Family Door being open is distinctly odd. On the one hand, it sits opposite Bael, and if I was going to expect a missing Gundam to go anywhere, it’d be there. On the other…. This is just my own feeling, but it’d be odd if only one of the Seven Stars lost its Gundam from the Calamity War. Two or three fine, but you’re telling me that everyone else except the Baklazan’s kept theirs? I think the more likely explanation is that Gaelio wasn’t the only one taking the family Gundam for a spin at the time of Mcgillis’ coup. Though exactly where it was at the time I have no idea (We can probably assume it didn’t act with the Arianrhod Fleet when fighting Mcgillis or Tekkadan, but beyond that it’s hard to say).

It could just be an animation error or something too, perhaps Baklazan was drawn as a demonstration of how the doors look when open, and it was taken to mean that the door *should* be open in all shots.

Fuck it, it’s been out for….. however many days now, let’s talk about the Gundam Murmur.

Gonna be discussing the design and sorta just general implications of its existence (like I did a little with the Haagenti and Rustal).

Design-wise, gorgeous. I love how unique it looks compared to units that came before it, while still retaining enough Gundam-like features to not look too out of place. It is, I suppose, the limit of the Gundam’s human-centric design (watch something else come out that just blows this out of the water), especially since it’s primary weapons (the Surgical Feathers) are controlled via remote (through Alaya-Vijinana). It makes sense as a weapon system, since it seems to be designed to overwhelm a Mobile Armour from range. The form and flowing armour I find quite pleasing - I’d like to assume the engraving was added postwar (particularly since the Fareed’s are part of the Seven Stars), but I’ve absolutely nothing to back that up with. I did think that given the nature of its weapons systems, it’s possible that it relied on a lot of other units (like Hugo’s or Rodi’s) to tie up enemy mobile armours until it could strike the killing blow, so perhaps they’re there to inspire its vassals? Then again, the surgical stylings of its equipment seem to be pointing in a different direction.

I’ve seen a lot of comparisons going around with the Qubeley, because of the flowing nature of its armour, but I honestly associate it more with the Gundam Harute (Final Battle ver.), likely due to the skirt, back weapons and orange colouration. I do have a fondness for the head - it feels quite removed from the typical design, thanks to its large shape, but it retains the key features (twin-eye, “horns”, faceplate). It could even be said that the both have a significant compliment of ranged weaponry, since the Harute has Scissor Fangs. I do like how it’s upper half seems rather lightly armoured, since it makes it seem mobile and able to fight with its surgical knives - too much armour would make it’s mobility less believable, so it’s a nice touch. I generally like skirts on mobile suits (a good example off the top of my head would be the Xamel), so Murmur going the whole hog with a dress and a bunch of knives is just wonderful.

Alrighty, so I mentioned way, waaaaay back when talking about the Haagenti that it’d be interesting to see what the other Seven Stars Gundams are that remain in Vingolf along with Bael (barring Kimaris, obviously)

(Which is a thought. Wonder how Kimaris’ loss was covered up. It’s all very well saying Gaelio died at Edmonton, but surely you’d at least recover the Gundam frame. Supposedly the official records were doctored to say that the Kimaris had been returned, but I feel like someone should’ve at least checked if it’d been returned.) (Hm. Though now I am imagining Rustal just swapping the armour onto Haagenti and then smuggling it into the Baudin’s vault, which is fun).

Anyway, we now have the Fareed and Kujan Family Gundam’s leaving only the Baklazan and Issue families to go (I’ve been seeing some theories floating around regarding the Issue family Gundam, so it’ll be interesting to see how accurate they are). So, to recap, there’s 8 Gundam frames in Vingolf (unless House Baklazan’s missing theirs or something) of the 26 confirmed to still be in existence at the start of Iron Blooded Orphans in P.D. 323 (though we don’t know who’s doing the confirming, so that number’s fairly loose).

So, what does this mean regarding our erstwhile Agnika Kaieru Impersonator over here?

Mcgillis Fareed stood to, and by the second season did, inherit the Gundam Murmur as part of his position in the Seven Stars. It’s not difficult to fathom why it wasn’t used in his coup - Mcgillis wishes to inherit the power of Agnika Kaieru - Bael, the symbol of Gjallarhorn. If anything, I’d wager he actively wants to reject his connection to the Fareeds not only because of his relationship with Iznario, but also because it would tie his coup to the Seven Stars. It would cheapen it to (in his mind) an internal power struggle within the echelons of Gjallarhorn, rather than the glorious revolution he wants it to be, spurred by the inheritor of Agnika Kaieru’s legacy.

Ironically, Murmur’s rejected because it’s a thing of the past - The Fareed family is shortly to cease being an active part of Gjallarhorn as Mcgillis rejects it, Iznario no longer holds any power with which to access it and it’s not a part of the world that Mcgillis wants to create. It’s part of a bygone age - a symbol of the Seven Stars system that Mcgillis aims to remove.

How very poetic.

An interesting thought I had a few days ago when thinking about Gundam Frame development;

We know that Gundam frames and Mobile Armours share a lot in common from a design perspective, since parts from a mobile armour can be integrated into Mobile suits, so could the apparent increase in complexity as the Gundam Frames continue on be the result of captured materials being integrated into the Gundam Frames?

Murmur was the original catalyst for this line of thinking, since it uses tech that we’ve seen previously on Mobile Armours such as Hashmal, but it’s most evident with Barbatos;

It’s able to integrate the tech with very little difficulty, and Alaya-Vijinana bridges the gap between pilot and machine, so it doesn’t have to match absolutely. So why couldn’t other technology be the result of recovered Mobile armour materials?

It could also lead to a greater refinement of the Alaya-Vijinana system, since we see Units like the Murmur or Marchosias having more inhuman designs, when compared to the relative simplicity of Barbatos and Gamigin, the earlier-numbered units.

The only “fancy” weapon system that appears to exist basically from the start (barring the Alaya-Vijinana system itself) is the Rare Metal weaponry, with Bael, Haagenti and now Zepar all having access to weapons made from Rare Metal (though it’s possible there were multiple Gundam Frame “foundries”, each of which had different technological specialties).

This post was inspired by this piece of Fanart, depicting a sort of Gundam-ified Hashmal;

So if, like myself, you’d been wondering what happened regarding the announcement of that HG Gundam Hajiroboshi 2nd Form, the answer is that it’s a P-Bandai and will be releasing in December.

I went on a tirade about P-Bandai and Ibo when I talked about the Oltlinde, so I’m not gonna do that again.

This is just where the Hajiroboshi 2nd Form’s at.

A twofer today, just some general impressions on the ASW-G-16 Gundam Zepar (left) and the AWS-G-61 Gundam Zagan. I still haven’t watched Urdr hunt unfortunately, so I’ll be mostly talking about Zagan’s design, as opposed to anything that goes on in-series.

Another reason I’m pairing these together is because they’re both Post Disaster Gundam units, that have a two-syllable name beginning with a Z and a serial number that has a 6 in it. I’ve been able to remember them by the fact that the Zepar is Zippy. And that the Zagan has nothing to do with Carl Sagan.

Moving on from naming conventions, what do I think of them? Starting with the Zagan, I like the weight it brings to the table, it feels like it could compete with other heavyweights without much difficulty, essentially functioning as a giant can-opener to the mobile armours. It should be noted that with the possible exception of Agnika Kaeru himself, the Issues were the most prolific killer of Mobile Armours during the Calamity War. Presumably some of that was by dint of its pilot, but the Zagan cannot be discounted. It’s possible the apparent focus on defence aided in its survivability, enabling it to cope with battles of attrition better, functioning as an anvil to the other Gundam Frames’ hammer. It’s also possible that it’s missing some armament, since the hands are free. I know there’s precedent for knuckledusters in IBO, but it only being armed with the shields feels a little odd.

The design specifically reminds me of the Gremory (most likely the armour) and the Abyss Gundam from Seed Destiny (colouration and bulk, though I always remember it bigger than it actually is)

The Zepar I have considerably less to say on - it’s a nice design, agile and suited to closing the distance and stabbing things, but I do want to talk about it in relation to House Kujan, Specifically Iok Kujan.

Iok is……hm. He’s essentially a perfect example of somebody you don’t want in command. He’s a twit, and furthermore, he’s a dangerous twit, since his actions have a tendency to backfire on literally everyone besides himself. But let’s walk back a little. Who is Iok in relation to the story?

Iok Kujan is the heir to House Kujan of Gjallarhorn’s Seven Stars, the Seven Noble Families that wield the most power in Gjallarhorn, as McGillis, Gaelio, Carta and Rustal are to each of their houses (and of course Nemo, Elek and Gargin, but they’re less focused on). He only ascended to the position fairly recently, but everyone has high hopes for him since his late father was beloved.

Unfortunately, he’s really bad at it. He’s reckless, callous of those he’s fighting against and is absolutely unable to recognise his own failures.

@wordsandrobots has done an excellent analysis on Iok which I’m just going to link to here, since it’s very good:

But the crux of Iok is that he represents a great many of the failings of nobility - he’s incompetent, he’s unqualified and he displays a lack of care for how his actions effect others - not out of malice, but out of stupidity. He is a walking talking, killing example of how promoting based on blood rather than ability is such a poor idea.

But then look at the Zepar. Look at how it stands, how it moves. There’s a poise to it, an elegance, a sense of nobility. It’s armed with a sword and shield - simple, yes, but something that focuses on defence, on protection. Even the way it fights seems to be in pushing the enemy away from something, protecting it. So I would say that if Iok is representative of the realities of nobility - the incompetence and disregard for others, then the Zepar is the romanticisation of it - of a noble, red-armoured knight who would protect the people. It also represents how far the Kujan family has come since the Calamity War - Once a great and loved pilot who fought at the frontlines using a Gundam Frame, to a lacking and foolish one who fights from the rear and has to be bailed out at the cost of his subordinates lives. (I know Iok’s father didn’t pilot the Zepar, but it ties in with the theme of Iok being the end result of a lineage, rather than the beginnings).

It also draws attention to the Gjallarhorn’s meritocratic roots - Embrilla Kujan was able to slay multiple mobile armours using this machine, whereas Iok is too blinded by his own self-importance to recognise the threat that they pose, to the point he severely underestimates what it will take to kill one.

The poor decisions don’t stop, since I decided to start Gundam Ibo Urdr Hunt while watching 0079. (Though realistically, it seems I’ll just end up putting 0079 on the back burner for a bit). This was motivated by Four Factors:

The announcement that they’re actually going to do something with the series going forward (I’m *hoping* for a full series or compilation movie, but I can’t guess at how practical that’d be, since I don’t know what the series is like yet). Regardless, I felt I should at least watch the series so I have an opinion on it. EDIT: I’m betting a compilation movie, there’s a lot of reused animation, and a lot of the parts lacking animation are conversations.

I already bought the model kits of both the Marchosias and the Asmoday purely on the strength of their designs, and I kinda want to decide if the Hajiroboshi or Cyclase’s Schwalbe Graze are similarly worthwhile (I’m slowly coming around to the Graze), since now’s probably the best time to go for them.

I kinda really want to know what’s going on with Cyclase Mayer. I really liked Mcgillis, and so I’m interested in seeing what a similarly designed character is going to be like in Post Disaster (plus, he’s a serious-faced man in a business suit, so he’s probably going to be fun to watch just from a broader perspective, given what characters in this universe typically have to deal with).

I haven’t actually been that excited about it, which annoys me. Maybe I didn’t see much hype, maybe it’s too close to Witch from Mercury/ the SEED Movie, or maybe I’d just gotten a little too settled in Post Disaster

Also, I just watched the opening for the first time and feel like I should jot something down;

Do each of the rings come with a maid? And Cyclase has two of them? Is he just trying to put a maid household together by collecting all the rings?….…….is this a Gundam harem anime? (I mean I know they’ve been trying to diversify lately, but still….)

Obviously it isn’t, but the thought did briefly cross my mind as I watched the opening.

*the following contains spoilers for the first four episodes of Gundam Ibo: Urdr Hunt*

I’ve watched the first four episodes, as of writing, so I’m just going to jot down a few thoughts;

I like how each of the maids is shown to be different in personality. Berose’s so obviously unhappy with her posting and Parstai actively manipulates things to get a better owner for the Urdr hunt ring (granted it didn’t take much). And then Korunaru’s just cheery by comparison.

I kinda expected the Zan Brothers to be a comedy side-act - a duo of bumblers pursuing the Urdr hunt, based on their aesthetics (very flashy). As such, Rome murdering a human debris for failure and Aiko barely concealing his hostility toward his idiot brother were both very surprising, and a welcome addition.

I didn’t expect I’d like Range’s suit, the Enzo, as much as I did. It feels like someone took the Hexa Frame used by the Hugo and made an actually solid mobile suit out of it - Range loses because he’s outclassed, not because the design is lacking in any particular way. It’s balanced, well armed and has a neat aesthetic. Good job guys.

Similarly, I really like the design of the Monkey Rodi’s. So sleek.

Alright, so I’m assuming the Chairman of the Board for the Omden Colony Company is Torrado Omden? Regardless, absolute peak character design. Man looks like an overgrown toddler and I hate him for it. It really sells him throwing away resources and lives on this thing as…… sorta casually despicable? Like it’s a bad financial quarter?

Overall, I’m really enjoying it. But I do have two criticisms I want to note at this juncture. Though I’m reasonably certain that it gets addressed later, Wistario Afram (is it Afram or Afam? I think it’s Afam, but Afram just rolls off the tongue better) is just kind of the least interesting of the Urdr Hunt participants we’ve seen so far. Like, he wants to use the money to rebuild the Venus Colony into a major tourist attraction. That’s a solid, achievable goal, and the way he talks and acts makes me feel like it’s less about “can he do it” and more about “how will he do it”. I don’t mind that angle, but it’s very different from everyone else around him. Range is trapped working for a company that will cut him off for any perceived failure, and he’s grappling with the fact that it’s not the solution he thought it would be and that he’s got more in common with Afam than his employers. It’s a good angle, as he slowly re-examines what his place in the world, and the crushing pressure exerted by both the Colony Company - a very powerful organisation, as evidenced by the fact that they consider the grand prize of Urdr hunt to be pocket change; and that exerted by the Hajiroboshi itself, a Gundam from the Calamity War. Meanwhile, 598 is enamoured with the idea of becoming like Tekkadan, showing the far-reaching influence they have, however, he’s forced to re-evaluate his own actions and who they’re truly for - in doing so, he can realise who his enemies are and actually take steps to free himself from their control, and from there take’s the first step to becoming like his idols in Tekkadan. They’re both very compelling characters, and it’s just unfortunate that Wistario can’t seem to eclipse that. It could be that we were just told how bad the situation is in Venus, rather than shown - a few shots of the prison’s might have helped, or showing how they affect the populace.

That said, now that I come to write this all down, both of their origins are somewhat similar to Tekkadan (598’s for obvious reasons) - it’s possible that I’m only rating them as highly as I am due to the familiar elements. With that in mind, it is possible that Wistario may offer a fresher perspective on the world of Post Disaster.

My second criticism is one I’ve mention before, regarding Noisy Fairy; Don’t call someone “character A” it’s stupid, because the message it sends to me is “this person isn’t worth caring about”. If a character is worth caring about, they’re always called “mysterious girl” or “???”, so “Girl B”, “Mercenary A” and “Board Member C” are just worthless. Does it cost more to give them names? Do named characters denote different rates for their voice actors or something? It’s just really immersion-breaking, because it creates the sense that named characters are the only ones that matter.

(Also Radonitsa Colony being essentially a prison colony is great, because it roughly parallels the real- life British Empire’s treatment of Australia, though granted without any natives).

*The following post contains spoilers fro Gundam Iron Blooded Orphans Urdr Hunt, episodes 1-22*

As a follow up to my previous post about Urdr Hunt:

Wistario Afam.

Wistario just doesn’t really….. grab me, as a protagonist. And I’m not sure why, but I do want to extrapolate a little. I like that Wistario has a solid, defined Goal, which is to win the Urdr Hunt, and use the prize money to buy and do up the Radonitsa colony.

Gjallarhorn making a play for Katya upends this - not completely mind, but it causes Wistario to pivot to protecting Katya at the expense of the Urdr hunt. This makes sense, he’s able to recover data from the Urdr hunt without directly collecting it himself since he knows and is friends with roughly 3/5 of the other participants (4/5 if we count the Zan brothers). This is a good decision, but it does still cause him some grief, since he knows he doesn’t have the resources to take on Gjallarhorn.

Then he meets Londo Bron, and makes a steadfast declaration of protection/marriage proposal to Katya. This is where he sorta loses me.

It’s not a bad choice, and I understand it’s borne out of his desire for family, which has been slowly building in the background as the series goes on. Thing is….. him and Katya haven’t really interacted other than collaborating on the Urdr Hunt. Honestly, the only person he’s interacted with enough that I would genuinely believe a proposal would be Range. So when I first heard it, I genuinely thought he was bluffing Londo, but then as things progress he’s serious about it, and I just can’t really fathom why, because they just haven’t interacted in any capacity that I feel would lead to romance. What I’m getting at is that Wistario’s wish to buy Radonitsa and do it up to improve the lives of people on Venus feels like the thing that keeps him “tethered”, I suppose. So I kinda lose him when that gets taken away. I don’t disagree or fail to understand his actions, it’s just that it’s such a big part of his personality that I struggle to parse him without it.

Part of this could be a bigger issue of certain characters not being explored enough - I like Range, Katya and Denmer, they’re all either explored enough for me to like them and understand their actions or have enough going on that I can fill in the blanks myself. But Wistario and Korunaru kind of aren’t, and this wouldn’t be an issue if they weren’t ostensibly the main characters. I like Korunaru, but she suffers because I believe her character could have been combined with Katya without losing much in the process, and I seem to recall the marketing pushing her as important.

I’d like to stress that if there’s some sort of Bio section in-game, or some extra side conversations that flesh them out then that sounds great, but I don’t have those in front of me so I can’t really account for them. Wistario’s just fairly obvious since he’s the protagonist, so he kind of needs to have a defined (though not necessarily strong) character.

However, I do rather like his design. It’s got a youth and energy to it that I think goes well with his desire to re-invigorate Venus’ economy, and his clothing’s functional without looking drab, so it’s believable that this is something he lives and works in. His childishness (at least comparatively. Honestly it comes and goes) and friendliness also illustrate that he’s a positive spirit and force for change in a negative environment (read: basically all of Post Disaster).

*The Following contains spoilers for Gundam Iron Blooded Orphans Urdr Hunt*

The *other* follow-up point to my prior Urdr Hunt Post.

Okay, so the Gundam Marchosias was apparently scary enough to give a mobile armour PTSD.

That is RAD AS HELL.

Let’s analyse that, shall we?

So the Gundam Marchosias was apparently able to beat Harael, a Mobile Armour from the Calamity War that is programmed to kill humans and has no brain, will or personality of its own, badly enough that when it sees the Hajiroboshi 325-ish years later, it instantly recognises its killer and has a flashback to the Calamity War, leading to it desperately trying to kill the Hajiroboshi (which for its part seems to recognise its victim).

Absolutely fantastic.

Ah. A thought has occurred.

I did basically binge the series over the time period of half a week, so it’s possible that has affected both my sense of pacing and time passing in-universe.

I’m currently at Episode 22 of Gundam Iron Blooded Orphans: Urdr Hunt, I’ve got about two episodes left and since it seems to be a two-episode finale kind of deal, I figured I’d take a break and note down some thoughts up till now, then maybe do another post after the finale. Though I haven’t really arranged these, so I’m probably just gonna ramble.

*The following contains spoilers for episodes 1-22 of Gundam Urdr Hunt*

I’m liking a lot of the Mobile Suit Designs, Gundam and Grunt. Plus, it’s nice to see old favourites again, like the Grimgerde and Hyakuren. However, I do feel like some could be better utilised - The Asmodeus is a cool design, and it works as a lancer to the Hajiroboshi, I just feel like it could have been used more.

Similarly, is is odd how a lot of the major threats are lead-from-the-front characters, since obviously they have to function as bosses. I dunno, it’s just strange compared to all the non-action opponents from the original series.

I really enjoyed Range and Katya’s inclusion as characters, since they’re just sitting there providing a good general basis of what the average citizen of Post Disaster knows - Katya knows a lot of insider knowledge of Gjallarhorn for example, which the others remark on regularly. While Range is sceptical of the existence of mobile armours and views the Asmoday as just a particularly strong mobile suit. So they provide different ends of the same spectrum, I suppose.

I like how each of the maids/guides has their own personality, and I like seeing how they interact with each of their charges. But I do wish we saw more of them. Part of its because they feel like they have that potential to shine very well, and it’s also quite a large cast, so not everyone gets an equal share. I also found it interesting that they were all stated to have been “bought”, so they’re all former Human Debris. Unfortunately, Parstai (blue, with Foundling) is the only one it really comes up with, but presumably the others had full and interesting lives beforehand. You get hints of it with Batch and Tagging (the two that go with Cyclase), with Tagging being an excellent mobile suit pilot, and Batch having experience in ship command and a cautious bearing, but we know very little of the others prior lives.

I didn’t expect to vibe with the Zan Brothers as much as I did, that was weird.

Kouzou Mendou’s pretty rad. A genuine Archeologist, hoping to reveal the causes behind the Calamity War, and just generally seems to be a decent fellow. He does admittedly score points because he very clearly understands how dangerous Mobile Armours were/are, and is the first character to really articulate that. I kinda wish he’d told us, the audience, some new information about the Calamity War, but that’s not really a criticism at all.

Cameos from other Ibo Characters - mostly I can take or leave them, but I’d be lying if I didn’t get pumped when Mcgillis (as Montag) showed up in the Grimgerde to fight Londo Bron. I also loved seeing Isurugi going around, being generally competent.

Actually yeah, Londo Bron. For my talk about Cyclase Mayer at the start of this, I found myself really enjoying Londo Bron, surprisingly so even. He’s a good pilot, he has noble intentions, and he feels like a really good example of an Antagonist, but not a villain. He’s only really opposing Wistario because he wants to restore the Issue Family, and Katya is the best way to do that (I might do a proper post on him some other time).

Another character I really like, despite their short screentime would be Major Bradley. He’s essentially the perfect picture of a colonial administration officer - he’s corrupt, he’s unreasonable, he’s pretty solidly classist, and it all just works. He’s not even cartoonishly evil, he’s just the sort of corrupt Gjallarhorn Official that illustrates the failings of the organisation. Obviously he shares a lot of DNA with Coral Conrad, from the original series, but the boredom, the arrogance with which he carries himself just makes him memorable. Plus he just looks obscenely British, furthering the colonial parallels.

I am absolutely loving the fight scenes in this. Yeah, a lot of the fighting is supposed to be for the in-engine graphics, so they could have totally phoned it in. But they didn’t. If only other shows that cut out background, story, plot and characterisation to ostensibly focus on the fights *cough* *cough* Build Divers *cough* could do that.

I do love how absolutely shameless Cyclase is. Just like “Oh boy, how do I get out of this one? I know, Betrayal!” It works into his character and it’s really fun to watch, but it’s just kind of hilarious how he makes at least like five betrayals in the space of the show. Very efficient.

Character Designs’ still top-notch. I don’t really have any specific examples that I haven’t already mentioned but yeah. It’s good.

Ah, I mentioned that I was considering getting the Hajiroboshi kit? The thing is, a lot of the time I can really like a character, and that can end up selling me more on their mobile suit’s model kit. This is the first time that’s ever happened with a mechanic. In brief; I don’t want the Hajiroboshi because it’s the mobile suit Wistario Pilots, I want the Hajiroboshi because it’s the mobile suit Denmer maintained all these years.

I do have two more points - one positive, one negative, but I’m gonna pull those out as separate posts, simply because I want to consider them separate from everything else, and I feel like I’ll want to follow them up separately after the finale.

In a nutshell, I’ve generally liked Iron Blooded Orphans: Urdr Hunt - it gives a good showing of the world of Post Disaster besides what we’ve seen with Tekkadan and Tanto Tempo, and a lot of the side characters are interesting. The only issue is that some characters and mechanics feel somewhat under-utilised.

(Though maybe that’s my own fault for hyping myself up for the Asmodeus).

Damn, I really like the idea of “N” being Nemo Baklazan, particularly since we now know there’s a movie in the works - There’s likely going to be a couple of new mobile suits for that, like the custom Reginlaze from the trailer, and Gundam’s are normally a pretty safe bet for this sort of thing. Furthermore, I think the only Seven Stars missing from points on the Urdr Hunt were the Baklazan’s and……. The Fareed’s, I think? (It goes Elion, Falk, Bauduin, Kujan, then skips one to go to Issue, right?)

What’s also interesting is that the Baklazan Family Gundam is the only remaining Seven Stars Gundam Frame we haven’t seen yet, almost like it’s going to play a part in something.

There is also the point of it being missing from Vingolf, but a) it’s *possible* that that is an animation error and b) it seems that the Issue Family Gundam, the Zagan, is kept in Ratatoskr, so there’s no garuntee that every Seven Stars Gundam is stored in Vingolf (maybe the Issue’s had special privileges, being the head of the Seven Stars and all).

But I do like the idea of the other two Seven Stars Families having stuff going on.

(Also, props for describing Range as “kind of a chump” because that is an excellent description and I love it)

Thoughts on the Urdr Hunt (Eps 1-5)

As of writing, five episodes (each in two parts) of the Iron-Blooded Orphans tie-in game campaign ‘Urdr Hunt’ have been released on the Iron-Blooded Orphans G App. This is currently only available in Japan; I’ve been watching it subbed by Youtuber Trafalgar Log. I thought I’d summarise my impressions so far, since we’ve now had every character who shows up in the opening sequence appear at least once. Spoilers etc below.

Keep reading

*the following contains spoilers for Gundam Iron Blooded Orphans Urdr Hunt*

Alright, so I’ve finally finished Gundam Ibo Urdr Hunt, and I’ll be doing a proper post on it momentarily, but I do want to get one thing out right now.

I kind of really love the Hajiroboshi Second Form.

Which is a little odd in isolation, since it’s not actually that different from the original Hajiroboshi.

It’s really just got new shoulders, the new boosters on its backpack (the head might have been reworked slightly, but I think that might just be me) and a new sword. However, two of these features (the Boosters and Sword) bring it closer to its original form.

Just looking at its armaments on their own, I like them. I will admit I have a weakness for suits that are “We have a sword, let’s just use that really really well”. I like both the Destiny and the Throne Zwei for those reasons. But the Hajiroboshi second form has some points in its favour that those two don’t- it’s in Post Disaster 324, a setting where that is a very viable strategy, and it’s got those lovely thrusters on its back that seem to primarily serve to get it into melee range (not to mention the harpoons). I also like the shield -it’s streamlined, but not to the point of not being protective, and while I like how it’s got the claw tips for thrusting, it’s nice how there’s so little emphasis on them (though that might just be from the last protagonist suit I looked at being the Lah). But the Cross Mace hearkens back to the main sword of its original armament and the thrusters also bring it closer to the original silhouette of the Marchosias

So it kinda just feels like the ghost of the Marchosias.

Which is great, because both the Hajiroboshi and Barbatos seem to have something going on in that regard. Mikazuki talks to the Barbatos during the battle against Ein in Edmonton as if there’s some last vestige of its former pilot present, while the Hajiroboshi seems to react on its own when encountering mobile armours. Based on what we know about Gundam Frames from the original series, it’s typically some form of interaction with the Alaya-Vijnana (like when the Gusion Rebake gets shut down when attempting to engage the mobile armour, since Akihiro gets overwhelmed by the feedback). The Barbatos’ connection is obvious - Mikazuki’s in a high stress situation when using the Alaya-Vijinana, and presumably he’s doing something similar to what the original pilot did - using the sword to fight an enemy not too dissimilar to a mobile armour. However, the Hajiroboshi’s is considerably less clear. It seems to either lock up, as the Gusion Rebake did, implying it’s fitted with a limiter; or it seems to “flash back” to a similar fight from the calamity war (at least that’s my read on it versus Harael) and from there act as if it has the “True Alaya-Vijinana” installed (it’s only in speech marks because I don’t really have a better term for it). It’s honestly a little unclear on whether it’s Hajiroboshi, the Mobile Armour or both that has the flash backs, since it’s from Harael’s perspective but Wistario mentions seeing them.

So presumably, the Hajiroboshi’s fitted with some kind of system that mimics Alaya-Vijinana, but I would like to offer another suggestion; What if, on some level, the pilots are still in them?

Now, we know that Alaya-Vijinana is a man-machine interface developed prior to the calamity war, but there’s two specific pieces of information that we’re told about it I want to focus on;

“The Alaya-Vijinana creates a Pseudo-brain lobe in the pilot’s body using nanomachines, allowing the pilot's brain to directly process mobile suit data fed through the physical connection.”

“Furthermore, this continuous link can cause consciousness to be forcibly maintained even in situations where the pilot is supposed to faint or even die instantly.”

So, an extra brain lobe to process the information and the system will keep the pilot alive even in situations where they shouldn’t be. So, is it possible there could be some sort of feedback loop or that the mobile suit could retain some of the pilot’s habits (the Barbatos telling Mikazuki how to use the katana through a sort of frame-wide “muscle memory” of its previous pilot).

It’s also interesting that this seems to happen during moments of great stress for their modern pilots - at those points when the greatest amount of data would be moving from the person to the mobile suit. So, if, say for example, a pilot was regularly facing strong enemies in life-or-death situations, might the system retain that data too? The heightened reaction speed, the chemical reactions leading to emotional output, the movements of the pilot to resolve the situation. The Calamity War was a time when humanity was desperately pushed to the brink by the mobile armours, it’s very unlikely that they would have taken the time to work out all the bugs in the system (heck, if they were taking high pilot losses, it might have been seen as a bonus).

So yeah, the Hajiroboshi might be haunted.

As the Hajiroboshi appears as a ghost of the Marchosias, there might also be another ghost in the machine.

I just thought that it’s a rad connection.

Gundam Iron Blooded Orphans Masterpost Part 2 - Cyclase Mayer and Gjallarhorn

Okay, Cyclase. I don’t really have that much to say on his origin - there’s nothing wrong with “disgruntled former archeologist whose parent was murdered by gjallarhorn”, but it just doesn’t really grab me for some reason. I do still love how utterly unrepentant he is about his numerous betrayals. He does have *some* similarities with Mcgillis for me, but that’s probably only because Mcgillis sees Gundam Frames (or rather, Bael) as the end-all of strength, whereas Cyclase sees Mobile Armours. It’s interesting how they’ve both been negatively influenced by Iznario Fareed however.

It took me a weirdly long time to realise that Cyclase was a Char Clone. Then again, I was comparing him to Mcgillis basically from the start, so……

Hm. I think that the fight at the end with the mobile armour (Mebahiah) is supposed to be an illustration of Afam and Cyclase’s differing philosophies - Afam wins because he has his friends with him to back him up, forming an effective force against the mobile armour, whereas Cyclase, who has sought power in solitude, has his “champion” defeated. It’s further shown with how they treat their allies, with Wistario visiting each in turn and thanking them, while Cyclase just rebuffs Tagging’s attempt at small talk.

Wait, so what was the point of Omden Colony Corporation/Cyclase getting two rings? That feels like it should be significant in some way. I assumed that it was either to emphasise their ruthlessness (they killed someone else for their ring) or the scale of the company (they’d managed to obtain two on their own), but in practice it just means Cyclase has two guides.

Given what mobile armours are capable of - hey, maybe Gjallarhorn was right to suppress the technology? Just gonna throw that out there. Like, the more of them we see, the easier it is to believe how deadly they were, and why the Gundam’s were so necessary. Though obviously, that doesn’t justify Gjallarhorn’s murder of Doctor Mayer.

Speaking of that, it’s possible that that was just an accident which Gjallarhorn had no part in, and Cyclase is just jumping to conclusions. That said, why I think he’s right is the fact that it’s Iznario Fareed, the shadiest seven star of them all. If it had been someone else then maybe you could say Cyclase was wrong, but Iznario? Yeah, definitely murder.

“Does this mean…… the mobile armour isn’t a higher form of being?” - Cyclase, buddy, it’s a giant robot that wants to kill all humans, it’s not that hard a concept to grasp. I do kinda love how absolutely crushed he is that his plan failed though. Like, no “hm, an imperfect god” or “this is but a temporary setback”, he’s genuinely pissed that this didn’t work out and even his “I’ll start again” thing feels like he’s desperately trying to save face. All in all, he’s a good villain because of what he does and how he does it, more so than who he is.

Okina Uroka is an interesting character, especially in contrast to Londo Bron, since they both want the same thing, but go about it in different ways. I like his design, it feels very good for an “old retainer”. I’m genuinely unsure how much power he held in the Issue family when Carta was still alive, since he doesn’t seem at all unused to power. It’s also nice because it’s another exploration of the consequences of Tekkadan’s actions in the main series, showing the far-reaching effect they had.

Another interesting detail is that Okina Uroka mentions “the Baklazan and Falk Families Calculations have been a great comfort to us” and Mcgillis states that they “hadn’t lost their privileges”, so could they also be heirless? If so, it could be that we’re witnessing Gjallarhorn finally crumbling since the Noble families that compose it are really struggling with their lines of Succession. Huh, the Fareed’s also kinda count here, since Iznario’s has no “legitimate” heirs (i.e. by blood). This also presents a fascinating possibility of why the Gundam Murmur wasn’t seen/used - the vault’s locked to a blood relation of the Fareed’s which Mcgillis isn’t, so he wouldn’t have been able to access it.

Gundam Iron Blooded Orphans Urdr Hunt Part 3 - Wistario and the rest of the Cast

I think that it’s overall a good cast, but I definitely found some characters better than others - 598, Range and Katya all have actual arcs, which results in them changing as people throughout - I’ve said prior that I found both 598 and Range genuinely compelling characters. I also found a lot of characters, while not fully developed, had enough going on that I was interested in them - Tamami, Mendou, and above all, Denmer (honestly I would love to see more of him). The only characters I find lacking are Wistario and Korunaru, which, again, would be fine if they weren’t ostensibly important. I wish the guides had more focus in general to be honest, since the only ones who get really any focus are Slice and Parstai (who get an episode at best).

Denmer Kitaco Jr., though. It genuinely bothers me how little we know about him, because it just all feels so tantalisingly close - he’s (presumably) a Venus resident, who has enough street smarts in the Era of Post Disaster, and presumably passed these on to Wistario (since I don’t really see how else he could have picked them up). He knows some form of martial art, enough to take on numerous Gjallarhorn Officers. He’s got a referenced history that Dexter and Sinister routinely bring up, he’s MISSING AN EYE, which I was initially willing to write off as a way to make him seem grizzled, but the more I think about it must be relevant in some way, considering that Wistario’s parents seem to be dead. And, as I’ve said before, he’s INHERITED A GUNDAM FRAME, which, from the way he talks and acts about it, is almost certainly something that was impressed upon him a great deal - he’s not casual or dismissive about it, this is something he’s carefully and meticulously maintained for most of his life, and he understands, on some level, what it is and what it represents. I’d wager he has his own suspicions about its past, given that he seems to have inklings but not the whole picture. And it makes it all the more significant when Wistario uses it to fight - it’s their family’s past and ancestry, but for Denmer, it’s also their families future. How must he feel, when Wistario risks his life over and over again, in a machine that he allowed him to access? And the way he interacts with Wistario- it’s obvious he cares for him a great deal, and besides Sprah, it seems like he’s been Wistario’s primary carer for pretty much Wistario’s entire life. There’s so much good stuff there, but it all feels just out of reach.

So, my love of Denmer established, what about his young charge? Well, I still think Wistario lacks a strong character, but I feel a lot more of him coalesces nearer to the end of the series. However. The central theme of Wistario is family, not Venus, buying Radonitsa is just his immediate expression of that goal. But because of the early emphasis on the Urdr hunt it’s muddled. When you look at the series through the lens of Wistario building a family, his “character” makes a little more sense. But because he’s not setting out to build a family, it’s not obvious. I’m genuinely not really sure. Either, the central theme of Wistario is buying and doing up Radonitsa Colony, and he acquires a found family along the way. Or; the central theme of Wistario is Family, and buying and doing up Radonitsa is just his early expression of that goal. I feel like I could argue for one or the other, since neither theme is strong enough for me to come down on. Because he slowly befriends every single competitor in the Urdr Hunt other than Cyclase, so if any of them win, it feels like they’ll give at least a portion of the money to Wistario, since he has the “best goal”, so to speak. Even Cyclase doesn’t really seem to care about the prize money, since he seems to be more interested in the chance of finding a mobile armour during the Urdr Hunt.

Wistario and Katya - hm. Feels more like an exploration of what Katya wants, as opposed to a genuine romance. Thematically it’s similar to Wistario’s interactions with Range and 598. He gives them autonomy since that’s an aspect of his dream? Or just because he believes it’s the right thing to do? Yes, Wistario cares for Katya, but him rescuing her feels more like he’s granting her the power to make her own choices, like he did by telling 598 about Kimball and extending an offer to Range. If it’s meant to be a straight romance, then it feels token, but “ensuring the freedom of others from a bad situation”, as I think he’s doing, doesn’t really tie in with Wistario himself at all (unless it’s about the greater economic freedom of Venus, but that feels like I’m reaching).

Another thing about Wistario; Somehow the moment where he thinks Londo Brom’s about to kill him gave him more characterisation than half the series. Here, in this moment, he comes face-to-face with death. He’s a child, a young boy, who’s carrying the dreams of everyone around him, who just really wants to save his friend, who’s about to die. Despite his competence and piloting skills, he is still a child, and this moment showcases that vulnerability. Hell, the only reason he survives is that the Zagan gets struck by lightning and 598’s able to pull him clear just in time. He gets outclassed and barely survives, sure he manages to pull himself together and fight the mobile armour afterwards, but I’d wager that he’s going to have some rough nights ahead of him.

In fact, that might be it with Wistario. While his character is tied to the aftereffects of war (the economic depression, and effects of colonial administration), there’s kind of no connection between him and mobile suits. There’s no “reason” for him to be as good a pilot as he is, there’s no real sense of mobile suits being a part of his life before this. Yes, he wants to buy the Radonitsa colony, but he is just essentially fighting - and killing, for a big pile of money. And it’s an active choice on his part. But we’re not really shown the sort of person that would take the decision to fight for money - pretty much every engagement Wistario enters is the result of another party attacking him first. So there’s this disconnect between who Wistario is, and what Wistario does.

I don’t really think that he’s a *bad* protagonist per se, he just feels a little half-baked, and I feel that, for being the protagonist, we really don’t know a lot about him.

I usually think of the Seven Stars system and heraldry as being a immediate post-war thing for three main reasons:

It makes sense as a post war institution - lots of disparate peoples to unite, infrastructure to rebuild and it’s a clear pecking order. It allows a clear delineation of who is responsible for what and stops the multiple families stepping on each other’s toes.

We only ever see crests or markings of the style of the Seven Stars on their own Gundam Frames, we don’t see them on any of the other machines we know fought in the Calamity War - the Marchosias, the Gremory or the Dantalion (the Astaroth Origin, Calamity War Flauros and the Asmoday itself all also lack them, but I feel you could argue mitigating factors for each). This would imply they were added to the gundam’s post-calamity war, in order to sell them as “the machines that ended the calamity war”. The relative obscurity of the Valkyrja frame could also be counted as a point towards this, since we know at least one saw combat (the Oltlinde), but they’re not presented in the same way. It makes sense that the Seven Stars would put their Crests on the surviving Gundam Frames, since they are essentially the beginnings of their authority and they want to reinforce that (à La the divine right of kings).

If the Seven Stars were a pre-existing institution then it rankles me slightly that the top seven members of Gjallarhorn were all part of this pre-war nobility, when their position was decided meritocratically. You’d expect at least one member to be a nobody who reached their position through feat of arms.

Expanding on that third point, I feel it makes more sense thematically for the Seven Stars to have been founded on a meritocratic basis, each member coming from nothing, because it ties in to Tekkadan’s rise to fame. The Current Seven stars are at least the third generation from the original founders of Gjallarhorn, with barely a hint of merit to any of them - Gaelio’s very sheltered and all too easygoing in his duties, Iok’s actively incompetent and a danger to those around him. Carta, while not ineffective, is in a largely ceremonial position and her successes are due more to brute strength than any strategic nous. Mcgillis’ is adopted into the Fareed Family, unrelated to the original founder. Rustal’s the only one that seems to buck the trend. But nonetheless, each family came to be where they are now through the actions of their predecessor in their Gundam Frames

How does Tekkadan, a family of Child Soldiers and Human Debris come to their power? Through the actions of their pilots through their Gundam Frames. The enemies they fight reinforce this - Ein, a monster made using forbidden technology from the Calamity War, and then Hashmal, a bona-fide relic of the Calamity War. They follow the same path to glory as each of the Seven Stars Founders would have, climbing ever higher, until it eclipses them.

Just a little on the Gundam Asmoday/Asmodeus today (it apparently could’ve been called the Ashmodai, which is neat).

Okay, so the ASW-G-32 Gundam Asmoday is found by Wistario the Erda II crew (specifically Sinister) inside an Aridne Cocoon in the Debris zone. It’s specifically noted to be essentially brand new, with no records of it fighting in the calamity war, and a full complement of weapons ready to go. Based on this, and the fact that it seems to have its reactor hooked up to the cocoon, we can gauge one of two things. Either;

The Gundam wasn’t completed until either very late in the Calamity War, or just after, and thus didn’t have an opportunity to fight against the mobile armours.

This Cocoon relay station was apparently important enough to dedicate a Gundam frame just to keep it operational.

Based on the assumption that a bunch of regular ahab reactors would probably have done the job just fine, I think it’s more likely to be a case of it being completed late.

What makes this interesting is that we only know of one other Gundam frame that was completed late in the calamity war:

The ASW-G-71 Gundam Dantalion.

Now, because this is both at the end of the series (71/72) and because it’s stated that the Dantalion had been completed late, I had previously assumed that the Gundam Frames were completed sequentially. So, the ever-elusive ASW-G-70 Gundam Seere would have been completed just prior to the Dantalion, and the 72nd Gundam would have been completed after, possibly even being completed postwar (At a guess, either the Gundam Andromalius or Gundam Pruflas/Bufas - I’d be very interested in know what happened to it, since it’s be the most likely source as to any clue to the end of the calamity war and it’s immediate aftermath). But the Asmodeus implies something quite different. Unless its deployment was delayed for whatever reason, then it’s evidence that the Gundam frames may not have been built sequentially. (I’m not sure which it would be - it doesn’t seem to have any equipment that’d be too difficult to work with, being structured as a fairly direct combatant - gigant javelin as a sort of whip-sword to attack from a distance, smoke grenades and then grand tonfa’s up close, but then there’s plenty of other reasons for it to not have seen combat).

We do, however, know that Bael was the first. Add to that the seeming increase in complexity as the numbers climb (Dantalion appears simple but it has a bunch of add-on equipment not shown above, a lot of the 50’s and 60’s-series Gundams have fancy designs or systems, especially compared to the relative simplicity of the 00’s and 10’s), and we can guess that they were at least designed sequentially, with Asmoday’s presumed delay being an exception.

However, what I also think is interesting is where it was found. Inside an Ariadne Network Cocoon, big enough to be used as a harbour, administrative and let’s face it defensive point, in the network. Administered by the Falk Family (presumably headed by either Kalf Falk or his immediate successor), who already possess a Gundam Frame to their name - the Gundam Gamigin (shown above).

So what was the Asmodeus, for all intents and purposes a “phantom machine”, which exists on paper but was never actually deployed, doing there? Each Seven Stars Family or similar organisation within Gjallarhorn has precisely one Gundam Frame to their name, with no evidence of one family using multiple frames. I find it particularly interesting that it’s the Falk’s of all people that seem to have this frame - they’re one of the two families we know the absolute least about, the other being the Baklazan’s. Even then, most of the information we do know is what can be inferred from their Urdr Hunt point and their Gundam Frame. The only real supposition we can make is that they’re probably the oldest out of the Seven Stars - assuming no family got multiple Gundam Frames during the calamity war (which feels a fair assumption to make, given that we know absolutely nothing about any frames that were destroyed, implying no-ones really around to keep those records), then the ASW-G-04 Gamigin Gundam was likely deployed the earliest out of all the Seven Stars Gundam Frames, shortly after Bael (again, assuming sequential deployment). So it’s possible that the Falks were the longest surviving active participants in the Calamity war, besides Agnika Kaeru himself, of course. But it’s unclear why they would end up with another Gundam frame, and then not use it. A few possibilities:

The Intended Pilot for the Asmoday was killed before it could reach them, and the Falk’s didn’t have another pilot on hand to use it.

There was a Cocoon was involved in transporting the Gundams to their pilots, and it was kept at the cocoon until it’s recipient could be sorted out.

The Falks wanted extra “insurance” of their position once the Calamity War was over, and arranged for a second Gundam frame to be assigned to them somehow.

The Asmoday had nothing to do with the Falks, and it was left at the Cocoon by N as prize for Urdr Hunt participants.

It was salvaged from its transport during the war, and restored by the Falks.

In short, I don’t know why it was there and we’re probably not going to find out anytime soon, but it’s fun to think about. I would also like to point out that the Asmoday was also just…. Left there, which feels like it must have been purposeful in some way, but also means that the Falk’s didn’t recover it in the intervening 300 years.

hi, just wondering where are you watching urdr hunt?

There’s a YouTuber, Trafalgar Log, who’s translated and uploaded all the game cutscenes (and a little gameplay).

YouTube

Trafalgar Log

Mobile game cutscene translator apparently, I also translate manga elsewhere!

The entire series thus far can be watched on their channel, and it also includes translations of the sidestories from the game.

Alrighty, so a little more on that Gundam Belphagor. Part of the reason that I wanted to talk about all the G Generation designs is that they all occupy this weird canon state. All their bio’s say “built, deployment unknown” or “designed, maybe built” or “limited deployment to obscure front”, so they’re all basically “you can’t prove it didn’t happen” which is a nice angle.

(There are a few that are explicitly non-canon, like the monoeye gundams and things original to the games, like the Halphas, above)

But nonetheless it’s interesting seeing what’s been worked in, whether it’s an Axis Prototype that didn’t make the cut, an evil knockoff of the Victory Gundam or a whole new Gundam.

A whole new Gundam, oh my. Wouldn’t it be grand if there was a series that had “gaps” if you will, units we know existed, but don’t know anything about. Units that a brand new Gundam would fit right alongside.

I mean, there might even be a series that already fits with the gundams being named after demons from the Ars Goetia, like the Halphas and Barbatos, that’d be cool.

So yeah, I’m kinda looking forward to seeing what weird thing the next game to get original designs adds.

Romulus burns; Mars has come to collect his wayward child.