Just For Fun, Lets Think Up A List Of Reasons As To Why Mcgillis Chose Not To Use The Fareed Family Gundam.

Just for fun, let’s think up a list of reasons as to why Mcgillis chose not to use the Fareed Family Gundam.

It was destroyed/lost in the calamity war.

It reminds him of Iznario, and he wants to reject that connection.

It’s got a very specific way of fighting (like Flauros) and he wants something with a more generalist bent.

He feels a greater kinship with Agnika Kaieru than he does the Fareed family founder.

It was the 72nd Gundam frame built, and was completed postwar, thus running counter to Mcgillis’ ambitions to be like his idol.

It’s been chained up in a similar manner to how Bael eventually will be.

It was scrapped to repair another Gundam frame.

It’s biometrically locker to a blood member of the Fareed family for some reason.

The previous pilot was an amputee, and didn’t so much pilot the Gundam in so much as they were “plugged in”. (Think Gundam Thunderbolt).

Iznario (or a prior member of the Fareed Family) sold it, or parts of it, for bread money (as the Warrens did).

It was stolen by Gundam thieves.

It requires three pilots.

The colours clash horribly with his hair.

Despite their great combat skill, the Fareed family founder was just kind of a prick, and nobody looks on their history with much fondness.

The Fareed family founder was very small by modern standards, and the cockpit’s uncomfortable to sit in for any length of time.

The hands were damaged, and are now in the permanent pose of throwing up gang signs.

Bael’s just, like, so much cooler.

It’s really, really uncomfortable to look at for a significant period of time.

Any time it’s activated, the Fareed family founder’s custom mixtape of post-calamity rap starts playing and nobody knows how to turn it off.

It’s haunted.

Iznario lost it in a poorly conceived bet.

It’s likeness was bought out by a prominent snack food corporation some years back, and as such it legally is not allowed to be viewed by anyone.

The door to it in Vingolf is stuck, and nobody ever noticed until Mcgillis came along.

Somebody spilled drink on the controls, and now they feel weirdly sticky.

The cockpit’s stuffed with body pillows, and nobody can bring themself to clean them out.

It’s lying at the bottom of the ocean after someone took it for a joyride.

It’s got an absolutely awful paint job that Norba Shino would be proud of.

It’s uninsured.

It was mounted on the prow of the Fareed family ship, and it’s exceedingly difficult to remove.

It’s stored in multiple separate locations. All Vingolf has is a pair of legs and the right hand.

It’s currently being used as a soundstage for a prominent punk-rock band on Jupiter, and no-one’s sure when the lease ends.

It has the words “free ice-cream” prominently painted on it somewhere.

It achieved sentience and promptly grabbed some popcorn.

The Fareed family never had a Gundam, and just killed that many mobile armours with conventional tactics.

It’s covered in rust.

It doesn’t have nanolaminate armour for some reason.

It’s being used as a power source for Gjallarhorn’s premier health spa and resort.

The Fareed family threw it into the sun when the war ended, believing they wouldn’t need it anymore.

It’s been repaired really badly, and the duct tape and welding really doesn’t inspire confidence.

It’s off starring in its own, less successful show.

It’s got a hit play on broadway.

It runs off a subscription service, and nobody’s been paying it for the last 300 years.

Mcgillis has really poor gatcha rolls, so he just got 26 common rarity grazes instead.

It’s really a Leo somebody scotch-taped a v-fin to.

The entire Gundam is made of cardboard.

Mcgillis forgot the password to get into the hangar, and he can’t ask Iznario.

Somebody doodled angry eyes and a handlebar moustache on it, and nobody can look at it without cracking up.

It was taken apart, then reassembled incorrectly. (It’s got a leg sticking out of where it’s head should be, and nobody’s sure where the sword ended up)

He can’t activate it without deleting the entire Fareed family’s Doom highscores.

It’s currently being used to hold a massive tv that the rest of Gjallarhorn use to watch the hockey.

It is currently on fire.

When he went to pick it up, two of the engineers were using it to hold a romantic candlelit dinner and he felt awkward interrupting so he hasn’t been back since.

A head of the Fareed family used it as the site of a drunken party and when everyone came round from their hangover it was just gone, and nobody could remember what happened to it.

It looks exactly like the Gundam Dantalion, and records have been lost as to why this is the case.

It’s currently being used as a scarecrow.

Feel free to add any more in the comments!

It’d be kinda neat to see a Gundam series where the Gundam gets damaged every so often - like where the original Rx-78 gets it’s arm shot off, or the Gold Frame has to leave behind its arm, or even where Aerial gets its legs wrecked, and then a new part is salvaged from the battlefield.

So by the end of the series/season/arc, the unit’s essentially been ship of theseus’d, so it’s unclear if it’s still “The Gundam” with different parts of it being left on different battlefields. It’d be quite an effective way to symbolise the pilot losing their “innocence” as it were, with the original Gundam being swapped out for parts necessary to the situation at hand, perhaps even salvaging from particular kills as necessary. It’d show the conflict weighing on them in a very real sense, as the mobility of the unit might be reduced due to all the weight or the support of parts it simply wasn’t designed for.

Heck, it might even be a way to tie it in with loss of identity, the main character losing a lot of what makes them who they are as the mobile suit does, ending up this formless, shapeless thing, using whatever means and weapons necessary to get the job done.

A perfect, eternal soldier.

That said, it would be kinda neat to see from a modelling perspective. The basic Gundam’d be the starter kit, with the parts being add-ons or upgrade packs, kinda like how the HG IBO line sold its kits with the bare basic equipment and the rest was add-ons. It’d also encourage a bunch of kitbash options, which’d be pretty cool.

I’m mildly annoyed it took me this long to realise that, in a series full of them, the Mobile Armour mode of the destroy Gundam is essentially a redesign of the Big Zam from the original mobile suit Gundam. The positron reflectors substitute for I-fields, the "Aufprall Dreizehn" High-energy Beam Cannon replacing the Large Mega Particle Gun. Even the anti-air claws on the big zam are represented with the Destroy’s flying arms. Finally, it’s name, the Destroy Gundam is apparently a reference to the second episode of the original series, which had that as its title.

I mean, I know it had a bunch of influence from the Psycho Gundam I and II, but I’d just never clocked the Big Zam as an influence before.

Just realised that part of the appeal of units using the Rodi frame in Iron Blooded Orphans (besides them looking like little potatoes/dumplings/buns with guns) is that their design resembles the old prototype Zaku unit built by the Principality of Zeon

(I’m specifically referring to the Man Rodi, Landman Rodi, Monkey Rodi and my personal favourite, the Labrys)

With them appearing as exaggerated versions of the following:

The Zaku prototype units (in some sources called “crabman”)

Which were then replaced with the Mobile Worker and subsequently the Waff in Gundam: The Origin.

It’s just neat spotting common design themes with the Zaku-esque suits.

Today is the day we acknowledge that “I heard the moon was damaged in the calamity war” is just an absolutely wild thing to say. In context and out of context.

First off, You Heard? As in, this is some rumour that you’re not actually sure about? I know they’re on Mars, and haven’t had much/any of an education, but I would think that the fate of Earth’s primary celestial body would be fairly well known. But this is just like “oh yeah, apparently the moon’s busted”.

Second, “Damaged in the Calamity War”. I don’t know why but damaged is the word I focus on here. Damage implies it’s still functioning. Damage implies that it took the hit but wasn’t destroyed. Damaged is such an odd way to talk about something like the moon.

Like, it really sells the Calamity War as this, well, Calamitous thing. You can really understand why it was such an upheaval that necessitated gjallarhorn’s formation, why the dating process is “post disaster”. And really, why a lot of the setting is how it is.

Why gjallarhorn’s mostly Earth based, why Mars is a backwater with poverty and pmc’s. Why Jupiter can essentially be run by Teiwaz (well, they at least have a lotta influence there). It’s just one example of what happened to this world.

I know we’re probably never gonna fully know what happened in the Calamity War, since that’d ruin the mystique, but…

Just imagine what it must’ve been like.

Gundams battling mobile armours for the fate of the moon.

And behind them, Earth.

Honestly, I always figured that the reason why the Clones are the way they are in Star Wars (IE, Why they exist, why they’re written as they are) is that, fundamentally, they were beholden to that line from way back in the original Star Wars (before it was A New Hope) back in 1977. “You fought in the Clone Wars?” So, Clones have to be involved somewhere, they’re stuck with that. They’d already established the Droid armies as being a thing in A Phantom Menace, and it sells the Trade Federation (and by extension, the rest of the separatists) as cowardly, since they’re relying on machines to do their fighting for them, and since they’re expensive, they’re rich as well.

It’s important to remember that around the time of the prequels coming out, there was the very real fear among people of mechanisation in the workplace, machines coming to take their jobs (I’m not saying that isn’t still a thing, just that it was less prevalent then than now), so with that as the backdrop it’s less likely that the viewing public’d get behind a robot army. So, we have to work clones in somewhere, and they can’t be the bad guys, and the Grand Army of the Republic has to come from somewhere…….

Eureka! Make the Grand Army of the Republic clones!

It solves the problem of the giving the republic an army for the conflict, without making them look like the aggressors, or implying that they would use a standing army to enforce rule on the galaxy. The Republic is still the good guys, remember, no matter how corrupt and inefficient certain parts of them are. It also enables them to sell this conflict as being a sith plan, since this army “just happens” to have been set aside for this very purpose.

It’s also worth noticing that, in the movies at least (near as I can tell, until The Clone Wars (The CG tv show) the clones have a far more varied depiction, from being varied characters with their own views on the war, to being essentially droids made of meat, with a lot of variation between those two binaries. The Clone Wars (as above) took the decision to follow the more humanist line. I’m focusing on the movies since, again, primary source) the clones don’t really have much personality. Mostly that’s because there’s only so much screen time, and it’s being taken up by Jedi, Senators and the like, but it really feels like the only reason they’re human is so we, the viewers can emphasise with them as the good guys and to provide foreshadowing as to where those suspiciously similar stormtrooper fellows come from.

“Are the Clones slaves?” Is, at least to me, a fairly thorny ethical question in its own right, both in and out of universe. I won’t go into the specifics of that now, but it is absolutely a fun and interesting question to ponder. But there’s a myriad of reasons as to why this decision was made, so making such a binary choice as throwing out everything else because the clones are apparently slaves is honestly just kinda doing the series an injustice.

People complain that the jedi don't act appropriately to being forced to use a slaver army, but they seem to forget that the jedi can't. Not just in universe (although yes, in universe there was nothing the jedi could do about this decision made by the senate) but narratively.

The jedi can't comment on the clone's slavery because the narrative won't let them! As a matter of fact, the narrative won't let anyone mention this! Literally no one calls the clones slaves seriously, even characters who by all accounts should feel that way because the narrative won't let them because they are fictional people created by a team of writers.

The clones aren't slaves in universe because the writers refuse to write them that way. Do I personally feel that this should have been a plot point? Yeah I think it would have been interesting! But they didn't!

Is it fun to explore this in fanfiction? Yeah it totally is! I know I would mention it in any fic I write in the future.

Does it make for good media criticism or analysis? No! This is just straight up not how you professionally analysis media. It is worth bring up in a discussion about the creators and exploring why they didn't bring these things up in the series. That would be good media analysis.

But as "proof" that some characters are bad this fails dramatically. Why? Because then you must apply this logic to every character, meaning not just the jedi are evil but actually every single character in the whole series, yes all of them, are evil. Once you do that you have successfully thrown away any meaning the original work had. It is all pointless now.

People confuse in-universe (watsonian) and out-of-universe (doylist) analysis. 'Why did no one do anything about the clone's situation?' is a shit watsonian analysis. But 'why the fuck did the writers write the clones like this?' is a GREAT doylist question.

Media analysis should add meaning, or explain meaning, or even describe why you feel the work lacks meaning, but it should never take all meaning away.

It is the same reason droids aren't called slaves. It would complicate the narrative and distract from whatever the writers were actually trying to say. The writers don't want to go there, so they don't.