Reuniclus -- Kyoko Umemoto

Reuniclus -- Kyoko Umemoto

I'd love to see tattoos people have done of or inspired by your work!

Oh, let's see if I can find them! The first one I remember was this, I don't remember who the person was. She made these three based on my little "Shark Villagers" hehe

This other one was inspired by an art from my second Sharktober collection of 2021, called Traveler Shark!

And the last one I found was this! The person masterfully reproduced the colors of my art that I made of my character Requiem, the finless shark!

A new tattoo has been created based on my artwork that reverses the role of the Jaws poster! Check it out! 🦈✨

Perfect colors and reproduction, check out the jawesome work of this tattoo artist!

That's it!! I think there were others, but I didn't find them. As I said before, feel free to get tattoos with my artwork, you have my full permission!

I think these arts I made would make good tattoo ideas, if you want!

Witching Hour at the pool.

My it sure is nice how, because I clearly tag things, tumblr has no problem with finding my old posts, isn’t it?

Sure is great when you want to return to an old topic, you can easily reference an older post, isn’t it?

Anyway, I was thinking about some of my favourite mobile suits recently, and more specifically how they fight.

The Sinanju and Sinanju Stein (strictly speaking that’s unit 2 above, but the Sinanju Stein Unit 1 only shows up physically once anyways, so I tend to conflate the two) from Universal Century, and the Gundams Bael and Zepar from Post Disaster. The Bael and Sinanju’s are thematically and functionally similar, if not so much visually, since they’re piloted by the series resident Char Clones, Full Frontal and Mcgillis Fareed respectively, and thus have a similar fighting style - high mobility and very flashy, typically dodging with minimal effort and taking out scores of foes near-effortlessly. The Sinanju Stein (Unit 2) certainly could fight like that, but its pilot Zoltan Akkanekan is…… not in a great place mentally, and as such he tends to be more brutish, always pushing the attack and closing ranks with his enemy very quickly (we only see him fight once in the Sinanju Stein before it docks with the Neo Zeong II, so it’s possible that his aggression is more due to the enemy being a Gundam, as opposed to any real strategy). The Gundam Zepar we have even less information on, but since we know both that it doesn’t have any ranged weaponry, and that most of the emphasis seems to be on the shield, we can guess it would want to get close fairly quickly, and would be well-prepared for a reprisal.

And this reminded me of something I mentioned previously when discussing non-Gundam Mecha series - I like when we know the “thesis” of the mecha. I like when we know why they were built and what the in-universe theory was in their construction (Or at the very least, we can guess, as with The Big O). It makes the world feel realer to me, and don’t get me wrong, I love giant robots, but it feels wonderfully cohesive when there’s an in-universe justification. I don’t typically forget the out-of-universe justification “to sell toys” but it feels less “Johnson, quarterly earnings aren’t looking good, make a property we can merchandise things out of” and more “Hey, this guy’s got an idea for a cool show about robots, maybe there’ll be a market for cool toys there?”.

Weird tangent on the relationship between entertainment and merchandising aside, I like Universal Century because it’s got a strong “thesis” - mobile suits were designed primarily as an anti-ship weapon that would engage at visual range, due to the effects of Minovsky particles rendering most long-range weapons difficult to aim. They’re fast, and carry handheld weaponry both for ease of use, maintenance and operability and they’re an extension of “armoured space suits”. There’s even the military angle of “a secret weapon to to win us the war against a foe that could beat us conventionally”, and I’d assumed that, with a few exceptions like Wing and G Gundam, most of Gundam followed that same thesis.

However, I realised that’s perhaps not quite true with Iron-Blooded Orphans (or at least it’d be interesting to consider why it might not be true). The above graph is an illustration of the breakdown of forces used in the calamity war, and how they were deployed depending on the field. Quote: The unit formation deployed against the mobile armors depended on where the battlefield was. On Earth and Mars, the Gundam Frames served as the main fighting units, and they destroyed the mobile armors one by one with assistance from other mobile suits and supporting units. In space, the Dáinsleifs were used as the main weapon, and were assisted by mobile suits, including Gundam Frames, and other supporting units. On the Moon, mobile suit teams like the one deployed on Earth and Mars were also used in addition to the aforementioned use of the Dáinsleif.

So I got to wondering if Post Disaster (or I guess Current Disaster) mobile suits had a different development ethos, since they were deployed largely terrestrially.

Mobile suits were only used during the Middle and Late stages of the war, which implies they were developed during it. The above Rodi and Hexa Frames were developed first, with the Gundam And Valkyrja Frames following in the later stages of the War. It’s also stated that, quote: The beginning of the Calamity War was the result of AI-equipped, self-sustaining weapon systems going out of control. Before the outbreak of the Calamity War, automated machinery was a symbol of wealth and abundance, and humans were actively promoting the automation of wars. With the risk of losing valuable soldiers reduced as the weapons were AI operated, and the introduction of the semi-permanent Ahab Reactor as a power source, mobile armors became the ideal weapon that can fight efficiently and persistently. So, it’s possible that after the Mobile Armours were unleashed, there was a rush to adapt previously autonomous weaponry into something human-controlled, with the Rodi and Hexa Frames representing these early steps. Furthermore, it’s stated that Mobile Armours acquired Nanolaminate Armour, so beam weaponry would presumably have been used in the early stages of the war.

So, could Mobile Suits in IBO be autonomous weaponry adapted for human use, as opposed to the Universal Century’s “Armoured Space Suits” line of thinking? We know that Alaya-Vijinana works best with forms closer to the human form - hence the Gundam Frames being constructed as close to the human form as possible. Another angle might be that of upsized Knights, here to slay the mechanical monsters that threaten humanity.

So it’s an interesting angle compared between the series - in one, mobile suits were built for wars in space, fought between nations. In the other, mobile suits were built to be used terrestrially, in response the threat of extinction by mechanical foes humanity unwittingly unleashed upon itself.

(Also, it’s interesting to look at how common mobile armours and automated weaponry were in the pre-post disaster setting, since I just imagine Treize Kushrenada from Gundam Wing being distinctly unhappy)

Little shop update coming on Thursday, June 27th at noon eastern! 🐢🦎🐸🐱

I'll also be restocking herpetology seconds pin mystery bags with a new selection of reptiles and amphibians possible!