OTP Prompt #24

OTP Prompt #24

Your OTP goes to a costume party dressed as the opposite gender. One of them is surprisingly convincing.

Story Starter #42

To a cannibal, everyone is a human resource.

Literature Prompt #4, The Most Dangerous Game

“The world is made up of two classes - the hunters and the huntees.” ― Richard Connell, The Most Dangerous Game

Write about a character who is being pursued by something, whether its another person, a creature, an organization, or an otherworldly force. How do they manage to survive? Do they find a way to turn the tables?

“She was always telling these unbelievable stories, about mountains breathing fire and ice and long-winged birds that nested in the waves.”

Beasts of a Little Land - Juhea Kim

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Sometimes life should be romanticized.

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I hereby challenge you to pick one common part of your life and make it romantic. How would Studio Ghibli look at it? How would Juhea Kim describe it?

It need not be more than a sentence, but make it beautiful. See the beauty in what's in your life.

Good to know!

The basics of swordfighting for writers

#1. Types of swords

Cavalry swords, two-handed swords, and cutlasses - these swords are used commonly for hacking and slashing - so they are swung in arcs or from side to side, not thrust forward.

Rapiers and small swords are one-handed weapons that are thin and light, but often quite long. They are used for thrusting and slicing, but as you can imagine they aren't much use in actual battle, but commonly used for sparring.

The third type is a mixture of the two - but less commonly found.

#2. Terminology

Fainting/Feinting - A false attack intended to create an opening for the real attack.

Parrying - When a swordsman uses his blade to deflect his opponent’s blade when he is being attacked.

Advance - A short forward movement

Fuller - A groove down the side of the sword to release suction when stabbed into a person's body.

Hilt - The base of the sword near your hands that isn't the blade

Pivot - Turning 180 degrees while keeping a foot planted

False edge - the "back" of the sword that isn't sharp and what you don't usually fight with.

#3. Common myths

A secret move that leads to victory - There is rarely such a "secret" move. Like chess, swordfighting is won through strategy and careful thinking, as well as physical prowess, not sEcRetT mOveS.

The Dramatic PauseTM - Nope, doesn't happen in real life. No one actually glares at each other in the middle of a swordfighting match when their priority should be, yknow, surviving.

#4. The Learning Curve of swordfighting

Unlike an ordinary learning curve where you slowly get better at something, in swordfighting, an untrained novice is much better than someone practising for a few months. This is because their actions are almost always wild and unpredictable. When a student receives training, their skill will actually decline over the next few months, because they will be trying to fight by the rules and are naturally not good at it. It takes at least two years to become a good swordsperson.

#5. The actual swordfighting itself

Footwork - Forward and back, in a line, in a semi-circle, a pivot. The basic goal of footwork is to give you a balanced center from which you can lunge, advance, retreat, attack, and parry. It also helps maintain the appropriate distance from your opponent and percieve.

Timing - How fast/slow is your opponent? How fast is your reaction time?

Every fighter has a different style. Some may naturally be inclined to use a certain move over and over, and have weakpoints in say, their reaction time. It is important that your character has a proper swordfighting style.

Predictability - How good are your characters/opponents at anticipating and learn each others fighting style? That determines the outcome of the fight!

Sources I used: https://kingdompen.org/writing-realistic-sword-fights/ // https://mythicscribes.com/miscellaneous/swordplay-for-fantasy-writers/ // https://lisashea.com/lisabase/writing/medieval/swords/glossary.html

Story Starter #41

“I’m not much of a people person.”

“Do you like kids?”

“Aren’t kids people?”