How I Make Book Covers + Tips For You!

How I make book covers + tips for you!

Hey people of Earth!

Around this time last year, I mentioned I would have a video up on how I make book covers/cover making tips, and to summarize: I did not do the thing, and this year old script is still sitting in my drafts.

SO, I thought I’d kill two birds with one stone and post a written version of these tips! Going to get straight into this because I imagine this will be rather long!

This post will be divided into 6 parts: finding inspiration, concept art, incorporating elements of design, composition, tools and software, and resources. Feel free to skip around to whatever section interests you most!

***Before we get started, really quick disclaimer. I am in no way a professional cover designer. Cover design is merely something I picked up on my own, and I don’t have any formal education/credentials in graphic design. So of course take my advice with that in mind. These are also just my personal thoughts and opinions. So take everything with a grain of salt!

1. Finding Inspiration

What’s the deal?

A really great way to start out in design

Finding cover designs or designers you admire may help you see what works technically

Helps nail down a style you like

In turn, can help you find your cover design style

What should you do?

Look at covers in your genre!

Whenever I design a cover, I take a scroll through Goodreads to pick up some inspiration in designs I personally love

I also love walking around my bookstore and taking a look at physical copies

Find a cover design you like, and point out the specific reasons you like it

Example:

Me and Earl and the Dying Girl was actually not an inspo cover for this edition of I’M DISAPPOINTED, but as you can see, things I liked from it spilled over into my own design. By pointing out aspects of graphic design you like, you’ll better be able to understand your style as a cover artist. 

Some personal thoughts:

I like covers that include a textured backgrounds, as seen in the collage below: 

So for the I’M DISAPPOINTED cover above, I included a textured background. I also love handwritten fonts/lettering, which I include in almost all of my book covers.

What I did:

Off-white colour from A List of Cages and Holding Up The Universe

Silhouette from Painless and previous cover design of I’m Disappointed

Speech bubble from Simon VS the Homo Sapiens Agenda and Say What You Will

Marker texture from A List of Cages

Obviously my thought process wasn’t to put 4 covers in a blender and thus create my product, ha, this is just an example for the ease of understanding!  

2. Concept art

What’s the deal?

Coming up with concept art is a super important part of designing a successful book cover. 

Acts as the skeleton of your book cover

Your book cover’s roadmap

Saves time/effort

Similar to an outline for a novel. 

Can be a very quick sketch, or full fledged design

I like keeping my concept art quick, but if this is your first cover, making a more detailed mockup can help. 

What should you do?

Sketch out book cover ideas once you get them/take notes of concepts you’d like to explore

If you can’t come up with concepts, take a look at your inspiration folder and pull concepts/ideas from covers you love

This does not mean copying another book cover (this is notttt a good idea!). BUT, pulling inspiration from elements you like on a cover can be helpful in generating your own concepts

You don’t have to come up with concept art (sometimes winging it works!) but I do recommend jotting notes down, and drawing out loose sketches when applicable!

Keep a list of ideas for book covers as you accumulate them (almost like a little vault of concepts lol) and reference them in the future!

Take a look at as many book covers as you can and make a list of elements you like and don’t like

This is one of the easiest ways to accumulate ideas/concepts!

Example:

^^^ Concept art for two book covers 

Likes and dislikes in book covers:

Of course this list is not my be all and end all (nor should it be), and obviously, I still use these things (besides clunky composition I hope!) in some designs!

3. Incorporating the elements of design

What’s the deal?

There are 7 elements of design: line, shape, texture, form, space, value, and colour. 

These sometimes vary depending on where you look, but this is what I was taught, so I’m going to be working off that!

Examples:

I’m going to go through them really quickly via an assignment I did for my comm tech class

Keep in mind this assignment is 2 years old and is only meant to give you an idea of what these elements are 

1. Line

Line is probably the most important element of design as every piece of art starts with one. 

There are various types of lines. You can have curved lines, straight lines, vertical lines, horizontal lines and so on.

2. Shape 

You can have more mathematical, geometric shapes, or more abstract, free form shapes. 

3. Texture

Texture is the feel of a particular surface. 

Texture in my opinion is one of the most important elements when it comes to graphic design, especially book covers. 

My favourite thing to see in book covers is texture, whether that be paper textures like construction paper, crumpled paper, wallpaper, lace, wall textures, paint textures, or marker textures

Texture adds depth to designs, and if there’s any element of design you focus on in this post, I’d highly recommend it be this one. 

(i’m biased but still)

4. Form

Form is almost like shape, except instead of flat objects, we’re dealing with 3-dimensional objects. 

I don’t often use it in my covers since I like drawings and flat shapes in my designs, but if you want to include objects on your cover, or any sort of 3D shape, this would be form. 

5. Space

The distance around an object, to put it simply

Space in covers can help emphasize what’s important, and what is less important, or can draw attention to a particular piece of your design. 

Examples of space:

Colour coding: yellow = space, teal = focal point/movement of viewer’s eye

In Twilight, the black space helps emphasize the main image, the hands holding the apple. 

This also occurs in the Red Queen book covers. The empty space around the crown draws attention immediately to the focal point

You can also lack space. In The Duff, the girl’s face is the only thing you can see on the cover. 

6. Value 

Is determined by how much light or dark is incorporated into design. 

Example of value:

A great example of value in book covers is on Alexandra Bracken’s Passenger. As you can see, the green at the top fades down in a gradient as more white is added to the centre. 

7. Colour

Light reflecting off objects

Can make certain elements of your design stand out

Why should you incorporate the elements of design into your designs?

Adds layers of depth to your work

Thus can take your cover-making skills to another level

Can help in producing ideas

4. Composition:

What’s the deal?

In my opinion, can make or break a design

Can mean clutter of things, OR too much or too little space between elements

Title placement  

Composition is sometimes subjective from design to design

What you can do:

Pay close attention to detail and spacing

Look out for natural shapes in your design you can fit elements into

Watch the linked video from Mango Street (one of my favourite photography channels) on composition

While photography and design are two different things, the tips in this video can also be applied to various ideas in design such as headroom and leading lines

Examples:

*Before I get into this, I want to make it clear that these examples are exaggerations for the purpose of showing you good and bad composition. If you make these mistakes, that doesn’t mean your design is bad, and again, I’m no professional. This comes from what I believe could be considered bad composition, but trust your gut. 

Example 1: Stick People

doesn’t effectively use space

no headroom for text

text is covering 200 element (looks very clunky)

text is cut off

No focal point

Can’t read the title

Textual elements are better spread out

Title is now focal point

Slightly imbalanced

200 element is distracting 

Addition of stick figures balances out cover  

Text follows natural shape of photograph

Removed 200 element makes cover look less clunky

Example 2: Sixteen Cents

Half the title is on a dark background

Lacks readability

Last name is cut off by window

Uninteresting composition (everything is on one line)

No movement

Title placement is better

Better readability

‘A novel’ fits under windowsill

Last name is smaller to avoid cutting it off

Still slightly boring

Uses free space of wall wisely

Title is easy to read

Text is shaped around photo elements

Gives the cover some movement

Example 3: Fostered

Title is covering the focal point (the girl)

Title doesn’t seem to be incorporated into the design

By moving title down, we’ve made space for the subject

Title placement makes cover look less clunky

Same composition as prior but image is colour-graded

Embossed title adds texture/depth

I’ve mentioned this a few times in this post: focal point. What is it?

FOCAL POINT:

Is defined as the main attraction of your book cover

This is where you want your readers’ eyes to focus

Focal points can sometimes define themselves in areas where more contrast happens to be

Doesn’t have to be the centre of the page. 

Keep focal point in mind for composition because if you put it in the wrong spot, you could end up drawing your readers’ attention to the wrong area of the cover. 

The point of most interest in a cover is the focal point, so if you want a particular subject of your book cover, such as a person, to stand out make sure you don’t make the other areas of the cover too high contrast or busy.

Framing subjects also helps, so be creative!  

The human eye tends to focus on areas with increased contrast so keep this in mind

Examples:

The Host

The camera has focused on the eye of the model, with the nose bridge and forehead shadowing each corner of the cover

Helps lead eye to focal point (the eye)

The Girls

Blue around the edges encircles the focal point (the girl), leading the viewer’s eye directly to her

Girl is also scarlet in colour, contrasting the background

The Hunger Games

Grey outlines on the cover lead straight to the mockingjay

Mockingjay is bright gold in comparison to the black background

Creates contrast, thus viewer’s eye is lead there

The Female of the Species

‘Straight’ composition

No particular focal point, viewer’s eye instead moves horizontally across the design

What should you do?

Use the natural shapes and outlines in your design/photo to fill your cover

Use your space wisely (see examples above)

Use leading lines to draw attention to your focal point

Manipulate text to fill empty spaces

5. Tools and software 

You do not need Photoshop to make a good book cover

I made my first book covers in GIMP, a free image manipulation program (kinda like Photoshop’s little brother)

This is the stick people cover I made in photoshop, and the same cover made in GIMP. 

Other tools you may want to use are CreateSpace’s cover templates. 

You can find these through CreateSpace OR Bookow (my personal fave)

OPTIONAL (what I use):

Graphics tablet

I use the Huion H610 which I really enjoy! 

I use this to hand letter, draw silhouettes, create concept art, and so on

Paper and my Faber Castell India Ink Artist Pens. 

These are fine tip markers, and are what I used to create the text on I’m Disappointed 

Thin sharpies and pens will also do the job, and you can always clean any mistakes up in photoshop or gimp.

A scanner so I can transfer what I’ve hand drawn onto my computer

If you don’t have a scanner you can take a clear photograph on a camera or phone 

I also use a few custom marker brushes that now come with the 2018 version of Photoshop

The main one I use is Kyle’s AM - Watercolour Paper from the art markers set (you have to load these into Photoshop, but if you have PS 2018, you should have access to ‘em). 

(I’ve lettered everything in this post with that brush)

6. Resources

Here’s a list of amazing resources you might need when making your own book covers!

1. Stock image websites

Check out THIS post for a master list of my favourite stock photo websites!

Stocksnap.io

Unsplash.com

Pixabay.com 

2. Dafont

Is my main source for finding fonts

3. Goodreads

A huge resource I use to find cover inspiration

I’ll often browse the new releases section to look at new covers and so on

Easy way to narrow down the genre of cover you’re looking for, as well as the age category

4. Keyboard shortcuts 

Check out a masterlist for Photoshop HERE

GIMP masterlist HERE

Makes workflow super efficient

My fave I highly recommend in Photoshop is ctrl > shift > alt > e (merge all layers into new layer) 

I’ve made TWO custom shortcuts: ctrl > shift > o is now open as layer, and ctrl > shift > alt > r is now rasterize layer (these save so much time!)

So to conclude this post, I’m going to list out some of my favourite tips when it comes to cover making (sort of a reiteration of this post)

Add texture!

Texture is a super easy way to add dimension to your book cover

Try lettering with a paper and marker when starting out

I find this a lot easier than digital lettering!

Google is your friendddd

If you can’t figure out how to do something in Photoshop or GIMP, the internet is a vast depository of information!

Pay attention to detail

Cover design is alllll about the small details. Making sure you’ve centred something properly can seriously help in making your cover go from amateur to whoaaa who made thatttt

Get a second opinion

Been looking at your screen for 8 hours straight? Ask someone you know what they think of your design! I find this has sparked a lot of secondhand ideas!

If it doesn’t work out, doesn’t mean it was a fail

If a particular concept just doesn’t work, don’t worry! As you practice you’ll get better, and you can always revisit the concept for another novel!

EDIT: a really great suggestion from @sarahkelsiwrites: print out your design if you need a fresh perspective! You’d be surprised by what you notice on screen VS off!

So that’s it for this post! I hope this was helpful for some of you guys, I know it was looooong overdue. If it helped you out, let me know, and if you have any questions, feel free to send ‘em my way! :))

–Rachel

reading advice (for writers)

you know those posts that are like, “remember when we used to read books and now we all have no attention span because of the internet.” then there’s the very contrived advice that’s like, “if you want to be a writer you have to read”??

well i think they’re completely true but they also really suck, and we of the youngish adult writers of 2018 have it pretty hard, especially those of us in fandom who enjoy reading fanfic more than original fic because it’s mostly tagged properly and possesses the emotional catharsis we’re looking for, pretty much guaranteed.

that said, i think it’s really important – whether you write fanfic, ofic, or both – to read traditionally published work, in part because it can help better inform your fanfic, but also because it will help develop your writing overall. and if you’re interested in ofic, it’s pretty much a necessity to read.

so, i just graduated from an MFA program in creative writing, and contrary to popular opinion, the MFA does not actually teach you how to write. it gives you space to write, and mostly, it teaches you how to read as a writer.

so here is everything i’ve learned about reading as a writer over the past two years:

you do not have to read anything you don’t want to read

part of the problem with “read everything you can!” advice is that there is a lot of stuff out there, and a ton of it doesn’t jive with your interests. moreover, there’s a kind of pressure to read the Classics just to say you’ve read them when in fact a lot of them are boring, irrelevant, and dare i say overrated. so here is me giving you permission: you don’t have to pick up Hemingway or Faulkner or whoever else to be a good writer. life is too short to force yourself to read dead white dudes.

if a book doesn’t grab you by the first 10%, put it down

this is what has helped me more than anything else as a reader, because i found i would commit myself to a boring book and then never want to read it, so i would stop reading for months at a time. so, when you pick out a book, go to the last page and check the number. promise yourself you’ll read 10% of the book. 400 pages? read to page 40 and ask yourself, “do i really want to turn the page? if i put this book down, would i want to pick it back up again later?” if the answer is no, return it to the library or wherever you got it. try the next book in your pile. your TBR list is long; be merciless. 

but if you want to make it look like you read the book…

commit to 25%. then go to the wikipedia article, read the plot summary, and fast forward to the last 10-15 pages. bam. you’ve more or less read the book. bonus points if you watch the movie, too. so if you’re really committed to reading Ulysses or whatever but you don’t want to slog through it, you can digest enough to be able to hold a conversation about it in a few hours and move on with your life. you can even pretend you enjoyed it and found it a formative reading experience that helped shape your understanding of the work of fiction, really, absolutely groundbreaking, etc etc. this is especially helpful if you find yourself anywhere in the literary sphere because other writers will expect you to be familiar with the canon. 

read selfishly and take tools from everything you read

when you read anything, even the stuff you don’t like, ask yourself, “what tools can i take for my own writing?” let’s say you really love the plot structure – write it down somewhere so you remember to try it out for your own story. if you love the lyricism of the sentences, find a few sentences you really like and jot them down by hand, inspect what about them makes you love them so much. steal aspects of characters you admire, pacing, conflict, stakes. steal as much as you can without stealing the words themselves. you can even use this for things you don’t like by rephrasing the question: “what is it about this story i would like to avoid in my own work?” pivot every single thing you read to be about you and your writing. take notes. mark up and highlight your book if you have to. reading as a writer is not a passive activity but an active one. you’re not being entertained, you’re learning. so let published works teach you. 

carve time out of your day to read

at 7pm every day, i put my phone down and pick up an actual physical book. this is my personal preference – i have no beef at all with ebooks, but honestly, i get so tired of staring at lit screens all day, and paper books without the distraction of my phone is such a nostalgic feeling for me, back when i was 14 and the library was my second home and if someone wanted my attention they had to call me on a landline. if you had the same upbringing, dedicating some time to read a physical book will do you wonders. if ebooks are your thing, it’s still important to schedule reading time for yourself, not as an obligation to uphold, but as something to do that’s good for you and that you enjoy. 

write letters to your favorite authors!!

seriously. if you love a book, let the author know. they will not be annoyed or upset. they will be thrilled. it’s a good way to network with other writers, and it’s a great practice of literary citizenship.

when someone recommends a book to you, ask why

this is something i’ve only recently learned to do, as someone who gets book recommendations pretty much constantly. if the person knows you decently, i don’t think it’s out of line to ask, “what would i specifically like about this?” because then that will tell if you if the person is only recommending it because they like it, not because they think you’ll like it. if the person knows your writing, it’s fair to ask, “how is this book in conversation with my work?” so you have a head start in the kinds of tools you’ll want to take from it. 

follow your aesthetic instincts

as a writer, honing your aesthetic will always be one of your highest aims, which means constantly seeking out writers whose aesthetics you admire and analyzing what it is you admire about it. “aesthetic” is kind of a vague term, but it refers to your overall vibe – the things you write about and why you write about them. my aesthetic is more or less “midwestern class warfare meets sexual identity crises with a lot of dark humor,” so i tend to look for other writers who share facets of that aesthetic and i inspect what’s working for them, where they publish, what their influences are, etc. i try to read both within my aesthetic but also far outside of it too. for example, i love historical fiction but i know i’ll never, ever write it. but i appreciate the aesthetic, and i can take tools from it like dedication to detail, internal conflicts, etc.

read short fiction (please)

this is my personal plea. short stories are a great way to find authors whose work is in conversation with yours, so that you can then go check out their novels with a good idea already of what you like about them. short stories are all over the internet via literary and genre mags. they’re a much smaller commitment than novels and tend to have just as much emotional impact (if done well) as novels. more importantly you’ll always have recs for your friends, and it’s a lot easier getting someone to read a 6k story you enjoyed than a 60k novel.

resources

don’t have time to read but like to listen? try the new yorker fiction and writers’ voice podcasts

like marking up books but don’t want to buy them new? check out thriftbooks (my favorite site on the internet – the link here will get you 15% off!)

finished a book you like but don’t know what to read next? try what should i read next

want to stay apprised of the goings on in the modern literary community? subscribe to the lithub newsletter and arts & letters daily, two newsletters i’ve been subscribed to for years 

as always i’m glad to answer any questions! happy reading!

writing advice tag

Quick Writing Tip: How to Train Yourself to Write Faster

Have you ever heard of “Parkinson’s Law”? It’s the adage that “work expands so as to fill the time available for its completion.” If you apply that to writing, it means that if you give yourself two hours to write two hundred words, it will take two hours. But if you give yourself thirty minutes, it will take thirty minutes.

Of course, there’s a limit to how fast you can write. But if you are frustrated with your slow speed, try this training exercise: time yourself.

Choose a word count goal and set a timer for 25 minutes or less.

In the beginning, be easy on yourself. Try giving yourself the goal of 100 words in 25 minutes. If that seems easy, increase the word count goal or decrease the time until you find a speed that’s doable but not completely overwhelming.

I used to be a reaaaaaaally slow writer, until I figured out that if I completely focused under a ticking clock, I could write 500 words in 25 minutes. No distractions, no time for research, no making cups of tea or answering the phone. Just straight writing. Suddenly my word count goal of 1,000 words a day seemed ridiculously easy. Whereas before I would languish for hours at the screen, drawing blanks and getting distracted, now all I had to do was two laser-focus sessions of 25 minutes each. No problem!

Your word count goals might be different, and you might find that timed writing is not for you. But if you do try it, I recommend you do a timed session that’s not very long–5, 10, 15, 20, or 25 minutes at most.

The reason you want to stay to 25 minutes or under is that anything over that you run the risk of getting tired and distracted.

If your mind is really prone to distraction, or if 25 minutes seems like a long time, start with 5 or 10 minutes.

You might be amazed how much you can get down with a concrete deadline.

A few more tips:

I like to use the Howler Timer for Mac because instead of obnoxious beeping, it makes lovely animal noises. You can download it for free.

Turn off your phone.

Turn off all social media.

Make sure you have everything you need for your session, so that when you click “start” on the timer you’re ready to go. Personally, I go to the bathroom and make sure I have anything I want to drink before I start my 25 minute session.

Let others know not to bother you. If possible, shut the door to your room. If you can’t get away from people, at least wear headphones to discourage anyone from talking to you.

If you have to stop for a good reason, pause the timer and re-start it once you’re writing again. (The idea here is to really train yourself about the difference between “on” and “off” time when it comes to your writing.)

You can spend a few minutes thinking about what you’ll write before starting, but don’t get sucked into thinking or outlining for longer than 5 minutes. The goal of this exercise is to get yourself out of your head and force you to put words on the page more quickly. Don’t postpone starting the timer because you’re scared.

If you wrote as fast as you could and stayed as focused as possible but didn’t make your word goal, it’s okay!! You are practicing, and the more you work at it the better you will get.

Also, if you try this a few times and it’s really not for you–maybe it’s too overwhelming, or stressful, or makes writing harder instead of easier for some reason–that’s totally fine, too! Don’t beat yourself up. There are lots of successful slow writers out there.

How about you all? Have you ever tried to train yourself to write faster? What were the results? Anything to add to this list?

The Ultimate Relationship Tag

Send ‘✩’ for the following:

Disagreements:

Who is more likely to raise their voice? Who threatens to leave but never actually does? Who actually keeps their word and leaves? Who trashes the house? Do either of them get physical? How often do they argue/disagree? Who is the first to apologise?

Sex:

Who is on top? Who is on the bottom? Who has the strangest desires? Any kinks? Who’s dominant in bed? Is head ever in the equation? If so, who is better at performing it? Ever had sex in public? Who moans the most? Who leaves the most marks? Who screams the loudest? Who is the more experienced of the two? Do they ‘fuck’ or ‘make love’? Rough or soft? How long do they usually last? Is protection used? Does it ever get boring? Where is the strangest place they’d have sex? 

Family:

Do your muses plan on having children/or have children? If so, how many children do your muses want/have? Who is the favorite parent? Who is the authoritative parent? Who is more likely to allow the children to have a day off school? Who lets the children indulge in sweets and junk food when the other isn’t around? Who turns up to extra curricular activities to support their children? Who goes to parent teacher interviews? Who changes the diapers? Who gets up in the middle of the night to feed the baby? Who spends the most time with the children? Who packs their lunch boxes? Who gives their children ‘the talk’? Who cleans up after the kids? Who worries the most? Who are the children more likely to learn their first swear word from?

Affection:

Who likes to cuddle? Who is the little spoon? Who gets naughty in the most inappropriate of places? Who struggles to keep their hands to themself?   How long can they cuddle until one becomes uncomfortable? Who gives the most kisses? What is their favourite non-sexual activity? Where is their favourite place to cuddle? Who is more likely to playfully grope the other?  How often do they get time to themselves?

Sleeping:

Who snores? If both do, who snores the loudest? Do they share a bed or sleep separately? If they sleep together, do they cozy up together or lay far apart? Who talks in their sleep? What do they wear to bed? Are either of your muses insomniacs? Can sleeping pills be found by the bedside? Do they wrap their limbs around each other or just lay side by side? Who wakes up with bed hair? Who wakes up first? Who prepares breakfast in bed for the other? What is their favourite sleeping position? Who hogs the sheets? Do they set an alarm each night? Can a television be found in their bedroom? Who has nightmares? Who has ridiculous dreams? Who sprawls out and takes up most of the bed?  Who makes the bed?  What time is bed time?  Any routines/rituals before bed? Who’s the grumpiest when they wake up? 

Work:

Who is the busiest? Who rakes in the highest income? Are any of your muses unemployed? Who takes the most sick days? Who is more likely to turn up late to work? Who sucks up to their boss? What are their jobs? Who stresses the most? Do your muses enjoy or despise their careers/occupations? Are your muses financially stable? 

Home:

Who does the washing? Who takes out the trash? Who does the ironing? Who does the cooking? Who is more likely to burn the house down just trying? Who is messier?  Who leaves the toilet roll empty? Who leaves their dirty clothes on the floor? Who forgets to flush the toilet? Who is the prankster around the house? Who loses the car keys when it comes time to go somewhere? Who mows the lawn? Who answers the telephone? Who does the vacuuming? Who does the groceries? Who takes the longest to shower? Who spends the most time in the bathroom?

Miscellaneous:

Is money a problem? How many cars do they own? Do they own their home or do they rent? Do they live near the coast or deep in the countryside? Do they live in the city or in the country?  Do they enjoy their surroundings? What’s their song? What do they do when they’re away from each other? Where did they first meet? How did they first meet? Who spends the most money when out shopping? Who’s more likely to flash their assets? Who finds it amusing when the other trips over? Any mental issues? Who’s terrified of bugs? Who kills the spiders around the house? Their favourite place? Who pays the bills? Do they have any fears for their future? Who’s more likely to surprise the other with a fancy dinner? Who uses up all of the hot water?  Who’s the tallest? Who’s more likely to just randomly hop into the shower with the other? Who wanders around in their underwear? Who sings the loudest when singing along to the radio? What do they tease each other about? Who is more likely to cringe at the other’s fashion sense at times? Do they have mutual friends? Who crushed first?  Any alcohol or substance related problems? Who is more likely to stumble home, drunk, at 3am? Who swears the most?

Accents 101

So if you’re a dm like me, you probably want to be relatively skilled in some typical fantasy accents for your game to make things feel that much more real. So i’ve decided to throw together a little master post of “how to” videos on some various accents. This is mostly for my own reference, but if you’d like to save this for yourself too, go right ahead. Feel free to add on to this, as well!

General Accent Tips

How To Learn Any Accent (1)

How To Learn Any Accent (2)

How To Do 12 Different Accents

US/UK/Aussie English Vocabulary Differences

One Woman, 17 British Accents

How To Lose Your Native Accent

How To Learn A Different Accent

Fun Tour of American Accents

Scottish

Scottish In Under 2 Minutes

How to Speak With A Scottish Accent

HOW TO DO A SCOTTISH ACCENT

Speaking Scottish 101

Scottish Slang

Gerard Butler Teaches You Scottish Slang

Scottish Insults

English or “British”

How To Do A British Accent

3 Ways to Sound More British

HOW TO DO A BRITISH ACCENT CONVINCINGLY (1)

HOW TO DO A BRITISH ACCENT CONVINCINGLY (2)

HOW TO DO A BRITISH ACCENT CONVINCINGLY (3)

Henry Cavill and Simon Pegg Teach You English Slang 

French

How To Speak With A French Accent 

How To Do A French Accent In UNDER TWO MINUTES

Tips on how to do a French Accent

French Accent Tip

Irish

How to do an Irish Accent

How To Do An Irish Accent

How To Do An Irish Accent

Guide to Irish Accents

How To Do An Irish Accent In UNDER TWO MINUTES

Russian

How To Speak With A Russian Accent 

How to Do a Russian Accent | Accent Training

How to speak with a Russian Accent

How Russians Speak English

How To Do A Russian Accent 

German

How To Have A German Accent 

How to do a GERMAN ACCENT?

Get the Perfect German ACCENT

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people who don't wear glasses who are writing characters who wear glasses;

they get fogged up when we drink hot beverages. they get smudged for no reason. we will push them up using anything in our area (i.e shoulder, whatever is in my hand, scrunching my nose up so they get pushed up, etc.). they get knocked off our faces all. the. fucking. time. when we change clothes we either take them off or they fall off when we pull our shirts off. we have to clean them after being in the rain. we own multiple pairs of them, not just one lone pair for our whole lives. most people don’t wear them in the pool, but some have extra old pairs for the pool (like me). some people take them off during sex, that’s fine! but some people keep them on. they don’t get squished into your face when you kiss (most of the time. at least from what i’ve experienced and i’ve got some mf big glasses). if we look down and look back up while you talk/to peek up at something, we will just peek blindly over the top of them. we clean them on whatever item of clothing is closest. some of us have prescription sunglasses and some of us wear contacts when we need to wear sunglasses. please keep some of these in mind when you write characters with glasses cause y'all who have 20/20 vision keep telling me all characters sleep in their glasses and own the same singular pair from age 6-25 and they never clean them.