Character Development - Tumblr Posts
List of character flaws that could make a funny original character (OC) even more entertaining
Chronic clumsiness: Tripping, stumbling, and knocking things over with comedic regularity.
Absurdly bad luck: Experiencing a series of comically unfortunate events.
Exaggerated laziness: Finding increasingly creative ways to avoid doing any work.
Uncontrollable laughter: Breaking into fits of giggles at the most inappropriate moments.
Inability to keep a secret: Accidentally blurting out confidential information or gossip.
Extreme forgetfulness: Frequently losing belongings or forgetting important appointments.
Obsessive-compulsive quirks: Engaging in peculiar rituals or behaviors for no apparent reason.
Social awkwardness: Saying and doing the most cringeworthy things in social situations.
Over-the-top dramatics: Reacting melodramatically to even the smallest of inconveniences.
Excessive talkativeness: Rambling on endlessly without realizing they've lost their audience.
Compulsive lying: Fabricating outlandish stories to impress others or get out of trouble.
Food obsession: Constantly eating or talking about food, even in inappropriate contexts.
Nervous tics: Displaying quirky mannerisms or habits when feeling anxious.
Paranoid tendencies: Jumping to wild conclusions and imagining elaborate conspiracy theories.
Uncontrollable curiosity: Snooping around and getting into trouble due to a relentless need to know.
Over-the-top superstitions: Believing in absurd lucky charms or rituals.
Excessive hypochondria: Constantly diagnosing themselves with imaginary illnesses.
Silly phobias: Fearing utterly ridiculous things, like rubber ducks or clowns.
Inability to tell time: Consistently running late or showing up at bizarre hours.
Ridiculous fashion sense: Sporting outrageous outfits or hairstyles that defy all logic.
These flaws can turn your funny OC into a lovably eccentric character, bringing humor and charm to any story or situation they find themselves in.
Absolutely beautiful gif set - regardless how one feels on the Kylo/Rey situation, this is such an ode to Kylo/Ben and the evolution we see in him between the films. It’s important to remember too, there are only a few hours/days between the two films.
The Force Awakens 2015 / The Last Jedi 2017
This is a-maz-zing!!!!
So You Want To Make a Character..
I’ve got a few generators you can use.
Need some clothes?
Try Here
Here or Here Definitely here Steam punk clothing Char Style preference Dress
Need an Appearance idea?
Humanoid generator? check
Non-Humanoid? Got that too and this and maybe this Need Monsterpeople? I’ve got you. Maybe you need Cats?
Need some details and shit like that?
Bam
Backgrounds and stuff? yep Personality. you need that shit Need something fandom related? World-building? location? got ya City generator hell yeah make your own god damn laws Oh shit someone died Landscape. CHAR DEVELOP QUESTION GEN Profile Thingy Have some dates Quirks
You thought I was done? Nope. Motha. Fuckin. Names.
So many fuckin names
MOTHERLOAD OF NAMES
Plant Names
Magic Book title
Just search ur ass up some names man
Items. Yeah. You heard me.
Medicine? got it
Items out the ass more items wow
Other shit.
Wow
Yep Plots More writing stuff This site has everything so fucking go for it Need AUs? How the shit did these two meet? Fanfic plots. you bet your ass. (tag me in the shit u write i wanna see what you get) What does it do thing (you come up with a better name for this one. fuckin fight me.
You bet your ass I will continue to update this. If you’ve got something I should add to this hmu. Now, go forth! Make characters and live yo life. UPDATE: Added more shit everywhere.
The power of tropes in writing. We worry about being cliche but tropes exist for a reason! Take a beloved format and add your own twists to it, whether it be an aesthetic or a piece of your own personality, and run with it!
I need everyone’s best character advice. STAT.
"yes i know having villains and/or morally grey characters in a story is important – nay, crucial — but I think this character is too *lists the qualities and traits of a villain/morally grey character* and anyone who likes this character should seek help immediately!!!"
(via FlimsyFlamingo on Twitter)
edit: me when the one repost i ever make is the one post of mine to blow up 🧍
“what’s with the tags? this is universal-“ IT LEFT CONTAINMENT !!! I DIDNT KNOW ITD GET BIG 😭
I’d like you all to meet Lyla an OC for a project I’m working on, this is just an early design for her but I just wanted you all to see her greatnesses (*^ω^*)
Here is my OC his name is Cylo. I don’t know how to draw fur but I’m working on it but I do like the background it actually was very easy to do. I can’t wait to draw more of this handsome fellow✨✨🫶🏾
Okay but like,
In the beginning of the game, Nora (Estheim) is killed by a Skytank explosion behind her while she's kneeling to help Snow after saving his life.
There are those who hate on the scene for quickly killing her off, but like man that's a woman who just went on vacation with her son and ended up in the wrong place at the wrong time, who was brave enough to join the other Purge victims in trying to fight back because yes, she's a mom, but she'd rather go out fighting with the people actually willing to help keep them alive in this desperate situation where there own government and entire planet turned against them for no reason other than bad luck.
Snow failed to save her because he didn't manage to keep his grip on her; Nora was injured and she gave him her last request because she had given up at that point. Snow looks at his hand in the aftermath because letting Nora fall alone was his biggest mistake.
Some point out that Snow survived the exact same fall as Nora, but barring the fact that he's a 6 foot 7 inch man who is also a fit fighter and she is a mother who lives in a peaceful city, the idea is actually supposed to be that if Snow hadn't let her go and had shielded her body with his - MAYBE SHE WOULD HAVE SURVIVED.
We don't know, certainly, and Snow is definitely still injured after his fall and stumbles as he gets up. He's traumatized by all of the people who died under his command; NORA the gang is equipped to fight, but they've never fought in an actual war before, much less against their own government. But Nora is the one who died closest to him, to the point that she told him she had a son she wanted him to protect. He needs to keep going for Serah, but he and Gadot specifically go and check to make sure all the kids are okay - under the logic that if he instructs his crew to keep all of the kids safe, that'll keep Nora's son safe by default. He can't do any more than that for her, and it's killing him, but he has to shove it down because there are more people - especially the one he loves - relying on him to keep going.
And then he has to keep going. He uses Serah's wishes to give himself a reason to keep going. No time to process his guilt because he has to keep going.
But then, the beautiful scene in Palumpolum happens.
Hope is blasted by a Skytank explosion from behind as he's kneeling to end Snow's life, a direct parallel to how Nora DIED.
In that moment, Snow doesn't care that Hope is trying to kill him. This time, he doesn't hesitate to dive off the ledge after Hope to catch him and shield him with his body and make sure that Hope isn't falling out of his grip. The fall is brutal, Snow is nearly crippled from the damage, but Hope is ALIVE, and can you imagine how that makes Snow feel?
Sure, the drop was probably shorter than in the Hanging Edge, but beyond the regular reaction to Snow finally facing his guilt and acknowledging he was running, still picking himself up and dragging Hope up a ladder back to the apartment levels, I just love the parallels in that scene. Snow finally got to save Nora's son, and he's fully willing to face the consequences of his actions.
Then, Hope is able to come to terms with his own running and denial. He had admitted multiple times that killing Snow won't bring her back, but he needed to keep going. And Snow knew his optimistic attitude led people to their deaths and smiling even in horrible situations was awful from other (Hope's) perspectives, but he had to keep going.
Don't ever tell me that there aren't great character arcs, developments, and nuances in FF XIII.
Their growth is something that can be so personal
Let's talk about Tidus and Yuna, shall we?
As someone who enjoys FFX, this probably should have come a long time ago. Tidus and Yuna's characters in the original Final Fantasy 10 are excellent.
Tidus successfully portrays a seventeen-year-old boy in this fantasy situation - slightly annoying, slightly arrogant because of his famous father and his own famous Blitzball career, and utterly overwhelmed by being thrust into an entirely new world without knowing if he can go home.
While FFX tries to fake you out into thinking it's a time-travel story where he has been thrust 1000 years into the future, the city of Zanarkand is a physical location in Spira that just requires you to be made of pyreflies to enter (aka dead or a summon). This makes Tidus essentially a summon, which is an interesting theory for another day. This means Zanarkand is just a place that hasn't changed in 1000 years, likely in some infinite loop imagining and reimagining people who had once lived there - warping them slowly over time, but ultimately just trying to keep the city alive (which is how we got Tidus from Shuyin, I think, idk I really don't care for 10-2's plot). The fayth were trying to imagine what would happen if Zanarkand was never destroyed, but I think they simply would have started running out of ideas for new people who lived there, so it did end up looping old characters into slightly newer forms. Like fanfiction characters, honestly.
But it's so great to see Tidus's journey. He starts the game a confused outsider just trying to survive, someone who doesn't mind speaking up about how he feels and what he believes. His outsider perspective provides a means for the audience to be introduced to Spira's world building as well, and we also get to see an unbiased point of view to Yevon's religion - and not necessarily a disrespectful one. Tidus, though he doesn't preach Yevon as a devout follower for his entire life, still tries to make an effort to be respectful of the good parts. When Shelinda corrects him, "That's MAESTER Seymour, or LORD Seymour", he says "Sorry, I'll be careful."
He dashes into the Cloister of Trials to save the summoner who might be in danger, regardless of the rules or presincts, because he's got a childish outlook life and a good heart despite his many inital arrogant qualities. He wants the best outcome, he's willing to believe in doing the right thing even when it's hard, and yeah it's unrealistic at times, but it's a breath of fresh air for the people of Spira who live rather docile lives always in fear of Sin and dedicating themselves to the kindness of Yevon's teachings. He admits "Maybe this wasn't such a good idea" after he breaks the rules for the first time, and watching Yuna on her pilgrimage and how she interacts with the people who admire her for her father and her own summoner status allows Tidus to humble himself while still remaining fundamentally defiant to anything he doesn't agree is right - aka Yuna sacrificing herself.
Religion isn't always a bad thing, and FFX makes a point to emphasize this. The people of Spira are kind and respectful, banding together in the hard times and unting together to have hope. Yuna is initially a beacon of hope - all summoners are - making people smile and flock to her wherever she goes, and she gives people respect and encourages them to have faith not only in her, but in themselves as well. Even when she's branded a traitor, a significant number of people recognize Yuna's dedication to the people and immediately believe the next tale about it all being an evil Al-Bhed rumor.
Yevon's corruption is just a few people abusing their power, twisting a good message into a cult-like dedication. Wakka is the most notable case, but technically all of the characters go through a period of blindly believing in the teachings and Yevon and eventually finding their own path. Even Tidus, who didn't grow up believing in Yevon or knowing its teachings, finds that the people's way of life living in rightful fear of Sin has them NEEDING Yevon and the messages of kindness and compassion it preaches. Maybe they shouldn't believe in everything the Maesters say Yevon is, but he can understand the intentions behind it and how the regular, uncorrupt people just live their lives trying to be good.
Now that I think about it, the parallels between Yevon and Blitzball actually make a lot of sense - Blitzball is the entertainment people go to in order to forget about the fears of Sin, and Yevon is the religion people worship in an effort to band together and have hope against Sin. Huh. No wonder a Blitzball sign for victory became a religious thing.
Anyway, Wakka eventually apologizes! He recognizes that the Al-Bhed are just people. They don't believe in Yevon's ways BECAUSE they care, just from a different perspective. Just because they don't believe in Yevon doesn't mean they're savages, and when their Home is destroyed by merciless Guado, he hears them singing the Hymn of the Fayth to respect their fallen as well. Wakka admits he didn't want to hear anything he didn't agree with, that he was a jerk, and Cid agrees that he's hated Yevonites just for being Yevonites too.
Here's a Wakka glare just for our collective amusement.
Who were we talking about? Ah, Tidus.
Tidus is indeed a whiny character, childish, toeing the line between humor and annoyance. But he matures throughout the course of his journey, caring for the entire crew but Yuna especially. When they reach Zanarkand and learn the truth about the Final Summoning, Lulu tells him, "If you want everything, you'll end up with nothing," and he replies, "But I want everything!" His unwavering hope and optimism even when everyone is telling him it's impossible is necessary for the story, to tell the characters that yes, your sacrifices will be pretty and give temporary relief, and you'll be dead and martyred and remembered - but how can it be right? It's not.
From his basic, outsider, new perspective on this world he only just joined, it's not right. He didn't grow up with this being normal, so even in comparison to the Al-Bhed, he knows that it's not.
There's a saying somewhere that I forget the source, but basically it goes like "Children are raised to believe the world is good and fair but are outraged when they grow to learn it is not." Tidus asks what an ADULT would do, sacrificing a summoner and just moving on with their lives like it was fine to give one life for many, just happy it wasn't them. Adults are indoctrinated into a way of life and a way of thinking, and it's extremely hard to get people to change their minds - but not, as FFX proves, impossible. Both he and Yuna are still kids, kids who are still able to grow up to see the world for what it truly is.
Yuna was betrayed by Yevon, all her beliefs torn down and the hope she had placed on the system shattered. But she continued her pilgrimage. She dreamt of all the fun things she could do if she quit, knew that all of her friends and Guardians would accept her choice, but she knew she could never let it go. She stood up to the Ronso saying that she was fighting for the people, not the temples or Yevon - impressing Kelk Ronso who says she has an iron will that towers over Gagazette's peaks.
She has given her everything to this trip, but it's not fair. Just because it's the right thing to do doesn't mean it's right - and you need a character like Tidus to put his foot down and say no. Everyone is willing to sacrifice themselves, everyone is willing to be the one to die so that others can be happy. But it's not fair. It's not right to let anyone die, even if they're willing, even if it's one for many. It's a temporary fix, it's feeding an endless cycle of lies and false hope. It's not real.
But it is YUNA who ultimately makes the choice to say no. All this time, she's been insisting she keeps going despite both Rikku and Tidus's protests and desperate attempts to get her to change her mind. She's been the most resolute out of all of them to go through with this, but in the end, it's not Tidus or Rikku who kill Yunalesca before she can get the chance or present her a stirring enough argument or some alternative. No, it's Yuna who asks directly what the cycle of the Final Summoning and Sin mean, hearing that the hope they offer is false, and when asked who will be her fayth, everyone is silent, waiting for her answer - because it is Yuna'a choice, Yuna's pilgrimage, Yuna's story. And she says, "No one."
She would have gladly died for the people of Spira, but she is done. She isn't going to join into this cycle of death and lies. Her father chose to become a summoner and defeated Sin, but it was because he truly believed that it would make a difference. He died because he had hope, and maybe it was indeed false hope, but somewhere deep down, he really did want to find a way to stop Sin for good. He and Jecht went into that battle hoping that Jecht and Auron would find a way to break the cycle. And let's be honest, they did. Tidus and Yuna were brought up differently, but they end up seeing each other's sides of the story and agreeing on so many things. The people are worth fighting for even when they're being misled.
Yunalesca's argument is that sorrow will always exist, and false hope is all anyone can offer to soften the blow. But Yuna is ready to live with her sorrow and brave whatever comes from it. She will find her own hope, even without knowing there will be another way, and she knows she will conquer it. She proved it long before she reached Zanarkand, after enduring Yevon's betrayal; now her methods have changed, but her end goal is as resolute as it's always been. She's going to defeat Sin, and she's going to give people REAL hope, even when it's hard.
Yuna says no to Yunalesca. She joins in the fight to destroy the Final Summoning forever, and slowly she learns that she can function beyond Yevon's teachings. The team who made 10-2 seemed to think that Yuna needed to toughen up and become some kind of badass (which they failed at portraying, Yuna is an utter wreck in that game and let's not talk about how Rikku devolved), but she was already a freaking strong character! She stood up for herself the entire game as a strong-willed summoner willing to give her life for the cause, but she also stood up for herself by declaring she would LIVE. It's entirely in character for her, even when she's changing her mind and broadening her horizons. Yuna was the character who smiled even knowing she was on a long, slow journey that would end in her death, who was willing to do it if it would make others smile too. That is a strong character right there.
I do agree that she might not know what to do with her life now that she doesn't plan to die, but come on, don't make her into a wanna-be who tries to pretend like she doesn't care only to reveal yup she cares, what a pushover. Her caring nature is what makes her great to watch! Frustrating when she tries to do everything on her own with the Seymour thing, but entirely in character. Empowering when she makes her own choices and decides for herself. I don't know why she does nothing for two whole years during Eternal Calm but okay maybe I can see it. But for her to try doing a 180, respecting no one and no one respecting her even though she DEFEATED SIN was such a mistake. Plus the mini games in 10-2 are utterly atrocious. Anyway, tangent over.
But then the script has flipped at the end of 10. Tidus is the one that realizes Zanarkand is what Sin is protecting, that defeating Sin will make the whole city and everyone made from the dream disappear. He is the one who has to sacrifice himself for Sin to be defeated. Unlike summoners, however, Sin won't come back if he does this. He's grown across the journey just like Jecht did, following a summoner and learning what it means to want to give your life living in hope that it'll save everyone else.
Yuna has to sacrifice the Aeons she's forged her own bond with - which, remember, every summoner makes a unique bond with the aeons. She has to say goodbye to Auron, see Sir Jecht only one more time as he gives his life as an Aeon and uses the last of his power to give his sword for the final battles to fight on (did ya notice that?). Then, in the final tragic scene, Tidus becomes intangible and tries to say a cheerful goodbye, apologizing for not being able to show her Zanarkand like they had pondered when Yuna was dreaming of the things she'd do if she abandoned her pilgrimage and lived. Now, Yuna is the one having to say goodbye to the one sacrificing their life. The soft piano, the wailing of the colorful pyreflies as they disperse with all the dead, it's freaking beautiful man.
Yuna's final line hits hard too, her speech about how everyone has lost homes, dreams, and friends. They can build new homes and new dreams, even if they can't get back lost friends. "The people and the friends that we have lost...or the dreams that have faded...never forget them." Get it? Be...Because Tidus is a dream that faded? Anyway I'll just be crying in the corner over here don't mind me.
In the end, it's sort of understandable why Yuna just sits around in Besaid after the end of 10 during Eternal Calm. Maybe. Not only did she have no plans for her life after Sin was defeated (thinking she would be the one to die), but she lost her entire purpose in life AND she's reeling from the fact that even though she made the choice not to sacrifice herself just for everyone else's false hope, someone still had to give their life - Tidus. Someone still ended up dying for the cause, even after all she went through deciding to live.
The ONLY moments I actually respect Yuna from 10-2 is during the end, when Nooj volunteers a plan to give his life to win the battle (which was already stupid even before Yuna's speech because we're talking about an Unsent, Nooj your plan does nothing to stop someone who's already dead, idiot). Yuna's lines are extremely good and well voice acted too: "'We had no choice.' Always 'We had no choice.' Those are our magic words. We repeat them to ourselves again and again. But you know... The magic never worked! The only thing we're left with is regret. No. I don't want this anymore. I don't want friends to die...or fade away. I don't want battles where we have to lose in order to win."
It also demonstrates better than that stupid minigame how difficult it was for Yuna to have destroyed the aeons she had forged a bond with. What I'm saying is, fuck Beclem and everyone else who dares disrespect Yuna, summoners, and everything they went through. Even though that time and age in Spira might be over, that's NO reason to immediately scoff in the face of everything all those people went through - everything YUNA sacrificed and endured for the sake of these ungrateful whelps.
Both Tidus and Yuna were excellent protagonists of X, despite both of them having a lot of growing to do. In conclusion, let me make use of this fun poll feature if you made it this far down:
Panel 2 my beloved
Touching on Gale, Wyll, and Halsin's traumas being a bit undermined in parts of the fandom
So one thing I notice on Twitter is how some people act about the bg3 characters whose abuses were perpetuated by women.
Gale specifically for this reason (but I will touch on others)bbecause I see him dismissed super often as "can't get over his ex".
But Gale's case obviously be has the line of Mystra being like "she was my muse, my teacher, and then my lover" and sure to some that's a red flag in itself (when it comes to adults I don't really give a fuck about teacher/student) but if you view it from not only Gale's own words "ive been connected with the weave for as long as i can remember"
And that doesn't distract from his genuine love of magic of course. And it also doesn't mean that he's actually been in connection with mystra for an amount of time.
However, if you ascend Gale, and he becomes a god, you get a bunch of new little things. Tara reminiscing of course, but you get a letter from Elminster, detailing that Mystra had Elminster scope out Gale when he was eight!
And sure is that pretty cool that he's a prodigy that got the attention of the goddess of magic at that age? Yes. Mystra is, however, known in forgotten Realms lore to seek young young boys who are in tune with magic to make into her chosen. And from context clues, her chosen can be anything from Elminster and Volo, dedicated wizards who try to keep things in check, etc etc. or they're somewhat of playthings to her.
Minsc also has a conversation where me mentions that weave-touched boys in his homeland were hidden away to hone their craft, then suspecting that it was because of Mystra, given Gale's case.
Gale always seems so proud that he got to bed a goddess, and on the surface, hell yeah, that's cool.
Gale continued to have her attention even as he went to Blackstaff Academy, and Mystra eventually did take him on as an apprentice directly to her, later making him her chosen, and sleeping with him.
The reason it bothers me that people dismiss all of Gale's stuff to just "he can't get over his ex" is because that's is like almost textbook grooming? She was in his life from a young age, shaping and moulding him up as he grew up to be her perfect chosen, rewarding him by sleeping with him, and so on. And then of course casting him away when he has his folly with the netherese orb (and to be fair, it very well could have looked like to her that he was trying to seize the power himself and yes the orb does siphon off weave. That is a problem for the mistress of the weave yes).
But she also tells gale to KILL HIMSELF for her forgiveness.
Gale is much more than "unable to be over his ex" this woman was in his life since he was a kid. She's almost all he has ever known. If course it's going to be difficult for him to 1. Say no to her. 2. Get over the fact that he's lost someone that he spent his literal entire life dedicated to. Honestly if asked, I don't even think Gale would acknowledge or really see that what he went through was, in fact, abuse until it was spelled out in front of him. (Which does happen somewhat with the player character pleading to him that killing himself for mystra's forgiveness is actually horrific and that he should in fact be angry for how he was treated)
Similarly, and this one has been discussed a lot, Wyll and Mizora. Wyll was 17 and actively trying to help his people. 17, in a vulnerable state, willing to do anything to help and prove himself. Mizora very clearly took advantage of him, and regards him as a "pet", refers to him being "leashed", and so on. Personally, I do dislike the sexualization of their relationship, because it very much is also grooming (although a different type. Rather than manipulating and shaping his life from the ground up, she takes advantage of a vulnerable and desperate state to manipulate and contract Wyll into doing her bidding. I won't go too deep I to this one because it has been discussed to hell and back. But I did wanna touch on Wyll's situation as well.
Also, Halsin as well, though that has also been discussed in many retrospectives by a very good friend of mine. Halsin's trauma often get dismissed due to his polyamory, open sexual nature, and his own somewhat diminishing/dismissal of it, which honestly I love the representation of, cause for a while I did that with my own trauma. Halsin was a sex slave to a house of Lolth-Sworn drow, a matriarchal society, where the men are generally used as fodder or for breeding, though male Lolth-Sworn drow can be wizards and rise in the ranks if wizardry, but are limited everywhere else. (Minthara mentions that the third male, and every subsequent male child after third are killed for being"useless"). Halsin often referred to them as "hosts" rather than being captors, (though he does touch on that if the Player Character threatens to sell him back into slavery). Again, everything I'd have to say here for Halsin has entirely been discussed top to bottom by a friend, their link is below!!
Anyway, long story short, I dislike it a lot when Gale, Wyll, and Halsin's traumas and abuses get diminished, even if/when the character themself doesn't see or acknowledge the abuse in the same lens that we, the players, do.
Minthara says of her first lover that "I adored her, and had been sharing her bed for some time when the order came that she must die. I stayed with her while the poison did its work, and whispered words of comfort as she slipped away."
And later, we learn in dialogue between Gale and Minthara that she's been slipping small doses of venom into Tav's food so that they'll build up an immunity if they ever visit Menzoberranzan.
Minthara is making sure that Tav will never die the way her first lover did.
it's time for some more astarion analysis~
making this a separate post in case people wanted to reblog just the gifs on their own and don't care about the extra fluff. i'm certain this scene has been analyzed to the hells and back by this point, but when i was making this set something really stuck out to me and i wanted to throw my two cents in anyway.
this is the tail end of the mirror scene from act 1, where you catch astarion looking in the mirror and lamenting about not being able to see his reflection or knowing what he looks like anymore. and while that alone is sad enough, it gets SO MUCH WORSE.
if you express genuine interest in his predicament (i.e. asking him if he misses his reflection and what color his eyes were before he was turned), you get to see the mask slip. it's one of the first times in the game that he's not hiding behind his quick wit and silver tongue.
if you tell him you'll be his mirror, you can see the change in his demeanor immediately. his face softens, the cadence of his voice changes; you can literally hear the vulnerability in every word he says. huge props to neil and the rest of larian for making the distinction between these dialogue options, of course. it's the little details that really make moments like these shine.
but there was something else i noticed in the footage i recorded as well that i hadn't picked up on any of my other playthroughs. i've spent a lot of time staring at this man's face, especially while capturing idle animations for gifs and wallpapers, and most of the time it's what you'd expect, with minimal face movement, expressions changing, etc. most companions i record seem to behave the same way, with similar expressions/blinking/eye movement.
but just look at astarion's face here. this feels deliberately unique. he is SO anxious, so worried how you'll perceive him. the rapid blinking, the nervous darting of his eyes… it genuinely breaks my heart.
(tumblr will only let me upload one video per post, but just look at any other idle footage of him and you'll see the difference)
and the second you tell him what he thinks he wants to hear? that he's very attractive? he slips right back into his suave, flirtatious persona, and even praises you for complimenting his looks. even if you eventually ask him if all he wants is shallow praise, he still deflects and isn't completely honest with you.
note that if you choose to take the less compassionate route and simply tell them that he has a "very good face," he will still prompt you to tell him what you see when you look at him, and the delivery of the line is subtly but noticeably different and more guarded. similarly, if you poke a little too much fun at him by calling him old and draw too much attention to his mole, he gets very flustered and ends the conversation immediately. understandable, since he's relied on his appearance for so long, and hearing (even jokingly) that even that might not be something he can use anymore must be at least a little terrifying for him.
so naturally, you might think that by being truthful with him would perhaps net you a better result -- after all, you're telling him what he asked for, what you really see, that you see him as more than just someone to lust after -- but it doesn't. he actually seems a little upset if you choose those dialogue options. in that moment, he wants to know that you find him attractive, because he thinks that's all he's good for. because if you find him attractive, there's a chance that he could seduce you and use you for protection against cazador. i do think he also genuinely wants to know that there's so much more to him than just a pretty face, since that's a big theme of his entire story/romance arc, but that's not at the top of his priority list this early in the game. he's relying purely on instinct. he knows how to respond to people telling him he's attractive. accepting genuine compliments about the person beneath the mask? that's probably not something he's had much (if any) experience with in close to two centuries. he didn't have the luxury of being able to let anyone see who he really was.
all that to say that this interaction is really heartbreaking. he wants to be seen, wants to be understood and possibly loved, but at the same time he still thinks he needs to put on a front to ensure he can keep himself safe. watching him slowly start to unlearn those habits during the course of the game has been one of my favorite things about bg3 and a huge part of what's really endeared astarion to me as a character.
This is a damn blessing and I need to share for any of those who also be struggling to develop their villains. (I can't be alone in this, c'mon)
A list of moral questions to developing a villainous character
Is mercy a sign of weakness in your eyes?
What is your primary motivation or value that drives your actions?
Are there any principles you refuse to compromise on, even in your pursuit of power?
Do you believe lying is justified if it serves your goals?
How do you manipulate others to achieve your ends?
Would you betray an ally to further your plans?
Do you believe in justice, or do you see it as a tool to manipulate others?
Would you sacrifice yourself for a cause or ambition?
Would you destroy something beautiful or innocent to achieve your goals?
If you had to choose between your ambition and the life of someone you care about, what would you do?
Do you feel any responsibility towards society, or do you act solely for your gain?
How do you justify your actions to yourself and others?
Can you forgive someone who has wronged you, or do you seek revenge?
How long do you hold grudges, and what actions might provoke them?
Do you respect any form of authority, or do you see yourself as the ultimate power?
These questions can help you delve into the psyche of your villain.
Character Scenarios: Prom (10 characters)
Here is my first post for the character scenario game! Wheeeee! Please leave a comment or whatever if you or your characters loved or hated this event. XD
