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WERE NOT MARRIED (Dir: Edmund Goulding, 1952).
WE’RE NOT MARRIED (Dir: Edmund Goulding, 1952).
Covering similar ground to the earlier Mr and Mrs Smith (Alfred Hitchcock, 1941), We're Not Married is a portmanteau comedy in which, due to a jurisdictional error, five couples discover they are no longer married.
On Christmas Eve, a newly appointed justice of the peace (Victor Moore) marries the first of five couples, ignorant to the fact that his appointment does not take effect until January. This comes to light a few years later when each pair is informed of the mishap. The movie follows each couple as they respond to the news in different ways.
Although its strands are loosely connected, We're Not Married cannot overcome feeling like a series of sketches, some of which are, inevitably, better than others. For me the weakest of the bunch was the one which is granted the most screentime. Top billed Ginger Rogers and Fred Allen star as the Gladwyns, a pair of radio hosts whose contracts deem they are a married couple. I found the constant bickering between the two rather tiresome, although it does feature some neat satirical swipes at commercial radio.
Far more appealing is the sequence with Marilyn Monroe as a Mississippi beauty queen and her stay at home husband David Wayne. Monroe's appeal, in what was one of her first significant roles, in readily apparent; easily holding her own among a cast of much bigger names. The other highlight is the episode with soldier Eddie Bracken and his pregnant wife Mitzi Gaynor. With Bracken about to be shipped to Hawaii, the sequence is a sweetly old fashioned reminder of the mores of an earlier age.
Less successful are the remaining segments, with Eve Arden as the long suffering wife of philanderer Paul Douglas and, Louis Calhern and Zsa Zsa Gabor as a warring couple on the verge of divorce. Both have their amusing moments but suffer from dated, some would argue sexist, humour.
Not a perfect movie, and some ways off from being a classic, We’re Not Married is still worth a watch thanks to some genuine high spots and its roster of vintage Hollywood stars.
A longer review of WE’RE NOT MARRIED is available on my blog JINGLE BONES MOVIE TIME! Link below.
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More Posts from Jingle-bones
1917 (Dir: Sam Mendes, 2019).
A fact-based, fictionalised epic First World War drama from director Sam Mendes.
During WWI, Lance Corporals William Schofield (George MacKay) and Tom Blake (Dean-Charles Chapman) must risk their lives crossing no man’s land in order to deliver a message to call off a planned attack on the German army. With field telephone lines down, news that the attack would jeopardise the lives of 1600 Brits, including Tom’s brother Lieutenant Joseph Blake (Richard Madden), must be relayed in person.
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.
ZOMBIES (Dir: Paul Hoen, 2018)
Girl meets zombie in this musical romcom for the tween set.
Afraid of the undead? Fret thee not! As a Disney Channel Original Movie, the zombies in Zombies are only likely to induce fear in those terrified by the prospect of perky teens singing and dancing.
Read the full review on my blog JINGLE BONES MOVIE TIME at the link below.
THE SWORD IN THE STONE (Dir: Wolfgang Reitherman, 1963).
Released to cinemas on Christmas Day 1963, The Sword in the Stone was the last animated feature film released by the Disney Studios during founder Walt Disney's lifetime.
Based on T H White's classic modern retelling of Arthurian legend, we follow the adventures of the future King Arthur (nicknamed the Wart), culminating in his encounter with the legendary sword.
Read the full review on my blog JINGLE BONES MOVIE TIME! Link below.
FREAKY FRIDAY (Dir: Steve Carr, 2018)
Disney have certainly gotten their money’s worth out of Freaky Friday. This Disney Channel Original Movie is the studio’s fourth adaptation of Mary Rodgers’ novel and is itself based upon Disney Theatrical Productions 2016 stage musical, with music and lyrics by Tom Kitt and Brian Yorkey and book by Bridget Carpenter.
The now familiar tale of the mother and daughter at loggerheads who switch bodies for a day is tweaked and refreshed for a new generation of tweens. Here Cozi Zuehlsdorff is a teenager still grieving the death of her father five years earlier and Heidi Blickenstaff her stressed mother on the eve of remarrying. This time a magical hourglass is the catalyst for the swap. A scavenger hunt is shoehorned in, recalling another earlier Disney Production, the cult favourite Midnight Madness (David Wechter & Michael Nankin, 1980).
I have been a fan of the original Freaky Friday (Gary Nelson, 1976) and the 1972 Mary Rodgers novel upon which it is based almost all of my life. This most recent version deviates significantly from both movie and source. While the original is undoubtedly the best, this new Freaky Friday is a lot of fun. Kitt and Yorkey’s High School Musical-style soft rock is easy on the ear, although the vocals suffer from the same apparent ‘tweaking’ effect which Disney Channel musicals always seem to do. Steve Carr's direction doesn’t belie the movies TV roots, while Blickenstaff and Zuehlsdorff step into the legendary shoes of Barbara Harris and Jodie Foster with an appealing enthusiasm which is hard to resist. Come the inevitable climactic big song and dance number this tween movie had worked its warm-hearted magic of this middle age movie critic.
I must confess to having a soft spot for Disney Channel movies. No one would argue that they are cinematic masterpieces, but most offer 90 minutes of lightweight fun. If you are a fan you will know what to expect, if you’re not this won’t be the movie to change your mind. Freaky Friday won’t change the world but it should bring a smile to the faces of those looking for goodnatured, undemanding entertainment.
100+ movie reviews, including the original classic FREAKY FRIDAY, now available on my blog JINGLE BONES MOVIE TIME! Link below.
‘TWAS THE NIGHT (Dir: Nick Castle, 2001).
The following review and 100+ more reviews are available on my blog JINGLE BONES MOVIE TIME! Link below.
Made for TV Christmas movies have become inexplicably popular in the last two decades. Seemingly hundreds of them litter the television schedules from September to January every year. This entry in the genre, a Disney Channel Original Movie, has become something of a festival staple on the Disney Channel and can usually be found in their December lineup.
On Christmas Eve, heavily in debt conman Nick Wrigley (Bryan Cranston) escapes his gangland creditors by hiding out in the home of his brother. After mistaking Santa for an intruder he knocks the fat man out cold, ties him up and steals his high-tech sleigh. Taking advantage of his close relationship with nephew Danny (Josh Zuckerman), the pair go on a burglary spree. Unbeknownst to Danny who believes the pair are helping the concussed Santa by delivering Christmas gifts.
There is a certain amount of cynicism mixed in with the inevitable sentiment in ‘Twas the Night, lending the movie a somewhat uneven tone. Its self-centered wise guy characters are a little hard to warm to. Their redemption, when it comes (as is always certain), is neither empathetic or particularly heartwarming, suggesting that the ending is there merely to placate viewers expectations of family Christmas movies.
The visual effects are above the usual TV movie standard, although it never quite overcomes the feel of an extended Disney Channel sitcom. The screenplay by Jim Lincoln, Dan Studley and Jenny Trip has its funny moments, but little in the movie really rings true. It has all the glitz one would expect of a Christmas movie but is oddly lacking in heart.
Bryan Cranston is the standout among the cast. His amiable performance here is the best reason to watch this passably entertaining but unexceptional movie.
While ‘Twas the Night is not exactly unmissable festive fare, it should appeal to tweens and younger teens who feel they are above sentimental Christmas movies. Younger children, meanwhile, may be a little upset seeing Santa hit over the head with a shovel! Not a Christmas classic but you may find its worth a watch if you come across it while flicking through cable.
