"Here Come The Desert Pirates! The Men Who Live Free"

"Here Come The Desert Pirates! The Men Who Live Free"

is a line that goes unreasonably hard. So please tell me why it's just the episode title of an Alabasta filler episode?!?!? 😭

The continued motherification of Katara is tiring and needs to stop.

One of the first interactions between Aang and Katara is him taking her Penguin sledding and she says "I haven't done this since I was a kid!" and he yells back "You still are one!" and that will forever be one of the greatest moments in the show for me.

The show says time and time again that Katara does not like being perceived as a mother figure but that is the way she knows to show her care due to the role she was forced into at a young age.

The biggest point of contention between her and Toph is that Katara cares by mothering and Toph doesn't want a mother and they have to reach an understanding with each other on how to love the other properly. It wasn't just about toph learning to accept Katara's mothering but also Katara moving away from her equation of mothering = love, finding new ways to express that love and care. And their relationship is better for it.

Katara's mothering while not inherently bad or something I think she can ever really separate herself from, is not just a quirk of her character but an internalization of a deep trauma and duty. She's a kid in a tough situation that cares deeply for everyone around her but she’s still a kid. She still wants to be a kid.

Here’s some more post-canon Mihawk’s Home for Displaced Pirates, which continues to be very funny to me, except this time not from the POV of a Displaced Pirate. Now that I’ve got a boyfriend for King, I can throw in Katakuri. If I write more of this (as in, King and Katakuri actually interacting lmao) maybe I can consider it a whole fic and post it on AO3. Until then, please enjoy Katakuri getting flustered by the most beautiful man he’s ever seen under the cut 😊

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Having been born and raised in the New World, Katakuri hasn’t spent much time in Paradise, or any of the other four seas. He’s certainly made it his business to understand the geography of the rest of the world, and this has served him well in the years since he took stewardship of Totto Land. What the now-defunct World Government once considered a lawless operation is now the largest global exporter of flour and grain. They’d had the infrastructure; once Mama’s appetite was out of the equation, they were well primed to fill a considerable vacuum in world trade.

Not that it had been an entirely seamless transition. Their territories had suffered not just attacks from other pirates and the Navy, but significant flooding as well. Komugi had come out unscathed, but the smaller, low lying islands were not as lucky. Cacao Island took near catastrophic damage, and they lost almost all of their cocoa crop. What survived continues to struggle, and a number of rare strains are lost to them. They may be able to recover or replicate some of them, but the fruition of that process won’t happen in his lifetime.

Still, laying down the groundwork for full recovery is half of his job, and he takes it seriously. Despite the losses, there is some hope thanks to the meticulous record keeping of his brother, Mont-d’Or. Because of that, he’s been able to track down numerous exports and trades over the decades. There’s a particular type of cocoa tree they lost to the flooding, and their records show six of them were purchased and transported out of their territory within the last decade.

The actual receipt was harder to find, but ultimately he found the customer: Dracule Mihawk, located on Kuraigana Island. It’s lucky enough that Hawkeyes still lives there, moreso that he confirmed the trees are intact, and a mercy that he’s agreed to let Katakuri even come look at them. He hadn’t sounded thrilled about the entire affair, but Katakuri thinks that’s just how he normally sounds.

Kuraigana is a gloomy, dark island that fits the general aesthetic and demeanor of Hawkeyes. Katakuri understands the original kingdom here fell to ruin, and Hawkeyes had simply taken up roost. Now the castle grounds are meticulously kept, and the surrounding land is dense pine forests and freshwater lakes. The rest is sprawling farmland, both food and botanicals, tended by a curious army of monkeys.

He’s impressed. It takes a lot of work to achieve this sort of operation. Given the misty, cloudy nature of the island, there’s a lot to take into consideration to get anything to bloom around here.

The cocoa trees are in good company, though, growing in the dappled shade of towering oak trees. They’re mature, but Kakakuri still has to bend to one knee to inspect them. The leaves are vibrant and healthy, and the earth is rich and loomy, perfect for their roots. Hawkeyes, who barely comes up to his knees when he’s standing, is next to him.

“I can pay,” Katakuri says. “Extraction, transport and delivery.”

Mihawk frowns. “I was unaware you wanted the entire tree.”

Katakuri sighs. “We’re not going to get a lot of production out of just six trees. Back home, we can clone and reproduce them. Replenish the strain.”

“I understand that,” Mihawk says. “But they’re not mine to trade away. You’ll have to speak with Perona.”

This surprises Katakuri. He’d assumed everything here was under the purview of Mihawk himself. He’s not familiar with Perona’s name.

They walk back towards the castle. He keeps his pace slow to match Mihawk’s, which gives him time to admire the scenery. Everything about this place has been restored beautifully; cobblestone walkways, brick archways and wrought iron gates and trellises heavy with blooming vines. In the context of the island’s inherent gloom and mist, it makes for a very serene, peaceful landscape.

His pace slows when they pass an adjacent courtyard. Through the stone moon gate is a garden full of every color and variety of hydrangea, every one of them in full bloom. The enormous blossoms create a riot of pastels and whites and greens, woven around statuary and a bubbling water feature. Katakuri stops dead in his tracks when among all that beauty sits an angel.

He isn’t an angel, of course, but Katakuri knows who it is: King the Wildfire, once right hand man to Kaido and a rival to his own position among pirate crews. Katakuri has never seen him unmasked in person. After Kaido’s fall and King’s escape from the World Government, his bounty had been reissued and doubled, if only because the thought of a lunarian on the loose has been an affront to the Navy. His new bounty had been blurry, poorly angled, but obvious enough.

The picture didn’t do him justice at all. He’s stunningly handsome, the picture of masculine beauty even while he just sits there, head bent slightly as he reads from the book in his lap. He’s traded in the studded and spiked leather for jeans and breezy, cream colored shirt that’s open down nearly to his navel. It’s a perfect contrast against his dark skin, same as his white hair, which falls in a long braid over one shoulder. His wings are tucked close, black feathers glossy, nearly iridescent, though the right one is half gone.

King pauses halfway through turning the page of his book and looks up, red eyes landing directly on Katakuri, who immediately loses his nerve. Face blazing as he ducks his chin deeper into his scarf, he hurries to leave, catching up to Mihawk in only a few long strides. He can feel King’s piercing gaze on him until he’s out of his line of sight. His heart is pounding.

Mihawk doesn’t appear to have noticed anything amiss, but he does say: “I assume you recall the rules about fighting here?”

“I have no quarrel with him,” Katakuri says, a little too quickly. Mihawk has misunderstood his staring, which is a relief.

“Perona will be back later tonight. In time for dinner, at least,” Mihawk continues. “You’re welcome to join us.”

He hadn’t wanted to spend more than a day here, but he also hadn’t planned on needing to negotiate with anyone except Mihawk himself.

When he hesitates, Mihawk arches one brow, and says: “Alber will be there.”

Alber. Of course King isn’t his real name. And if that’s his given name, given so freely by Mihawk, what else can be learned about such an enigmatic figure? It’s likely the only chance he’ll ever get. He’s not even thinking about the cocoa trees anymore.

A bit belatedly, he also realizes Mihawk had not misunderstood his staring at all. He feels his face burn hot again. He should have known. Their mastery of Observation Haki might manifest differently, but they weren’t considered the best for nothing.

“If it’s no trouble,” he says, regretting it almost immediately. Agreeing to dinner is the same as eating in front of strangers, something he’s spent most of his life carefully avoiding. He’s not sure how he’ll pull it off without offending the host.

”None whatsoever,” Mihawk says. They stop at the doors. “Feel free to explore the grounds. Don’t mind the ghosts.”

Hawkeyes disappears inside before Katakuri can ask: what ghosts? Then he decides it’s probably a joke, judging by the look of this place. Given free reign, he looks back towards where the courtyard is, frozen to the spot with indecision. Eventually, he heads back towards the docks, to let the crew know they’ll be staying the night, at the very least.

He has no idea if he’ll leave with the trees by this time tomorrow, or any kind of agreement. It should be the first and only thing on his mind.

Instead, as he walks the path down to the docks, shiny cobblestone bordered by blooming rows of lavender, his thoughts circle back to a lunarian surrounded by hydrangeas.

As someone that loves ATLA and is recently getting back into the fandom and has also been spending alot of time in the One Piece fandom as off late

Luffy and Aang have a very similar energy that I enjoy. They are just both so precious oh my god 😭. They are so different but they have very similar narrative functions in how they inspire the people around them to embrace silliness and childlike joy.

But also I love the way they move their powers are fun and they love using them. They are constantly using it's ungrained in the way they move Aang loves airbending he's never not jumping around with it and Luffy loves being rubber

Which makes their differences all the more exciting and seeing how that same scale of personality

they both deal with inherited will Aang more literally and directly that Luffy (as of yet) and they interact with that differently. Aang's inherited will is a weight on his shoulders a burden he has to bear while Luffy's is a pleasant surprise to those around, and the source of his desire for freedom. And this comes through in how they interact with the ultimate version of their powers the literal embodiment of these inherited wills. The avatar state and gear 5

The avatar state for Aang represents a destiny he is still to young to bear, it is unpredictable, overwhelming, uncontrollable, it is something to be feared and worried about, it represents a loss of control for him and he struggles to reconcile that kind of destructive power with himself and his values. It scares him, and That’s why it remains lost to him for much of the series till he makes it his own.

Meanwhile for Luffy Gear 5 represents freedom, he is literally being freed from the constraints of reality. It is the culmination of everything he’s ever been. It’s everything we love about luffy turned up to a 100. Gear 5 is silly, goofy, cartoonish, unserious, fun loving, filled with laughter, insanely power and lowkey a little scary. Even tho Luffy is technically transforming into another person (or god) but god it is still him it is everything that has ever embodied him. And Luffy loves to be in it he has so much because as he said it’s him at his freest.

Aang and Luffy have very different character philosophies, priorities and move through the world differently. Aang is very much concern about the people in the general sense while Luffy is very much focused on helping his friends which then spirals to helping the general population, it just so happens that he is very good at making friends

But at their core they are just both fun loving little boys refusing to let their tragedies define them as they and their rag tag group of walking disasters rove the world like criminals, freeing the people from oppression.

hmm...His eyes a little crazy, it's givinnnnng..... zealot.

I love you babe but I don't trust ya. the deep blue waters of your eyes scream shark infested 😘.

Honestly the reason that Hakari and Kashimo got on so well was because they were both men that spent their lives chasing a thrill.

Kashimo is just as much a slave to the fever as Hakari is

it’s probably why Hakari and gojo got on as well cause gojo in his own way was also chasing a thrill.

that’s why neither of them could really understand Sukuna cause Sukuna’s not chasing a fight or a challenge he simply is.

Sukuna said it best when he's hungry he eats when he's bored he fights and if he thinks something's interesting he plays with it. he's not chasing anything he's simply letting life happen to him

but Hakari's chasing a gambling habit, Kashimo is chasing a good fight and for all he probably won't admit it Gojo's looking for an equal.

it's why he wants the next generation to be stronger than him, why he wants Megumi to believe in the strength of his powers. Nobody's come close to being Gojo Satoru with him since Geto and he's still chasing that. He won't find it tho, cause it was never about the strength.