Fall Countdown Day 5: The Pirate Captain

Fall Countdown Day 5: the Pirate Captain

He looks younger than I thought, but that must be the result of the elixir of blood and gold, I guess. For some reason, I think I imagined him with a full beard, but the tricorn hat is definitely accurate to my mind.

Also, there’s that border motif like in the illustrations in Rise, flowers (cherry blossoms?) versus thorns. Though, in this case, it’s dead leaves (I think?) and gold roses. I wonder if there will be another Midas connection, or if the Pirate Captain and Midas knew each other at some point.

Also, this picture is considerably well-lit. Could it be symbolic? Did we ever get confirmation that the Pirate Captain is actually a Never, or is that just an assumption? And, did he ever show signs of being an honest or decent person? I think he's at least fair in upholding his side of promises, like when he dealt with Rhian and Rafal, but I'm not too sure.

Fall Countdown Day 2: Midas

Not what I'd expected in that I had expected he'd present as Good or more Everish. Again, a potential Rhian love-interest candidate.

Ok, I really appreciate the likely intentional Hamlet reference! Love it. The skull that he looks at, so morbid. All related to the brevity of human life, the fleeting nature of life, that old memento mori theme. I bet he will be a strong carrier of that mortality theme in the book.

"Alas, poor Yorick! I knew him, Horatio. A fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times."

This reminds me of how Rafal figuratively supports Rhian. Alas, poor Yorick! But really, in this context: Alas, poor Rhian and Rafal!

Even the greatest, most powerful people one day die and are buried beneath the earth, to be feasted upon by the worms. Hamlet has the best wit. I loved his “mad” dialogue when I read the play. Anyway, for the purposes of Fall, we all end up in the same place. Physically interred, underground.

And, of course, we're getting imperial Roman vibes from this picture. Midas also has the potential to single-handedly shoulder the themes of greed or avarice in Fall, according to the original myth of King Midas.

Then, there’s the use of purple, a color only worn by the rich in ancient times because it was such a painstaking process to collect the dye and dye the fabric. Also, there’s some version of a laurel wreath at his brow, which is more fitting than a regular crown. The cravat is a good masquerading-as-an-Everboy detail though. Like, it’s definitely believable that Rhian will fall for it. Also, the swash-buckling, pirate-esque boots are the perfect disguise.

Then, there’s the idea of another boy-king. Oh great. He’ll probably be a bit like Tedros but worse. I expect some immaturity in his characterization if the plot goes in this direction. But, he’ll probably be unstable. Definitely emotionally unstable. Yeah, emotionally unstable boys in positions of power are exactly what this duology is all about. So, I wouldn't be surprised at all if he did turn out like this.

Also, I expected Midas to have more of a ridiculous, pompous, Everish personality, but he looks so brooding, so maybe, he'll be more Never-like than I expected. I mean, he's holding a skull, and looks kind of morose.

The mist looks similar to the mist that surrounds the Schools on the cover of Fall. I wonder if it’s significant?

The cage is definitely present and more obvious in this picture as well. Must be some kind of symbolism, or hinting at the actual plot and possible themes of confusion and tainted judgment in war. Actually, I've had ideas about this before.

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The way I could see it playing out is this:

Before they enter Midas' court, Rhian tells Rafal to be polite, if he's capable of it. However, Rafal refuses to bow before a man with less power than he has.

Rhian tells him they are not in the best position to argue, and he'd better keep quiet, submit, and not mouth off to the royalty in the room because they need support to win against Hook. Also, they are in a weakened state because they’ve lost their immortality.

Rafal: And who caused that problem by letting Hook in?

Rhian stops talking. They are not playing the blame game again. Hell knows they've been doing it since the end of Rise, since their students disappeared.

So, Rafal and Rhian enter Midas' court.

Then, Rafal eventually reaches a point where he doesn't respect Midas as a Never. He treats Midas with condescension.

That strikes a nerve in Midas, and Midas doesn't take Rafal's comments in kind.

Rafal says true Nevers like himself take no prisoners, and that Midas is too merciful to have lived this long, and to not have been overthrown. If he didn't have a battalion of advisors and lord-regents to rule for him, since he was a boy, it surely would have happened by now.

And, Midas also reacts with contempt, saying that he'll be merciful, all right!

Rhian is startled, and Midas has him dragged away. And, Midas either encases him in gold to put him in a sculpture garden, or imprisons him in a giant bird cage, likely a golden, gilded one.

Now, Rafal is absolutely gobsmacked, flabbergasted, at how his own plan backfired. He’d only intended to threaten Midas to get what he wanted, an army or support or something else along those lines. But, not for the first time lately, he's underestimated his new foe.

And then, Rafal is dragged away to the dungeons probably, and has to solve this new problem.

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Or, alternatively, this hypothetical could involve Rafal turning into a bird, maybe to infiltrate Midas’ palace, being caged, and Rhian humiliating himself by pleading with Midas to release his brother.

Midas probably agrees to it on one condition: Rhian stays with him. And, in response, Rhian says something like "Never! I must remain loyal to my brother!"

Midas doesn't budge. And, neither does Rhian. After some time passes, and is wasted, Rhian decides to agree, pretends to come around to it, and pretends to fall in love.

Rhian does it so convincingly that Rafal thinks Rhian has abandoned him, and is going mad and lovesick again.

And, this is doing serious damage to their trust.

Until, Rhian gears up to have his heroic moment. The moment Rafal is released, he plans to escape, get both of them away from Midas.

So, Rhian pretends to be seduced, promptly stabs Midas in the back, deserts Midas, and takes Rafal with him.

Rafal is in shock, and is simultaneously so relieved, but still can't fully relax.

He thinks he might be able to trust Rhian now, but is still unsure, because, well, the acting came so easily to Rhian. And, Rafal thinks like a Never, of course, and probably projects intentional Evil intentions onto Rhian (not the accidental: Oops, I went too far and extremist for the sake of Good, and was led astray and manipulated. Not Rhian's somewhat justified victim complex either, no, but real Evil. Or, that’s what Rafal thinks.)

Because, just look at how good Rhian is at acting! What if this was Rhian's plan all along? What if Rhian was pretending this whole time? Because, Rafal’s Rafal and he's paranoid.

So now, Rafal is forever on the lookout, and is observing Rhian more closely than ever before because who knows if he can trust Rhian? Just because Rhian saved him once before doesn't mean he won't try to kill him (again). Then, this could lead Rafal to thinking he has to make the first move, to betray first, so he isn't the one betrayed, who ends up in the losing position.

Meanwhile, Rhian is wondering what is going on in Rafal's head because his brother keeps looking at him strangely. And, not as covertly as Rafal thought. And besides, you can read a person exceptionally well after living with them and knowing them for over a century.

Rhian worries that Rafal doesn't trust him, and only tries harder to make it up to him. But, the continual efforts of "This is why you should trust me" only serve to make Rafal more suspicious as time passes because Rhian is trying too hard to repair their relationship and smooth things over artificially. It certainly doesn't look right, but he's mostly sincere. Rafal just isn't perceiving things correctly because his judgment is clouded by Rhian's earlier display of acting.

Like, how in the world can Rhian switch so quickly? Appear so real. But not be? It's all an act. But still. How? Just how? It's like he's flicked a switch. That's how easily the acting comes. And, it’s unnerving to Rafal.

Rhian is probably innocent though. And, he starts to feel hurt that Rafal won't believe in him or trust him, like ever again, and he starts to become depressed. And, that depression causes him to act unlike himself. Or rather, unlike his usual self, the self that Rafal knows and trusts and is familiar with.

And because Rhian is different and quieter than usual, this only reinforces Rafal's misperception that Rhian is untrustworthy and has something up his sleeve to doom Rafal or be the death of him. Rafal fully believes the betrayal will come from Rhian. That it’ll be dealt by the one person he used to trust. So, he's hurt too, but his pain is in response to his own anticipations, his dread, and his negative, held expectations. Rafal’s not hurt by reality. And, the fact that he's hurt by this, the unreal, and what lives in the realm of possibility, means that Rafal is hurting himself. Sure, there are external factors involved, reinforcing his misperceptions. But, his own mind is working against him. To cause these errors in perception. And, it's just sad.

And, Rhian doesn't know about the prophecy from the Sader who planted the seed in Rafal's mind, to start all this havoc and chaos and unrest. And, that Sader is partly, heavily responsible for the brothers' unraveling.

But, Rhian still worries more than ever because he sees something off or broken in his brother and wants to try to fix it. Yet, the more Rhian does, the more he tries to talk to Rafal or broach the subject of Rafal's mental state, the more Rafal utterly shuts down. And, all this continues to reinforce the problem. But, Rhian is doing it unknowingly, because he's really only trying to put his best foot forward. However, Rafal feels like he has zero people he can be vulnerable with, even if that isn't true.

Basically, each brother acting out-of-character, or revealing other sides of themselves that the other hasn't seen, is what causes them to act out-of-character. It's a vicious cycle, tearing them further and further apart.

Also, keep in mind that I'm thinking about this through a bit of a psychological lens and so, maybe, the plot will be more action-based yet still complex in terms of the brothers' relationship and their characterization. I don't know. But probably, there’ll be more action than this.

It (their downfall) could also be a more simple misunderstanding. It (the eventual ending/fratricide and/or betrayal) could be the result of such a thing, like a real argument, or anything really, no matter how small.

The tipping-point is often the smallest act, the thing that throws everything off balance, to trigger all the rest of the catastrophe, because just jostling something fragile can throw it off balance, in terms of physical objects. And, naturally, this can apply to a relationship too—if it even turns out to be a single, little moment that is possible to pinpoint and identify and define.

This is just one idea. That I somehow feel is likely? Because, at least, I believe in it. The fact that Rafal’s (or Rhian’s) descent into insanity could potentially be paranoia-driven.

I could be completely wrong or off the mark here, but I feel like this makes sense at the very least, and I could be partially right in the end. Partly, because this is based on my "It's not who we are. It's what we do" theory from my post, “Why Rafal Might Still Be a Never and Rhian Might Still Be an Ever.” And, I'm biased toward that theory. In fact, Rafal’s thought patterns in this hypothetical are based off of that other post, discussing his self-inflicted isolation and paranoia.

And, if Rafal’s characterization here seems exaggerated, it could be. But consider: instead of focusing on the positive, on how Rhian rescued him, and appreciating his brother’s heroics and skills as a diplomatic and maybe, more-shrewd-than-he-looks-Ever, Rafal fixates on the negative. Which is understandable. Humans dwell on the negative. We are wired to do so. And, Rafal is probably a pessimist by default.

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An extension to this line of thought:

This is just speculation, but maybe, in TLEA, Rafal projects Rhian onto Sophie, in how Rafal perceives her. See the: “No one will ever love you but me” line. This is given the fact that every time Rhian has fallen in love, it has gone tremendously wrong, and that the only reliable person Rhian has ever loved is Rafal.

In Fall, Rafal could treat Rhian the way everyone treated Sophie in AWWP. Like a ticking time bomb, an inevitability that will only end in disaster because he can’t be trusted. Like he could go off any minute.Because, honestly, Rafal is shocked and astounded at Rhian’s capacity to act and betray others. What dictates that he won’t be Rhian’s next victim? Their love, I suppose, if it's still there. But, I’m sure Rafal will forget about his love for Rhian at some point.

Fall Countdown Release Day: the Mermaid King

Oh, I should have known it would be Soman! I guess his alluding to a secret project before was this photoshoot for the countdown.

During TLEA in the School Master's tower:

Sophie: Rafal?

Rafal: [appears perched on the window ledge] Yes?

Sophie: [points at the plate of food before her] Is this made of bone?

Rafal: [shrugs casually and tips backward out the window]

Sophie: [calling after him, leaning out the window as he takes off] That's not an answer!

The Creation Theory and Context for “When Lightning Falls”

If anyone has been around these parts long enough, yes, this theory was dredged up from an old post’s comment section because it’s relevant to my upcoming Fall prediction fic, “When Lightning Falls.” And, yes, I'm aware that it could definitely be outdated by canon.

Note: One thing about the fic that is different from this theory though: Rhian is Good and Rafal is Evil. The Storian’s manipulation, puppetry, and intentional inciting of confusion don’t apply in the exact same way in the fic as they do in the theory. In the fic, the brothers were just created as replacements for the old School Master, to fill the role. That is the purpose they were created for. And, their purpose in life is to serve the Storian as School Masters. I will elaborate on that in a bit, if that comes across as unclear.

Also, in the fic, Rafal starts out only detecting a slight tear in the Storian’s veil, the elaborate illusion he’s been living in. I headcanon that, even as a child, he was the discerning, perceptive sort, and that almost nothing got past him. Unlike Rhian that is. Because with Rhian, you can pull the wool over his eyes, and he wouldn’t blink. It’s not Rhian’s fault though. He’s just moral and trusting, and thinks others are like himself.

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Now, without any further ado:

I think magic is not dependent on soul purity every time. There are probably other unknown factors involved, like bloodlines possibly? I think in the case of canon, we just happen to see the exceptional cases, like Sophie and Agatha. They are pure, but they were created from magic, so of course, they would be more powerful than most. Partly, because of their souls' potential, and the unusual circumstances of their birth, I would guess.

This leads me to theorize that Rhian and Rafal must have also been the result of an unusual case.

(Thank you to @mariiwhalegirl for the prompting/inspiration!)

Before reading Rise, I thought vaguely that the brothers could have been born from magic, or that they were descended from an exceptionally magically-gifted bloodline. Now, these ideas are still possible, but since we don't know about any other pairs preceding them, we could assume that they are the first, created for the purpose of Balance. That's what I think after reading Rise. Because, all other Good-Evil pairs in the series were born after them.

They're more powerful as sorcerers than the average person (and maybe, less humanly flawed—however we decide to interpret that—hold onto that thought for a bit. It will come up later in this theory).

They are also more uncanny than the average family tree, which could have some black sheep members of the other side in it (where the branches have toxically mixed), but surely not of the same birth or even from the same generation. Like the few Evers in a Never kingdom, or the few Nevers in an Ever kingdom. But those are natural outliers.

I also remember that a lot of the time, being taken by the School Masters (this was probably from Aladdin's pov) was an honor, no matter what side you were destined for. It's almost entirely too much of a coincidence that the brothers’ job as School Masters, a job which existed before them, became their job. It's just too fitting.

So, with that, I propose that the Storian could have created, not borne them, for the sole purpose of taking on a job where naturally-born Evers and Nevers had previously failed.

They could be the only people in the Woods without real parents. No connection to anyone except the other of the pair. Besides, the aged man we saw in the prologue of Rise was only one man, not a Good and Evil pair. Using an already existent person, and removing their mortality didn't work, so maybe, a more enduring solution had to come from elsewhere, which led the Storian down the path of creation.

The Storian must have thought the brothers were the perfect fit for the job, like a god thinking their creation is flawless. But, the Storian probably forgot that despite everything and its creations' seeming invincibility, they were still human, still fallible.

The Storian must have thought no information would overturn its design of the system with not one, but the two School Masters intended for the role. Specifically, a system where the roles are reversed, and the two humans don't have the faintest idea that they are supporting the wrong side, if Rafal is Good and Rhian is Evil. That is still debatable.

Or, it might not have mattered who is which, Good or Evil, because the point was for their loyalty to their blood to override their loyalty to their side. So, by design, being loyal to a side that isn't theirs, that belongs to their blood (their brother), and never knowing this could keep them and the Woods in Balance.

They would be unwittingly supporting the other side, not their own, and thus, the risk of supporting their true side over their blood would be diminished, out of the question. Since they would never support the other side they believe isn't theirs. Since they are supporting their blood in a way by supporting their brother's true side.

To clarify, I mean, in supporting Evil, Rafal would be indirectly supporting what Rhian stands for, without realizing it, and Rhian would be doing the same, supporting Good which could be his brother's true side.

In fact, Rafal's seeing through the veil, the Storian's ruse, could be the reason why the Storian tried to distract him with fairy tales about himself, to get away from the real issue, and the hidden system falling apart. It could also explain why the Storian lashed out and cut Rafal's arm because now, Rafal's started on a dangerous and unstable train of thought, when he started questioning his Evil status and Rhian's Good status.

And, the Storian can't get Rafal to forget it, so letting it pass, or allowing for Rafal's self-destruction, whichever comes first, is the easiest way to wipe the slate clean. Except, maybe only one brother died by the end of the fated war, so the Storian's creations were harder to get rid of than it realized or ever anticipated.

(And, letting your creation think he’s going insane with paranoia usurping the seat of his mind is far less work than explaining yourself as an immortal deity. So, the problem will solve itself in time, albeit messily, and it will end in mortal tragedy. But who cares? As the Pen, it’s not your life at stake.)

So, the Storian could have spun an elaborate web of, not lies, but misperception to maintain the Balance. But anything built on an untruth isn't designed to last. Not that the Storian cared about its creations.

The Storian must have either decided to start afresh, like with a Noah's ark of destruction in some symbolic way by tearing down the brothers, or by triggering a specific sequence of the fated Great War. Or, it has mistakenly self-sabotaged itself and its Woods by letting its sentient creations become too self-aware, breaking from their originally-established, intentionally-switched roles.

Also, the Noah's ark thing: we've seen the Schools rising out of the sea (probably the Savage Sea?) in the trailer for Rise. I mean the new castle Schools, not the original manor by the way. So, that could be a parallel?

Also, there's the Abel and Cain parallel I've mentioned before. Abel and Cain are recognized as the first children borne by humans. And, Rhian and Rafal could possibly be the first children not borne by humans in the Endless Woods. That's why they could be an unprecedented, and thus exceptional case.

Lastly, it (the Storian’s system) could have been that the only way for Good and Evil to coexist stably: With an Ever to support Evil and a Never to support Good in such a high position. They would just have to be unaware of it to follow through with the job the Storian assigned them.

Basically, the theory here is that the Storian not only puppeted the brothers as they were, but that they are artificial souls, designed to be puppeted by their Master. They would be Masters in name only.

In actuality, they'd unconsciously be slaves to their creator.

In the end, I would call this theory: "The greatest trick the Devil Pen ever pulled was convincing Men that they were loyal to their own side."

And, Rafal did call the Pen "the little devil," so why not?

Egads, looking at Google docs, I bet I have over 50 pages worth of posts, mostly observations, praise, and critique, from rereading Rise and reading Fall alone.