
Creator/writer of I Need A Miracle, host of Merely Roleplayers. (Those are podcasts.) He/him.
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I Need A Miracle Is Produced With Broadcast Assistance From Teresa Milewski
I Need A Miracle is produced with broadcast assistance from Teresa Milewski

Teresa Milewski is a firm favourite at @wirelesstheatre, and has been a dedicated and highly organised broadcast assistant on many of the company's most popular Audible Originals, and Wireless Original production Peace and War.
@merelymatt says, Teresa lit up our recording days, keeping on top of a technical job I won't pretend to understand while also being friendly and encouraging to everyone who entered the space.
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merelymatt reblogged this · 1 year ago
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foggyoutline reblogged this · 1 year ago
More Posts from Merelymatt
Did you know I've been serialising a story in my newsletter for nearly a year?
A Net Too Wide To Break His Fall is about Callum, who is invisible and inaudible and essentially nonexistent to anyone he hasn't been introduced to.
You might think that wouldn't be too big an issue but the boy is also extremely bad at maintaining close relationships with the people he knows (ie the ones capable of introducing him to new people)
Basically imagine if letting your friendships and family relationships lapse led to you functionally becoming a ghost.
Callum's solution to this is to get involved in organised crime and then almost immediately decide to turn coat, which has led to the situation he's currently in.
Latest chapter in the reblog, all previous chapters collected here:
Ready: The first renewables course
It's the latest Ready edition of the Foggy Outline newsletter, Ready & Waiting! With:
💨 A brand new Udemy course with answers to common questions about renewables, like "are they actually unreliable?" and "why should some countries have to rely on renewables when others built themselves on fossil fuels?"
☀️ Where to find us this summer
🗝 Chapter 10 of A Net Too Wide To Break His Fall, where we discover just how bad it is to get locked in a cellar when most people in the world can't see or hear you

These reveals simply cannot stop keeping on coming!!!
Sound design for I Need A Miracle is by Sarah Buchynski
Sarah is the power behind Polarity Audio Works: a post-production house that understands the power of audio storytelling and is passionate about creating immersive stories.
You might recognise Sarah and Polarity from such illustrious credits as Kalila Stormfire's Economical Magick Services, Counterbalance, White Vault: Artifact and White Vault: Acquisition.
@merelymatt says, this show creates its setting in glimpses and snapshots, but with Sarah on board, every out-of-focus glimpse and passing scene is a fully realised world with depth you can sink into. Listen out for how her design subtly and simply sets the rules – and more importantly, the feel – of a world where the miraculous is mundane.
that guy chuck... so fitting that VAL sent him harm
260 is Down!
Sci-fi horror. A company funds the research submarine Virgil and its expedition down into a newly discovered trench in Antarctica, but the crew are not prepared for what they will discover lurking in the trench’s depths.
Completed series of 24 episodes.
Music for I Need A Miracle is by Katharine Seaton


Katharine works with Rusty Quill as sound designer and composer, and made her BBC Radio 4 debut on Easter Day 2023, as composer for the radio adaptation of Ian McEwan’s novel Enduring Love.
@merelymatt says, once upon a time, my plan was not to have music in I Need A Miracle. That would have been a sad, flat world. Katie got me thinking about the vibe of the series, and its themes, motifs and recurring moments and moods, in a way I never would have without a composer on board – and then translated those raw thoughts perfectly into sound. Her music is the first thing you hear in each episode, and it acts like the best teasers and trailers – giving you just a sense of what you're in for, calibrating your receptors ready for the episode to activate your emotions (yes all of them, all at once).